ALERT: The Wisconsin Chamber Orchestra and its acclaimed music director Andrew Sewell are pretty busy these days playing the accompanying music for the Madison Ballet‘s multiple performances of Peter Tchaikovsky‘s holiday ballet “The Nutcracker.”
Then on this coming Friday night at 7 p.m. at the Blackhawk Church in Middleton, the WCO, the WCO Chorus, the Festival Choir of Madison and guest soloists, all under the baton of Sewell, also give their annual and usually sold-out performance of George Frideric Handel‘s oratorio “Messiah.” The Ear has been told that this year’s performance is also close to selling out to. For more information and tickets, go to:
By Jacob Stockinger
At 8 p.m. this Saturday night, Dec. 10, the Madison Bach Musicians (below top) will give their sixth annual Baroque Holiday Concert.
The event will once again be held in the beautiful and sonorous sanctuary (below) of the First Congregational United Church of Christ, 1609 University Avenue.
There is a free pre-concert lecture by the always witty, informative and entertaining MBM founder, artistic director and harpsichordist Trevor Stephenson (below) at 7:15 p.m. NOTE: Trevor Stephenson will also discuss the upcoming holiday concert and play excerpts from past ones TODAY AT NOON on The Midday program aired by Wisconsin Public Radio.
The program will feature: a cappella (solo vocal) masterworks by Orlando di Lassus and Josquin des Prez performed by a vocal quartet; a Christmas Cantata for soprano and strings by Alessandro Scarlatti—featuring soprano soloist Chelsea Morris (below top); a trio sonata by Johann Joseph Fux; an intriguing Partita for two scordatura violins (scordatura means the open strings are re-tuned into a new interval configuration!) by Heinrich Biber; the Sonatina in A minor for baroque bassoon and continuo by Georg Philipp Telemann ― with soloist and UW-Madison professor Marc Vallon (below bottom, in a photo by James Gill); one of the Christmas Cantatas, BWV 122, Das neugeborne Kindelein (The Newborn Baby) by Johann Sebastian Bach (heard in the YouTube video at the bottom); and a bonus feature ― a preview of MBM’s upcoming April performance of Bach’s oratorio St. John Passion, the tenor aria Ach, mein Sinn.
Advance-sale discount tickets: $28 for general admission, $23 for students and seniors 65 and over. They are available at Orange Tree Imports, Farley’s House of Pianos, Room of One’s Own, and Willy Street Co-op (East and West) . You can also find online advance-sale tickets at madisonbachmusicians.org
Tickets at the door are: $30 for general admission; $25 for students and seniors 65 and over. Student Rush tickets are $10 at the door and go on sale 30 minutes before lecture (student ID is required)
Musicians will include: Chelsea Morris, soprano; Joseph Schlesinger, counter-tenor; Scott Brunscheen, tenor; Matthew Tintes, bass; Kangwon Kim and Brandi Berry, baroque violins; Marika Fischer Hoyt, baroque viola; Martha Vallon, baroque cello; Marc Vallon, baroque bassoon; and Trevor Stephenson, harpsichord
By Jacob Stockinger
Voces Aestatis (pronounced VO-ches Eh-STA-tees) – or Summer Voices — is a professional choir of 16 voices that specializes in choral literature from the Renaissance and earlier.
Director Ben Luedcke (above, far left in front row, and below) has prepared a concert that will feature both sacred and secular works from the 16th century.
Saint Andrew’s Episcopal Church (below) is an intimate and acoustically ideal performance space for this ensemble — which is a highly select group of Madison singers, hand-picked for their vibrant voices, blended tone and experience with early music, particularly the a cappella repertoire of the 16th century.
One of the few professional choirs in Madison, this group of paid singers only rehearses a handful of times, performing once per year.
The first half of the concert will begin and end with double-choir pieces by Jean Mouton, and the master of the polychoral sub-genre, Giovanni Gabrieli. Music by William Byrd (below) and Jean l’Heritier celebrate the glory of God.
Also included are works by Giuseppe Pierluigi da Palestrina and Orlando di Lasso (below), with texts taken from the Song of Songs. Though sanctioned in the Old Testament as an allegory of the love between Christ and the Church, these biblical passages are infamous for their explicit erotic qualities and have been favorites of choral composers for centuries.
Music of Carlo Gesualdo and Antonio Lotti, with dramatic texts taken from the Tenebrae service of Good Friday round out the first half of the concert.
The second half features both English and Italian madrigals by Orlando Gibbons, John Bennet, Jacques Arcadelt, and Claudio Monteverdi (below). These highly sensual texts deal with lust as well as death, even questioning the meaning of our short lives.
Video and audio recordings from last year’s concert are available on YouTube at:
By Jacob Stockinger
The Ear’s friend Jerry Hui –- a supremely talented individual and graduate of the University of Wisconsin-Madison School of Music who performs, composes and teaches at UW-Stout – sends the following word:
The Madison-based early music group Eliza’s Toyes (below top) has a concert this Friday night, May 22, at 7:30 p.m. at the Wisconsin Institutes for Discovery (below bottom). The concert is titled “Music: The Miracle Medicine.”
Here is an introduction to the program:
“Rediscover the integral role of music as the restorer of health in the early days of medical science during the Medieval, Renaissance and Baroque periods.
“Music has been an integral part of our wellbeing. To this date, many listen to music for its power in relaxation, excitement, and even catharsis. The development of music therapy as a medical profession, as well as increasing research in the physiological and psychological effects of music, signifies our ongoing interest to understand and utilize music.
“As scientists continue to examine music in a utilitarian light, it is worthwhile for us to rediscover how human beings have historically viewed music and its connection with health.”
Tickets will be available at the door: $15 for the general public and $10 for students.
Here is the program, which is organized by theme, and which include singing i English, Latin, French, German and Spanish:
CONCERNING THE FOUR HUMORS
Vos flores rosarum — Hildegard von Bingen (below top, 1098-1179)
Descendi in hortum meum — Cipriano de Rore
Absterge Domine (1575) — Thomas Tallis (1505-1585)
Turn Our Captivity (1611) — William Byrd (below bottom, 1540-1623)
MIRACLES AND REMEDIES
Tantas en Santa María — (Cantigas de Santa Maria)
In principio erat Verbum (1566) — Orlando di Lassus (below, 1532-1594)
Caecus quidam (1558) — Hubert Waelrant (1518-1595)
Gehet hin und saget Johanni wieder — Melchior Franck (1579-1639)
Qui veut chasser une migraine — Gabriel Bataille
The nurse’s song — (Pills to Purge Melancholy)
A Wonder: The Physician — John Maynard
GOOD HEALTH THROUGH GOOD LIVING
Chloe found Amyntas lying — (Pills to Purge Melancholy)
My fair Teresa — (Pills to Purge Melancholy)
O Sonno / Ov’e’l silenzio — Marco da Gagliano (1582-1643)
Cara mia Dafne — Lelio Bertani (1553-1612)
Sweet honey sucking bees — John Wilbye (1574-1638)