The Well-Tempered Ear

Classical music: On Saturday, concerto competition winners perform with the Wisconsin Youth Symphony Orchestras (WYSO). On Sunday, Edgewood College gives a FREE concert of choral and guitar music

May 3, 2019
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ALERT: This weekend at Edgewood College, the Women’s Choir, Chamber Singers, Guitar Ensemble and Chorale will give FREE concerts. The performances are on Sunday, May 5, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

The concert features the Women’s Choir, directed by Kathleen Otterson; the Chorale and Chamber Singers, both conducted by Sergei Pavlov; and the Guitar Ensemble, directed by Nathan Wysock. 

The Women’s Choir will perform works including “One Voice” by Ruth Moody; the Chamber Singers continue with a variety of works, including “Ballad to the Moon” by Daniel Elder. The Guitar Ensemble performs “Walk, Don’t Run,” arranged by Nathan Wysock, and “New Beatles Medley,” arranged by Guitar Ensemble member Dick Stransky. The concert concludes with the Chorale performing works including “Schlof Mayn Fegeleby” by Mikhail Lermontov.

The Women’s Choir and Chamber singers are student ensembles, while the Chorale and Guitar Ensemble have both student and community members. 

By Jacob Stockinger

This weekend, the Wisconsin Youth Symphony Orchestras (WYSO) will start presenting the Eugenie Mayer Bolz Family Spring Concerts series on Saturday, May 4 and Saturday, May 18 in Mills Concert Hall, 455 North Park Street, in Madison. A schedule of times and groups is below.

Winners of the annual Youth Orchestra (below) and Philharmonia Orchestra Concerto Competitions will perform a concerto with their orchestra.

Youth Orchestra cellist Grace Kim (below), of Waunakee, will perform the Cello Concerto No. 1 by Camille Saint-Saens.

Youth Orchestra violinist Ellen Zhou (below), of Middleton, will perform the Violin Concerto by Felix Mendelssohn.

Philharmonia Orchestra percussionist Anais Griffith-Oh (below), of Madison, will perform the Concertino for Xylophone and Orchestra by Toshiro Mayuzumi.

WYSO orchestras will also perform pieces from Modest Mussorgsky, Lili Boulanger, Jean Sibelius, Antonin Dvorak and more. Visit wysomusic.org to view the concert repertoire and learn more about the WYSO program. You can listen to young participants talk about WYSO in the YouTube video at the bottom.

Tickets for each concert are available at the door 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois during the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students.

Eugenie Mayer Bolz Family Spring Concerts

Saturday, May 4, in Mills Hall at 4 p.m. — 
Youth Orchestra

Saturday, May 18, in Mills Hall — 1 p.m. Opus One and Sinfonietta; 4 p.m. Harp Ensemble and Concert Orchestra; 7 p.m. Percussion Ensemble and Philharmonia Orchestra


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Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon

November 10, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.

WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.

“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).

Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)

He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.

“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”

TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.

The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.

Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/

To learn more about Joseph Johnson, go to: www.joecello.com.

Evelyn Steenbock Fall Concerts

Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra

Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello


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Classical music: Percussion ensemble Clocks in Motion joins UW-Madison ceramic artist in making an MFA installation a “smashing success.”

May 21, 2015
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By Jacob Stockinger

Loyal readers of this blog know very well the name of Mikko Rankin Utevsky. The young violist, baritone and conductor is a junior at the University of Wisconsin-Madison School of Music, where he studies with Pro Arte Quartet violist Sally Chisholm, plays in the UW Symphony Orchestra, and sings with the University Opera.

Utevsky, who has won awards and impressive reviews for his work in music education since his days at Madison’s East High School, is the founder and conductor of the Madison Area Youth Chamber Orchestra (MAYCO — www.MAYCO.org), which will perform its fifth season this summer. He also directs a local community orchestra, The Studio Orchestra (www.disso.org).

You can check out his many honors and projects by typing his name into the search engine on this blog site.

Utevsky offered The Ear a guest preview review of this past weekend’s performance by Clocks in Motion.

I immediately took him up on the offer. After all, he is a fine and perceptive writer who, you may recall, blogged for this post when he was on tour with the Wisconsin Youth Symphony Orchestras (WYSO) tour to Vienna, Prague and Budapest.

Here is the review by Mikko Rankin Utevsky (below), who also took the performance photos:

new Mikko Utevsky baton profile USE

By Mikko Rankin Utevsky

On Sunday, University of Wisconsin-Madison School of Music graduate percussion ensemble Clocks in Motion performed as part of artist Jeannine Shinoda’s MFA Exhibition “The Collector’s Set” in what can only be described as a smashing success.

Shinoda’s exhibition consisted of a room filled with ceramic plates, cups and dishes suspended from the ceiling by strings (below), which the attendees were invited to cut, sending the dishes crashing to the concrete floor.

Clocks china hanging

The performance took place in an adjacent room, where it was counterpointed by the occasional crunching noise from the exhibition.

The four core members of Clocks (below) played an assortment of bowls, plates, cups, spoons and ceramic-shard wind chimes in a four-movement composition – his Opus 1 — by music director Sean Kleve. Composed as a set of rhythmic patterns and relative pitches before the instruments were chosen, the creatively scored work was orchestrated cooperatively by the ensemble for this eclectic assortment of pottery, played mostly with chopsticks.

Clocks playing china

It was structured in four movements. I quite enjoyed the lively second one in particular. A slightly eerie third movement made use of threaded metal rods that were scraped along the edges of the instruments to produce a sustained tone, and wind chimes made of broken plates and ceramic spoons (below).

Clocks china hanging spoons

One of the curiosities of the piece was discovering the range of sounds that can be produced from kitchenware — in particular, the gradual acclimation of the ear to the variety of pitches produced. The music seemed to coalesce out of the clatter of dishes and smashing china from the other room, emerging in minimalist rhythmic patterns and creative imitative passages.

All four parts were of equal importance, and each player could be seen taking the lead at various points — a sense of equality that is a hallmark of Clocks performances.

The fourth movement introduced a couple of small gongs, as though signaling that the grand finale was at hand. As the rest of the ensemble played, Dave Alcorn solemnly crossed in front and began the ritualistically choreographed conclusion — slowly and deliberately smashing the instruments.

The other three joined in with equal gravitas, sending plates and cups and bowls alike crashing to the ground. (The performers and audience, seen below, were equipped with protective eyewear for this portion of the work.)

Clocks China audience with goggles

As the last of the instruments were reduced to shattered fragments, the four musicians — straight-faced among stifled laughter from the audience — produced brooms and proceeded to sweep the remains into a single pile in the center of the stage, leaving the rooms silently when finished. They returned moments later to a standing ovation.

Clocks clean up china

Here in his first work, Kleve demonstrates a sophisticated ear for texture and a shrewd understanding of pacing, both key to crafting a musically satisfying work that does not leave the listener feeling that the whole thing was just a setup to the final gambit of breaking dishes — an admitted risk with such a performance piece.

Clocks china Sean Kleve score

One of the wonderful gifts of Clocks in Motion is its ability to focus the ear on the sounds of “found objects” — whether they are plates or brake drums or cow jawbones — and provide a framework for listening to them as musical.

And, as is so often the case with Clocks in Motion, their strength of commitment and musical integrity is such that the enthusiastic audience is drawn into the fabric of even the most outwardly implausible works — their striking “Percussion is Revolution” program in September 2013 was a powerful example.

Clocks chna audience applauding

It is a testament to Madison’s musical community and to the School of Music percussion program that we continue to host such a remarkable performing ensemble, and this innovative performance is just the latest feather in their collective cap.

A PERSONAL NOTE:

Clocks in Motion will be joining my own ensemble, the Madison Area Youth Chamber Orchestra (MAYCO) on June 20 to open our fifth season, “Concerto Grosso!” It features the world premiere of UW-Madison graduate composer Jonathan Posthuma’s Concerto Grosso No. 1 in E minor for Percussion, Piano and Strings.

The performance will be at 7:30 p.m. in Mills Hall, and tickets are $7 at the door with students admitted by donation).

The program will also feature UW-Madison Professor and Pro Arte Quartet cellist Parry Karp in Robert Schumann’s Cello Concerto in A minor; the American premiere of contemporary British composer Cecilia McDowall‘s “Rain, Steam and Speed”; and the Symphony No. 6 in D major (“Le Matin” or Morning) by Joseph Haydn. (You can hear the sound painting that gives the symphony its nickname in the YouTube video at the bottom.) 

 


Classical music education: The Wisconsin Youth Symphony Orchestras showcase both soloists and ensembles on this Saturday and Sunday afternoons. Plus, a FREE collaborative concert-arts event takes place tonight at the Wisconsin Institutes for Discovery.

May 13, 2014
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ALERT: University of Wisconsin-Madison School of Music viola student Sharon Tenhundfeld (below) is the director of the Artist Collective Concert Series. She writes: “You are invited to the FREE DEBUT concert tonight, Tuesday, May 13, at 8 p.m. in DeLuca Forum at  the Wisconsin Institutes for Discovery, located at 330 North Orchard Street. This concert series is an opportunity for UW-Madison musicians, dancers, visual artists, and actors to freely explore collaboration across art disciplines and present their collaborative works of art to the public. The concert includes three performance pieces as well as an audience art piece. The three works involve a total of 15 collaborating artists. The concert is free of charge and should be a ton of fun! The program includes: Distance – video art and musicians; Tomato Magic – actress, comics, and musicians; and Mobile – dancers and a string quartet. We look forward to seeing you.”

Sharon Tenhundfeld

By Jacob Stockinger

On this Saturday, May 17, and Sunday, May 18, 2014, the Wisconsin Youth Symphony Orchestras (WYSO) will present the annual Eugenie Mayer Bolz Family Spring Concerts, the last major event of the current regular concert season. (There are summer events.)

The Bolz Family Spring Concerts will be held in Mills Concert Hall, at the University of Wisconsin-Madison School of Music, on the campus of the University of Wisconsin-Madison in the George Mosse Humanities Building, 455 North Park Street, in Madison.

There is not much The Ear can add except that he is almost sure you will be impressed by the skills of these many young people – hundreds of middle school and high school student from dozens of communities around south-central Wisconsin –- especially if you have never heard them before. Just listen to them tackle the massive and iconic Fifth Symphony by modern Russian composer Dmitri Shostakovich in the YouTube video at the bottom.

WYSO Youth  Orchestra

I suspect you, like me, will also be impressed with the size, young age and enthusiasm of the audiences, who cheer when the musicians first come on the stage and never stop. It is as if you are at some kind of sporting event – an atmosphere that the performing arts and various academic events could use a lot more of.

WYSO young audience

I say: Try it, you’ll like it! And you will be supporting a great cause. Music skills last a lifetime and translate into other careers and endless appreciation and ageless enjoyment.

Tickets are available at the door, $10 for adults and $5 for children under 18 years of age. The family-friendly concerts, informal in atmosphere, generally last about 90 minutes.

Here are programs and performers:

On Saturday, May 17 at 1:30 p.m., WYSO will kick off the concerts with Sinfonietta (below) performing “Oblivion” by Argentinean composer Astor Piazzolla; a traditional Chinese tune entitled “The Brilliant Red Shandadan Flowers: and American composer Aaron Copland’s “Grovers Corners.”

Sinfonietta strings

The Concert Orchestra (below) will perform “Song of Jupiter” by Baroque master George Frideric Handel; the “Triumphant March from Symphony No. 6 “Pathetique” by Russian composer Peter Ilyich Tchaikovsky; “Vignettes”by Kirk; “Song without Words” by Gustav Holst; and Gavotte in D minor by the Baroque French composer Jean-Baptiste Lully.

wyso concert orchestra brass

At 4 p.m., WYSO’s Philharmonia Orchestra will feature its two concerto competition winners. Davis Wu will play Piano Concerto No. 2 in D Minor by the American composer Edward MacDowell; and violinist Isabelle Krier will perform Zigeunerweisen (Gypsy Airs), Op. 20, for solo violin and orchestra by the Spanish composer Pablo de Sarasate. The Philharmonia Orchestra will then play the fourth movement of the Symphony No. 6, Op. 74, B Minor and the Danse Bacchanale by French composer Camille Saint Saens, and the Caucasian Sketches No. 2, fourth movement by the Russian composer Mikhail Ippolitov-Ivanov.

Davis Wu

Isabelle Krier

On Sunday, May 18, at 1:30 p.m., WYSO will display three of their smaller ensembles: Percussion Ensemble (below top) under the direction of Vicki Jenks; the Brass Choirs under the direction of Dan Brice; and the Harp Ensemble (below bottom) under the direction of Karen Beth Atz.

WYSO percussion Ensemble 2013

WYSO Harp Ensemble 2011

At 4 p.m., WYSO will welcome its Youth Orchestra, which will feature the four winners of the concerto competition. Violinist Savannah Albrecht (below top) will perform Introduction and Rondo Capriccioso by Camille Saint-Saens; marimbist Ephraim Sutherland will perform Concerto for Marimba and Strings by Sejourne.

Savannah Albrecht

Ephraim Sutherland mallets

Pianist Isabella Wu will perform the Piano Concerto No. 1, Op. 1, by Sergei Rachmaninoff; and pianist Charlie Collar will perform the Piano Concerto in A Minor, Op. 16, by the Norwegian composer Edvard Grieg.

Isabella Wu2

Charlie Collar

The Youth Orchestra will also perform two additional works it will play on its concert tour to Argentina this summer: Overture to “Candide” by Leonard Bernstein and the Danza final (Malombo) from “Estancia” by the Argentinean composer Alberto Ginastera.

For more information about those concerts and about WYSO, including its history, how to support it and how to audition to join it, visit:

http://wyso.music.wisc.edu

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Classical music: Heading into Spring Break, the University of Wisconsin School of Music offers FREE concerts of percussion, vocal music from operas, piano quartets and orchestral music this week.

March 10, 2014
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By Jacob Stockinger

The headlong rush toward the end of the semester at the University of Wisconsin-Madison is about to begin with the Spring Break, which runs from March 15-23. After that is over, about six weeks or so of concerts remain, and the UW-Madison School of Music concert calendar will get even more jammed with conflicts.

So here are the events for this week before the break.

TUESDAY

At 7:30 p.m. in Music Hall, at the foot of Bascom Hill, an Opera Workshop will take place –probably the last one for University Opera to be done by its outgoing director Bill Farlow (below, in a photo by Kathy Esposito), who will retire at the end of the semester.

William Farlow by Kathy Esposito

The event usually features student singers in scenes from famous operas with piano accompaniment. Sorry, no word yet about the specific performers or works on the program. But the programs and performers usually get high marks from local opera fans.

MusicHall2

Also on Tuesday night at 7:30 p.m. in Mills Hall, guest marimba player Andy Harnsberger (below), will perform a FREE concert.

Andy Harnsberg with mallets

Harnberger will perform with members of the UW Western Percussion Ensemble (below), though The Ear has not received word of specific works on the program.

Western Percussion Ensemble

Andy Harnsberger (below) has performed as percussionist with numerous American orchestras, as well as the contemporary music ensemble “Currents”, and has toured extensively as percussionist and xylophone soloist with The Jack Daniel’s Silver Cornet Band. He has also made several guest appearances on NPR, both in interviews and in live performances, to bring public awareness to the marimba as a solo instrument.

andy harnsberger playing

Harnsberger is Assistant Professor of Music and Percussion Coordinator at Lee University in Cleveland, Tennessee and is active throughout the year as a freelance percussionist and recitalist. He is in demand as a clinician across the country and internationally, presenting clinics and master classes at many universities each year.

His compositions have been performed at PASIC and around the world and he is a recipient of the ASCAP PLUS award for his contributions to American Concert Music. Harnsberger earned his Doctorate of Musical Arts in Performance and Literature at the Eastman School of Music in Rochester, New York, where he also received the prestigious Performer’s Certificate. Andy is a performing artist and clinician for Pearl Drums and Adams Musical Instruments, Innovative Percussion, Inc., Evans Drum Heads, Sabian Cymbals, Ltd., and Grover Pro Percussion.

Andy Harnsberger with instruments

Also on Tuesday night at 7:30 p.m. but in Morphy Recital Hall, cellist Mark Kosower and his pianist wife Jee-Won Oh (both below) will perform an evening of famous piano quartets: one in G minor by Wolfgang Amadeus Mozart (at the bottom you can hear a popular YouTube video the final movement of the Mozart quartet with an intriguing abstract animation or illustration); the other in C Minor by Johannes Brahms.

Mark Kosower and Jee-Won Oh

They will be joined by another wide-and-husband team: UW violin teacher and Madison violinist Eugene Purdue (below top) and Pro Arte Quartet violist Sally Chisholm (below bottom).

Eugene Purdue 1 Thomas C. Stringfellow

Sally Chisholm

Principal Cellist of the Cleveland Orchestra, Kosower will be at the UW School of Music March 10-12. He is on the faculty of the Cleveland Institute of Music, and previously taught at the San Francisco Conservatory. He is from Eau Claire, Wisconsin, and has performed in Madison on many previous occasions.

Kosower will also offer a cello master class on Wednesday, March 12, in the afternoon. The time and place are yet To Be Announced.

Learn more about Kosower at:

http://www.colbertartists.com/ArtistBio.asp?ID=62

mark kosower with bridge

WEDNESDAY

There is an afternoon master class with resident guest cellist Mark Kosower (below). SEE ABOVE.

Mark Kosower with cello

At 7:30 p.m. in Mills Hall, the UW Chamber Orchestra (below), under director and conductor James Smith, will give a FREE concert.

The program includes the “Lucient” Variations by Milwaukee-born composer Michael Torke; “The Birds” by Ottorino Respighi; and
 the Serenade No. 2 by Johannes Brahms.

UW Chamber Orchestra entire

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Classical music: This coming Sunday is busy with lots of live concerts from Con Vivo, Sound Ensemble Wisconsin and Edgewood College as well as Wisconsin Public Radio and the Pro Arte Quartet. Plus, on Saturday afternoon the Percussion Ensemble of Wisconsin Youth Symphony Orchestras (WYSO) performs its annual EXTRAVAGANZA concert.

February 27, 2014
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ALERT: On Saturday at 1 p.m. in Mills Hall, the Wisconsin Youth Symphony Orchestras’ (WYSO) Percussion Ensemble will perform the 13th annual Percussion ‘EXTRAVAGANZA’  in the UW Humanities Building. Directed by Vicki Peterson Jenks, the WYSO Percussion Ensemble is comprised of 12 talented young percussionists and one bassist from Madison, Middleton, Verona, Viroqua, Mount Horeb, DeForest, and Barneveld. (See the impressive individual profiles in the YouTube video at the bottom.) 

WYSO will donate part of proceeds to support the American Red Cross Badger Chapter.

The concert features special guest artist Steve Houghton. A Kenosha, Wis., native, Houghton is an internationally renowned jazz drummer, percussionist, clinician, author and educator who is currently a professor at Indiana University’s prestigious Jacobs School of MusicAlso joining the WYSO Percussion Ensemble in guest appearances will be two WYSO alumni, composer and pianist Jon D. Nelson and bassist Sam Olson – both Sun Prairie natives – the UW World Percussion Ensemble, UW-Madison Professor of Saxophone Les Thimming, and WYSO student flugelhorn player Noah Mennenga.

Tickets for the 2014 WYSO Percussion EXTRAVGANZA! are $10 for adults, $5 for youth (18 and under) and can be purchased at the door beginning one hour prior to the start of the concert. For more information, contact the WYSO office at (608) 263-3320. Parking is available at State Street Campus Ramp, Helen C. White Hall, and Grainger Hall parking facilities. You can also visit:

http://wyso.music.wisc.edu

WYSO Percussion Ensemble 2012

By Jacob Stockinger

What a close friend and colleague calls “train wrecks” — that is, competing or conflicting events and concerts  — just keep on happening.

It is true that choices become more difficult, and more mutually exclusive, as the classical music scene continues to expand in the Madison area.

Take this Sunday, which is normally a pretty quiet day — but NOT this week.

Of course, from 12:30 to 2 p.m., the Pro Arte Quartet (below) will give the second premiere performance of Belgian composer Benoit Mernier’s String Quartet No. 3 on Wisconsin Public Radio’s “Sunday Afternoon Live From the Chazen.” It will air live from the FREE concert in Brittingham Gallery No. 3 of the Chazen Museum of Art on the University of Wisconsin-Madison campus.

But check out these other events:

SALProArteMay2010

CON VIVO

At 2:30 p.m., the ensemble Con Vivo (“Music with Life) continues its 12th season of chamber music with a concert entitled “Germanic Gems” at the First Congregational United Church of Christ, 1609 University Avenue, across from Camp Randall.

Tickets can be purchased at the door for $18 for adults, $15 for seniors and students.

The program includes the First Suite for Solo Cello by Johann Sebastian Bach; a duet for violin and viola by Wolfgang Amadeus Mozart; and the “Fairy Tales” Trio for clarinet, viola and piano by Robert Schumann. The program will also feature the outstanding church organ with duets for violin and organ by Joseph Rheinberger, a solo work for organ by 17th-century composer Johann Reincken, and “Ein Alterblatt” (An Old Page), a romantic piece for violin, viola, cello and organ by Ferdinand Manns.

To round out the afternoon’s offering, Con Vivo will perform a quintet for clarinet, two violas, cello and piano by a mystery composer who will be reveled at the concert!

Audience members are invited to join musicians after the concert for a free reception to discuss this chamber music literature and to hear about their Carnegie Hall debut this past December.

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences. 

Con Vivo core musicians

EDGEWOOD CHAMBER ORCHESTRA

Also at 2:30 p.m. on Sunday, the Edgewood Chamber Orchestra will perform in the St. Joseph Chapel, 1000 Edgewood College Drive, on Madison’s near west side.      

Admission is $5 for the public; free with Edgewood College ID.

The orchestra will perform under the direction of music conductor Blake Walter (below). The program of masterworks includes the Symphony No. 7 by Ludwig van Beethoven; the Orchestral Suite No. 3 by Johann Sebastian Bach; and the Overture to “Abduction from the Seraglio” by Wolfgang Amadeus Mozart.

blake walter john maniaci

Included in the program is a special performance of the Piano Concerto in D Major by Franz Joseph Haydn. It will be performed by the recent Madison Memorial High School alumna Johanna Novich-Leonard (below), winner of the Edgewood College Student Concerto Competition.

Johanna Novich Leonard

SOUND ENSEMBLE WISCONSIN

At 6 p.m., Sound Ensemble Wisconsin (SEW) will be collaborating with Chef Dan Bonanno and poet Katrin Talbot (below in a photo with violinist Mary Theodore on the far right holding a violin bow) for a “delicious” event at A Pig in a Fur Coat restaurant, located at 940 Williamson Street, Madison, WI, 53703. Phone is (608) 316-3300.

SEW poet, chef and violin

Tickets are currently on sale at www.sewmusic.org and are $105 per person or $100 by check (with guests’ names) to:  Sound Ensemble Wisconsin, 716 Edgewood Avenue, Madison, WI 53711. Performing musicians (below) are SEW members and incude violinists Mary Theodore and Mary Perkinson, violist Chris Dozoryst, and cellist Maggie Townsend.

More information and tickets are available at www.sewmusic.org.

SEW dinner group photo

Here is an excellent story written by Gayle Worland of The Wisconsin State Journal:

http://host.madison.com/entertainment/music/a-menu-of-music/article_7668c3ef-b514-546a-9be5-e25aab9a0a70.html

And here is the SEW press release:

“What does food sound like?  What does music taste like?

“Participants enjoy a lovely evening out as they explore their senses as the pathway to their souls through the performing arts of food and music, accompanied by poetry.  “SEWing Taste and Sound, Bite by Byte” is a collaboration between Sound Ensemble Wisconsin, Chef Dan Bonanno of Madison’s celebrated Pig in a Fur Coat, and SEW’s 2013-14 Artist-in-Residence, who is Madison poet and violist Katrin Talbot.

“The event centers around the aesthetic similarities of food and music, both of which Mary Theodore, SEW’s director and violinist, considers performing arts.  SEW has based the evening on a movement from a Beethoven String Quartet, Op. 18 No. 5, Andante Cantabile, that is a theme and variations.

“Each variation, or byte of music, will inspire Chef Bonnano and be paired with one course, or bite, of food — and performed and served as such to create a seven-course meal, including a beverage pairing for each course.

“For example, the third variation, which might remind one of a bubbling brook with a contrast of smooth, running water and sunlight glistening through the trees as well as a touch of sweetness, has inspired Chef Bonanno to create a smooth, creamy risotto with fresh blueberries and sweetbreads.

A Pig in a Fur Coat logo

“Katrin Talbot will also read poems composed for each variation.

“At the end of the meal, SEW musicians will perform the quartet movement from beginning to end with the aim of offering participants a new experience of the music, a new journey of taste and sound.

“As a large part of SEW’s mission is to bring more people to classical music, SEW makes an effort to demonstrate that music can be found in many things that we experience every day.

“SEW achieves this by collaborating with other artists, institutions, etc. through innovative programming and authentic events.  Also, as SEW’s founding principle is that music is a vital part of humanity and should serve everyone, the ensemble strives to both offer engaging and unique programming to regular participants (their term for “audience”), as well as to offer music to those who might not have access to it otherwise.

“As part of the March 2 program, SEW will be performing during dinner hour at a food pantry and offering two free tickets to the Sunday event.  As a side note, SEW also played at a correctional facility as a precursor to their last event.”

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Classical music: Third Coast Percussion offers a FREE concert of new music tonight and a FREE master class on Thursday at the University of Wisconsin. Also, settings by American composers of poems by American poet Emily Dickinson songs will be featured at the FREE Friday Noon Musicale at the First Unitarian Society.

October 9, 2013
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ALERT: On this Friday from 12:15 to 1 p.m., the FREE Friday Noon Musicale in the Landmark Auditorium of the historic Frank Lloyd Wright-designed First Unitarian Society, 900 University Bay Drive, soprano Julia Foster and pianist Susan Gaeddert will perform songs by Francesco Santoliquido and Francis Poulenc, plus settings of poems by the great American poet Emily Dickinson (below, in a photograph) by various American composers (Ernst Bacon, Daniel Crozier, John Duke, Henry Mollicone and Andre Previn).

emily dickinson photo

By Jacob Stockinger

Tonight at 7:30 p.m. in Mills Hall, on the University of Wisconsin-Madison campus, the acclaimed group Third Coast Percussion (below, in a photo of Saveria Truglia) will perform a program of modern and contemporary percussion music.

Third Coast Percussion by Saverio Truglia

The program includes: “Fractalia” by Owen Clayton Condon (at bottom in a YouTube video); “Mallet Quartet by Steve Reich; “Third Construction” by John Cage; and “Resounding Earth” (commissioned work) by Augusta Read Thomas (below), former composer-in-residence of the Chicago Symphony Orchestra.

augusta read thomas

Then on Thursday, from 12:15 to 2:15 p.m. in Room 1321 of the George Mosse Humanities Building, the percussion ensemble will give a public master class.

Hailed by The New Yorker magazine as “vibrant” and “superb,” Third Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds.

Since its formation in 2005, Third Coast Percussion has gained national attention with concerts and recordings that meld the energy of rock music with the precision and nuance of classical chamber works. Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame.

For more information about Third Coast Percussion, visit the group’s website:

http://www.thirdcoastpercussion.com

You can also read the preview blog post by Kathy Esposito on the UW School of Music’s terrific new blog “Fanfare:

http://uwmadisonschoolofmusic.wordpress.com/2013/09/19/third_coast/


Classical music education Q&A: Conductor Tom Buchhauser offers tips about music education and young people. This weekend, Buchhauser will retire after 30 years with the Wisconsin Youth Symphony Orchestras (WYSO), which perform their annual Bolz Family Spring Concerts this Saturday and Sunday afternoons on the UW-Madison campus. Plus, Wednesday is the deadline to sign up for the Make Music Madison festival on June 21.

May 14, 2013
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REMINDER: Tomorrow, Wednesday, May 15, is the deadline for signing up to take part in the inaugural Make Music Madison festival that will take place outdoors and citywide on the summer solstice, Friday, June 21. The Ear loves the idea and hopes classical musicians will be well represented in the offering of FREE concerts. Here is a link to the festival’s home webpage where you can sign up and also find out what other groups and individuals are participating. Plans call for four open-mike acoustic pianos, probably located at fire stations around town, to be part of the event; but signing up for them is not required: http://www.makemusicmadison.org

Make Music Madison logo square

By Jacob Stockinger

One of the annual rites of spring in the Madison area is to be amazed once again at how well elementary, middle and high school students can play great music.

That talent will go on display this Saturday and Sunday afternoon when the various orchestras and ensembles of the Wisconsin Youth Symphony Orchestras (WYSO) will perform concerts to help raise money for the large non-profit educational program. (Below, WYSO director Bridget Fraser introduces last year’s concerts.)

WYSO Bridget Fraser thanks sponsors, parents

The two-day event includes the final concert by conductor Tom Buchhauser (pronounced Buckhauser) who is retiring after working for 30 seasons with WYSO.

Here is the schedule:

All concerts are held on the UW-Madison campus in Mills Concert Hall
of the Mosse Humanities Building, 455 North Park Street, in Madison.

Concerts generally last about 1-1/2 hours. Dress is casual and informal. Children are welcome. Tickets are $10 for adults, $5 for young people 18 and under, and are available at the door 45 minutes prior to each concert.

Call the WYSO office at (608) 263-3320 for up-to-date concert and ticket information. Or check out this website:

http://wyso.music.wisc.edu/events/concerts-recitals/

For general information about WYSO, including its impressive record of community service since its founding in 1965 by educating over 5,000 young people from more than 100 communities in southcentral Wisconsin, visit: http://wyso.music.wisc.edu/about/

WYSO Logo blue

On Saturday, May 18 at 1:30 p.m., WYSO will introduce the first joint concert to feature the Percussion Ensemble, Brass Choirs and Harp Ensemble (below top, middle and bottom, respectively). The varying styles of the groups will provide a diverse selection of repertoire, from Wagner’s “Siegfried’s Funeral March” to “Sunlight” by jazz fusion artist Pat Metheny.

WYSO Percussion Ensemble 2012

WYSO Brass Choir

WYSO Harp Ensemble 2011

At 4 p.m., WYSO’s string orchestra, Sinfonietta (below top), will perform pieces including Richard Meyer’s “Carpe Diem,” and Paul Creston’s “Five Little Dances.” The Concert Orchestra (below bottom, in a photo by Krystal Stankowski)) will follow with selections from Tchaikovsky’s Swan Lake, and several contemporary selections.

WYSO Sinfonietta

WYSO Concert Orchetsra by Krystal Stankowski

On Sunday, May 19 at 1:30 p.m., WYSO’s Youth Orchestra (below) — which toured and performed in Prague, Budapest and Vienna last summer —  will shine the spotlight on four talented Concerto Competition winners, who will perform as soloists with their orchestra. Their pieces include Ravel’s Tzigane, Mendelssohn’s Piano Concerto No. 2 in D minor, Haydn’s Oboe Concerto in C Major, and Tchaikovsky’s Violin Concerto in D Major.

WYSO Youth Orchestra Violins

At 4 p.m., WYSO expects a sold-out house as it welcome hundreds of alumni, music teachers and community members as to celebrate the memorable career of conductor Tom Buchhauser, who will lead the Philharmonia Orchestra (below) for the last time.

WYSO Philharmonia Tom Buchhauser 2011

The concert will feature audience favorites including Verdi’s Nabucco Overture, and Sibelius’s “Finlandia.” Concerto Competition winner Audrianna Wu will also perform the first movement of Saint-Saëns’s Piano Concerto No. 5 in F Major.

A public reception to honor Tom Buchhauser — who is conducting “Greensleeves” in a YouTube video at the bottom  — will follow the concert.

These concerts are generously supported by Goldstein and Associates, a private wealth advisory practice of Ameriprise Financial Services, Inc., the Eugenie Mayer Bolz Family, and Dane Arts with additional funds from the Pleasant T. Rowland Foundation. This project is also supported in part by additional funds from the Wisconsin Arts Board, the State of Wisconsin, and the National Endowment for the Arts.

Tom Buchhauser (below, in a photo by Jon Harlow) recently granted an email Q&A to The Ear:

Tom Buchhauser close up Jon Harlow

Can you briefly introduce yourself and summarize your career?

I guess my career started out by accident when I entered high school. I went to Lane Tech (a school of 5,000 boys) in Chicago with the idea of becoming a math teacher. They had a great math department. I majored in music so I could take four years of math but not have to take the shop classes. (I had been taking piano lessons since age five from a neighborhood lady.

I did go to the Chicago Musical College in 7th and 8th grade for piano and theory.) This is when Carl Blum (father of Rich Blum, former violist of the UW Pro Arte Quartet and Madison Symphony Orchestra) started me on cello. By my junior year I had changed my mind about the math teacher and wanted to pursue music.

(Thirty years after Carl Blum started me on cello, his grandson George was in the Memorial High School Orchestra and playing the Beethoven violin concerto on our concerto concert.) The Blum’s were good friends of the Crietz’s as Lowell’s father was orchestra at Austin High School in Chicago. Lowell had joined the Pro Arte Quartet in 1955. During Christmas break of my senior year, Carl arranged for me to audition for Lowell at his parents home just a few mile from where I lived. Lowell accepted me and even got me an out-of-state scholarship to the UW-Madison. I entered the School of Music in 1957 (the same year that Rich Blum joined the Pro Arte).

In the spring semester of 1962, Art Becknell went full-time to the UW and recommended that I take over the orchestra/string classes at Wisconsin High School, even though I was still finishing my student teaching. I got my student teaching credit and $50 a month. (I took five years on my BM because of a double major -– Music Education and Music Theory & History.) I stayed at Wisconsin High in 1962-63 while going on for my Masters. From 1963 to 1966 I taught at Madison Central and in 1966 I went to the new Memorial High School (below). And I stayed there until I retired in 1999.

Memorial High School

Why are you retiring? Where will you live and what will you do after retiring?

I am retiring because I think 51 years of teaching and conducting is enough. While I still look forward to going to WYSO every Saturday, I think it is time to have a new and younger person. I also wanted to be able to give WYSO a full year’s notice so they could find the right person take over. (Editor’s note: Buchhauser will be succeeded next year by Michelle Kaebisch (below, in a photo by Katrin Talbot) of the Madison Symphony Orchestra.)

I will remain in Madison as this has been my home for 57 years and it is such a wonderful place to live. All my friends are here and there is so much to do and hear musically. I have no special plans in mind, but I’m sure I will keep busy. I will continue to be on the MSO Education committee and sing with and be librarian for the church choir. Hopefully I can spend even more time in the garden.

Michelle Kaebisch WYSO cr Katrin Talbot

What was the best part of working so many years with WYSO?

Of course the best thing about being with WYSO all these years has been the kids. They have been so dedicated to developing their skills, accepting the challenging music and bringing that music to life. Being part of a team of such wonderful conductors and educators, including Jim Smith, Mark Leiser, Christine Eckel (and Lygia Topolovic before Christine), for so many years has been incredible.

We all agree that WYSO is all about the kids, and that the focus is on music education. We are very supportive of each other and are great personal friends.

WYSO had a huge impact on the growth of the Memorial High School orchestra program. When Memorial opened there were three string students in the high school. When I retired there were 155 strings students in three orchestras. Hundreds of Memorial music students were in WYSO and brought back to the high school orchestra the advanced skills and musicality they received from being part of WYSO. It has been a pleasure and a privilege to be a part of WYSO, which has contributed to my career. (Below is a photo by Jon Harlow of Tom Buchhauser conducting.)

Tom Buchhauser Conducting Philharmonia Jon Harlow

Can you tell us the programs you will conduct for the Spring Concerts and what would you like audiences to pay special attention to?

The spring concert will be:
Verdi’s Overture to “Nabucco,”  Strauss/Davis’ “Allerseelen,” the first movement of Saint-Saens’ Piano Concerto No. 5, Sibelius’ “Finlandia” and Dmitri Shostakovich’s First Ballet Suite.

Our piano soloist is Audrianna Wu (below, in a photo by Lloyd Schultz) a 7th-grader at Jefferson Middle School. She is FANTASTIC!!!

Audrianna Wu CR Lloyd Schultz

Have you picked up any secrets or tips about educating young people, musically or otherwise, that you would like to pass on?

I think the most important thing for being a teacher is that you have a passion for your subject and that you love the kids. In music you are generally teaching different age groups at different stages of musical ability and you have to adjust your expectations and vocabulary from class to class.

The first 10 years at Memorial, I taught 4th grade through 12th sometimes going from a Beethoven Symphony at the high school to “Twinkle, Twinkle Little Star” in the 4th grade in 20 minutes. You have to understand that to a 4th-grader playing “Twinkle, Twinkle” is like a high-schooler playing a Beethoven symphony.

I have always had respect for my students and that respect was given back. I laughed at them, they laughed at me and we all laughed together. Music is very demanding, but you can still have fun while working hard. I never had challenges for seating but rather emphasized that we were there to make music not occupy a chair.

The only challenge was between the student and what the composer put on the page. When we needed to go to two orchestras there was a freshman and a grade 10-11-12 orchestra and then three orchestras, freshman, sophomore and 11-12.

wyso violas

What do you think is the way to get classical music to appeal to more young people today?

I never found it hard to get the kids to like classical music. They love playing a concerto grosso by Vivaldi or Corelli in the middle school years. If you give them good music to play and you are excited about it, they will get excited about it also.

I think the hardest job of a conductor is choosing music that will advance the students’ technical skills, enhance their musicality, and will be music that they will like and also that an audience will enjoy hearing in a concert.


Classical music education: Wisconsin Youth Symphony Orchestras offer fall concerts all day this Sunday in Madison. UW violinist Tyrone Greive performs tonight.

November 14, 2012
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ALERT: Tonight at 7:30 p.m in Mills Hall, UW violinist and former Madison Symphony Orchestra concertmaster Tyrone Greive (below, in a photo by Katrin Talbot) will perform a FREE recital on the UW-Madison Faculty Concert Series. Greive will be joined by pianists Martha Fischer and Ted Reinke and as well as his wife cellist Janet Greive. The program will feature Four Pieces for Violin and Piano, Op. 115 by Jean Sibelius; Sonata in E for violin and piano by Paul Hindemith; Sonata in D minor, Op. 9 by Karol Szymanowski; a collection of short duets for violin and cello; Romance in E-flat Major, Op. 44, No. 1, by Henryk Wieniawski; and Three Dances by Polish composer Grazyna Bacewicz.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO) will hold the first performance series of the season, the Steenbock Fall Concerts, all day this coming Sunday, Nov. 18. More than 350 young musicians will display their talents to the community during the three concerts, which are dedicated to local music teachers.

The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, in Madison.

WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families. Tickets are available at the door, $10 for adults and $5 for youth 18 and under. WYSO was founded in 1966 and has served nearly 5,000 young musicians from more than 100 communities in southern Wisconsin. 

On Sunday, WYSO’s youngest members, the string orchestra Sinfonietta (below), will kick off the concert series at 1:30 p.m. with selections including “Four Royal Dances” by Eric Ewazen. The Concert Orchestra will follow with works by Berlioz and von Gluck.  

At 4 p.m., the popular Percussion Ensemble (below top) will perform an arrangement of Dvořák’s Slavonic Dance No. 8 in G minor under the direction of Vicki Jenks, in her 31st season at WYSO. The Philharmonia Orchestra (below bottom, photo by Jon Harlow) will then entertain the audience with Copland’s “An Outdoor Overture,” and works by Strauss, Vaughan Williams and Borodin. 

At 7 p.m., the Harp Ensemble (below top), a unique group of performers age 11-17, will perform Bach’s Prelude and Fugue in E minor.  The Youth Orchestra (below bottom) will close out the concert series with Joaquin Turina’s “Danzas fantásticas” and Rimsky-Korsakov’s Symphony No. 2.

The Ear would only add that the playing is much better than you might think from student groups (listen to the finale of Shostakovich’s epic Symphony No. 5 on YouTube at the bottom). And it is also great fun to see the large WYSO audiences, which are made up of young friends, family members and admirers. WYSO concerts draw the youngest, most animated and most enthusiastic audiences in town.

Especially in this time of tight family and educational budgets, special mention should be made of sponsors. This WYSO project is supported by Dane Arts with additional funds from the Endres Mfg. Company Foundation and the Evjue Foundation, Inc., charitable arm of The Capital Times. This project is also supported by the Alliant Energy Foundation and by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Here is Part 2 of 2 with a schedule of concerts for the SPRING Semester at the University of Wisconsin- Madison School of Music.

August 15, 2012
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By Jacob Stockinger

The brochures are almost printed and in the mail.

But you can still get out your calendars and datebooks.

The Ear has been given the schedule of concerts by faculty and guest artists at the University of Wisconsin School of Music.

Yesterday, I offered events for First or Fall Semester – September through December.

Today, I list concerts for the Second or Spring Semester – January through May.

Programs for concerts are not yet available. But you can always check the Events Calendar at www.music.wisc.edu/events

Also, because of building renovations, the Wisconsin Union Theater concerts will take place in Mills Hall.

School of Music, University of Wisconsin-Madison Performances for  2012-2013 in a Calendar of Events

Admission is FREE except where noted with an $

JANUARY

Mon 28: Dylan Chmura Moore, trombone (GAS). Morphy, 7:30 p.m.

FEBRUARY

Mon 4: Eli Kalman, piano (GAS); Bruce Atwell, horn. Morphy, 7:30 p.m.

Wed 6: Daniel Grabois, horn (below, FCS). Mills, 7:30 p.m.

Sat 9: The Knights chamber orchestra with Wu Man, pipa (below, WUT) $; Mills, 8 p.m.

Thu 14: Black Music Ensemble, Richard Davis, director. Morphy, 8:30 p.m.

Fri 15: UW Symphony Orchestra, James Smith, conductor. Student concerto competition winners. Mills, 8 p.m.

Sat 16: Pro Arte Quartet (below in a photo by Rick Langer, FCS). Mills, 8 p.m.

Sun 17: UW Chamber Orchestra, Kevin McMahon, conductor. Mills, 2 p.m.

Wed 20: Western Percussion Ensemble, Anthony Di Sanza, director. Mills, 7:30 p.m.

Fri 22: Sole Nero (FCS). Mills, 8 p.m.

Sat 23: Wind Ensemble, Scott Teeple, conductor. Mills, 8 p.m.

Sun 24: Concert Band, Michael Leckrone, conductor. Mills, 2 p.m.

Mon 25: Pavel Morunov, oboe (GAS); Johanna Bourkova-Morunov, violin; Morphy, 7:30 p.m.

MARCH

Fri 1: Parry Karp, violoncello (below, FCS); Eli Kalman, piano. Mills, 8 p.m.

Sat 2: Wingra Woodwind Quintet (FCS). Morphy, 8 p.m.

Sun 3: The Thimmig-Johnson Duo (FCS); Les Thimmig, clarinets and saxophone; Jessica Johnson, piano. Mills, 2 p.m.

Sun 3: Woodwind-Piano Duo Competition Winners. Morphy, 3:30 p.m.

Sun 3: Contemporary Chamber Ensemble, composer Laura Schwendinger (below), director. Mills, 7:30 p.m.

Wed 6: Gretzler (FCS); Daniel Grabois, horn; Mark Hetzler, trombone. Mills, 7:30 p.m.

Thu 7: Périphére (GAS), Joseph Dangerfield, director. Morphy, 7:30 p.m.

Fri 8 and Sat 9: Disklavierfest (GAS); Jaroslaw Kapuscinski and Daniel Koppelman, disklavier. Programs, times and halls To Be Announced.

Sun 10: University Bands. Mills, 2 p.m.

Thu 14: Christopher Taylor, piano (below, FCS). Mills, 7:30 p.m.

Fri 15, Sun 17 and Tue 19: University Opera with UW Symphony Orchestra $; William Farlow, director; James Smith, conductor; “L’amico Fritz,” by Mascagni. Music Hall, 7:30 p.m. (Fri and Tue), 3 p.m. (Sun)

Fri 15: Wisconsin Brass Quintet (FCS). Mills, 8 p.m.

Tue 19: Concert Band, Michael Leckrone, conductor. Mills, 7:30 p.m.

Wed 20: UW Chamber Orchestra, James Smith (below), conductor. Mills, 7:30 p.m.

Thu 21: Symphony Strings, James Smith, conductor. Mills, 7:30 p.m.

APRIL

Fri 5: Emily Birsan, soprano (GAS); Jamie Van Eyck, mezzo-soprano; John Arnold, bass-baritone; Kirstin Ihde, piano. Mills, 8 p.m.

Sun 7: University of Iowa Center for New Music, David Gompper, director. Mills, 4 p.m.

Wed 10: Pro Arte Quartet (FCS), Nobuko Imai, viola. Mills, 7:30 p.m.

Thu 11: Jeremy Denk, piano (below, WUT) $; Mills, 8 p.m.

Fri 12: Uri Vardi, violoncello (FCS). Mills, 8 p.m.

Sat 13: Tuba and Euphonium Ensemble, Matthew Mireles, director. Mills, 4 p.m.

Sat 13: Concert Choir, Beverly Taylor, conductor. Mills, 8 p.m.

Sun 14: Marc Fink (below), oboe & Friends (FCS). Mills, 2 p.m.

Sun 14: Trio Antigo (GAS). Mills, 7:30 p.m.

Tue 16: Brass Ensemble, Daniel Grabois and Mark Hetzler, directors. Mills, 7:30 p.m.

Wed 17: Guitar Ensemble, Javier Calderón, director. Mills, 8:30 p.m.

Thu 18: Julie Fowlis, Scottish singer and multi-instrumentalist (WUT) $; Music Hall, 8 p.m.

Thu 18: Black Music Ensemble, Richard Davis, director. Morphy, 8:30 p.m.

Fri 19: Madrigal Singers, Bruce Gladstone, conductor. Mills, 8 p.m.

Sat 20: Perlman Piano Trio. Morphy, 3:30 p.m.

Sat 20: Madrigal Singers, Bruce Gladstone, conductor. Mills, 4 p.m.

Sat 20: Javanese Gamelan Ensemble, R. Anderson Sutton, director. Mills, 8 p.m.

Sun 21: Wind Ensemble, Scott Teeple, director. Mills, 2 p.m.

Sun 21: Beethoven Piano Competition Winners. Morphy, 3:30 p.m.

Sun 21: Contemporary Chamber Ensemble, Laura Schwendinger, director. Mills, 7:30 p.m.

Tue 23: Horn Choir, Daniel Grabois, director. Mills, 7:30 p.m.

Wed 24: Opera Workshop. Music Hall, 7:30 p.m.

Fri 26: Chorale, Bruce Gladstone, conductor. Mills, 8 p.m.

Sat 27: All-University String Orchestra, Janet Jensen, conductor. Mills, 4 p.m.

Sat 27 and Sun 28: Choral Union with UW Chamber Orchestra $; Beverly Taylor, conductor (below, in a photo by Katrin Talbot); “The Passion according to Four Evangelists” by Robert Kyr. Mills, 8 p.m. (Sat), 7:30 p.m. (Sun)

Sun 28: University Bands. Mills, 2 p.m.

Mon 29: Masters Singers. Mills, 7:30 p.m.

Tue 30: Keyboard Conversations with Jeffrey Siegel (WUT) $; “Listen to the Dance: Waltzes, Marches, Polkas and Tangos!” Mills, 7:30 p.m.

Tue 30: Early Music Ensemble, John Chappell Stowe (below, in a photo by Katrin Talbot), director. Morphy, 8:30 p.m.

MAY

Wed 1: Western Percussion Ensemble, Anthony Di Sanza, director. Mills, 7:30 p.m.

Thu 2: Jazz Orchestra, Johannes Wallmann, director. Mills, 7:30 p.m.

Fri 3: UW Symphony Orchestra, James Smith, conductor. Mills, 8 p.m.

Sat 4: World Percussion Ensemble; Anthony Di Sanza, director. Music Hall, Noon

Sat 4: Women’s Chorus and University Chorus, Mills, 8 p.m.

Sun 5: Concert Band; Michael Leckrone, conductor (below). Mills, 2 p.m.

To request a season brochure, call (608) 263-1900.

Web calendar: music.wisc.edu/calendar

Concert Line, recorded weekly: (608) 263-9485

The Digest, e-mailed weekly:  Send request to music@music.wisc.edu

Additional Information

FCS=Faculty Concert Series

GAS=Guest Artist Series

WUT=Wisconsin Union Theater

SOMAA=School of Music Alumni Association

Mills & Morphy Halls are in Mosse Humanities Building, 455 N. Park St.

Music Hall is on North Park St., at the foot of Bascom Hill (clock tower)

Unitarian Meeting House is at 900 University Bay Drive

Pyle Center is at 702 Langdon St.

Luther Memorial Church is at 1021 University Ave.

Tickets (for University Opera, Choral Union and Wisconsin Union Theater) at: Campus Arts Ticketing Office; (608) 265-ARTS;

uniontheater.wisc.edu

In person:  821 University Ave. (street level, east side of Vilas Hall)

By mail only:  800 Langdon St., Madison, WI  53706

Day-of-concert sales in concert hall lobby beginning one hour before program

The Wisconsin Brass Quintet is celebrating its 40th Anniversary Season: Founded in 1972, the Wisconsin Brass Quintet (below, with some former members) is ensemble-in-residence at the UW-Madison School of Music.  The WBQ’s commitment to commissioning and performing new music of the 20th and 21st centuries, as well as its mastery of styles from every musical period, are evident in the group’s distinguished 40-year history of recitals, recordings and outreach events.

For 2012-13, the WBQ will give the premiere performances of works by two of its members:  Hodesanna, by John Stevens, composed in memory of Jeff Hodapp; and Gravikord, by Daniel Grabois.  In addition, it will perform two new pieces for brass quintet and wind ensemble by James Stephenson and Anthony Plog.

Concerts include Faculty Concert Series:  Oct. 19 and March 15; Wind Ensemble (Scott Teeple, conductor):  Oct. 5 and Feb. 23.

Current members are John Aley, trumpet; Jessica Jensen, trumpet; Daniel Grabois, horn (below); Mark Hetzler, trombone; and John Stevens, tuba.

Guest Artist Series showcases Collins Fellows

The School of Music proudly presents the following exceptional musicians who were honored with Paul Collins Fellowships during their graduate studies.  See calendar for dates of their performances.

Edith Hines, violin – Doctor of Music Arts 2008; Elias Goldstein, viola – DMA 2011; Jamie-Rose Guarrine, soprano – DMA 2005; Michelle Malafronte, flute – Master of Music 2008; Dylan Chmura-Moore, trombone – DMA 2011; Eli Kalman, piano – DMA 2006; Kevin McMahon, conductor – DMA 2005; Pavel Morunov, oboe – DMA (in progress); Johanna Bourkova-Morunov, violin – MM 2006; Emily Birsan, soprano (below) – MM 2010; Jamie Van Eyck, mezzo soprano – DMA 2012; and John Arnold, bass-baritone – DMA (in progress).


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