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There are many ways to remember and honor the dead and the injured in New York City, the Pentagon in Washington, D.C., and Shanksvillle, Pennsylvania. And in past years, The Ear has offered many different ones.
There are the well-known requiems by Mozart, Brahms, Verdi and Faure; passions by Bach; and other works.
There are also the pieces especially composed for the commemoration, including “On the Transmigration of Souls,” a Pulitzer Prize-winning work by John Adams that incorporates police tapes and phone calls, and Steve Reich’s “WTC 9/11.”
But this year there is the coronavirus to deal with and complicate the commemorations.
Here is a story from NBC News about how the official commemorations, both real and virtual, will be affected by the pandemic.
And somehow in such circumstances, it feels like back to basic is a good approach.
So here, in the YouTube video at the bottom, is the most universal piece of mourning that The Ear knows: American composer Samuel Barber’s “Adagio for Strings” as played by Leonard Slatkin conducting the Detroit Symphony Orchestra.
It serves to mark 9/11 but perhaps also the more than 190,000 American deaths so far from the Covid-19 pandemic.
You can find other versions and other pieces on YouTube:
What piece would you want to hear to mark this sad and solemn occasion?
During the September 11 attacks, 2,996 people were killed and more than 6,000 others wounded. These immediate deaths included 265 on the four planes (including the 19 terrorists), 2,606 in the World Trade Center and in the surrounding area, and 125 at the Pentagon.
A lot of music could be played to mark the occasion.
It uses both an orchestra and a chorus, and it incorporates voices and sounds, actual recordings and tapes, from the events of that day. It all makes for a moving tribute.
But other music, in smaller forms and in many other styles, would also be appropriate.
Today marks the 13th anniversary of 9/11 and the tragic events during the terrorist attacks by Al-Qaeda on the United States, in New York City on the Twin Towers; on Washington, D.C,, and the Pentagon; and on United Airlines Flight 93, which passengers made crash into a Pennsylvania field before it could destroy the U.S. Capitol or White House.
There are masses and other choral works by them and also Ludwig van Beethoven and others. And there are a lot of opera arias and choruses as well as art songs.
There are large-scale symphonic and choral work as well as more intimate chamber music and solo works, especially the solo cello suites by Johann Sebastian Bach, one of which, thanks to cellist Vedran Smailovic (below) in 1992, became am emblem of the awful and bloody siege of Sarajevo by the Serbian army. Chamber music by Franz Schubert — such as the slow movement of the Cello Quintet — would at the top of my list.
Then there is the contemporary work “In the Transmigration of Souls” by the American composer John Adams. It won the Pulitzer Prize and was written specifically, on commission from the New York Philharmonic Orchestra, to remember 9/11 and which uses actual tape recordings of the events and responses of that awful day. And another work by Steve Reich.
Myself, I tend towards the tried-and-true, the pieces of music that never fail to take me to the appropriate place in memory and sorrow.
So today, at the bottom, I offer a YouTube video of the last movement of the profoundly beautiful and moving “German” Requiem by Johannes Brahms. It is more secular than religious, and it asserts that “Blessed Are the Dead … for They Rest from Their Labors and Their Works Shall Live After Them.”
Hard to disagree, don’t you think?
So here it is.
But be sure to let us know what music you will be playing and what piece or pieces you favor to commemorate 9/11.