The Well-Tempered Ear

Classical music: Two noteworthy concerts of Baroque chamber music, organ music and vocal music take place this Wednesday midday and Saturday night

February 19, 2019
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By Jacob Stockinger

This is another very busy week for classical music in the Madison area. If Baroque music interests you, there are two noteworthy concerts this week that should attract your attention.

JUST BACH

This Wednesday, Feb. 20. at 1 p.m. in Luther Memorial Church, 1021 University Avenue, the February midday concert by Just Bach (below, at its September concert) will take place.

Admission to the all-Johann Sebastian Bach concert is FREE with a goodwill offering accepted.

Because it will be lunchtime, food and drink are allowed.

This month’s concert includes three diverse works.

Organist Mark Brampton Smith (below) will open the program with the first movement of the Concerto in D Minor BWV 596. This is Bach’s arrangement for organ of the popular Concerto for Two Violins by Antonio Vivaldi, and it comes off with dramatic effect when transcribed to the organ.

Violinist Leanne League will take the stage next, with the Sonata for Violin in A Minor, BWV 1003.

The program ends with the hauntingly beautiful Cantata 82 “Ich habe genug”(I have enough), scored for solo bass voice and oboe, strings and continuo. The vocal soloist will be UW-Madison bass-baritone Paul Rowe (below). You can hear the incomparable Dietrich Fischer-Dieskau sing the aria in YouTube video at the bottom.) 

The orchestra of baroque period-instrument specialists will be led by concertmaster Leanne League, and will include oboist Claire Workinger (below), in her Just Bach debut.

Organizers and performers say the goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

The other Just Bach dates, all Wednesdays, this semester are March 13, April 24 and May 29.

WISCONSIN BAROQUE ENSEMBLE

The veteran Wisconsin Baroque Ensemble will perform a varied concert of vocal and instrumental chamber music this coming Saturday night, Feb. 23, at 7:30 p.m. in St. Andrew’s Episcopal Church, 1833 Regent Street.

Tickets can be purchased only at the door. Admission is$20, $10 for students.

Performers are: Nathan Giglierano, baroque violin; Eric Miller; viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Daniel Sullivan, harpsichord; and Anton TenWolde, baroque cello.

The program is:

Nicolas Bernier – “Diane” Cantata for voice and basso continuo

Marin Marais – Pièces de violes (Pieces for Viola da Gamba), selections from Book 4

Louis Couperin – Pièces de clavecin (Pieces for harpsichord)

Joseph Bodin de Boismortier – Trio sonata, Op. 37, No. 2

INTERMISSION

Francesco Paolo Supriani – Sinfonia for cello and basso continuo

Georg Fridrich Handel – “Nel dolce dell’ oblio” (In Sweet Forgetfuness)

Tommaso Giordani – Duo for two cellos, opus 18 no 5

Georg Philipp Telemann – Quartet in G minor TWV 43 g4

Following the concert, there will be a reception at 2422 Kendall Ave., Apt. 2.

For more information, go to www.wisconsinbaroque.org

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Classical music: Con Vivo will perform a “Winter Warmth” chamber music concert this Sunday afternoon. Plus, a FREE viola da gamba concert is Friday at noon

January 31, 2019
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the viola da gamba duo ViolMedium in “Façades and Duplicities,” a multi-dimensional exploration of the rich harmonic, timbral and dramatic potentials offered by violas da gamba.

The viol is the medium through which gambists Eric Miller of Madison and Phillip Serna of Chicago bridge contemporary and historically informed performance. They use experimental and innovative programming as exemplified in masterworks by Carl Friedrich Abel, Bela Bartok, Gottfried Finger, Marin Marais, Christoph Schaffrath and others.

The concert runs from 12:15 to 1 p.m. Food and beverages are allowed.

By Jacob Stockinger

The Madison-based chamber music group Con Vivo (below) will perform a “Winter Warmth” program of chamber music this coming Sunday afternoon, Feb. 3.

 

The concert will include the Finale from Symphony No. 6 for organ by Charles Marie Widor; the Quartet for oboe and strings by Wolfgang Amadeus Mozart; and the Piano Quintet for piano, clarinet and strings, Op. 42, by Czech composer Zdenek Fibich.

The concert takes place this Sunday afternoon, Feb. 3, at 2:30 p.m. in the First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.

Tickets can be purchased at the door. Admission is $18 for adults, $15 for seniors and students.

Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.

New to this concert is that Con Vivo will perform in two different spaces. The first half of the concert will be in the sanctuary, and the second half in the chapel at the First Congregational Church. This will provide the audience with different experiences for hearing the chamber music.

In remarking about the concert, Con Vivo’s artistic director Robert Taylor said, “We continue our 17th season with music evocative of warm winter thoughts during these cold, dark winter days that we often have.

“The wonderful lush strains of Charles Marie Widor’s organ music are contrasted by the bright cheerful music of Mozart in his oboe quartet. (You can hear the opening movement of Mozart’s Oboe Quartet in the YouTube video at the bottom.) The afternoon is capped off by the rarely played Piano Quintet by Fibich (below). What better way to spend a cold winter afternoon?”

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences.


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Classical music: Need a break from holiday shopping or final exams? A FREE “Just Bach” midday concert TODAY marks Christmas. On Friday at noon a free concert features violin music of Mozart and Ravel.

December 12, 2018
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By Jacob Stockinger

Need a  break from holiday shopping or final exams this week? Today’s post brings announcements of two short and appealing midday concerts:

TODAY

Just Bach is a new monthly series of hour-long concerts in Madison celebrating the music of Johann Sebastian Bach.

The series continues with an end-of-semester performance at 1 p.m. TODAY, Wednesday, Dec. 12, at Luther Memorial Church, 1021 University Ave.

Admission is free with goodwill offerings accepted. Audience members are permitted to eat and drink during the performance.

Next semester’s dates are Jan. 23, Feb. 20, March 13, April 24 and May 29.

The orchestra of baroque period-instrument specialists will be led by concertmaster Kangwon Kim.

The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach (below) would have conceived.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

Here is the complete program for today’s concert:

BWV 729: In dulci jubilo (Mark Brampton Smith, organ)

Chorale: Wie soll ich dich empfangen (How shall I embrace You?) from Part I of the Christmas Oratorio (All sing)

BWV 61: Nun komm, der Heiden Heiland (Now come, Savior of the Heathen)

Chorale: Ich will dich mit Fleiss bewahren (I will cherish you assiduously) from Part III of the Christmas Oratorio (All sing)

Aria from BWV 213: Schlafe, mein Liebster (Sleep, my beloved)

Chorale: Schaut hin, dort liegt im finstern Stall (Look there, there He lies in a dark stall) from Part II of the Christmas Oratorio (All sing)

Duet from BWV 110: Ehre sei Gott (Glory be to God)

SELECTIONS FROM PART IV OF BACH’S “CHRISTMAS ORATORIO”:

Recit and Chorale: Immanuel, o suesses Wort! (Emmanuel, oh sweet word!)

Aria: Floesst, mein Heiland, floesst dein Namen (My Saviour, Your name instills)

Recit and Chorale: Wohlan, dein Name soll allein (Well then, Your name alone)

Aria: Ich will nur dir zu Ehren leben (I will live only to honor You)

Chorale: Brich an, o schoenes Morgenlicht  (Break forth, oh beautiful morning light) from Part II of the Christmas Oratorio (All sing). You can hear it in the YouTube video at the bottom, performed by the critically acclaimed Sir John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir, sung to pictures of Bach’s own manuscript.

Singers are Sarah Brailey and Elisheva Pront, sopranos; Cheryl Bensman-Rowe, mezzo-soprano; Wesley Dunnagan, tenor; and UW-Madison Professor Paul Rowe, bass.

The orchestra includes: Kangwon Lee Kim (below) and Nathan Giglierano, violins; Marika Fischer Hoyt and Micah Behr, violas; James Waldo, cello; and Mark Brampton Smith, organ.

FRIDAY

This Friday, Dec. 14, from 12:15 to 1 p.m. the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, will features violinist Wendy Adams and pianist Ann Aschbacher.

The  duo will perform Wolfgang Amadeus Mozart’s Violin Sonata No. 35, K. 526 – which you can hear in the YouTube video at the bottom — and Maurice Ravel’s Violin Sonata No. 2

Here is some background:

The First Unitarian Society of Madison presents “Friday Noon Musicales,” a distinguished artist recital series now in its 31st season.

Talented area musicians play most every Friday, from October through May. Mostly classical music, but Broadway, jazz, folk and other styles are presented at times as well. Enjoy complimentary coffee, tea and live music.

Concerts are free and open to the public. No ticket is required. All performances 12:15–1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive.

Visit https://fusmadison.org/music for upcoming featured artists.


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Classical music: The UW-Madison Choral Union and UW Symphony Orchestra perform the Duruflé Requiem and Kodaly “Te Deum” this coming Saturday and Sunday nights

December 5, 2018
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By Jacob Stockinger

In Mills Hall this coming Saturday night, Dec. 8, at 8 p.m. and Sunday night, Dec. 9, at 7:30 p.m., the University of Wisconsin-Madison Choral Union (below, in a  photo by John W. Barker) and the UW Symphony Orchestra will perform two works: the Requiem by Maurice Duruflé; and the “Te Deum” by Zoltan Kodaly.

The Choral Union is a campus and community choral group that performs once each semester. This spring, it will take part in three performances of the Symphony No. 8, “The Symphony of a Thousand,” by Gustav Mahler with the Madison Symphony Orchestra, where conductor Beverly Taylor is the choral director.

In addition to the chorus and the orchestra there are student soloists.

In the Duruflé Requiem, the student soloists are: Michael Johnson, baritone; and Chloe Flesch, mezzo-soprano (below).

In the Kodaly “Te Deum,” the student soloists are:  Jing Liu, soprano; Chloe Flesch, mezzo-soprano; Benjamin Hopkins, tenor; and bass Ben Galvin.

Tickets cost $17 for the public, $8 for students.

For more information about the works as well as a YouTube video preview of the Kodaly and information about how to obtain tickets in advance or at the door, go to: https://www.music.wisc.edu/event/choral-union-the-durufle-requiem/

Beverly Taylor (below), the longtime director of Choral Activities at the University of Wisconsin-Madison Mead Witter School of Music who will lead the performances, recently spoke to The Ear about the concert:

“I plan to retire in May 2020, so I’m picking some great music for my last few Choral Union concerts!

“I’ve always wanted to do the Duruflé Requiem, which Bruce Gladstone performed in Luther Memorial Church a few years ago in the organ version. But I knew we couldn’t get a good organ on stage in Mills Hall and still have room for the orchestra.

“I hadn’t realized that Duruflé (below) had written a full orchestra version without the organ, which is replaced by the woodwinds. So it seemed a wonderful piece to do. (You can hear the Kyrie movement from the Durufle Requiem in the YouTube video at the bottom.) 

“Since I have the symphony orchestra only one semester, I ignore holiday music when it comes to programming for the Choral Union, and try to assemble a wonderful evening.

“The Duruflé piece sounds like music by Gabriel Fauré and other late French church works, with its less dramatic text choices and its warmth, lush color and tide-like swells and diminuendos.

“I’ve done the “Te Deum” by Kolday (below) twice before over my 24 years here. It continues to be a favorite, and I use it because I like it, because it’s about 20 minutes long and a good companion piece, and because it shows off the Choral Union so beautifully.

“It’s a work of great contrasts, from a thrilling opening to a quiet middle based on a Hungarian folksong, to a next-to-final fugato and to a very quiet ending.

“The only problem with this program?  Both pieces end quietly!  Can we still get a burst of applause?”


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Classical music: This Saturday night brings concerts by the Festival Choir of Madison and a harpsichord rededication recital by Trevor Stephenson

November 2, 2018
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By Jacob Stockinger

The Ear has received announcements for the following two events that will place on Saturday night:

FESTIVAL CHOIR OF MADISON

The Festival Choir of Madison (below) will present the first concert of the season — “Angels and Demons” — on this Saturday, Nov. 3, at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and artistic director, Edgewood College professor Sergei Pavlov (below), will take listeners on a Dante-inspired journey — from the Inferno in “The Divine Comedy” through Purgatory all the way to Paradise — as interpreted by composers Karl Jenkins, Zdenek Lukas, Gyorgy Orban, Alfred Schnittke, Joseph Rheinberger, Rodion Schedrin, Wolfgang Amadeus Mozart and Marteen Spruijt. (Sorry, but there has been no word on specific works to be performed.)

Guest pianist Kyle Johnson, organist Ted Reinke, percussionist James McKenzie and a string ensemble will accompany the choir throughout the journey.

Concert admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.festivalchoirmadison.org/concerts/2018/11/3/angels-and-demons

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. It performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the organization and see upcoming concerts, go to: www.festivalchoirmadison.org

HARPSICHORD AT IMMANUEL LUTHERAN CHURCH

On this Saturday night, Nov. 3, at 7 p.m. at Immanuel Lutheran Church, 1021 Spaight Street, there will be a harpsichord rededication celebration and concert.

The appearance and musicality of this renovated double-mansuel. French 18th-century instrument at Immanuel Lutheran have recently been restored and upgraded under the exceptional guidance and expertise of Trevor Stephenson (below bottom), artistic director and founder of the Madison Bach Musicians.

Immanuel is excited to share the instrument (below) with the Madison community by presenting Stephenson in a rededication harpsichord concert. (Composers on the program include Jean-Philippe Rameau, Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. No program of specific works has been provided.)

A pre-concert interactive lecture discussing the instrument and rebuilding process will precede the concert starting at 6:30 p.m.

A freewill offering is appreciated at the concert.

A brief reception will follow, and all are welcome.


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Classical music: This week’s “Just Bach” concert on Wednesday afternoon features Halloween fare as well as instrumental and vocal music typical of Johann Sebastian

October 29, 2018
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By Jacob Stockinger

BOO!!

But this time it’s all treat and no trick!

This month’s FREE concert in the new midday series of Just Bach (below, in a photo by John W. Barker) falls on Wednesday – that is, on Halloween!

In keeping with the spooky holiday, this week’s Just Bach concert will feature one of the traditional pieces of classical music used on Halloween: the mighty and well-known Toccata and Fugue in D minor for organ. (You can see an abstract and fascinating animated graphic depiction of the work in the YouTube video at the bottom.)

The FREE concert runs from 1 to 2 p.m. at Luther Memorial Church (below) at 1021 University Avenue. The audience is permitted to eat lunch and drink refreshments during the midday concert.

Two other works are on the program.

One is the Suite No. 5 in C minor for solo cello, played by James Waldo (below). A discerning friend of The Ear heard Waldo play a different solo cello suite at a concert last month by the Madison Bach Musicians, and said it was probably the finest interpretation he had ever heard. And he has heard a lot of them.

The last work will be the Cantata No. 163 “Nur Jedem das Seine,” or “To Each His Own,” with singers and instrumentalists performing on period instruments with historically informed performance practices.

For information about the series, go to: https://justbach.org

Specifically, if you want to know more about the dates and programs, go to:

https://justbach.org/concerts/

And if you want to know more about the performers, go to: https://justbach.org/about-us/

Finally, if you want to know more about the background and genesis of the new concert series, here is a link to a previous post:

https://welltempered.wordpress.com/?s=Just+Bach


Classical Music: The Chicago Gargoyle Brass and Organ Ensemble will take Madison listeners on a FREE concert of ‘Imaginary Journeys’ TONIGHT at 7 p.m.

October 27, 2018
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By Jacob Stockinger

The Ear has received the following announcement for a concert that sounds in keeping with the spirit of Halloween:

The Chicago Gargoyle Brass and Organ Ensemble (below, in a photo by Thomas Mohr) will lead listeners on aural adventures through space, time and fantasy at its “Imaginary Journeys” concert TONIGHT, Oct. 27.

The concert is FREE and open to the public, and will take place at 7 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, in Madison.

For more information, call (608) 271-6633 or visit www.gslcwi.com or gargoylebrass.com.

The professional ensemble of brass quintet and pipe organ, with percussion, will perform the Madison premieres of new works and arrangements it recently commissioned for its novel array of instruments.

The concert’s namesake work, “Imaginary Journeys,” was written for the ensemble by Chicago-area composer Mark Lathan. It takes listeners on a rocket-powered interstellar adventure, inspired by recent astronomical discoveries.

“For this piece,” Lathan says, “I wanted to bring in some drama, somewhat in the manner of a film score.” Lathan earned a doctorate in music from the University of California at Los Angeles, where he received the Henry Mancini Award in Film Composition and studied film scoring with Jerry Goldsmith.

Another Madison premiere is Craig Garner’s brass-and-organ arrangement of Igor Stravinsky’s ever-popular Suite from “The Firebird,” a ballet based on Russian fairy tales. “The audience will hear an all-time favorite orchestral work like it’s never been heard before,” says Rodney Holmes, founder and artistic director of the Chicago Gargoyle Brass and Organ Ensemble.

Concertgoers will also hear the first local performances of “Short Fuse” for brass, organ and percussion by Chris Reyman (below), a jazz performance specialist teaching at the University of Texas at El Paso. Holmes says, “This piece shows off a very different face of what a pipe organ and brass can do.”

Other first hearings include Garner’s two-part instrumental suite from English Baroque composer Henry Purcell’s “Come Ye Sons of Art.”

The concert’s journey into the Baroque era includes brass and organ arrangements of movements from Johann Sebastian Bach’s chorale cantata “Ein feste Burg ist unser Gott” (A Mighty Fortress Is Our God), BWV 80.

The concert’s imaginative works include “Earthscape” by David Marlatt (below, and heard in the YouTube video at the bottom) as well as pipe-organ versions of “Clair de lune” (Moonlight) by Claude Debussy and Louis Vierne.

Performers will include Madison-based organist Jared Stellmacher (below), an award-winning musician heard on the Chicago Gargoyle Brass and Organ Ensemble’s critically acclaimed 2015 debut CD “Flourishes, Tales and Symphonies.” He holds a master’s degree in music from Yale University.

Gargoyle ensemble players are trumpeters Lev Garbar and Andrew Hunter, horn player Amy Krueger, trombonist Ian Fitzwater, tuba player Jason Lyons, and percussionist Logan Fox. Conductor will be Jakob Noestvik.

About the Chicago Gargoyle Brass and Organ Ensemble

“The Chicago Gargoyle Brass and Organ Ensemble plays with warmth, elegance, and panache,” said U.S. music magazine Fanfare in a review of the ensemble’s debut CD. “[They] are perfect companions for the music lover in need of calming nourishment.”

The group takes its whimsical name from the stone figures atop gothic buildings at the University of the Chicago, where the now-professional ensemble got its start in 1992 as a brass quintet of faculty and students.

Under its founder and artistic director Rodney Holmes, it has evolved over the decades into an independent organization of classically trained musicians that focuses on commissioning and performing groundbreaking new works and arrangements for brass and pipe organ. More information can be found at gargoylebrass.com.


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Classical music: Concerts by UW cellist Parry Karp and the chamber music group Con Vivo take place this Saturday night

October 11, 2018
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ALERT: The Rhapsodie Quartet, featuring members of the Madison Symphony Orchestra, will perform a FREE public concert (suggested donation is $5) at the Capitol Lakes Retirement Community,  333 West Main Street, two blocks off the Capitol Square, this Friday night, Oct. 12, at 7 p.m.

The program is the String Quartet in G minor, Op. 74, No. 3, by Franz Joseph Haydn and the “Razumovsky” String Quartet in C Major, Op. 59, No. 3, by Ludwig van Beethoven. For more information and background, go to: https://madisonsymphony.org/event/rhapsodie-quartet-recital/

By Jacob Stockinger

It is a busy week for classical music in Madison, and all the listings have still not been included here.

On Saturday night, Oct. 13, two more noteworthy events will take place.

PARRY KARP

A Faculty Concert Series recital by UW-Madison cello professor Parry Karp (below), who is also the longtime cellist of the Pro Arte Quartet, will take place on Saturday night in Mills Hall at 8 p.m.

Karp will be joined by two pianists: his mother Frances Karp, a longtime Madison piano teacher; and Thomas Kasdorf (below), who is pursuing his doctoral degree at the University of Wisconsin-Madison’s Mead Witter School of Music.

The program is an interesting and unusual one.

It features “Hamabdil” (1919), or Hebrew Rhapsody, by Granville Bantock (below), who, Karp says “was a wonderful British composer, a favorite of Elgar.” (You can hear “Hamabdil” in the YouTube video at the bottom.)

“Phantasma for Solo Cello” (2006) is by Jesse Benjamin Jones (below), who is on the faculty of the Oberlin College Conservatory.

The Violin Sonata in A Major, Op. 30, No. 1 (1801-02), by Ludwig van Beethoven, continues the exploration of Beethoven’s violin sonatas transcribed for the cello by Karp himself.

The Cello Concerto (1956) by William Walton (below), says Karp, who performed it this summer with the English Symphony Orchestra, “is one of the great cello concertos of the 20th century. This version features a piano reduction of the orchestral score.

CON VIVO

Con Vivo (below), the critically acclaimed Madison-based chamber music group, will also give a concert to open its 17th season on Saturday night at 7:30 p.m. in the First Congregational United Church of Christ, at 1609 University Avenue, near Camp Randall Stadium.

Free parking is two blocks away, at the nearby UW Foundation, 1848 University Avenue.

The eclectic program, called “Members Choice,”will include the  “Kegelstatt” Trio for piano, clarinet and viola by Wolfgang Amadeus Mozart; and the Suite for Organ, Violin and Cello by Josef Rheinberger (below).

The night will be rounded out by solo works from the group’s talented and veteran performers many of whom also play with other major groups including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

Tickets are available at the door, and cost $18 for general admission; $15 for seniors and students.

For information, go to www.convivomusicwithlife.org


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Classical music: The FREE one-hour, monthly midday concert series “Just Bach” debuts with excellent playing and outstanding singing as well as practical problems such as downtown parking and timing

October 1, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

Marika Fischer Hoyt is becoming ever more ubiquitous, not only as a performing violist in orchestral, string quartet and period-instrument ensembles, but also as organizer of musical activities, especially as devoted to the music of Johann Sebastian Bach (below).

Hoyt (below) has already revived the annual “Bach around the Clock” spectacular each spring to mark Bach’s birthday, but now she has established a monthly series of FREE midday concerts at Luther Memorial Church called “Just Bach.”

The first of this series was held last Thursday afternoon, Sept. 27, at 1 p.m. in the church sanctuary at 1021 University Avenue. Ten musicians participated.

The singers were UW-Madison alumna Sarah Brailey, soprano (below); mezzo-soprano Cheryl Bensman Rowe; tenor Wesley Dunnagan; UW-Madison bass-baritone Paul Rowe.

The players were Kangwon Lee Kim and Leanne League, violins; Fischer Hoyt, viola; James Waldo, cello; and Luke Conklin, oboe. All played on period instruments, with Mark Brampton Smith playing the organ.

The hour-long program offered Bach’s “Little” Organ Fugue in G minor, and two full cantatas: BWV 165, “O heiliges Geist- und Wasserbad” (O Bath of Holy Spirit and Water) for Trinity, and BWV 32, “Liebster Jesu, mein Verlangen” (Dearest Jesus, My Desire), a dialogue cantata. (You can hear the opening aria of Cantata BWV 32 in the YouTube video at the bottom.)

Both set the type of Pietistic Lutheran German texts standard for such church compositions of the day, and each built around pairs of arias and recitatives for different solo singers.

BWV 32, which adds an oboist (below, second from right) to the string players in some of the movements, is particularly interesting in representing a series of exchanges between the Soul (Seele) and Jesus Himself, culminating in direct duos between them.

Each cantata ends with a harmonization of a traditional Lutheran chorale. In the spirit of the program’s venue, the audience was asked to sing them, in German, from prepared sheets. In these, and in an English hymn from this church’s hymnal, the audience was prepped by Brailey, who served as general hostess.

In purely musical terms, the performances were really excellent, with both vocalists and instrumental players of established talents. And certainly the very atmosphere of a church setting evoked the composer’s original purposes. (The church’s ample acoustics enriched the musical performances, though they badly undermined spoken material on the microphone.)

Previously, the Madison Bach Musicians has been a rare group giving us specimens of the generally neglected cantatas, but now this “Just Bach” series will augment the works’ availability.

Subsequent concerts in this series will be switched to 1 p.m. on WEDNESDAY afternoons on Oct. 31, Nov. 28 and Dec. 12.

For more background, including the addresses of Facebook and Instagram sites of “Just Bach,” go to:

https://welltempered.wordpress.com/2018/09/25/classical-music-just-bach-a-monthly-mid-day-free-concert-series-starts-this-thursday-at-1-p-m-in-luther-memorial-church/

But prospective attendees should be warned of practical problems. The early afternoon time is difficult for most people, there is no parking facility, and access to the venue will likely be limited to those already in the vicinity.

For all that, I reckoned some 40 or so people in the audience – with no one eating lunch, even thought that is permitted. So artistic merits might still surmount obstacles.


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Classical music: “Just Bach” — a monthly mid-day FREE concert series — starts this Thursday at 1 p.m. in Luther Memorial Church. Plus, the FREE fifth annual UW Brass Fest takes place Friday and Saturday

September 25, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Friday and Saturday, the UW-Madison’s Mead Witter School of Music will host  Brass Fest V. It features guest artists and the faculty group The Wisconsin Brass Quintet. Events are FREE and OPEN to the public. For a schedule and more information about events and performers, go to: https://www.music.wisc.edu/event/brass-fest-v-alumni/

By Jacob Stockinger

A new and noteworthy monthly event starts this Thursday. Here is an announcement:

“Just Bach” is a new monthly mid-day concert series in Madison. It celebrates the music of Johann Sebastian Bach (below).

The series of hour-long concerts kicks off at 1 p.m. this Thursday, Sept. 27,at Luther Memorial Church (below), 1021 University Avenue.

Admission is free, but goodwill offerings will be accepted.

The Madison series, inspired by a model and successful program established by conductor Julian Wachner at the Trinity Wall Street Church in New York City, will offer monthly concerts at Luther Memorial Church, presenting programs curated from Bach’s sacred vocal repertoire.

As in New York City, the concerts will open with all present singing a hymn, followed by an organ solo, with the rest of the program devoted to cantatas, motets, and possibly oratorios or passions. An important component of the initiative will be the training and inclusion of local singers for the chorus. The period-instrument orchestra will include local and regional players.

Audience members may take in food and beverage for their lunch, which can be consumed during the program.

This Thursday afternoon, organist Mark Brampton Smith (below) will play the “Little” Fugue in G Minor, BWV 578 (heard, with a graphic depiction, in the YouTube video at the bottom); and the choir and orchestra will perform two beautiful cantatas: O heileges Geist- und Wasserbad (O Bath of Holy Spirit and Water), BWV 165; and Liebster Jesu, mein Verlangen (Dearest Jesus, My Desire), BWV 32.

Adds the organizer Marika Fischer Hoyt (below), who also directs the annual Bach Around the Clock event in March: “The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large.

“The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived. Members of the artistic team will prepare local singers to perform alongside seasoned professionals and develop a familiarity and love of the repertoire.

“The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

“The dream team bringing this venture to Madison consists of four individuals who have each dedicated a significant portion of their careers to the music of J.S. Bach: soprano Sarah Brailey, who did her master’s at the UW-Madison and won the Handel Aria Competition; mezzo-soprano Cheryl Bensman-Rowe; UW-Madison professor and bass-baritone Paul Rowe; and modern and baroque violist Marika Fischer Hoyt who also performs with the Madison Bach Musicians, Sonata à Quattro and the Madison Symphony Orchestra.

The vocal soloists for the concert on this Thursday will be Sarah Brailey (below), Cheryl Bensman-Rowe, tenor Wesley Dunnagan, and Paul Rowe. The period orchestra of local and regional baroque players will be led by concertmaster Kangwon Kim.

After the debut, Just Bach dates go to Wednesdays and will take place at 1 p.m. on Oct. 31, Nov. 28 and Dec. 12.

Our Facebook page is at https://www.facebook.com/SingetdemHerrn

Our Instagram account is at https://www.instagram.com/_just_bach_/

A website is in the process of being constructed.

We are extremely grateful to Pastor Brad Pohlman and the congregation of Luther Memorial Church for hosting the series this Fall.

We invite the Madison community to come spend a lunch hour with the sublime music of J.S. Bach – feed your body and soul!”


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