The Well-Tempered Ear

Classical music: Organist and composer Chelsea Chen debuts at Overture Hall on Tuesday night

February 18, 2019
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By Jacob Stockinger

Organist Chelsea Chen (below) makes her Madison debut on this Tuesday night, Feb. 19, at 7:30 p.m. in Overture Hall as part of the Madison Symphony Orchestra’s Concert Organ series.

Ticket information is below.

Chen brings to her Overture Hall premiere an array of widely known classical pieces plus her own original composition.

Chen’s performance begins with Ola Gjeilo’s Sinfonietta and Edvard Grieg’s First Peer Gynt Suite, Op. 46— continuing with Chen’s original work, the Taiwanese Suite, Camille Saint-Saens’ Finale from “Organ” Symphony No. 3, Ad Wammes’ Miroir, and finally, selections from Gustav Holst’s The Planets.

Composer Gjeilo (below) has praised Chen’s interpretation of Sinfonietta, which the organist has performed at the Walt Disney Concert Hall in Los Angeles and the Kimmel Center in Philadelphia.

The First Peer Gynt Suite, Op. 46, by Grieg is one of the most easily recognizable compositions within the musical art form. Subtitled “Morning,” it is the first of two suites that Grieg (below) transcribed from Henrik Ibsen’s 1867 Norwegian play Peer Gynt.

The opus, albeit a short first movement from the suite, intends to instill imagery of the sunrise over the North African desert. Despite this, it is more commonly associated with the sweeping mountains, fjords and lakes that mark Norway’s landscape.

Chen’s own Taiwanese Suite combines the dynamic range of the organ with inflections of traditional Asian folksongs. It is composed of three movements: “Hills in the Springtime,” “Moonlight Blue” and “Mountain of Youth.”

Inspired by the works of Richard Wagner, Franz Liszt and others, Saint-Saens (below) composed a variety of arrangements and selections for numerous occasions. By age 10, the French composer and child prodigy had given his first concert. His Finale from “Organ” Symphony No. 3 is, as some consider, the pinnacle of his body of compositions. (You can hear Chen’s playing of the Finale from the “Organ” Symphony by Saint-Saens in the YouTube video at the bottom.)

Miroir was composed by Dutch composer Ad Wammes (below) for Stephen Taylor to celebrate the organist’s appointment to the Nicolaïkerk, a church in the Netherlands. In an unconventional mirroring — hence the title — the right hand repeats the higher voices in the same pattern throughout the song, whereas the left hand varies texture, voice and tone in the lower registers. The result is a calming, low hum that is lifted by the glistening echoes of the upper registers.

To Holst, The Planets suite could be framed as “a series of mood pictures,” with its seven movements. Ironically, Holst (below) seemed to heavily dislike his explosive popularity resulting from the suite’s compositional structure. Despite his supposed negativity towards the piece, its inherent superb qualities of each movement — no two are alike — became a staple of evocative composition.

Following an academic career at the Juilliard School and Yale University, Chelsea Chen has practiced under the tutelage of known names in the musical world, such as Paul Jacobs and John Weaver. For more information about her, go to: https://madisonsymphony.org/event/chelsea-chen/

Single Tickets are available for $20 each and can be purchased online at http://madisonsymphony.org/chen, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two tickets for $10 each. More information is at: https://madisonsymphony.org/studentrush

Discounted seats are subject to availability, and discounts may not be combined.

This performance is sponsored by Friends of the Overture Concert Organ (below) that was custom-built by Klais Orgelbau of Germany. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra commissioned the Overture Concert Organ.

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Classical music: Con Vivo will perform a “Winter Warmth” chamber music concert this Sunday afternoon. Plus, a FREE viola da gamba concert is Friday at noon

January 31, 2019
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the viola da gamba duo ViolMedium in “Façades and Duplicities,” a multi-dimensional exploration of the rich harmonic, timbral and dramatic potentials offered by violas da gamba.

The viol is the medium through which gambists Eric Miller of Madison and Phillip Serna of Chicago bridge contemporary and historically informed performance. They use experimental and innovative programming as exemplified in masterworks by Carl Friedrich Abel, Bela Bartok, Gottfried Finger, Marin Marais, Christoph Schaffrath and others.

The concert runs from 12:15 to 1 p.m. Food and beverages are allowed.

By Jacob Stockinger

The Madison-based chamber music group Con Vivo (below) will perform a “Winter Warmth” program of chamber music this coming Sunday afternoon, Feb. 3.

 

The concert will include the Finale from Symphony No. 6 for organ by Charles Marie Widor; the Quartet for oboe and strings by Wolfgang Amadeus Mozart; and the Piano Quintet for piano, clarinet and strings, Op. 42, by Czech composer Zdenek Fibich.

The concert takes place this Sunday afternoon, Feb. 3, at 2:30 p.m. in the First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.

Tickets can be purchased at the door. Admission is $18 for adults, $15 for seniors and students.

Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.

New to this concert is that Con Vivo will perform in two different spaces. The first half of the concert will be in the sanctuary, and the second half in the chapel at the First Congregational Church. This will provide the audience with different experiences for hearing the chamber music.

In remarking about the concert, Con Vivo’s artistic director Robert Taylor said, “We continue our 17th season with music evocative of warm winter thoughts during these cold, dark winter days that we often have.

“The wonderful lush strains of Charles Marie Widor’s organ music are contrasted by the bright cheerful music of Mozart in his oboe quartet. (You can hear the opening movement of Mozart’s Oboe Quartet in the YouTube video at the bottom.) The afternoon is capped off by the rarely played Piano Quintet by Fibich (below). What better way to spend a cold winter afternoon?”

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences.


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