The Well-Tempered Ear

The Wisconsin Chamber Orchestra cancels its first Masterworks concert and launches an online virtual Winter Chamber Series in January

November 22, 2020
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

With the surge in the coronavirus pandemic, the dominos are starting to fall again — this time for the spring series of live, in-person concerts that had been planned.

Friday night brought important news from the Wisconsin Chamber Orchestra (below, in photo by Mike Gorski).

The Wisconsin Chamber Orchestra (WCO) has canceled its first Masterworks concert, with guest cellist Amit Peled, in late January. In its place the WCO is launching its first-ever digital Winter Chamber Series.

The virtual, online series of digital concerts will feature the ensemble’s 34 players in smaller groups of four to eight, That will be safer for both players and audiences during the COVID-19 pandemic.

Four home-viewable virtual online concerts are planned: Jan. 22, Feb. 26, March 26, and April 16. Programs are not available except for the first concert.

Also included are a pre-concert talk with WCO music director and maestro Andrew Sewell (below top, in a photo by Alex Cruz) and Wisconsin Public Radio host Norman Gilliland (below bottom), and post-concert reflections with musicians of the WCO.

The ticket price for each concert, which will run 60-75 minutes, is $30 per household. A ticket entitles you to one viewing of the concert between Friday, Jan. 22, and Monday, Jan. 25. The concert will start streaming at 7:30 p.m. on Friday.

Patrons who have already purchased season subscription tickets can apply that to the full series of four concerts.

Tickets are available online at the Overture Center box office. See below.

The program for the first Winter Chamber Concert on Jan. 22 is:

Four Canzonas by the Baroque Italian composer Giovanni Gabrieli (below):

“Tzigane” (a term for music by Hungarian gypsies or Romani) for Wind Quintet by the contemporary American composer Valerie Coleman (below):

The first movement of the famed String Quintet in C major, D. 956, by the Austrian Romantic composer Franz Schubert (below):

Four Octets by the 20th-century American composer and jazz musician Alec Wilder (below), which you can sample in the YouTube video at the bottom.

To see more background about the composers, more details about the concert and purchase tickets, go to: https://www.overture.org/events/wco-chamber-series

You can also check out the series as it progressively gets announced on the WCO home website: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

The concert series sounds like a terrific substitution for the regular concerts that cannot yet take place.

But The Ear wonders if the price per concert is a bit steep, given that comparable concerts by UW-Madison Mead Witter School of Music , the Wllly Street Chamber Players and Just Bach are free – although they do ask for donations — and that the Madison Opera charged $50 for its entire fall digital series while the Wisconsin Union Theater charges between $10 and $20 per virtual concert.

The Ear likes the eclectic programming, but also thinks it is kind of teasing and unsatisfying to offer just the first movement of such an organic masterpiece and profoundly beautiful work as the Schubert Cello Quintet. Doing one movement of a chamber music work somehow seems very different from doing one movement of a symphony.

It would also be nice to see the programs for all the concerts plus a series discount as an incentive.

What do you think about the WCO’s Winter Chamber Series?

What do you think about the price and the programming?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Madison Symphony Orchestra seeks matching funds as it launches a musicians’ relief fund to reach $355,000 by Nov. 5

October 5, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) has announced that a Musicians’ Relief Fund has been established with the goal of securing $355,000 to cover 100% of the orchestra payrolls for the canceled September through December 2020 subscription concerts.

This initiative is in addition to the compensation already provided to its musicians for canceled services from April 2020 to date.

To launch the fund, the MSO Board of Directors has committed current Symphony resources to guarantee 52% of the $355,000 total — $184,000 — and has informed the orchestra that the September and October orchestra payrolls will be paid in full.

MSO is seeking community support to help us raise another $171,000 to assure the orchestra’s compensation for the canceled November and December 2020 subscription concerts. 

All contributions to this effort will directly support the musicians. An Anonymous Donor has launched the appeal with a $50,000 lead gift. The campaign seeks to raise the additional funds by Nov. 5, 2020.

All contributions to the MSO Musicians’ Relief Fund are tax-deductible and will be used for musicians’ compensation.

Donations can be mailed to the Madison Symphony Orchestra, 222 W. Washington Ave., Suite 460, Madison WI, 53703.

An online donation form is found at madisonsymphony.org/relief-gift

To contribute gifts of appreciated stock or to discuss other options, contact Jeff Breisach, Manager of Individual Giving, at jbreisach@madisonsymphony.org.

“The 91 members of the Symphony are a core cultural asset of the greater Madison community,” said MSO Board President Ellsworth Brown (below). “We are committed to doing all we can to assist them through the challenges of the coronavirus pandemic.”

“While some MSO musicians have other day jobs, many rely heavily on the wages they earn performing with this Symphony, as well as other orchestras and ensembles in the region,” said MSO Executive Director Rick Mackie (below). “The cancellations of services have caused stress and anxiety for our artists.”

The MSO has demonstrated support of its musicians since April of this year, compensating the orchestra for all canceled rehearsals and performances. 

Generous donors, strong financial management and a federal Small Business Administration Paycheck Protection Loan enabled the Symphony to pay 100% of the orchestra payrolls for the April and May subscription concerts, the spring youth education programs, HeartStrings®, Madison Opera and Overture Presents engagements, and Concert on the Green.

These unexpected paychecks provided relief to the MSO staff and to our musicians (below, with music director and conductor John DeMain in a photo by Peter Rodgers) were forthcoming with their individual appreciation.

HERE ARE SAMPLES OF THE MUSICIANS OF THE MADISON SYMPHONY ORCHESTRA EXPRESSING THEIR GRATITUDE FOR COMPENSATION RELIEF

“I am very grateful that our organization values the health of its musicians and patrons yet also understands the financial difficulty imposed on musicians by being unable to work due to the pandemic. The MSO is a gem of an organization, and if you haven’t heard it enough lately, please let me reiterate my gratitude.” 

“WOW! I am humbled to be a part of the Madison Symphony Orchestra. Thank you so much for valuing the musicians and honoring us with payment for cancelled rehearsals and performances. The news made me cry.” 

“As someone who makes a living totally from teaching and playing, this has been an incredibly difficult time. I lost half of my students, because they do not want to study online, and of course, all gigs were cancelled. I am truly grateful to you for making this possible. You have no idea how much this will help not only financially, but mentally as well. THANK YOU!!!


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Fresco Opera of Madison will hold an “aria hunt.” It starts this Friday, Aug. 28, and runs through Sept. 27 with unspecified rewards

August 25, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement from the board of directors of the always imaginative Fresco Opera Theatre of Madison:

“Fresco Opera is trying to stay alive in the world of the global coronavirus pandemic. So many organizations are going to social media platforms with live streaming.

“We have found that audiences have become numb to this. So Fresco Opera has decided to change the game.

“Our artistic director has created a “geo-caching” opera — similar to a treasure hunt –where the patron goes on an interactive adventure to discover hidden spots in our city. It is accompanied with a recorded story and arias.

“Fresco Opera is pleased to present “Aria Hunt” – an interactive opera experience that will allow you to enjoy beautiful music, while you join in the experience.

“Beginning this Friday, Aug. 28, participants can explore and seek out seven “hidden” locations in the Madison area, which we have paired up with an operatic aria.

“Once you find a location, you will listen to an aria, which will be available on Spotify, YouTube and Apple Music.

“Fresco will provide clues to seek out each of the locations. In addition, a story will accompany you on your quest.

“You are the opera!

“To add to the excitement, we want you to take a “selfie” at each of the locations, to be posted on our social media sites. You will then be eligible for a reward!

“All locations must be discovered to qualify.

“Aria Hunt is the perfect way to end this summer on quite literally a high note! The hunt will run from this Friday, Aug. 28, through Sunday, Sept. 27.

“Here are details and the cast (below) of the Aria Hunt:

“Music Streaming Release Date: August 28th

“Per-Person tickets (or donations) are $8 and are available at www.frescoopera.com

“Singers are: Erin Bryan; Melanie Cain; Diana Eiler; Rachel Eve Holmes; Cat Richmond; Emily Triebold and Thomas Weis

The Writer and Narrator is: Andrew Ravenscroft


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Madison Symphony Orchestra cancels concerts and events through June. Here are details and links about ticket donations, exchanges and refunds

April 13, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) has canceled or postponed concerts and events that would have taken place in April, May and June 2020 in response to the impact of the coronavirus crisis.

“We have been continuously monitoring the latest news and guidance from our public officials throughout this pandemic,” Executive director Rick Mackie said. “All of us here at the MSO are saddened not to be able to share our final two symphony concerts and organ season finale performance with our audiences and community.

“It is with confidence and optimism that we look forward to welcoming you back to the beautiful experience of concerts in Overture Hall that are a part of both our 2020-21 “Beethoven and Beyond” symphony season and new organ series that begin this September.”

Here are more details:

APRIL AND MAY CONCERT CANCELLATIONS AND TICKET OPTIONS

The MSO’s April 3, 4 and 5 “Dvorak Requiem” subscription season concerts were canceled last month due to the closure of Overture Center through April 24, 2020 and the recommendations of local, state and national officials.

Ticket-holders were notified and given the option of donating their tickets back to the MSO, exchanging tickets for a new 2020-21 season concert, or requesting a refund. The MSO is grateful that a majority of people have chosen to donate their tickets to date.

The MSO’s May 1, 2 and 3 “Piano Power” season finale concerts, with Yefim Bronfman, are also now canceled. Patrons who have tickets for these subscription season concerts have received an email giving them the options to donate, exchange or receive a refund. Due to the cancellation of the concerts, the open rehearsal scheduled for Thursday, April 30, will also not take place.

SUPPORT FOR OUR MUSICIANS

The care of the MSO Board of Directors for the well-being and sustenance of our artists has been manifest from the outset of the coronavirus emergency.

We understand that the musicians will need our help keeping their lives together. The decision was made to pay the musicians of the orchestra for both the April and May subscription concerts.

MAY 5, 2020 OVERTURE CONCERT ORGAN PERFORMANCE POSTPONED

The May 5 Overture Concert Organ performance — “Greg Zelek (below in a photo by Peter Rodgers) with the Diapason Brass and Timpani” — is now postponed. When a new date is secured, we will notify ticket-holders about their options.

EDUCATION EVENTS

MSO’s Education and Community Engagement Programs, including Symphony Soup scheduled for May 18 and 19, and Link Up scheduled for May 20-21, have been canceled for this year. HeartStrings® and Up Close & Musical® events have previously been canceled.

2020 JUNE CONCERT ON THE GREEN

The Madison Symphony Orchestra League’s 2020 Concert on the Green annual fundraiser that was scheduled to take place on Monday, June 15, has been canceled for this year. The League’s event committee is already working on plans to bring the event back in 2021. More information about the date for the event next year will be announced as soon as it is available.

Here are helpful links to more information about Madison Symphony Orchestra concerts and events.

April 3, 4, 5 and May 1, 2, 3 symphony season concerts, ticket options: https://madisonsymphony.org/tickets

 May 5 organ performance postponement: https://madisonsymphony.org/organzelek

2020 Concert on the Green: https://madisonsymphony.org/event/concert-on-the-green-2020/

Upcoming Concerts & Events page (updated continually): https://madisonsymphony.org/events-list/

Learn more about MSO’s Education and Community Engagement Programs: https://madisonsymphony.org/education-community/

View the new 20/21 “Ode to Joy: Beethoven and Beyond” season that starts in September, 2020 (subscriptions available now): https://madisonsymphony.org/20-21

The MSO continuously composes and presents a series of News and Stories at https://madisonsymphony.org/news-stories/to keep the essential connection with its staff, audiences, artists and community alive. Explore two recent stories of note.

April 30, 2020, Experience Dvorak’s Requiem Virtually: https://madisonsymphony.org/experience-dvorak-requiem-virtually/

March 27, 2020, A Message from MSO maestro John DeMain: https://madisonsymphony.org/march-2020-message-from-john-demain/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Middleton Community Orchestra and violinist Naha Greenholtz perform this Wednesday night in the new Hamel Music Center at the UW-Madison. At noon, the FREE Just Bach concert celebrates Christmas

December 17, 2019
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT 1: This Wednesday, Dec. 18, at noon in Luther Memorial Church, 1021 University Avenue, Just Bach wraps up its FREE one-hour period-instrument concerts for this semester. The program features “joyous selections” from the Christmas Oratorio, the Magnificat, and the Advent Cantata 36. For more information about the program and the performers, go to: https://justbach.org

ALERT 2: The Madison Symphony Orchestra, which just gave three sold-out performances of its Christmas concert, is holding its annual holiday ticket sale. It started Monday and runs through Dec. 31. You can save up to 50 percent on tickets to the remaining concerts of the season. For more information and to order, go to: https://madisonsymphony.org/holidaysale/

By Jacob Stockinger

Looking for a break from holiday music?

This Wednesday night, Dec. 18, the mostly amateur but critically acclaimed Middleton Community Orchestra (below) will perform in the Mead Witter Foundation Concert Hall of the new Hamel Music Center at the UW-Madison – NOT at its usual venue, the Middleton Performing Arts Center that is attached to Middleton High School.

The appealing program under guest conductor Kyle Knox starts at 7:30 p.m. It features the dramatic Overture to “Die Meistersinger” (The Master Singers) by Richard Wagner (you can hear the Overture in the YouTube video at the bottom); the popular and virtuosic Symphonie Espagnole (Spanish Symphony) by French composer Edouard Lalo, with violin soloist Naha Greenholtz; and the lovely Suite from the opera “Der Rosenkavalier” by Richard Strauss.

There will be a post-concert reception in the lobby.

Admission is $15; free for students. Tickets are available at the door – student tickets are available at the door only — and at the Willy Street Coop West. The hall is at 740 University Avenue with parking in the nearby Lake Street Ramp. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

The Ear asked the co-founders and co-directors of the group – Mindy Taranto and Larry Bevic — why they chose to play in the Hamel Music Center this time. He recieved the following reply:

“We decided to rent the Mead Witter Foundation Concert Hall (below top, in photo by Bryce Richter for University Communications) in the Hamel Music Center (below bottom) for several reasons.

“This is our 10th anniversary season and we wanted to give our musicians a really special experience. Many of us are curious about the new hall and are really excited to be playing there.

“Also, Kyle Knox (below) – a UW-Madison graduate and the music director of the Wisconsin Youth Symphony Orchestras — is a phenomenal conductor and this program is exceptionally difficult and beautiful.

“It is an honor to get to perform at the UW-Madison with Kyle conducting such a beautiful program. He has brought this orchestra along so far, and for that we are incredibly grateful. He is a brilliant musician and our work with him has improved the orchestra so remarkably over the eight years he has been regularly working with us.

“We also thought that so many of our patrons enjoy our concerts when violinist Naha Greenholtz (below, in a photo by Chris Hynes) – the concertmaster of the Madison Symphony Orchestra — is our soloist, and with the MSO connection, holding the concert at Hamel will hopefully boost attendance at the concert.

Naha sounds amazing and if you could see how much our musicians enjoy her annual appearance with MCO, you’d know why we want to play with her every year.

“As we conclude the first half of our 10th season, we are grateful to the musicians in MCO and to the community that supports us.

“We are probably one of the few organizations on the Madison arts scene that puts literally every dollar into music. As the two co-founders, we run the organization on a volunteer basis and we don’t spend any money on advertising.

“All of our resources go to hiring astonishing local musicians, renting performance space, and buying music to provide meaningful musical experiences for our musicians and our patrons.”

For information about how to join the orchestra, how to support it and what its remaining concerts are this season, go online to: http://middletoncommunityorchestra.org or call 608-212-8690.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Wisconsin Chamber Orchestra and guest soloists will give a FREE public concert on Friday, Dec. 27, in the new Hamel Music Center at the UW-Madison to honor arts patrons Sandy and Jun Lee

December 15, 2019
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

If you are looking for a non-holiday concert to go to during Christmas week, the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) — which just performed a sold-out “Messiah” and is about to play the score for Madison Ballet’s production of “The Nutcracker” — has a surprise gift for you.

On Friday, Dec. 27, at 8 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., at the UW-Madison, the WCO and three guest soloists will give a FREE “Winter Celebration” concert that is open to the public. (Donations to the WCO are suggested.)

The occasion is to celebrate the 50th wedding anniversary of Sandy and Jun  Lee (below), who are generous patrons of the arts in Madison.

The three guest artists for the concert are:

UW-Madison piano graduate Jason Kutz (below), who performs with the Willy Street Chamber players and other groups, will play the Introduction and Allegro Appassionato, Op. 92, by Robert Schumann.

Local mezzo-soprano opera star Kitt Reuter-Foss (below), who has sung at the Metropolitan Opera, will sing the “Habanera” from Bizet’s “Carmen” and “What a Movie” from Leonard Bernstein’s “Trouble in Tahiti.” (You can hear the famous “Habanera” in the YouTube video at the bottom.)

Renowned Chicago violinist Rachel Barton Pine, who has played several times with the WCO and just two months ago performed with the Madison Symphony Orchestra, will play the Violin Concerto No. 3 in B Minor, Op. 61, by Camille Saint-Saens.

In addition, the WCO, under the baton of music director Andrew Sewell (below, in a photo by Alex Cruz), will perform the “Poet and Peasant” Overture by Franz von Suppe; and the Overture to “Orpheus in the Underworld” by Jacques Offenbach.

Although the concert is free, tickets are required. You can go to this link to register by putting in your name and other required information: https://wisconsinchamberorchestra.org/performances/winter-celebration/

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: University Opera succeeded brilliantly by setting Britten’s “A Midsummer Night’s Dream” in the 1960s at Andy Warhol’s The Factory

November 23, 2019
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Larry Wells — the Opera Guy for this blog – took in two performances last weekend of the University Opera’s production of Benjamin Britten’s “A Midsummer Night’s Dream,” which played to three sold-out houses at Music Hall. He filed this review. Performance photos are by Benjamin Hopkins and Michael Anderson.

By Larry Wells

The University Opera’s production of Benjamin Britten’s “A Midsummer Night’s Dream” was set in Andy Warhol’s Factory of the 1960s with countertenor Thomas Alaan (below) as a Warhol-like Oberon presiding over the antics.

The opera by Britten (below) follows Shakespeare’s play fairly closely. The magical transformations and herbs of the original were translated to a hallucinogen-filled milieu of go-go dancing fairies, master-slave relationships and same-sex liaisons.

And for me it worked. That is to say, this production contained the same strangeness and wonder as the traditional productions I have seen. The play itself is very strange and wonderful.

Alaan is a fine singer and played a manipulative and somewhat slimy Warhol/Oberon whose flat affect seemed to be reflected in the relative lack of expressivity in the voice. Pitted against Oberon were Amanda Lauricella and Kelsey Wang alternating as Tytania.

Although the program stated that the portrayal of Tytania was loosely based on Edie Sedgwick in this production, without the platinum hair I missed the references. Both portrayals were much more assertive than Edie ever was, and both singers’ ardent coloratura voices tended to overshadow Oberon’s, which may have been intentional. Wang (below, far right) was an intense actress who put sparks into her portrayal, while Lauricella really has a superb voice.

(Below, from left, are Michael Kelley as Puck; Thomas Alaan as Oberon; Tanner Zocher as a young man; and Kelsey Wang as Tytania.)

The four lovers (below left) seemed to be employees at The Factory. Tenor Benjamin Liupaogo portrayed Lysander. The vocal part has an uncomfortable upper range, but Liupaogo’s singing in the second act particularly was up to the challenge.

His rival Demetrius was portrayed by baritone Kevin Green. Their contending affections for Hermia and Demetrius’ initial scorn for Helena were oddly lacking in ardor.

Hermia was double cast with Julia Urbank, a promising soprano, and Chloe Agostino, who was also a very good singer. Poor Helena, first ignored and then pursued by both men, was also double cast with a terrific Rachel Love and an equally gifted Jing Liu.

(The four lovers, below from left, were: Benjamin Liupaogo as Lysander; Chloe Agostino as Hermia; Jing Liu as Helena;, Kevin Green as Demetrius; and Paul Rowe as Theseus with Lindsey Meekhof as Hippolyte.)

As I have noted before, the female singers in the opera program often seem to be very solid performers. (You can hear the lovers’ quartet in the YouTube video at the bottom.)

And then there were the “Rustics” (below), the workers who have come together to put on the play “Pyramus and Thisbe” for the upcoming wedding of the local duke, or in this case a rich art patron.

(The six rustics, below from left, were: James Harrington as Bottom; Jacob Elfner as Quince; Benjamin Galvin as Snug; Jack Innes as Starveling; Thore Dosdall as Flute; Jeffrey Larson as Snout; with Kevin Green as Demetrius, seated.)

The six men were each talented comic actors and provided many of the performance’s laughs. Foremost was James Harrington’s Bottom. Not only a very funny actor, he produced in my opinion the finest singing among the many talented students.

Mention must be made of the very amusing Flute, hysterically portrayed by Thore Dosdall, and the promising bass Benjamin Galvin as the slow learner Snug.

These men not only sang well together and separately, but also provided many guffaws whenever they appeared. (Below are: Jacob Elfner as Quince; Jeffrey Larson as Snout; James Harrington as Bottom; Jack Innes – back row up on box – as Starveling; Benjamin Galvin as Snug; and Thore Dosdall as Flute.)

Additionally we had the fairies — all female voices in this production — who sounded wonderful together and got to demonstrate their incongruous ‘60s dance moves to Britten’s score.

Professor Paul Rowe (below left, with Lindsey Meekhof as Hippolyta) made an appearance as Theseus, the duke. His singing was that of a mature artist, a quality to which the students are clearly aspiring.

As the opera drew to a close with a beautifully harmonious chorus, one felt the transformation from dissonance to harmony in the opera and conflict to resolution embodied in the original play.

Many mentions of woods and forest are made in the libretto.  Director David Ronis had the walls of the factory cleverly hung with changing arrays of Warhol-like multiple images of flowers and animals. With the amount of weed being smoked and who knows what being ingested onstage, it was easy to believe that the characters might think they were in a forest despite being in a Manhattan warehouse (below).

(The cast, below from left, included Amanda Lauricella and Thomas Alaan in the foreground as Tytania and Oberon. Others were: Julia Urbank on the floor; Benjamin Liupaogo, on the floor; Chloe Flesch; Maria Steigerwald; Amanda Lauricella; Maria Marsland; Angela Fraioli; Thomas Aláan; and James Harrington lying on the couch.)

Presiding over all of this were members of the UW Symphony Orchestra led by new conductor Oriol Sans (below). I have heard maestro Sans conduct the students several times this fall, and I feel he is an outstanding addition to the music school. His control over the forces was amazing, and the subtlety he drew from the players was remarkable.

Ronis (below, in a photo by Luke Delalio) has tried original twists in several of his previous productions, but I think this has been the most outlandish. And I have to say that I really loved it. So carry on, please.

He has a penchant for Britten, one of my favorite composers. His previous productions included “Albert Herring” and “Turn of the Screw.” I wonder if readers have suggestions for another Britten opera he could conceivably produce here. I have my own wish list.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: TONIGHT one longtime, generous classical music patron honors another with a FREE public, all-Schubert memorial concert at Oakwood Village West

October 19, 2019
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Think of it as a well-deserved, heart-felt homage that one longtime and generous patron of classical music is paying to another patron who also happened to be a close personal friend and a professional colleague.

The public is invited to join in the one-hour, FREE all-Schubert memorial concert at Oakwood Village West (University Woods), at 6205 Mineral Point Road, on Madison’s far west side near West Towne Mall, at 7 p.m. TONIGHT, Oct. 19.

Here is an invitation from retired University of Wisconsin-Madison chemist Kato Perlman (below) about the concert she is sponsoring and funding in memory of her close friends:

“Join flutist Iva Ugrcic (below top) and pianist Thomas J. Kasdorf (below middle) for a FREE All-Schubert Evening and enjoy the music from one of the greatest composers of the 19th century, Franz Schubert (1797-1828, below bottom).

“This concert is in memory of the late Irving and Millie Shain. Irv Shain (below) was a chemistry professor and then a long-serving Chancellor of the University of Wisconsin, and a great supporter of the University of Wisconsin-Madison Mead Witter School of Music.

“He played the flute himself and these Schubert pieces belonged to some of his favorites for the flute.

“He also established, in addition to his long-running annual Beethoven piano sonata competition, a woodwind and piano competition. Both Iva Ugrcic and Thomas Kasdorf are previous winners.”

The program is:

Sonata in A Minor, D. 821 (“Arpeggione”)

Introduction and Variations on “Trockne Blumen” (Withered Flowers) from “Die Schöne Müllerin” (The Beautiful Miller’s Daughter), D. 802 (Op. 160)

Ständchen (“Serenade”) from Schubert’s final song cycle Schwanengesang (Swan Song), D. 957 (heard in the YouTube video below)


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Madison Symphony Orchestra opens its 94th season this weekend with the sonic sensuality of music by Wagner, Dvorak, Debussy and Barber

September 24, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

It has been warmer than the usual fall weather, so why not go sultry?

That’s what the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) will do when it opens its 94th season this coming weekend.

The program “Love, Lust and Redemption” will combine the power of the Klais organ (below top) with MSO principal organist and curator of the Overture Concert Organ Greg Zelek who opens the season with Samuel Barber’s Toccata Festiva.

The all-orchestral program also features the Madison Symphony Orchestra exploring the sonic sensuality of Wagner’s “Tannhäuser”Overture, Debussy’s “Prelude to the Afternoon of a Faun” and Dvorak’s Symphony No. 7.

Performances will are in Overture Hall, 201 State Street, on Friday, Sept. 27, at 7:30 p.m.; Saturday, Sept. 28, at 8 p.m., and Sunday, Sept. 29, at 2:30 p.m.

Tickets are $19 to $95. For more information, see below.

MSO music director and conductor John DeMain (below) says of the program:

“Our opening concert is both festive and gorgeously romantic as we present our star organist Greg Zelek (below) in his MSO concerto debut.

“We open with one of the most beautiful overtures ever written, Wagner’s Overture to the opera Tannhäuser and then, after intermission, the great Symphony No. 7 in D Minor by Dvorak.

In between is the little jewel by Debussy, his quintessential impressionistic masterpiece, Prelude to the Afternoon of a Faun. All are favorites of mine, and I look forward to making them favorites of yours, if they aren’t already.”

Tannhäuser: Overture and Venusberg Music” by Richard Wagner (below) is frequently performed as a separate work in orchestral concerts, the first such performance having been given by Felix Mendelssohn conducting the Leipzig Gewandhaus Orchestra in February 1846.

Wagner began revisions to the opera immediately, which resulted in two more versions: the Paris version in 1861 and the Vienna version in 1875. Members of the Madison Symphony Orchestra Chorus also perform in this piece.

TheToccata Festiva was written by the American composer Samuel Barber (below) as an occasional work for the Philadelphia Orchestra and Eugene Ormandy. It pairs organ and orchestra, and celebrated the inauguration of a new organ for the Academy of Music in Philadelphia, a gift from longtime patron Mary Curtis Zimbalist who had also commissioned the new piece.

Prelude to the Afternoon of a Faunby French composer Claude Debussy (below) is a musical evocation of Stephane Mallarmé’s poem “Prelude to the Afternoon of a Faun,” in which a faun — a half-man, half-goat creature of ancient Greek legend — awakes to revel in sensuous memories of forest nymphs. Debussy begins the piece with a sinuous and well-known flute melody evocative of a graceful female form.

Symphony No. 7 by Czech composer Antonin Dvorak was greatly influenced by Johannes Brahms. Dvorak decided to compose this symphony after hearing Brahms’s new Symphony No. 3.

The piece is distinguished for its somber and dramatic atmosphere and its lack of Slavic-inspired melodies, a characteristic with which the composer’s style is usually associated. (You can hear the vivacious Scherzo in the YouTube video at the bottom.)

TICKETS AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, Randal Swiggum (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msosept19programnotes.

 

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/love-lust-redemptionthrough the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptionsfor the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Super-virtuoso pianist Marc-André Hamelin makes his Madison debut with the Madison Symphony Orchestra this weekend in concertos by Richard Strauss and Maurice Ravel

April 8, 2019
6 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

As a pianist, he is known as someone who can play more notes faster and more clearly than anyone one – in short, a “super-virtuoso.”

He is the Canadian pianist Marc-André Hamelin (below), who will make his Madison debut this weekend with the Madison Symphony Orchestra when he performs two concertos: “Burlesque” by Richard Strauss and the Piano Concerto in G Major by Maurice Ravel.

The program opens with Wolfgang Amadeus Mozart’s Symphony No. 38, “Prague,” and closes with Claude Debussy’s La Mer (The Sea).

Performances take place in Overture Hall, 201 State St., on Friday, April 12, at 7:30 p.m.; Saturday, April 13, at 8 p.m.; and Sunday, April 14, at 2:30 p.m.

An Open Rehearsal will be held on Thursday, April 11 — free and open to the public. Limited space is available (RSVP required by calling 608 257-3734). Patrons must arrive by 6:45 p.m. For more information about the concerts and rehearsal, go to: https://madisonsymphony.org/event/an-auspicious-debut-marc-andre-hamelin/

Maestro John DeMain (below, in a photo by Greg Anderson), who will conduct the concerts, says: “Marc-André Hamelin is one of the major pianists of our time. This program features two of the greatest German composers and two great French Impressionists. Always inspired by Mozart, I am delighted to open with his Prague symphony.

“Then comes Strauss’ Burlesque with Marc-André performing virtuosic and delightful musical fare. After intermission comes another favorite of mine, Ravel’s Piano Concerto with its sultry, cabaret-like slow movement that climaxes with a raucous but fun last movement. (In the YouTube video at the bottom, you can hear Martha Argerich play that second movement with conductor Claudio Abbado and the Berlin Philharmonic.)

“The concert closes with Claude Debussy’s La Mer, his amazing tone poem that conjures up images of the sea both raging and calm, placing ultimate demands on the orchestra and creating an aural thrill for the audience.”

ABOUT MARC-ANDRÉ HAMELIN 

The Oregonian summarizes the featured soloist concisely: “Is there anything Marc-André Hamelin can’t do at the piano?” Pianist Marc-André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, as well as for his exploration of the rarities of the 19th, 20th, and 21st centuries — in concert and on disc.

Although primarily a performer, Hamelin has composed music throughout his career. He was a distinguished jury member of the 15th Van Cliburn Competition in 2017, where each of the 30 competitors in the Preliminary Round were required to perform Hamelin’s “L’Homme armé.” It marked the first time the composer of the commissioned work was also a member of the jury.

A prolific maker of recordings, Hamelin (below) was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year for his three-disc set of “Busoni: Late Piano Music.” An album of his own compositions, “Hamelin: Études,” received a 2010 Grammy nomination and a first prize from the German Record Critics’ Association. Hamelin is the recipient of a lifetime achievement award from the German Record Critics’ Association.

CONCERT AND TICKET DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, Michael Allsen will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/april2019programnotes

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/hamelin
 through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Out at the Symphony tickets include a seat in the Circle level of Overture Hall (regular price ($70-93), plus the after-party, for $45. Reception-only tickets are available for $25 each. Learn more at: https://madisonsymphony.org/out

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for these concerts was provided by Madison Gas & Electric Foundation, Inc., Fred and Mary Mohs, Skofronick Family Charitable Trust and WPS Health Insurance. Additional funding was provided by Forte, James and Joan Johnston, Gary and Lynn Mecklenburg, Rodney Schreiner and Mark Blank, Stafford Rosenbaum LLP, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,253 other followers

    Blog Stats

    • 2,238,881 hits
%d bloggers like this: