The Well-Tempered Ear

Classical music: Here are the classical music nominees for the 2020 Grammy Awards. They make a useful holiday gift guide and highlight the trend toward more diversity

November 29, 2019
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By Jacob Stockinger

Today is Black Friday followed by Small Business Saturday and Cyber Monday — all with special deals and sales.

With that in mind, here is a list of the recently announced nominees in classical music for the 2020 Grammy Awards.

Although it is a self-serving list for a competition sponsored by The Industry, it can also be good way to find holiday gifts to give to others or to receive for yourself.

The list can be useful for spotting trends and finding new releases you may not have heard of.

For example, this year seems especially good for new music or recent works and contemporary composers. You won’t find any Bach, Haydn, Mozart, Beethoven, Schubert, Brahms, Dvorak, Tchaikovsky or Mahler although you will find Berlioz, Schumann, Wagner, Bruckner, Berg, Rachmaninoff and Copland.

Another favorite seems to be the rediscovery of older composers such as Mieczyslaw Weinberg (1919-1996, below) whose centennial has become an occasion for bringing his neglected works to the forefront.

You can also see that like the Oscars, the Grammys seem to be paying more attention to women composers and conductors, artists of color and crossovers or mixed and hybrid genres.

For complete lists of all 84 categories, go to this site and click on the categories that interest you: https://www.grammy.com/grammys/news/2020-grammy-awards-complete-nominees-list

The 62nd annual Grammy Awards will be presented on Sunday, Jan. 26, at the Staples Center in Los Angeles and will be broadcast live on CBS television.

  1. Best Engineered Album, Classical
    An Engineer’s Award. (Artist names appear in parentheses.)
  • AEQUA – ANNA THORVALDSDÓTTIR
    Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble)
  • BRUCKNER: SYMPHONY NO. 9
    Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)
  • RACHMANINOFF – HERMITAGE PIANO TRIO
    Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio)
  • RILEY: SUN RINGS
    Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)
  • WOLFE: FIRE IN MY MOUTH
    Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)

  1. Producer Of The Year, Classical
    A Producer’s Award. (Artist names appear in parentheses.)
  • BLANTON ALSPAUGH
  • Artifacts – The Music Of Michael McGlynn (Charles Bruffy & Kansas City Chorale)
    • Berlioz: Symphonie Fantastique; Fantaisie Sur La Tempête De Shakespeare (Andrew Davis & Toronto Symphony Orchestra)
    • Copland: Billy The Kid; Grohg (Leonard Slatkin & Detroit Symphony Orchestra)
    • Duruflé: Complete Choral Works (Robert Simpson & Houston Chamber Choir)
    • Glass: Symphony No. 5 (Julian Wachner, The Choir Of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices & Novus NY)
    • Sander: The Divine Liturgy Of St. John Chrysostom (Peter Jermihov & PaTRAM Institute Singers)
    • Smith, K.: Canticle (Craig Hella Johnson & Cincinnati Vocal Arts Ensemble)
    • Visions Take Flight (Mei-Ann Chen & ROCO)
  • JAMES GINSBURG (below)
  • Project W – Works By Diverse Women Composers (Mei-Ann Chen and Chicago Sinfonietta)
    • Silenced Voices (Black Oak Ensemble)
    • 20th Century Harpsichord Concertos (Jory Vinikour, Scott Speck and Chicago Philharmonic)
    • Twentieth Century Oboe Sonatas (Alex Klein and Phillip Bush)
    • Winged Creatures & Other Works For Flute, Clarinet, And Orchestra (Anthony McGill, Demarre McGill, Allen Tinkham and Chicago Youth Symphony Orchestra)
  • MARINA A. LEDIN, VICTOR LEDIN
  • Bates: Children Of Adam; Vaughan Williams: Dona Nobis Pacem (Steven Smith, Erin R. Freeman, Richmond Symphony & Chorus)
    • The Orchestral Organ (Jan Kraybill)
    • The Poetry Of Places (Nadia Shpachenko)
    • Rachmaninoff – Hermitage Piano Trio (Hermitage Piano Trio)
  • MORTEN LINDBERG
  • Himmelborgen (Elisabeth Holte, Kare Nordstoga & Uranienborg Vokalensemble)
    • Kleiberg: Do You Believe In Heather? (Various Artists)
    • Ljos (Fauna Vokalkvintett)
    • LUX (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
    • Trachea (Tone Bianca Sparre Dahl & Schola Cantorum)
    • Veneliti (Hakon Daniel Nystedt & Oslo Kammerkor)
  • DIRK SOBOTKA
  • Bruckner: Symphony No. 9 (Manfred Honeck & Pittsburgh Symphony Orchestra)

 75. Best Orchestral Performance Award to the Conductor and to the Orchestra.

  • BRUCKNER: SYMPHONY NO. 9
    Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
  • COPLAND: BILLY THE KID; GROHG
    Leonard Slatkin, conductor (Detroit Symphony Orchestra)
  • NORMAN: SUSTAIN
    Gustavo Dudamel, conductor (Los Angeles Philharmonic)
  • TRANSATLANTIC
    Louis Langrée, conductor (Cincinnati Symphony Orchestra)
  • WEINBERG: SYMPHONIES NOS. 2 and 21
    Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)

  1. Best Opera Recording
    Award to the Conductor, Album Producer(s) and Principal Soloists.
  • BENJAMIN: LESSONS IN LOVE & VIOLENCE
    George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House)
  • BERG: WOZZECK
    Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera)
  • CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
    Paul O’Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)
  • PICKER: FANTASTIC MR. FOX
    Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)
  • WAGNER: LOHENGRIN
    Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)

  1. Best Choral Performance
    Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
  • BOYLE: VOYAGES
    Donald Nally, conductor (The Crossing)
  • DURUFLÉ: COMPLETE CHORAL WORKS
    Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)
  • THE HOPE OF LOVING
    Craig Hella Johnson, conductor (Conspirare)
  • SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
    Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers)
  • SMITH, K.: THE ARC IN THE SKY
    Donald Nally, conductor (The Crossing)

  1. Best Chamber Music/Small Ensemble Performance
    For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
  • CERRONE: THE PIECES THAT FALL TO EARTH
    Christopher Rountree and Wild Up
  • FREEDOM & FAITH
    PUBLIQuartet
  • PERPETULUM
    Third Coast Percussion
  • RACHMANINOFF – HERMITAGE PIANO TRIO
    Hermitage Piano Trio
  • SHAW: ORANGE
    Attacca Quartet

79. Best Classical Instrumental Solo Award to the Instrumental Soloist(s) and to the Conductor when applicable.

  • THE BERLIN RECITAL
    Yuja Wang
  • HIGDON: HARP CONCERTO
    Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra)
  • MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
    Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)
  • THE ORCHESTRAL ORGAN
    Jan Kraybill
  • TORKE: SKY, CONCERTO FOR VIOLIN
    Tessa Lark; David Alan Miller, conductor (Albany Symphony)

 80. Best Classical Solo Vocal Album  Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

  • THE EDGE OF SILENCE – WORKS FOR VOICE BY GYÖRGY KURTÁG
    Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle)
  • HIMMELSMUSIK
    Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell)
  • SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
    Matthias Goerne; Leif Ove Andsnes, accompanist
  • SONGPLAY
    Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco)
  • A TE, O CARA
    Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)

  

  1. Best Classical Compendium
    Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
  • AMERICAN ORIGINALS 1918
    John Morris Russell, conductor; Elaine Martone, producer
  • LESHNOFF: SYMPHONY NO. 4 ‘HEICHALOS’; GUITAR CONCERTO; STARBURST
    Giancarlo Guerrero, conductor; Tim Handley, producer
  • MELTZER: SONGS AND STRUCTURES
    Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers
  • THE POETRY OF PLACES
    Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers
  • SAARIAHO: TRUE FIRE; TRANS; CIEL D’HIVER
    Hannu Lintu, conductor; Laura Heikinheimo, producer

  

  1. Best Contemporary Classical Composition
    A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
  • BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
    Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra)
  • HIGDON: HARP CONCERTO
    Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)
  • MARSALIS: VIOLIN CONCERTO IN D MAJOR
    Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra)
  • NORMAN: SUSTAIN
    Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic)
  • SHAW: ORANGE
    Caroline Shaw, composer (Attacca Quartet)
  • WOLFE: FIRE IN MY MOUTH
    Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)

 


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Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night

April 25, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.

By Jacob Stockinger

This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.

On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.

The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).

The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)

To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/

To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg

The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).

The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).

SATURDAY

On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a  photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.

All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.

No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.

Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.


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Classical music: The reviews are in! This afternoon is your last chance to hear the critically acclaimed violin virtuoso Gil Shaham and the Madison Symphony Orchestra in Tchaikovsky, Prokofiev and Rachmaninoff

January 21, 2018
3 Comments

By Jacob Stockinger

It has been 17 years since the internationally renowned, award-winning American violin virtuoso Gil Shaham (below) performed in Madison, and that was a recital with his pianist-sister Orli Shaham at the Wisconsin Union Theater.

This weekend he was back for three performances with the Madison Symphony Orchestra under John DeMain in an all-Russian program that featured one of the greatest violin concertos: the Violin Concerto in D major by Peter Ilyich Tchaikovsky. (You can hear Gil Shaham performing an excerpt from the finale of the Tchaikovsky concerto in the YouTube video at the bottom.)

Both the critics and audiences loved him.

This afternoon at 2:30 p.m. in Overture Hall of the Overture Center, 201 State Street is your last chance to hear Gil Shaham in the Tchaikovsky, along with the “Love for Three Oranges” Suite by Sergei Prokofiev and the Symphony No. 3 by Sergei Rachmaninoff.

Tickets are $18-$90.

For more information about tickets, the performers and the program, go to the website:

https://www.madisonsymphony.org/shaham

Here are two reviews that you can read as a preview if you haven’t yet gone or as a chance to measure your own impressions against the critics’ if you went to the performances on Friday and Saturday nights.

Here is the review that John W. Barker, a frequent guest critic for this blog, wrote for Isthmus:

http://isthmus.com/music/violin-virtuosity/

And here is the review that Jessica Courtier wrote for The Capital Times:

http://host.madison.com/ct/entertainment/music/gil-shaham-makes-familiar-tchaikovsky-sound-fresh-with-mso/article_c4b11e50-92bb-5082-8c35-cbe1b0a3a554.html

What did you think of Gil Shaham’s performance?

Of the playing by the Madison Symphony Orchestra?

The Ear wants to hear.


Classical music: Acclaimed violinist Gil Shaham debuts here this weekend in an all-Russian program with the Madison Symphony Orchestra

January 16, 2018
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By Jacob Stockinger

This weekend, the Madison Symphony Orchestra (below) performs three concerts that include the long-awaited Madison debut of violin virtuoso Gil Shaham. MSO music director John DeMain will conduct.

The all-Russian program features works by three of the most popular and beloved Russian composers of all time: the Suite from The Love for Three Oranges” by Sergei Prokofiev; the Symphony No. 3 in A minor by Sergei Rachmaninoff; and the Violin Concerto in D Major by Peter Ilyich Tchaikovsky.

The concerts are in Overture Hall at the Overture Center, 201 State Street, on this Friday, Jan. 19, at 7:30 p.m.; Saturday, Jan. 20, at 8 p.m.; and Sunday, Jan. 21, at 2:30 p.m.

(See below for ticket information.).

“Our January concerts feature a number of significant firsts,” says MSO music director John DeMain (below, in a photo by Prasad).

“Most important is the Madison Symphony Orchestra debut of one of the world’s premier violinists, Gil Shaham. We have sought out Mr. Shaham for many seasons, and we are thrilled his international schedule aligned with ours this year. His offer to play the Tchaikovsky Violin Concerto led me into creating another one of my all-Russian programs.

From Prokofiev, we open the concert with MSO’s first performance in nearly 40 years of his Suite from his opera, The Love of Three Oranges. This will also be our first-ever performance of Rachmaninoff’s Third Symphony.”

“The Love for Three Oranges” Suite by Sergei Prokofiev (below) is based on a satirical opera commissioned during the composer’s first visit to the United States in 1918.

“The suite is composed in six parts and follows the story of a prince that is cursed to love three oranges, roaming the Earth searching for them. When he finds the oranges and peels them, each discloses a beautiful princess inside. The first two princesses to emerge die, but the third and most beautiful is saved, and she and the Prince live happily ever after.

“The Violin Concerto by Peter Ilych Tchaikovsky (below) is one of the best-known violin concertos in the repertoire and is considered one of the most technically difficult works ever written for the violin. The concerto was written in 1878 as Tchaikovsky ended his marriage to Antonina Milyukova, a marriage that lasted only three months.”

Declared “the outstanding American violinist of his generation” by Time magazine, Gil Shaham is one of the foremost violinists of our time: his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master.

Grammy Award-winner Shaham (below), also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals. (You can hear Gil Shaham rehearsing the Tchaikovsky Violin Concerto last month in Paris in the YouTube video at the bottom.)

In his Symphony No. 3, Sergei Rachmaninoff’s melodic outline and rhythm characterize what is believed to be his most expressively Russian symphony, particularly in the dance rhythms of the finale.

Composed between 1935 and 1936, this was the last symphony Rachmaninoff (below) would create, with an orchestration more transparent than that of his previous symphonies.

One hour before each performance, Randal Swiggum (below), artistic director of the Elgin Youth Symphony Orchestra and interim director of the Wisconsin Youth Symphony Orchestras (WYSO), will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read the Program Notes by MSO trombonist and UW-Whitewater professor J. Michael Allsen (below, in photo by Katrin Talbot) at: http://www.allsenmusic.com/NOTES/1718/5.Jan18.html

NOTE: The MSO recommends that concert attendees ARRIVE EARLY for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk, which is free for all ticket-holders.

TICKET INFORMATION

Single Tickets are $18-$90 each and are on sale http://www.overture.org/events/gil-shaham-plays-tchaikovsky, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734.

For more information, visit: https://www.madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.

More information is at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for the January concerts is provided by the Irving and Dorothy Levy Family Foundation, Inc., Kenneth A. Lattman Foundation, Inc., Marilyn and Jim Ebben, Dr. Stanley and Shirley Inhorn, Kato L. Perlman, and Cyrena and Lee Pondrom. Additional funding provided by James and Joan Johnston, von Briesen & Roper, S.C., and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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