The Well-Tempered Ear

Classical music: Madison Opera’s FREE 17th annual “Opera in the Park” takes place this Saturday night in Garner Park

July 16, 2018
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By Jacob Stockinger

Madison Opera’s annual Opera in the Park (below) celebrates its 17th year on this coming Saturday night, July 21, at 8 p.m. in Garner Park on Madison’s far west side, near West Towne Mall.

The annual FREE and family-friendly concert of opera and Broadway favorites closes the company’s 2017-18 season and provides a preview of the 2018-19 season.

A Madison summer tradition that often attracts over 15,000 people (below, in a photo by James Gill), Opera in the Park is an evening of music under the stars that features selections from opera and Broadway.

This year’s Opera in the Park features four soloists: soprano Elizabeth Caballero; soprano Brenda Rae; tenor John Lindsey; and baritone Levi Hernandez.

Caballero (below top) and Hernandez (below bottom) recently starred in Madison Opera’s acclaimed production of “Florencia en el Amazons” last spring.

Lindsey (below) is making his debut, and will return to the company as the Prince in Antonin Dvorak’s Rusalka in April, 2018.

Rae (below) is also making her Madison Opera debut. She did her undergraduate work at the UW-Madison’s Mead Witter School of Music before going on to the Juilliard School and an international career. She is singing Cunegonde in Candide at Santa Fe Opera this summer, and is performing at Opera in the Park in between performances there.

The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra (below top, in a photo by James Gill), conducted by Gary Thor Wedow (below bottom), who has guest conducted Opera in the Park before.

The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW-TV’s 27 News co-anchor George Smith (below).

Opera in the Park  is the most wonderful and most unique performance we give at Madison Opera,” says Kathryn Smith (below, in a photo by James Gill). “We have beautiful voices performing music from many centuries in many languages, while thousands of members of our community relax together under the same night sky. It truly shows how music and opera can connect us. I am so grateful to all of our supporters for enabling us to produce this free concert every summer, harnessing the community-building power of music.”

Opera in the Park 2018 features arias and ensembles from Cavalleria Rusticana and Pagliacci, which open the 2018-19 season in November; Stephen Sondheim’s A Little Night Music, which will be performed in February; and Antonin Dvorak’s Rusalka, which will be performed in April. (You can hear the beautiful “Song to the Moon” from Rusalka — a signature aria for superstar soprano René Fleming — sung by Frederica von Stade, in the YouTube video at the bottom.)

The program also includes selections from La Bohème, Turandot, La Sonnambula, The Marriage of Figaro, El Niño Judío, La del Soto del Parral, My Fair Lady, Candide, On the Town, and more. For a complete list of repertoire on the program, which is subject to change, go to: https://www.madisonopera.org/2018-2019-season/oitp/

As always, this evening will include one number conducted by the audience with light sticks (below).

Garner Park is located at 333 South Rosa Road, at an intersection with Mineral Point Road. Parking is available in the CUNA Mutual Group and University Research Park lots across the street.

Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park. On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time.

The rain date for Opera in the Park is Sunday, July 22, at 8 p.m.

While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations and individuals.

Sponsors of Opera in the Park 2018 are:  the BerbeeWalsh Foundation, the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, the Evjue Foundation – the charitable arm of The Capital Times, Hooper Foundation, MG&E Foundation, Johnson Bank, National Guardian Life, Wisconsin Bank and Trust, the Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.

Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.

RELATED EVENT: Prelude Dinner at Opera in the Park 2018 is on Saturday, July 21, at 6 p.m. in the park under a tent.

This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community. The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, a complimentary light stick, and a reception with the artists following the performance. Tickets are $145 per person or $1,100 for a table of eight. More information is available at www.madisonopera.org

Madison Opera is a non-profit professional opera company based in Madison, Wisconsin. Founded in 1961, the company grew from a local workshop presenting community singers in English-language productions to a nationally recognized organization producing diverse repertoire featuring leading American opera singers and emerging talent.

A resident organization of the Overture Center for the Arts, Madison Opera presents three annual productions in addition to the free summer concert Opera in the Park and a host of educational programming.

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Classical music: Madison Opera travels to the jungle for the local premiere of the Spanish opera “Florencia en el Amazonas” this Friday night and Sunday afternoon

April 23, 2018
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By Jacob Stockinger

This weekend, the Madison Opera travels to the jungle to present the Madison premiere of Florencia en el Amazonas (with sets from the production by the Arizona Opera, below) by Daniel Catán on Friday night, April 27, at 8 p.m. and Sunday afternoon, April 29, at 2:30 p.m. in the Overture Hall at the Overture Center for the Arts, 201 State Street.

The opera will be sung in Spanish with English supertitles. Running time is 2 hours and 15 minutes with one intermission.

Tickets are $18-$130 with discounts available for students and groups. For more information about tickets and the production, go to www.madisonopera.org

Mexican composer Daniel Catan’s lush and accessible orchestral soundscape brings the Amazon River to life in this magical and mystical journey.

Set in South America at the turn of the 20th century, the story begins when Florencia Grimaldi, a famous opera singer, embarks anonymously on a voyage down the Amazon River to sing a concert in Manaus, Brazil.

She is traveling to the concert incognito; her real hope for the journey is to be reunited with the lover she left behind, a butterfly hunter.

On the boat with her are a young journalist, Rosalba, who is writing a biography of Grimaldi; a couple feeling the strain of their long marriage, Paula and Alvaro; the boat’s captain; the captain’s restless nephew, Arcadio, who falls in love with Rosalba; and a man who is a rather mystical presence, Riolobo.

Over the course of the journey, the passengers encounter a storm, piranha, and ultimately cholera.

Florencia en el Amazons is simply gorgeous,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s General Director.  “I heard only wonderful things about it following its 1996 premiere, and when I saw the opera 10 years ago, I realized why audiences love it so much.

“The music is ravishing, the setting is physically beautiful, and the characters are fascinating. I am delighted to be presenting it in Madison, as part of our vision of sharing operas from all time periods and in all languages.”

Florencia was the third opera composed by Daniel Catán (below, in a photo by Gina Ferazzi for the Los Angeles Times) and the first Spanish-language opera to be commissioned by a major U.S. opera company. Houston Grand Opera premiered the work in 1996; it has since been performed across North America and Europe, with companies like Houston, Los Angeles, and Seattle producing it multiple times due to audience demand.

The opera’s libretto, while an original story, was inspired by the writings of the Nobel Prize-winning Colombian novelist Gabriel García Márquez (below) author of 100 Years of Solitude and Love in the Time of Cholera. Librettist Marcela Fuentes-Berain was a protégé of Márquez; according to Catán, he and Fuentes-Berain would show García Márquez parts of the libretto as they were finished. Elements of the author’s trademark magic realism pervade many parts of the opera.

Catán’s music was acclaimed for its lush writing.  The New York Times said, “Mr. Catán’s writing for the voice is luxuriously lyrical; and he orchestrates with skill.” (You can hear the opera’s opening scene in the YouTube video at the bottom.)

Catán wrote two more operas before dying at age 62 of a heart attack. At his sudden death in 2011, Plácido Domingo called him “one of the great opera composers of our time, beloved by audiences and especially by the musicians who had the privilege of performing his incredible work.”

“I am so happy to have the opportunity to perform this absolutely gorgeous opera,” says John DeMain (below, in a photo by Prasad), Madison Opera’s Artistic Director. “I had the pleasure of knowing Daniel Catán, and commissioned an orchestral suite from this opera for the Madison Symphony Orchestra, which we performed in 2003.

“We all were struck by the power and sweep of the music. This story of the power of love and music in all of our lives will be sung by a great cast of singers, and the orchestral fabric will lift audiences out of their seats and transport them to the magical world of the Amazon. This is an opera written in our time, with a musical score that will leave audiences wanting to hear it again and again.”

Madison Opera’s cast features a number of returning favorites. For revealing 10-question interviews with cast members, go to the MadOpera blog at: http://madisonopera.blogspot.com

Elizabeth Caballero (below) sings Florencia Grimaldi, a role she has sung for New York City Opera and Nashville Opera. The Cuban-American soprano debuted with Madison Opera at Opera in the Park in 2007 and returned in Carmen, La Traviata,and Don Giovanni. Last month, she sang Mimì in La Bohème at the Metropolitan Opera.

Rachel Sterrenberg sings the journalist Rosalba; she debuted in Charlie Parker’s Yardbird here last season.

Adriana Zabala (below), who sang in The Tales of Hoffmann and at last summer’s Opera in the Park, sings Paula, a role she has also sung at San Diego Opera and Arizona Opera.

Nmon Ford (below, in a photo by Guy Madmoni), who sang Scarpia in Tosca with Madison Opera in 2013, sings the mysterious Riolobo.

Mackenzie Whitney, who debuted as Rodolfo in La Bohème with Madison Opera in 2015, returns as Arcadio, the Captain’s nephew. Levi Hernandez, who debuted in The Magic Flute here in 2005, returns as Alvaro. Bass Ashraf Sewailam (below) makes his Madison Opera debut as the Captain of the El Dorado.

Kristine McIntyre (below) returns to direct this Madison Opera premiere. She has directed many successful productions for Madison Opera, including Dead Man Walking and The Tales of Hoffmann. Recent work includes productions at Pittsburgh Opera, Utah Opera, Des Moines Metro Opera, and Kentucky Opera.

The production prominently features members of Kanopy Dance Company, playing spirits of the river.  Lisa A. Thurrell, co-artistic director of Kanopy, has created choreography for her dancers and this production.

The set (below) comes from Arizona Opera, with costumes designed by Madison Opera’s Karen Brown-Larimore, who designed the costumes for The Abduction from the Seraglio in February.

As always, the opera features the Madison Opera Chorus and the Madison Symphony Orchestra.

Madison Opera’s production of “Florencia en el Amazons” is sponsored by the National Endowment for the Arts, Thompson Investment Management, Inc., Carla and Fernando Alvarado, Thomas Terry, the Ann Stanke Fund, Kennedy Gilchrist and Heidi Wilde, and Charles Snowdon and Ann Lindsey.


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Classical music: Madison Opera will stage its first-ever production of Mozart’s “The Abduction from the Seraglio” this Friday night and Sunday afternoon

February 7, 2018
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By Jacob Stockinger

This weekend, the Madison Opera presents The Abduction from the Seraglio by Wolfgang Amadeus Mozart on Friday, Feb. 9, at 8 p.m. and Sunday, Feb. 11, at 2:30 p.m. in the Capitol Theater at the Overture Center for the Arts, 201 State Street.

According to a press release, the opera — below is a mock-up of the locally designed and constructed set — will be sung in German with English used for dialogue and in the translated supertitles above the stage. Running time is about 2-1/2 hours with one intermission.

Tickets are $25-$114 with student and group discounts available. Call the Overture Box Office at (608) 258-4141 or visit www.madisonopera.org

With some of the most virtuosic vocal writing by Mozart (below), the opera is an adventure story of love, danger, humor and humanity.

Set in the 17th-century Ottoman Empire, the opera begins when Belmonte, a Spanish nobleman, arrives at Pasha Selim’s palace to rescue three people who had been captured during a shipwreck: his fiancée, Konstanze, and their servants, Blonde and Pedrillo.

A simple escape proves no easy task, and Mozart’s masterpiece weaves together comedy, quiet reflection and youthful optimism, with a happy ending brought about by an Enlightened ruler.

Abduction is a simply marvelous opera,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s general director who will give free pre-performance talks in the third-floor Wisconsin Studio at 7 p.m. on Friday night and 1:30 p.m. on Sunday afternoon. “It’s the opera with which Mozart started to reinvent opera, with not only the expected arias, but also brilliant ensemble work. The very real humanity of the piece – its funny parts, its moving parts and the universal truth of the ending – is extraordinary.”

The Abduction from the Seraglio (Die Entführung aus dem Serail) was Mozart’s first major success. Written for the National Singspiel in Vienna – a pet project of Emperor Joseph II – it premiered in 1782 and was an immediate hit. (You can hear the familiar and captivating Overture in the YouTube video at the bottom.)

Like all singspiels, the opera uses spoken dialogue; indeed, the critical role of Pasha Selim is entirely spoken, perhaps one of the few instances of a major opera character not singing a note. In Madison, the dialogue will be performed in English, with the music sung in German (with projected English translations).

With a libretto by Johann Gottlieb Stephanie the Younger – an unauthorized adaptation of a libretto by Christoph Friedrich Breztner – Abduction was one the first successful German-language operas.

It was immortalized in the film Amadeus, and is famous for a possibly apocryphal story in which Emperor Joseph II criticized the work, saying to Mozart, “Too many notes,” and Mozart responded, “Exactly as many as needed.”

Abduction would go on to become Mozart’s most popular opera during his lifetime, but it has been a comparative rarity in the United States. This is Madison Opera’s first production of the opera in the company’s 57-year history.

“Mozart’s music for Abduction is a delight from start to finish,” says John DeMain (below, in a photo by Prasad), Madison Opera’s artistic director and conductor. “Great – and at times excitingly challenging – arias are enhanced by beautiful duets, trios and quartets. It has always been a favorite opera of mine, and I’m so looking forward to Madison Opera’s first production of this masterpiece with an absolutely knockout cast of great young singers.”

Mozart’s phenomenal vocal writing requires a strong team of five singers, and Madison Opera’s cast features a number of returning favorites.

Amanda Woodbury (below) sings the Spanish noblewoman Konstanze, whose aria “Martern aller Arten” is one of the most challenging arias ever written. Woodbury debuted with Madison Opera as Pamina in The Magic Flute last spring, and has recently sung leading roles for the Metropolitan Opera and Los Angeles Opera.

Tenor David Walton (below) sings Belmonte, Konstanze’s fiancé; he debuted at Opera in the Park this past summer, has sung many leading roles for Minnesota Opera, and sings at the Glimmerglass Festival this summer.

Matt Boehler (below) returns as Osmin, the palace overseer with some devilishly low bass notes. He sang Rocco in Fidelio and Leporello in Don Giovanni for Madison Opera, and more recently has sung with Minnesota Opera, Opera Philadelphia, and the Canadian Opera Company.

Konstanze and Belmonte’s servants, Blonde and Pedrillo, are sung by Ashly Neumann(below top) in her Madison Opera debut and Wisconsin native Eric Neuville (below bottom), who sang Laurie in Little Women for Madison Opera.

Alison Mortiz (below) directs this new production in her debut with Madison Opera. Moritz has directed at opera companies around the United States, including Central City Opera, Tulsa Opera and Tri-Cities Opera.

The sets and costumes (below) are locally made specifically for this production.

The scenery and lighting are designed by Anshuman Bhatia, also in his Madison Opera debut, with costumes designed by Karen Brown-Larimore. As always, the opera features the Madison Opera Chorus and the Madison Symphony Orchestra.

Madison Opera’s production of The Abduction from the Seraglio is sponsored by Kay and Martin Barrett, Fran Klos, Sally and Mike Miley, and the Wisconsin Arts Board.


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