The Well-Tempered Ear

Classical music: Applications are now being accepted for the fifth Make Music Madison on Wednesday, June 21. Read all about it and tell us what you think

April 29, 2017
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By Jacob Stockinger

Doing something for five years in a row is certainly enough to qualify it as an annual tradition.

So it is with Make Music Madison, the successful day-long, community-wide festival of free music performed outdoors by students, amateurs and professionals as individuals and in groups.

It takes place on the Summer Solstice, the longest day and shortest night of the calendar year. That means the event this year will happen on Wednesday, June 21, 2017. 

So far, there are 178 artists and performers  participating in 85 venues, which you can check out on the event’s website. More than 400 concerts in more than 100 venues are expected. (Below, in 2016, is the Oaknut Duo.)

For more background about the event  that started in Paris, France, and now takes place nationwide, listen to the YouTube video about the 2013 celebration at the bottom.


Of course The Ear is well aware that most of the events are not classical music. But there will be some classical music. And it is clear that many students who start off in classical music often migrate to jazz, folk, pop, roots, blues, rock, swing, big band, rap, hip-hop and other kinds of music.

Some music almost inevitably leads to more music. (Below is keyboard artist Zuzu.)

Also needed are donations to the non-profit organization that organizes the event every year for less than the cost of a traffic light -or about $45,000. That’s a lot of bang for the bucks.

For more information about participating, donating and attending as well as seeing a photo gallery, go to:

http://www.makemusicmadison.org

What do you think?

Have you ever attended Make Music Madison?

What did you see and hear?

What did you think of individual performances and the entire event?

Leave word in the COMMENT section.

The Ear wants to hear.


Classical music: The UW Concert Choir, Choral Union and Symphony Orchestra will perform world premieres, local premieres and new music in three concerts this weekend

April 26, 2017
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By Jacob Stockinger

The Ear has received the following messages from UW composer Laura Schwendinger and from Beverly Taylor, the director of choral activities at the University of Wisconsin-Madison School of Music who is also the assistant conductor and chorus director of the Madison Symphony Orchestra:

Writes conductor Beverly Taylor: This is a busy and musically fascinating weekend for me coming up.

On Friday night at 8 p.m. in Mills Hall, there is a special concert by the Concert Choir (below) on the subject of Art Born of Tragedy, with the acclaimed guest cellist Matt Haimovitz.

Tickets are $15, $5 for students. For more information about tickets as well as the performers and the program, go to:

http://www.music.wisc.edu/event/uw-concert-choir-4-matt-haimovitz/

Then in Mills Hall at 8 p.m. on Saturday night and at 7:30 p.m. on Sunday night, there are two performances of When Lilacs Last in the Dooryard Bloomed by the 20th-century composer Paul Hindemith by the UW Choral Union and the UW Symphony Orchestra (below). It is a work that to my knowledge has never been performed in Madison.

Tickets are $15, $8 for students. For more information about obtaining tickets and about the concert, visit:

http://www.music.wisc.edu/event/uw-choral-union-uw-symphony-orchestra/

Here is more information about the events:

CONCERT CHOIR

The Concert Choir performance explores in music of several centuries the theme of “Art Born of Tragedy” — how outside events can be the spark that causes the creation of works of substance that range from the gentle and comforting to rage and despair.

We will sing music from the Renaissance: part of the Thomas Tallis’ “Lamentations of Jeremiah (on the ancient destruction of Jerusalem),” and a John Wilbye madrigal “Draw on Sweet Night for a Broken Heart.”

We will present three works from modern composers: one is a world premiere by the prize-winning composer Laura Schwendinger (below top), my colleague at the UW-Madison, for viola — played by Sally Chisholm (below bottom) of the UW Pro Arte Quartet — and wordless chorus. It is called “For Paris” in memory of those killed in the Paris terrorist bombings of 2015.

(Adds composer Laura Schwendinger: “The viola starts this short work by referencing only for a moment the merest idea of a ‘musette song,’ one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats again and again, each time with a little more material, as an unanswered question of sorts. Each time the viola reenters the texture, the music becomes more pressing in a poignant manner, until it arrives in its highest register, only to resolve with the choir as it quietly acquiesces in the knowledge that the answer may not be known.”)

We will present a short “O vos omnes” (O you who pass by) written by Pennsylvania composer Joseph Gregorio (below), composed in memory of a Chinese girl hit by a car and left to die.

The third piece is a reprise of “Après moi, le deluge” by Luna Pearl Woolf (below top), which we premiered and recorded 11 years ago. We are lucky to have back the wonderful internationally known cellist Matt Haimovitz (below bottom), who premiered this work with it. The text, written by poet Eleanor Wilner, mixes the Noah story with the Hurricane Katrina disaster.

The term “Après moi, le deluge” is a term attributed to Louis XV or his mistress Madame Pompadour, and means “after me the flood” — referring either to the chaos after his reign, or that what happens afterword bears no importance for him.

The work has four different moods like a symphony — with strong themes at the start and cries for help, followed by the slow movement despair, a scherzo-like depiction of havoc, and a final movement that is like a New Orleans funeral, upbeat and Dixieland.

Throughout the program we also present spirituals that depict loneliness or salvation from trouble.

UW CHORAL UNION

In certain ways, When Lilacs Last in the Dooryard Bloomed resembles the Concert Choir concert in that it contains a number of moods and styles as well, under a dark title. The subtitle of the work is “a Requiem for Those We Love.”

It was commissioned by the great choral and orchestral conductor Robert Shaw as a tribute to President Franklin Delano Roosevelt on his death and the train ride that carried him from Warm Springs, Georgia, to Washington, D.C.

The text that Paul Hindemith (below top) chose is by Walt Whitman (below bottom), who wrote his poem on the death of Abraham Lincoln, and the funeral train from Washington, D.C., to Springfield, Illinois.

Whitman’s grief is combined with pride and joy in the countryside that the train traverses, and his feelings find an outlet in the thrush that sings out its song. His sense of a sustaining universe is a contrast to his depiction of the despair and ravages of the Civil War.

Hindemith’s calling the work a “Requiem for Those We Love,” puts it, like the Brahms’ “German” Requiem, into a class of non-liturgical requiems — that is, the texts are not those that are part of the Catholic Mass for the Dead, but are other selected texts of joy or remembrance.

Hindemith’s style can loosely be described as tonal that veers away into dissonance and returns again to the home key. The Prelude and opening movement are dark; the solo songs of baritone (James Held, below top) and mezzo-soprano (Jennifer D’Agostino, below bottom) are marvelous; the fugue on the glories of America is glorious and other sections are soft and tender. (NOTE: You can hear the orchestral prelude of the work, with composer Paul Hindemith conducting the New York Philharmonic, in the YouTube video at the bottom.)

The work is hard for both chorus and orchestra, but well worth the effort. The piece is about 80 minutes long and will be performed without interruption. It’s a work I’ve always wanted to do, having heard it performed at Tanglewood many years ago. I’m delighted to have the chance now.


Classical music: Saturday night brings the Grammy Award-winning Los Angeles Guitar Quartet to the Wisconsin Union Theater and a concert of chamber works by the Wisconsin Baroque Ensemble. Plus tonight’s concert by the Madison Choral Project is at 8:30 p.m. — NOT 7:30 as originally announced.

April 21, 2017
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URGENT  CORRECTION: The time for tonight’s performance of “Privilege” by the Madison Choral Project has been moved from 7:30 p.m. to 8:30 p.m. due to noise from a nearby football game in Camp Randall Stadium. For more about the concert, go to:

https://welltempered.wordpress.com/2017/04/20/classical-music-madison-choral-project-gives-concert-of-new-music-focusing-on-the-social-and-political-theme-of-privilege-this-friday-night-and-sunday-afternoon/

THIS JUST IN: Hi Jake: We’ve got cellist Karl von Huene and bassist John Dowling at the Malt House, at 2609 East Washington Avenue on the corner of Milwaukee Street,  again this Saturday, from 3-5 p.m. Karl says the pieces they’ll play are by J.S. Bach, W. A. Mozart, Arcangelo Corelli, S. Lee, F. J. Haydn, G.F. HandelDmitri Kabalevsky, and Francesco Durante. It should be fun! Cheers, Bill Rogers

BIG ALERT: This is a reminder that, in this busy week of music, one stand-out concert is by the Grammy Award-winning Los Angeles Guitar Quartet. It will perform the annual Fan Taylor Memorial Concert this Saturday night at 8 p.m. in Shannon Hall of the Wisconsin Union Theater. (You can hear a sample of the Brandenburg Concerto No. 6 they will play in the YouTube video at the bottom.)

The acclaimed quartet will perform music by Bach, Bizet, Debussy, and Villa-Lobos as well as 17th-century Spanish music from the age of the novelist Cervantes  For more information about the group, the program and tickets ($10-$48), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/los-angeles-guitar-quartet/

By Jacob Stockinger

The Wisconsin Baroque Ensemble will give a concert of baroque chamber music on Saturday night, April 22, at 7:30 p.m.

It will take place in Saint Andrew’s Episcopal Church, 1833 Regent Street.

Members of the WBE are: Mimmi Fulmer, soprano; Nathan Giglierano, baroque violin; Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder; Monica Steger, traverse flute and harpsichord; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program includes:

Georg Philipp Telemann – Quartet for two traversi, recorder and basso continuo, TWV 43:d1

Mr. De Machy – Pièces de Violle, Suite No. 3 (Pieces for Viol)

Francesca Caccini – “Lasciatemi qui solo” (Leave me here alone)

Quentin – Trio Sonata for two traversi and basso continuo, Op. 13, No. 3

INTERMISSION

Johannes Hieronymus Kapsberger – “Interrotte Speranze” (Vain Hope)

Johann Christoph Pepusch – Trio Sonata for recorder, violin and basso continuo

Georg Philipp Telemann (below) – Nouveaux Quatuors (Paris Quartets), No. 6 in E minor

Giulio Caccini – “Odi, Euterpe” (Hear, Euterpe)

Tickets at the door are $20, $10 for students.

A post-concert reception will be held after the concert at 2422 Kendall Ave, second floor.

For more information, go to: www.wisconsinbaroque.org


Classical music: A second photograph of Chopin has been discovered. Here it is along with how it was found and what it tells us

March 11, 2017
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By Jacob Stockinger

A conservative musician who admired and valued the music of Johann Sebastian Bach and Wolfgang Amadeus Mozart above that of  Ludwig van Beethoven and his own contemporaries, Frederic Chopin (1810-1849) is one of the most popular and most played of all Romantic composers.

He remains a perennial favorite of audiences, students and concert artists. Witness the recent sold-out concerts featuring Chopin’s music by Trevor Stephenson at his home and by Adam Neiman at Farley’s House of Pianos. An amazingly high percentage of Chopin’s works remains in the active repertoire.

His was no belated posthumous fame, either. Chopin, the famous Polish pianist-composer who was exiled in Paris, was well-known and widely respected in his own lifetime by the public and by other famous composers and pianists such as Franz Liszt and Robert Schumann.

Yet despite many drawings and paintings of Chopin – often at odds in their depictions — until recently only one known photograph of Chopin existed: The familiar one taken by Louis-Auguste Bisson in Paris towards the end of Chopin’s life, just months before he died of tuberculosis at age 39 in 1849.

Now a second photograph — or daguerreotype, to be exact — has been discovered. It probably dates from 1847 or so.

Here is the new photographic portrait of Chopin:

Want to know some background?

Here is the story from Poland via The Washington Post and the Associated Press:

https://etsuri.com/articles/a-rare-unknown-photo-of-frederic-chopin-probably-found

Here are the two known photographs side by side for comparison:

http://www.businessinsider.com/only-2-known-photos-of-chopin

And here is a terrific blog analysis of the two photographs that also discusses his late music and what the photographs tell us about Chopin:

http://jackgibbons.blogspot.com/2010/03/chopins-photograph.html

The Ear wonders how long it will be before we start seeing the new photograph of Chopin on CD jackets and liner notes.

In any case, as an homage, here is Chopin’s last composition, the archetypically Polish form of the Mazurka in F minor, Op. 68, No. 4, played in a YouTube video by Vladimir Ashkenazy :


Con Vivo performs rarely heard chamber music by Milhaud, Medtner and Zemlinsky this Sunday afternoon. Plus, a FREE concert of flute music is this Friday at noon

February 9, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.

con-vivo-2016

Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.

The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.

Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.

darius milhaud

Representing Vienna is the Trio for Clarinet, Cello and Piano by Austrian composer Anton Zemlinsky. (You can sample Zemlinsky’s Clarinet Trio in the YouTube video at the bottom.)

Alexander Zemlinsky

The concert will end with a piece that was 46 years in the making: from Moscow, the Piano Quintet for strings and piano by Russian composer Nikolai Medtner (below).

nikolai-medtner

Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.

Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.

con-vivo-on-the-balcony

For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org


Classical music: Madison Opera stages Charles Gounod’s opera “Romeo and Juliet” this Friday night and Sunday afternoon to celebrate the 400th anniversary of the death of William Shakespeare

November 1, 2016
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By Jacob Stockinger

Madison Opera will present Charles Gounod’s “Romeo & Juliet” on this Friday night at 8 p.m. and Sunday afternoon at 2:30 p.m. in Overture Hall of the Overture Center.

It will be sung in French with English subtitles and will last about three hours with one intermission.

Tickets are $18-$130.

With soaring arias, impassioned scenes and plenty of sword fights, Gounod’s gorgeous opera brings the famous tragic tale of young love to vivid life.

Set in 14th century Verona, Italy, the opera follows the story of Shakespeare’s legendary star-crossed lovers. The Montague and Capulet families are caught in a centuries-old feud.

One evening, Romeo Montague and his friends attend a Capulet ball in disguise. The moment Romeo spots Juliet Capulet, he falls in love, and she returns his feelings. Believing they are meant for one another, they proclaim their love, setting in motion a chain of events that will change both their families.

Romeo and Juliet is one of the most famous love stories in Western literature,” says Kathryn Smith (below, in a photo by James Gill), the general director of Madison Opera. “Gounod’s operatic version of it is equally beloved, and it’s exciting to present an amazing cast that brings such vocal and dramatic depth to their story.

“I’m also delighted that we are performing the opera the same weekend that Shakespeare’s First Folio goes on display at the University of Wisconsin-Madison‘s Chazen Museum of Art, enabling our community to enjoy a very Shakespearean weekend.”

Kathryn Smith Fly Rail Vertical Madison Opera

Gounod’s operatic adaption of the tragedy of “Romeo & Juliet” premiered in 1867 at the Théâtre Lyrique in Paris. While Gounod is now better known for “Faust,” “Romeo and Juliet” was a bigger success at its premiere, and has stayed in the repertoire for 150 years due to its beautiful music, genuine passion mingled with wit, and exciting fight scenes.

“Having conducted Gounod’s Faust so often, I’m thrilled to finally have the opportunity to conduct his romantic masterpiece,” says John DeMain (below, in a photo by Prasad), the artistic director of Madison Opera who will conduct the two performances.

“The vocal and orchestral writing is lyrical and downright gorgeous,” DeMain adds. “We have a glorious cast, the Madison Opera Chorus and the Madison Symphony.  What more could a conductor ask for!” (You can hear Anna Netrebko sing Juliet’s famous aria “Je veux vivre” — “I want to live” – in the popular YouTube video at the bottom.)

John DeMain full face by Prasad

Madison Opera’s cast features both returning artists and debuts.

John Irvin (below top) and Emily Birsan (below bottom) return to sing the title roles of Romeo and Juliet.  Irvin sang Count Almaviva in the 2015 production of The Barber of Seville, while Birsan returns from singing at Opera in the Park 2016 and Musetta in last season’s La Bohème.

john-irvin

Emily Birsan 2016

Sidney Outlaw, who sang at this past summer’s Opera in the Park, makes his mainstage debut as Romeo’s friend, Mercutio.  Liam Moran, who sang Colline in last season’s La Bohème, sings Frère Laurent, who unites the two lovers in the hope of uniting their families. Madisonian Allisanne Apple (below) returns as Gertrude, Juliet’s nurse.

Alisanne Apple BW mug

Making their debuts are Stephanie Lauricella as Romeo’s page, Stephano; Chris Carr as Tybalt, Juliet’s cousin; Philip Skinner as Lord Capulet; and Benjamin Sieverding as the Duke of VeronaFormer Madison Opera Studio Artist Nathaniel Hill returns as Gregorio, while current Studio Artist James Held sings the role of Paris.

Directing this traditional staging is Doug Scholz-Carlson (below), who directed Gioaccchino Rossini’s “The Barber of Seville,” Aaron Copland’s “The Tender Land” and Benjamin Britten‘s “The Turn of the Screw” for Madison Opera. Scholz-Carlson is the artistic director of the Great River Shakespeare Festival and has directed the original “Romeo and Juliet,” among many Shakespeare plays.

He will discuss the differences between staging “Romeo and Juliet” as a play and as an opera in another posting tomorrow.

douglas-scholz-carlson

For more information about the production, the cast and tickets, go to:

http://www.madisonopera.org/performances-2016-2017/romeo-and-juliet/


Classical music: Here is a stirring version of “La Marseillaise” to mark Bastille Day and the French Revolution

July 14, 2016
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By Jacob Stockinger

Today is Bastille Day in France – July 14th or “Le quatorze juillet” — celebrating the beginning of the French Revolution when the public stormed and liberated the infamous Bastille prison in Paris.

To mark it, here is a YouTube video of a stirring version of the French national anthem, “La Marseillaise.” It features the superstar opera tenor Roberto Alagna singing the arrangement done by the French Romantic composer Hector Berlioz.

And it is also a good time to recall how the French helped finance and wage the American Revolution, also known as the American War for Independence.


Classical music: Violinist Alexander Ayers gives a FREE recital on Monday night at Taliesin in Spring Green 

June 25, 2016
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Due to technical difficulties beyond his control at the web site host, The Ear cannot publish a new post today that has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.

By Jacob Stockinger

The following announcement has been sent for posting by The Ear by the Rural Musicians Forum:

Widely praised for his shimmering virtuosity and technical precision, violinist Alexander Ayers performs a FREE recital at 7:30 p.m. on this Monday, June 27, in a concert sponsored by the Rural Musicians Forum in Frank Lloyd Wright’s Hillside Theater at Taliesin, south of Spring Green, Wisconsin.

Ayers (below, in a photo by O’Brien Photos of Waukesha), a native of Waukesha, Wisconsin, joined the Milwaukee Symphony in 2013. He was previously a member of the Madison Symphony Orchestra.

After studying nine years at the String Academy of Wisconsin-Milwaukee he studied at Indiana University, and in 2006 he won the grand prize of the Milwaukee Symphony Stars of Tomorrow Competition. This resulted in performances of the Violin Concerto No. 1 by Sergei Prokofiev with the MSO. He has performed collaboratively with Joshua Bell, Alex Kerr, Jaime Laredo, Gilles Apap and Soovin Kim.

Alexander Ayers 1 CR O'Brien Photos

Ayers’ June 27 program is international in scope. It includes works by German-born Ludwig van Beethoven and Parisian Camille Saint-Saens as well as the Belgian violinist and composer Eugene Ysaye and virtuosic Polish violinist Henryk Wieniawski, who was regarded by many as an exciting and flamboyant re-incarnation of Niccolo Paganini.

About the concert RMF Artistic Director Kent Mayfield said, “We are honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at Taliesin’s Hillside Theater (below). It provides an especially dramatic but intimate setting for Ayers’ performance which will be totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful.”

taliesin_hillside2

Hillside Theater is located at 6604 Highway 23, Spring Green.

The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series.

For additional information and driving directions, see www.ruralmusiciansforum.org

 


Classical music: On June 13, the Rural Musicians Forum will kick off its summer season series of FREE concerts at Frank Lloyd Wright’s Taliesin compound in Spring Green.

May 20, 2016
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By Jacob Stockinger

The Ear is passing along the following announcement in time for you to mark your datebook and make plans:

For the 2016 summer season, the Rural Musicians Forum welcomes audiences to Taliesin, the historic estate of Frank Lloyd Wright, near Spring Green, and to the Wright-designed Wyoming Valley Cultural Arts Center.

In commenting on the venues for the series, RMF’s artistic director Kent Mayfield (below) said: “RMF is honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at the Taliesin’s Hillside School Theater.

Kent Mayfield Rural Musicians Forum

The Hillside Theater (below) provides a dramatic but intimate setting for performances totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful. And, for its part, the Wyoming Valley Cultural Arts Center underscores the sustained vitality of that vision.”

taliesin_hillside2

Madison’s acclaimed harpsichordist, fortepianist, pianist and founder of the Madison Bach Musicians, Trevor Stephenson (below top) opens the 2016 season on June 13 with mezzo-soprano Margaret Fox (below bottom).

Trevor Stephenson full face at keyboard USE

Margaret Fox

Violinist Alexander Ayers (below) follows on June 27. Ayers, earlier a player in the Madison Symphony and now a member of the Milwaukee Symphony Orchestra, has been widely praised for his shimmering virtuosity and technical precision. (You can hear him perform the virtuosic Caprice No. 11 for solo violin by Niccolo Paganini in the YouTube video at the bottom.)

Alexander Ayers violin

July 11 brings on the memorable trio of Dan Barker (piano), Rob Shepherd (saxophone) and Cleo Ware (vocals) for an evening of glorious, nostalgic music by George Gershwin (below).

gershwin with pipe

Clocks in Motion (below) brings its adventurous and absolutely contemporary percussion repertoire to Taliesin on July 25.

Clocks in Motion group collage

That will be followed on Aug. 8, by a showcase of captivating new music by the Madison-based wind quintet, Black Marigold (below).

Black Marigold new 2016

The season closes with RMF’s annual “Music in the Fields,” on Sunday, Aug. 21. The Stellanovas’ evening of café jazz promises equal parts Hawaiian luau, Parisian wedding and mellow summer pleasure on the lawn at the Wyoming Valley Cultural Arts Center. The center is located at 6306 State Highway 23. (This event is ticketed.)

Now in its 35th season, RMF continues to provide all members of the community an opportunity to enjoy live music featuring a wide range of styles and combinations of music with performers of extraordinary ability.

Performances begin at 7:30 p.m. There is no ticket charge for concerts at Hillside Theater, but a freewill offering to support the series is taken. Given the unique appeal of the Taliesin location, early arrival for the concerts is recommended.

NOTE: Sorry, but The Ear has received no word about specific programs an works to be performed. He also doesn’t see them listed on the website for the Rural Musicians Forum.

Full information on specific concerts is available at www.ruralmusiciansforum.org or at ruralmusiciansforuum@yahoo.com.


Classical music: Handbell director Brad Schultz will say good-bye to Madison with two performances of “Postcards From France” this weekend.

May 13, 2016
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By Jacob Stockinger

The Ear has received the following notice:

Music director Brad Schultz of the Madison Area Concert Handbells (MACH) will finish his tenure with MACH by conducting “Postcards from France” in two performances this weekend.

Madison Area Concert Handbells in concert close up

Concerts are on Saturday, May 14, at 7:30 p.m. in Asbury Church, 6101 University Avenue; and on Sunday, May 15, at 3 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

Tickets can be purchased in advance ($12 adult, $9 senior/student) at any of the advance ticket outlets (Cool Beans Coffee Café, Ward-Brodt Music, Metcalfe’s Market at Hilldale, and Orange Tree Imports) or at the door ($15 for adults, $12 for seniors and students).

After three very successful years of directing the choir, music director Brad Schultz (below) has resigned due to added responsibilities on the Luther College faculty starting next fall. Throughout his tenure, Brad has helped MACH’s ringers retain the spirit and skills which have led this auditioned choir to be recognized as one of the leading handbell groups in America.  He introduces the concert as follows:

Brad Schultz

“Maybe it was the first time you tasted a delicious French roll, or saw the Eiffel Tower. Maybe it was an exposure to music, culture, or fashion. Maybe it was in your early ventures as a reader (“In an old house in Paris that was covered in vines, lived twelve little girls in two straight lines”), or depictions of la belle vie (the French “good life”) in the movies. We have always had a fascination with all things French; from culture to custom, from cuisine to cinema.

“There’s no denying French advancements in music, either. From the cathedral to the salon, Leonin and Pérotin to composers of chanson and popular music, France has always left a musical mark on the world.

“We invite you to join us this weekend for a celebration of all things French. Revered composers Bizet, Ravel, Debussy, Chopin and Faure will be represented, alongside pieces that remind us of French culture, landscape and architecture. We’re excited to be joined again this season by flutist Barbara Paziouros Roberts.”

Here is the complete program:

Grand Valse Brillante, Op. 18, by Frédéric Chopin,     Arranged by Ruth Artman

Jubilation by Fred Gramann

The Sunken Cathedral (La cathédrale engloutie) by Claude Debussy, Transcribed by Kevin McChesney

Pavane by Gabriel Fauré, Arranged by Albert Zabel

The Ball (from “Children’s Games”) by Georges Bizet, Arranged by Betty B. Garee

Suite for Flute & Piano, Op. 116, by Benjamin Godard: II. Idylle

Danse Macabre by Camille Saint–Saéns, Arranged by Michael R. Keller

Down the River by Jason W. Krug

Intermission

Fountains by Kevin McChesney

Gymnopédie No. 1 by Erik Satie, Arranged by Karen Roth

Pavane pour une Infante Defunte by Maurice Ravel, Transcribed by Kevin McChesney

Cathedrals by Margaret R. Tucker

Autumn Leaves (Les feuilles mortes) by Joseph Kosma, Arranged by Bank Wu

Madison Area Concert Handbells in performance 1

MACH rings over 6 octaves of handbells and 7 octaves of handchimes, the largest assemblage of these instruments in Wisconsin.  This fall, while the choir searches for a new director, MACH will be led by founder and former director Susan Udell, who retired from the group in 2010.

For more information about MACH, visit the website at http://www.madisonhandbells.org.

 

 


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