The Well-Tempered Ear
The Madison Symphony Orchestra seeks matching funds as it launches a musicians’ relief fund to reach $355,000 by Nov. 5
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) has announced that a Musicians’ Relief Fund has been established with the goal of securing $355,000 to cover 100% of the orchestra payrolls for the canceled September through December 2020 subscription concerts.
This initiative is in addition to the compensation already provided to its musicians for canceled services from April 2020 to date.
To launch the fund, the MSO Board of Directors has committed current Symphony resources to guarantee 52% of the $355,000 total — $184,000 — and has informed the orchestra that the September and October orchestra payrolls will be paid in full.
MSO is seeking community support to help us raise another $171,000 to assure the orchestra’s compensation for the canceled November and December 2020 subscription concerts.
All contributions to this effort will directly support the musicians. An Anonymous Donor has launched the appeal with a $50,000 lead gift. The campaign seeks to raise the additional funds by Nov. 5, 2020.
All contributions to the MSO Musicians’ Relief Fund are tax-deductible and will be used for musicians’ compensation.
Donations can be mailed to the Madison Symphony Orchestra, 222 W. Washington Ave., Suite 460, Madison WI, 53703.
An online donation form is found at madisonsymphony.org/relief-gift.
To contribute gifts of appreciated stock or to discuss other options, contact Jeff Breisach, Manager of Individual Giving, at jbreisach@madisonsymphony.org.
“The 91 members of the Symphony are a core cultural asset of the greater Madison community,” said MSO Board President Ellsworth Brown (below). “We are committed to doing all we can to assist them through the challenges of the coronavirus pandemic.”
“While some MSO musicians have other day jobs, many rely heavily on the wages they earn performing with this Symphony, as well as other orchestras and ensembles in the region,” said MSO Executive Director Rick Mackie (below). “The cancellations of services have caused stress and anxiety for our artists.”
The MSO has demonstrated support of its musicians since April of this year, compensating the orchestra for all canceled rehearsals and performances.
Generous donors, strong financial management and a federal Small Business Administration Paycheck Protection Loan enabled the Symphony to pay 100% of the orchestra payrolls for the April and May subscription concerts, the spring youth education programs, HeartStrings®, Madison Opera and Overture Presents engagements, and Concert on the Green.
These unexpected paychecks provided relief to the MSO staff and to our musicians (below, with music director and conductor John DeMain in a photo by Peter Rodgers) were forthcoming with their individual appreciation.
HERE ARE SAMPLES OF THE MUSICIANS OF THE MADISON SYMPHONY ORCHESTRA EXPRESSING THEIR GRATITUDE FOR COMPENSATION RELIEF
“I am very grateful that our organization values the health of its musicians and patrons yet also understands the financial difficulty imposed on musicians by being unable to work due to the pandemic. The MSO is a gem of an organization, and if you haven’t heard it enough lately, please let me reiterate my gratitude.”
“WOW! I am humbled to be a part of the Madison Symphony Orchestra. Thank you so much for valuing the musicians and honoring us with payment for cancelled rehearsals and performances. The news made me cry.”
“As someone who makes a living totally from teaching and playing, this has been an incredibly difficult time. I lost half of my students, because they do not want to study online, and of course, all gigs were cancelled. I am truly grateful to you for making this possible. You have no idea how much this will help not only financially, but mentally as well. THANK YOU!!!
Tags: #artsorganization, #BlogPost, #BlogPosting, #BoardofDirectors, #BoardPresident, #BrassSection, #ChamberMusic, #CityofMadison, #ClassicalMusician, #CommunityOutreach, #ConcertontheGreen, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #DayJob, #EllsworthBrown, #ExecutiveDirector, #FacebookPost, #FacebookPosting, #FinancialManagement, #FundraisingCampaign, #HeartStrings, #HomeWebsite, #JacobStockinger, #JeffBreisach, #JohnDeMain, #LeadGift, #MadisonOpera, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MeadWitterSchoolofMusic, #MentalHealth, #MusicDirector, #MusicEducation, #Musicfaculty, #OperaMusic, #OvertureCenter, #OverturePresents, #PaidinFull, #PercussionSection, #ReliefFund, #RickMackie, #StringSection, #SubscriptionConcert, #ThankYou, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #YouthConcerts, #YouTubevideo, anonymous, anxiety, appeal, appreciated, appreciation, April, artists, Arts, asset, audience, blog, Board of Directors, brass, campaign, cancel, canceled, cancellation, cause, Cello, challenge, challenge grant, Chamber music, Classical music, classicalmusic, commit, community, community outreach, compensate, compensation, composer, Concert, Concert on the Green, conductor, contact, contribute, contribution, core, coronavirus, cover, Cry, cultural, current, date, day, day job, December, dicculty, difficulty, directly, discuss, donation, donor, donors, earn, Education, effort, Ellsworth Brown, engagement, establish, Executive director, express, expressing, Facebook, financial, financial management, form, forthcoming, forward, fund, Fundraising, gem, generous, gifts, gig, gigs, giving, goal, grateful, gratitude, half, Health, Heart Strings, heavily, home website, honor, humble, humbled, impose, incredile, individual, infor, initiative, Jacob Stockinger, Jeff Breisach, job, John DeMain, launch, lead, like, link, living, loan, lose, Madison, Madison Opera, Madison Symphony Orchestra, make, management, manager, May, Mead Witter School of Music, member, mental, Mental health, MSO, Music, Music director, Music education, music faculty, Musician, musicians, news, online, opera, option, options, Orchestra, organization, outreach, Overture Center, Overture Center for the Arts, Overture Presents, paid, paid in full, pandemic, patron, paycheck, payment, payroll, percussion, performance, performer, performing, play, playing, possible, post, posting, President, protection, provide, region, rehearsal, reiterate, relief fund, rely, resources, rest, Rick Mackie, sample, Season, secure, seek, September, services, share, someone, staff\, stock, stress, strong, students, study, subscriber, support, symphony, tag, tax-deductible, teaching, thank you, The Ear, time, totally, understand, unexpected, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, value, Viola, Violin, virtual, virtul, wages, Website, Wisconsin, work, Youth, Youth Concerts
Classical music: Here is how the Wisconsin Youth Symphony Orchestras (WYSO) plan to continue lessons and performances this fall despite the coronavirus pandemic
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has just received the following updates from an email newsletter about the upcoming season of the Wisconsin Youth Symphony Orchestras (WYSO). Over more than 50 years, WYSO has served tens of thousands of middle school and high school students in southcentral Wisconsin and northern Illinois. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra play a virtual performance from the past season of the famous finale from Rossini’s “William Tell” Overture.)
After many weeks of planning, and in consultation with Public Health Madison and Dane County (PHMDC) and the McFarland School District, WYSO is excited to announce a fall semester plan that will mark a safe return to in-person music-making—and our first season at the McFarland Performing Arts Center (below) https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/
We had a brief delay last Friday when PHMDC released Emergency Statement #9 delaying in-person start dates for all schools in Dane County. We checked in with the Public Health agency and they re-affirmed that WYSO is not a school —and the 15 students maximum-sized groups outlined in this plan are absolutely perfect. It is time to set up the tents!
The WYSO season will begin on the weekend of Sept. 5, when the winds and brass students from all three full orchestras (Youth, Philharmonia and Concert) will begin their fall rehearsals outside under two enormous tents in the McFarland High School parking lot (below). The 60 winds and brass students will be divided into approximately nine or 10 cohorts, who will meet in two-hour blocks on Saturdays and Sundays.
With a single cohort of masked and socially distanced students spread out within the 40′ x 60′ tent, with “bell covers and bags” for their instruments, the season will not look like any previous WYSO Fall.
If you’ve not been involved in the new science of aerosol transmission, this whole scenario might seem very curious. The reasoning is simple: The winds and brass instruments have been singled out as more problematic since you have to blow into them to make music. The blowing releases more “aerosols,” the tiny droplets that can transmit the coronavirus.
However, researchers at the University of Colorado at Boulder have recently released the first results from a five-month study and have found that the following actions bring down the transmission risk considerably:
- Social distancing 9 to 15 feet apart.
- Adding bell covers and bags (below) for the instruments (essentially the instruments have to wear masks as well as the students).
- Playing outside, which reduces risks due to the increased air circulation.
Because we are in Wisconsin, the “outdoor” location shortens the season for the winds and brass players so by beginning the season on Sept. 5 and ending on the weekend of Oct. 24, they can just squeeze in an 8-week cycle.
Meanwhile, the WYSO string and percussion players, approximately 300 in number and representing all five orchestras, will begin their fall season indoors on Oct. 17, after McFarland moves to a hybrid model for the school year.
The string players will be divided into 15-student cohorts by orchestra, with a wonderful mix of violins, violas, cellos and basses in each group, and with the groups spread throughout one wing of the high school in large music rooms and atriums.
The percussionists have been scheduled into the new Black Box Theater and they are excited to begin playing on the brand new marimbas and timpani so recently acquired by WYSO through a gift from an incredibly generous anonymous donor.
Everything has been carefully scheduled so that at any given time there will not be more than 125 students, conductors and staff in the building.
Start and end times have been staggered. The large beautiful spaces at McFarland will easily hold the socially distanced and mask-wearing players. And the orchestras will again be scheduled into Saturday and Sunday mornings and afternoons. Even the WYSO Chamber Music Program (below) has been scheduled into the intricate puzzle.
The rest of this exciting fall story has to do with adding incredibly talented professional musicians to lead some of the cohorts and the amazing repertoire available for groups of 15 musicians, whether they play winds, brass, strings or percussion.
From Mozart’s “Gran Partita” to Beethoven’s Symphonies No. 2 and 6; from Stravinsky’s “Pulcinella Suite” to Bartok’s Divertimento, and Tchaikovsky’s Serenade for Strings — there is almost an “embarrassment of riches” of exciting, seldom-played repertoire, to quote WYSO Music Director Kyle Knox (below). And this fall, that repertoire will be right in WYSO’s wheelhouse.
WYSO will video-capture this year’s Fall Concerts of students playing in the beautiful McFarland Performing Arts Center to 800 empty seats and let you know the exact Fall Concert dates as we get closer. Click here for additional information.
While WYSO is incredibly excited about our in-person plan for rehearsals and playing music together, we have also drawn up two alternate plans, and know that not everyone will be able to participate in-person.
WYSO Registration is underway, and we are asking those who cannot participate in the McFarland experience to let us know their needs through the registration process, so that we can create the best virtual experience possible for those involved. Tuition payment is not due at registration.
To register, go to: https://www.wysomusic.org/members/wyso-registration-form/
Tags: #AirCirculation, #BelaBartok, #BellLaboratories, #BlackBoxTheater, #BlogPost, #BlogPosting, #BrassMusic, #BrassSection, #ChamberMusic, #CheckIn, #CityofMadison, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DoubleBassist, #EmptySeats, #EndTime, #FacebookPost, #FacebookPosting, #FallSemester, #GioachinoRossini, #GranPartita, #HighSchool, #IgorStravinsky, #JacobStockinger, #KyleKnox, #LaborDay, #LudwigVanBeethoven, #McFarlandHighSchool, #McFarlandPerformingArtsCenter, #MiddleSchool, #Music-Making, #MusicDirector, #MusicEducation, #MusicRoom, #OnlineConcert, #OrchestralMusic, #ParkingLot, #PercussionSection, #PeterIlyichTchaikovsky, #PhilharmoniaOrchestra, #PublicHealth, #PulcinellaSuite, #RegistrationForm, #SchoolDistrict, #SchoolYear, #SerenadeforStrings, #SetUp, #SocialDistance, #SocialDistancing, #StartTime, #StringMusic, #StringPlayers, #StringSection, #TheEar, #UniversityofColorado-Boulder, #WilliamTell, #WilliamTellOverture, #WindMusic, #WindSection, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #WYSOChamberMusicProgram, #WYSOconcerts, #YouthOrchestra, #YouTubevideo, action, actions, additional, aerosol, afternoon, agency, air, air circulation, alternate, amazing, anonymous, approximately, Arts, ATRIUM, audience, bags, Bartok, bass, basses, bassist, Béla Bartók, Beethoven, beginning, Bell, black, Black Box Theater, blocks, blog, blow, blowing, Boulder, Box, brass, brass music, brass section, brief, capture, cellist, Cello, central, Chamber music, check, check in, circulation, Classical music, cohorts, Colorado, composer, Concert, Concert Orchestra, conductor, consultation, coronavirus, covers, curious, cycle, Dane County, dates, delay, divertimento, divide, divided, donor, double bass, droplet, due, email, embarrassment, emergency, empty, empty seats, end, end time, ending, enormous, everyone, excited, experience, Facebook, fall, famous, finale, first, Friday, generous, gift, Gioacchino Rossini, Gran Partita, group, groups, high school, hour, hybrid, Igor Stravinsky, ILLINOIS, in person, increase, increased, incredible, information, instrument, intricate, Jacob Stockinger, Knox, Kyle Knox, Labor Day, large, like, link, location, look, Ludwig van Beethoven, Madison, make, marimba, mask, masked, masks, maximum, McFarland, McFarland High School, McFarland Performing Arts Center, meet, Middle school, mix, model, morning, Mozart, Music, Music director, Music education, music room, needs, newsletter, north, Northern, October, online, Orchestra, orchestral music, outside, Overture, pandemic, parking, parking lot, participant, participate, partita, payment, percussion, percussionist, perfect, perform, performer, person, Peter Tchaikovsky, Philharmonia Orchestra, plan, planning, play, players, playing, post, posting, problematic, process, program, Public health, Pulcinella Suite, puzzle, quite, quote, re-affirm, reasoning, registration, rehearsal, release, repertoire, repertory, research, researchers, return, riches, risk, room, Rossini, safe, safety, Saturday, scenario, schedule, school, school district, school year, science, Season, seats, seldom-played, semester, September, Serenade, Serenade for Strings, set up, share, simple, size, social distance, social distancing, south, Southern, spread, squeeze, staggered, start, start time, statement, Stravinsky, string, string music, string players, string section, Student, study, Suite, Sunday, symphony, tag, Tchaikovsky, tens, tent, tents, The Ear, theater, theatre, thousands, time, tiny, together, transmission, transmit, tuition, tympani, United States, university, University of Colorado-Boulder, upcoming, video, video-capture, Viola, Violin, violinist, violist, virtual, week, weekend, whole, William Tell, William Tell Overture, wind music, winds, Wisconsin, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, wonderful, WYSO, WYSO Chamber Music Program, WYSO concerts, year, years, young people, Youth, Youth Orchestra, YouTube
Classical music: This Friday night, the Wisconsin Chamber Orchestra closes its season with a dark and unorthodox symphony by Shostakovich as well as lighter suites by Bizet and Debussy
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Wisconsin Chamber Orchestra (below top) ends its winter Masterworks season this coming Friday night, May 10, at 7:30 p.m. in the Capitol Theater of the Overture Center.
And it is going out in a big, eclectic way.
The WCO will perform under the baton of music director Andrew Sewell (below).
Sewell and the WCO will be joined by two guest singers: soprano Mary Mackenzie, a former Madison resident and member of the Wisconsin Youth Symphony Orchestras (WYSO); (below top); and the Grammy-nominated bass Timothy Jones (below bottom).
Both critically acclaimed singers are familiar to Madison audiences from past appearances with the Bach Dancing and Dynamite Society, the Madison Opera, the Token Creek Chamber Music Festival, the Madison Symphony Orchestra and previous appearances with the Wisconsin Chamber Orchestra.
They will all join in the major work that opens the concert, the Symphony No. 14, Op. 135, by Dmitri Shostakovich (below), his penultimate symphony that runs about 50 minutes and is highly unorthodox in its form.
Shostakovich wrote his symphony in 1969, and dedicated it to the British composer Benjamin Britten.
Perhaps to avoid more confrontations with the government of the USSR and perhaps to critique global events such as war, the composer gave it a very international flavor.
Written for strings and percussion with vocal soloists, the symphony is composed in 11 movements. It is also set to poetry by the French poet Guillaume Apollinaire (below top), the Spanish poet Federico Garcia Lorca (below middle) and the German poet Rainer Maria Rilke (below bottom). In the YouTube video at the bottom, you can hear a live recording of the first movement from the work’s world premiere in Moscow in 1969.
In the late work, Shostakovich (below, in 1950) – always suspect by the Soviet state and in danger during the Stalinist Terror — seeks to portray the idea of unjust and premature death that aroused deep feelings of protest in him. Shostakovich emphasized, however, that it was not out of pessimism that he turned to the problem of mortality but in the name of life on this earth.
The concert concludes on a lighter, more upbeat note by celebrating the innocence and joy of youth in two charming suites: “Jeux d’enfants” (Children’s Games), Op. 22, by Georges Bizet and the “Petite Suite” (Little Suite) by Claude Debussy.
Tickets are $12-$80. To buy tickets and to see more information about the program and detailed biographies of the performers, go to:
https://wisconsinchamberorchestra.org/performances/masterworks-v-4/
Tags: #AndrewSewell, #BachDancingandDynamiteSociety, #BassVoice, #BenjaminBritten, #BlogPost, #BlogPosting, #BritishComposer, #CapitolTheater, #ChamberMusic, #ChamberSymphony, #Children'sGames, #ClaudeDebussy, #CriticalAcclaim, #CriticallyAcclaimed, #DmitriShostakovich, #FacebookPost, #FacebookPosting, #FedericoGarciaLorca, #FrenchPoetry, #Fridaynight, #GeorgesBizet, #GermanPoetry, #GrammyAward, #GuillaumeApollinaire, #InstrumentalMusic, #Jeuxd'enfants, #JohannSebastianBach, #JosefStalin, #LittleSuite, #LiveRecording, #MadisonOpera, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MaryMackenzie, #MasterworksSeason, #MeadWitterSchoolofMusic, #MoscowRussia, #MusicDirector, #OvertureCenter, #PercussionSection, #PetiteSuite, #RainerMariaRilke, #SopranoSinger, #Sovietcomposer, #SovietUnion, #SpanishPoetry, #StalinistTerror, #StringSection, #TimothyJones, #TokenCreekChamberMusicFestival, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinChamberOrchestra, #WisconsinYouthSymphonyOrchestras, #WorldPremiere, #WorldWarI, #WorldWarII, #YouTubevideo, acclaim, Andrew Sewell, appearance, Arts, audience, Bach, Bach Dancing and Dynamite Society, bass, baton, Benjamin Britten, big, biographies, blog, British, Capitol Theater, celebrate, Cello, Chamber music, Chamber Symphony, charm, charming, children, Children's Games, Classical music, Claude Debussy, composer, Concert, conductor, critical, critically acclaimed, danger, dark, death, dedication, deep, Dmitri Shostakovich, Earth, eclectic, Facebook, Federico Garcia Lorca, feelings, form, forward, French, French poetry, Friday, game, Georges Bizet, German, German poetry, global, government, Grammy, Guillaume Apollinaire, hour, innocence, instrumental music, international, Jacob Stockinger, Jeux d'enfants, Johann Sebastian Bach, Joseph Stalin, Joy, life, light, lighter, like, link, little, live, Madison, Madison Opera, Madison Symphony Orchestra, Mary Mackenzie, masterwork, Mead Witter School of Music, member, mortality, Moscow, Music, Music director, name, New York City, night, nominated, note, opera, Orchestra, Overture Center, penultimate, percussion, performer, pessimism, poem, poet, Poetry, premature, problem, protest, Rainer Maria Rilke, recording, share, sing, singer, soprano, Soviet, Soviet Union, Spanish, Spanish poetry, Stalin, Stalinist Terror, strings, Suite, symphony, tag, terror, text, ticket, Timothy Jones, Token Creek Chamber Music Festival, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unjust, unorthodox, upbeat, USSR, Viola, Violin, vocal music, war, WCO, winter, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Youth Symhony Orchestras, word, world premiere, World War I, World War II, WYSO, Youth, YouTube
Classical music: The Middleton Community Orchestra and conductor Kyle Knox brightened a soggy spring with early Beethoven and Elgar. On Tuesday night, an organ and cello concert takes place in Overture Hall.
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: On this Tuesday night, April 16, at 7:30 p.m. in Overture Hall, organist Greg Zelek and guest cellist Thomas Mesa will close out the season of Concert Organ performances sponsored by the Madison Symphony Orchestra. The program includes music by Johann Sebastian Bach, Franz Joseph Haydn, Ludwig van Beethoven, Franz Schubert, Peter Ilyich Tchaikovsky, Claude Debussy and Charles-Marie Widor. For tickets ($20) and more information about the program with detailed biographies of the performers, go to: https://madisonsymphony.org/event/thoms-mesa-greg-zelek/
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a veteran and well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The early spring concert on last Wednesday night by the Middleton Community Orchestra (below, in a photo by Brian Ruppert) at the Middleton Performing Arts Center that is attached to Middleton High School was comparatively short – it had no intermission — and was devoted to only two composers.
The first was Edward Elgar (below, in 1910), whose early orchestral works included a good deal of music drawn from his youthful sketchbooks. Notable in that category were two suites, given the joint title of The Wand of Youth.
From the eight sections of the First Suite (1907), six were played, and from the six sections comprising the Second Suite (1908), four were given. All these movements are colorful and evocative little miniatures, reflecting early imagination, often touching, but many quite boisterous.
The other composer was Ludwig van Beethoven (below), as represented by his Symphony No. 2. This shows the young composer moving quite distinctly beyond the stylistic world of Haydn and Mozart into the rambunctious new symphonic idiom he would go on to create. (You can hear Leonard Bernstein and the Vienna Philharmonic play the opening of Beethoven’s Symphony No. 2 in the YouTube video at the bottom.)
The guest conductor this time, Kyle Knox – the recent University of Wisconsin-Madison graduate who is the music director of Wisconsin Youth Symphony Orchestras and the associate conductor of the Madison Symphony Orchestra — chose to give the music a “big orchestra” approach.
For both the suites and the symphony, the lighter and cleaner textures of a chamber orchestra would seem best. But with an orchestra totaling some 91 players, Knox chose to go for volume and sonority.
His tempos, especially in the Beethoven were notably fast. As the largely amateur orchestra followed loyally, there was some raw playing at times.
Still, the MCO asserted strong character, which made a very happy impression on the audience and brightened an evening of soggy weather.
Tags: #AmateurMusician, #AmericanRecordGuide, #BaroqueMusic, #BeethovenSymphony, #BlogPost, #BlogPosting, #BrassSection, #CelloMusic, #ChamberMusic, #ChamberOrchestra, #Charles-MarieWidor, #ClaudeDebussy, #EdwardElgar, #EmeritusProfessor, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #FranzSchubert, #GregZelek, #IsthmusNewspaper, #JohannSebastianBach, #JohnW.Barker, #KyleKnox, #LeonardBernstein, #LudwigVanBeethoven, #MadisonEarlyMusicFestival, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MedievalHistory, #MiddletonCommunityOrchestra, #MiddletonHighSchool, #MiddletonPerformingArtsCenter, #MusicalStyle, #MusicCritic, #MusicReview, #OrganMusic, #OvertureCenter, #OvertureHall, #PercussionSection, #PeterIlyichTchaikovsky, #Pre-concertLecture, #SpringWeather, #StringMusic, #StringSection, #TheWandofYouth, #ThomasMesa, #UniversityofWisconsin-Madison, #ViennaAustria, #ViennaPhilharmonic, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #WoodwindSection, #WORT-FM89.9, #YouTubevideo, amateur, American Record Guide, April, Arts, audience, Austria, Bach, Baroque, Baroque music, Beethoven, big, biography, blog, boisterous, brass, category, cellist, Cello, Chamber music, chamber orchestra, character, Charles-Marie Widor, Classical music, Claude Debussy, clean, colorful, composer, Concert, concerto, conductor, critic, early, Early music, Edward Elgar, emeritus professor, evocative, Facebook, fast, forward, Franz Joseph Haydn, Franz Schubert, graduate, Greg Zelek, guest, happy', Haydn, idiom, imagination, impression, intermission, Isthmus, Jacob Stockinger, Johann Sebastian Bach, John W. Barker, joint, Kyle Knox, lecture, Leonard Bernstein, lighter, like, link, Ludwig van Beethoven, Madison, Madison Early Music Festival, Madison Symphony Orchestra, Mead Witter School of Music, Medieval history, Middleton Community Orchestra, Middleton High School, Middleton Performing Arts Center, miniature, movement, Mozart, Music, music critic, music review, night, opening, Orchestra, organ, organist, Overture Center, Overture Hall, percussion, performer, Peter Ilyich Tchaikovsky, players, professor, program, raw, recent, review, Season, Serenade, share, short, sketchbooks, soggy, sonority, sping, string section, strings, style, Suite, symphony, tag, Tempo, texture, The Wand of Youth, Thomas Mesa, title, touching, Tuesday, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Vienna, Vienna Philharmonic, Vienna Philharmonic Orchestra, Viola, Violin, volume, weather, Wisconsin, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, woodwind, WORT-FM 89.9, Writer, youthful, YouTube
Classical music: The Wisconsin Youth Symphony Orchestras (WYSO) perform their annual Winterfest concerts this Saturday afternoon — with guest clarinetist Amitai Vardi — and on Saturday, March 2
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO, below is the Youth Orchestra) will present the Diane Ballweg Winterfest Concerts this Saturday, Feb. 16, and Saturday, March 2, in Mills Concert Hall in the Mosse Humanities Building, 455 North Park Street in Madison, at the University of Wisconsin-Madison’s Mead Witter School of Music.
WYSO orchestras will perform pieces by Carl Maria von Weber, Antonin Dvorak, Georges Bizet, Sergei Prokofiev, Richard Wagner, Peter Ilyich Tchaikovsky, Manuel DeFalla, Johann Strauss, Modest Mussorgsky and others. For a complete program listing, go to: https://www.wysomusic.org/diane-ballweg-winterfest-2019-repertoire/
“These are wonderful works and the orchestras are progressing beautifully in rehearsal,” said WYSO music director Kyle Knox (below). “It looks to be a memorable concert series.”
Guest clarinetist Amitai Vardi (below) will perform Weber’s Concertino for Clarinet and Orchestra, Op. 26, with the Youth Orchestra during their Feb. 16 concert. (You can hear Weber’s Concertino in the YouTube video at the bottom.)
Amitai Vardi — his father Uri Vardi teaches cello at the UW-Madison — is a WYSO alumnus who grew up in Madison. He performs regularly with the Cleveland Orchestra and is currently a professor at Kent State University in Ohio.
“WYSO was the first orchestra I ever played in,” Vardi said. “The experience developed my listening skills, knowledge about ensemble playing, love for orchestral music, and taught me how to be a well-rounded musician.”
Concert tickets are available 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.
Visit www.wysomusic.org to learn more about the various orchestras and about the WYSO program.
WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.
Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.
Diane Ballweg Winterfest Concerts
Saturday, Feb. 16 in Mills Hall
4 p.m. Youth Orchestra
With guest artist Amitai Vardi, clarinet
Saturday, March 2, 2019, Mills Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Concert Orchestra
4 p.m. Philharmonia Orchestra and Harp Ensemble
Tags: #AmitaiVardi, #AntoninDvorak, #BlogPost, #BlogPosting, #BrassSection, #CarlMariavonWeber, #CelloMusic, #ChamberGoup, #ChamberMusic, #ChamberMusician, #ClarinetConcert, #ClarinetMusic, #ClassicalComposers, #Classicalera, #Classicalperiod, #ClevelandOrchestra, #ConcertOrchestra, #DianeBallweg, #EnsemblePlaying, #FacebookPost, #FacebookPosting, #FacultyMember, #GeorgeMosse, #GeorgesBizet, #GuestArtist, #HarpEnsemble, #HumanitiesBuilding, #JohannStrauss, #KentStateUniversity, #KyleKnox, #ListeningSkills, #MadisonSymphonyOrchestra, #ManuelDeFalla, #MeadWitterSchoolofMusic, #MillsHall, #ModestMussorgsky, #MusicDirector, #MusicEducation, #NorthernIllinois, #OpusOne, #OrchestralMusic, #PercussionSection, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #PhilharmoniaOrchestra, #RichardWagner, #SergeiProkofiev, #SouthernWisconsin, #StringSection, #UniversityofWisconsin-Madison, #UriVardi, #Winterfestconcerts, #WisconsinYouthSymphonyOrchestras, #WoodwindSection, #WYSOconcerts, #YoungMusicians, #YoungPeople, #YouthOrchestra, #YouTubevideo, adult, afternoon, alumnus, Antonín Dvořák, Armitai Vardi, Arts, audience, blog, brass, brass section, Campus, Carl Maria von Weber, Cello, chamber group, Chamber music, chamber musician, clarinet, Classical, Classical music, Classical period, Cleveland Orchestra, communities, community, composer, Concert Orchestra, concerto, conductor, Diane Ballweg, ensemble playing, Facebook, faculty member, George Mosse, Georges Bizet, guest artist, harp ensemble, History, humanities building, ILLINOIS, Jacob Stockinger, Johann Strauss, Kent State University, knowledge, Kyle Knox, listening, Love, Madison, Madison Symphony Orchestra, Manuel DeFalla, Mead Witter School of Music, memorable, Mills Hall, Modest Mussorgsky, Mosse Humanities Building, Music, Music director, Music education, Musician, northern Illinois, Ohio, opus, Opus number, Opus One, Orchestra, orchestral music, percussion section, performer, Peter Ilyich Tchaikovsky, Peter Tchaikovsky, Philharmonia Orchestra, piece, post, posting, prior, rehearse, Richard Wagner, Saturday, Season, Sergei Prokofiev, Sinfonietta, southern Wisconsin, string section, strings, symphony, tag, tickets, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Uri Vardi, video, Viola, Violin, weekend, well-rounded, Winterfest, Wisconsin, Wisconsin Youth Symphony Orchestras, woodwind, woodwind section, work, WYSO, young musicians, young people, Youth, Youth Orchestra, YouTube
Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.
WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.
“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).
Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)
He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.
“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”
TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.
The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.
WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.
Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.
Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.
Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/
To learn more about Joseph Johnson, go to: www.joecello.com.
Evelyn Steenbock Fall Concerts
Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra
Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello
Tags: #AntoninDvorak, #AramKhachaturian, #ArthurHonegger, #BlakeWalter, #BlogPost, #BlogPosting, #BrassSection, #CelloConcerto, #ChamberEnsemble, #ChamberGroup, #ChamberMusic, #ChamberMusician, #ChamberOrchestra, #ChristianReligion, #ConcertSeries, #EdgewoodCollege, #EvelynSteenbock, #FacebookPost, #FelixMendelssohn, #FolkMusic, #FranciscoTarrega, #FranzJosephHaydn, #FranzvonSuppe, #GeorgPhilippTelemann, #GuestArtist, #HarpEnsemble, #HonoluluHawaii, #HonoluluSymphonyOrchestra, #IgorStravinsky, #JesusChrist, #JohannStrauss, #JosephJohnson, #KyleKnox, #LouisGottschalk, #LouisMoreauGottschalk, #MeadWitterSchoolofMusic, #MiddletonHighSchool, #MiddletonPerformingArtsCenter, #MiddletonWisconsin, #MillsHall, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MinnesotaOrchestra, #MusicEducation, #MusicHistory, #NikolaiRimsky-Korsakov, #OrchestralMusic, #PecussionSection, #PercussionEnsemble, #PercussionSection, #PeterIlyichTchaikovsky, #PeterWarlock, #PhilharmoniaOrchestra, #PrincipalCellist, #RococoVariations, #RussianMusic, #SaintJoseph, #SantaFeOpera, #SoonHeeNewbold, #SouthernWisconsin, #StringSection, #StudentID, #StudentMusicians, #SymphonicMusic, #TorontoCanada, #TorontoSymphonyOrchestra, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #WindSection, #WisconsinYouthSymphonyOrchestras, #YouthOrchestra, #YouTubevideo, adult, alert, Antonín Dvořák, Aram Khachaturian, Arthur Honegger, artist, Arts, blog, Blog post, brass section, cellist, Cello, Cello Concerto, Chamber music, chamber musician, chapel, Christian religion, Christianity, Classical music, collaborate, community, composer, Concert, concerto, concerts, conductor, Edgewood Chamber Orchestra, Edgewood College, Edgewood College Chamber Orchestra, educator, Evelyn Steenbock, evening, Facebook, fall, famous, Felix Mendelssohn, Folk music, folk song, folksong, forward, Francisco Tarrega, Franz Joseph Haydn, Franz von Suppe, Georg Philipp Telemann, guest artist, harp, Hawaii, History, Honolulu, Honolulu Symphony Orchestra, Igor Stravinsky, ILLINOIS, Jacob Stockinger, Jesus Christ, Johann Strauss, Joseph Johnson, Kyle Knox, link, Louis Moreau Gottschalk, Madison, Mead Witter School of Music, Middleton, Middleton Performing Arts Center, Mills Hall, Milwaukee, Milwaukee Symphony Orchestra, Minnesota, Minnesota Orchestra, moon, Music, New Mexico, Newbold, Nikolai Rimsky-Korsakov, opus, Opus number, Orchestra, Overture, pastoral, Percussion Ensemble, percussion section, performer, person, Peter Ilyich Tchaikovsky, Peter Warlock, Philharmonia Orchestra, plog posting, principal, reception, Rococo Variations, Russian music, Saint Joseph, Santa Fe, Santa Fe Opera, SantaFeNewMexico, Saturday, section, Sinfonietta, soloist, Soon Hee Newbold, southern Wisconsin, student ID, student musicians, summer, Sunday, symphony, Toronto, Toronto Symphony Orchestra, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Violin, weekend, wind section, Wisconsin, Wisconsin Youth Symphony Orchestras, word, works, WYSO, WYSO Chamber Music Program, Youth, Youth Orchestra, YouTube
Classical music: This weekend, the Madison Symphony Orchestra celebrates the legacy and works of Leonard Bernstein
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This coming weekend, Leonard Bernstein (below, in a photo by Jack Mitchell) will be remembered, honored and celebrated by his friend and Madison Symphony Orchestra music director John DeMain in a “Remembering Lenny” concert that explores Bernstein’s musical contributions as an American composer and conductor.
Original works by Bernstein will be performed by the MSO on the first half of the concert. The MSO starts with the Overture to Candide, then moves on to On The Town, and, finally, performs his Symphony No. 2 “The Age of Anxiety,” featuring Van Cliburn Competition bronze medal winner and UW-Madison pianist Christopher Taylor.
The second half of the program features Ludwig van Beethoven’s Symphony No. 7, the last work that Bernstein (1918-1990) ever conducted during a concert at the summer Tanglewood Festival of the Boston Symphony Orchestra.
Performances will be held in Overture Hall, 201 State Street, on this Friday night, Nov. 9, at 7:30 p.m.; this Saturday night, Nov. 10, at 8 p.m.; and this Sunday afternoon, Nov. 11, at 2:30 p.m. Ticket information is below.
Says DeMain (below, in a photo by Greg Anderson): “To have my 25th anniversary with the MSO coincide with the 100th anniversary of Leonard Bernstein’s birth is special for me personally because of the unique opportunities I had to work with this great American musician.”
DeMain, who premiered Bernstein’s opera “A Quiet Place” in Houston, adds: “The first half of the concert celebrates Lenny the composer, culminating in the first performance by the MSO of his second symphony, The Age of Anxiety, which has a dazzling and at times jazzy part for the piano, and carries with it, still, a timely social statement. Christopher Taylor (below), a Madison favorite with whom I have often enjoyed collaborating, will perform the challenging and exciting piano part.”
DeMain describes the final work in the program: “The second half of the concert pays tribute to Lenny the conductor, and his life-long love of Beethoven. Since the Symphony No. 7 in A Major, Op. 92, was the last piece Lenny conducted, I thought it would be the perfect way to celebrate Lenny and his great contribution to American musical life.” (NOTE: You can hear Bernstein conduct the famous second movement of Beethoven’s Symphony No. 7 during his last public performance, just two months before he died, in the YouTube video at the bottom.)
Here is some more background:
Bernstein’s operetta Candide is based on the 1759 novella by French philosopher Voltaire. The well-known Overture is quick-paced, with a feverish excitement that begins from the first breath of sound. Many of the meters are in seven beats, or of other non-traditional types, and quickly change. Each player of the ensemble is required to perform with simultaneously the utmost virtuosity and togetherness.
On the Town is a dance-centric musical scored by Leonard Bernstein based on Jerome Robbins’ idea for the 1944 ballet “Fancy Free.” The story depicts three American sailors on a 24-hour shore leave in New York City during wartime, where each man meets and quickly connects with the woman of their dreams. The musical is the source of the ubiquitously popular show tune New York, New York.
The Age of Anxiety was composed between 1948 and 1949, and is inspired by a poem of the same name by W.H. Auden (below). The 80-page poem follows four lonely strangers who meet in a wartime New York bar and spend the evening ruminating on their lives and the human condition. Subtitled “a baroque eclogue” (a pastoral poem in dialogue form), the characters speak mostly in long soliloquies of alliterative tetrameter, with little distinction among the individual voices.
Composed from 1811–1812, Beethoven’s Symphony No. 7 premiered with Beethoven (below) himself conducting in Vienna on December 8, 1813 at a charity concert for soldiers wounded in the Battle of Hanau.
The symphony’s dance elements, vitality and sense of celebration are conveyed principally through rhythm. It is not the melodies that are so striking and memorable as the general sense of forward movement.
The Overture lobby opens 90 minutes prior to each concert. One hour before each performance, Randal Swiggum (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The MSO recommends that concert attendees arrive EARLY for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online. Go to: http://bit.ly/nov2018programnotes
Tickets can be purchased in the following ways:
- Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/bernstein\through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
- Flex-Ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Find more information at madisonsymphony.org
The Presenting Sponsor for the November concerts is Steinhauer Charitable Trust. Underwriting for Christopher Taylor is provided by Sharon Stark, “to Peter Livingston with love.” Major funding is provided by: Stephen D. Morton, The Gialamas Company, Inc., Myrna Larson, Madison Symphony Orchestra League, and Nancy Mohs. Additional funding is provided by Robert Benjamin and John Fields, Godfrey & Kahn, S.C., and Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.
Tags: #AgeofAnxiety, #AmericanComposer, #Americanconductor, #AmericanMusician, #AQuietPlace, #BattleofHanau, #BlogPost, #BlogPosting, #BostonSymphony, #BoxOffice, #BrassSection, #CandideOpera, #CharityConcert, #ChristopherTaylor, #FacebookPost, #FirstPerformance, #GialamasCompany, #Godfrey&Kahn, #HoustonTexas, #JazzMusic, #JeromeRobbins, #JohnDeMain, #LastPerformance, #LeonardBernstein, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #NationalEndowmentfortheArts, #NewYorkCity, #NewYorkNewYork, #OntheTown, #OriginalWork, #OvertureCenter, #OvertureHall, #OverturetoCandide, #PastoralPoem, #PercussionSection, #PreludeDiscussion, #ProgramNotes, #RandalSwiggum, #SeasonSubscriber, #SeniorCitizen, #ShowTune, #SociallyRelevant, #SocialRelevance, #SocialStatement, #StateOfWisconsin, #StringSection, #StudentID, #StudentRush, #SubscriptionConcert, #TanglewoodFestival, #TheCliburn, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #ViennaAustria, #W.H.Auden, #WarTime, #WindSection, #WisconsinArtsBoard, #WithLove, #WorldPremiere, #WorldWarII, #YouTubevideo, A Quiet Place, admission, Age of Anxiety, American, American musician, anniversary, Arts, Ausria, Austria, ballet, Baroque, Battle of Hanau, Beethoven, birth, blog, Boston, box office, brass section, breath, bronze medal, Candide, celebration, centennial, charity, Christopher Taylor, Classical music, composer, Concert, dance, death, dialog, dialogue, died, discount, dream, Eclogue, explore, Facebook, first performance, France, French, Gialamas Company, hear, honor, Houston, ID, Jacob Stockinger, Jazz, jazzy, Jerome Robbins, John DeMain, last, Lenny, Leonard Bernstein, life, live, lives, lobby, lonely, Love, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, meger, melody, Mohs, Music, musical, National Endowment for the Arts, NEA, New York, New York City, novella, On the Town, online, opera, Operetta, Orchestra, original, Overture, Overture Center, Overture Center for the Arts, Overture Hall, pastoral, percussion section, performance, philosopher, Pianist, Piano, poem, poet, Poetry, post, posting, Prelude Discussion, premiere, professor, program notes, Randal Swiggum, remember, rhythm, sailor, season subscriber, security, see, senior, senior citizen, share, show tune, social relevance, socially relevant, soldiers, soliloquy, Sound, sponsor, stranger, string section, Student, student rush, subscriber, subscription concert, symphony, Tanglewood Festival, Texas, The Cliburn, ticket, togetherness, underwriting, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Van Cliburn, Van Cliburn International Piano Competition, Veteran, veterans, Vienna, Viola, Violin, virtuosity, vitality, voice, Voltaire, wartme, wind section, winner, Wisconsin, Wisconsin Arts Board, woman, work, world premiere, World War II, wounded, YouTube
Classical music: The Middleton Community Orchestra and solo flutist Iva Ugrcic turn in polished performances of a fun program to kick off the new season
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photo.
By John W. Barker
The opening concert on Wednesday night by the largely amateur Middleton Community Orchestra (below top), under the baton of Steve Kurr (below bottom), was a relatively brief but pithy one, with only three short works on the program.
The opener was Autumn, the most frequently played section of the ballet The Seasons, Op. 67 (1899), by Alexander Glazunov (below) and one of the composer’s most frequently heard pieces. It is a rondo-like sequence of varied dance movements, full of lyricism and bright colors. The Middleton players dug into it with gusto.
Second came the Flute Concerto in D Major, Op. 283, by the prolific 19th-century German composer Carl Reinecke (1824-1910, below). He was conservative as a teacher and as a prolific composer.
Among his concertos, this one was his last, written just two years before his death. It is an engaging work, not notable for great ideas, but amiable, with a good virtuosic workout for the soloist.
The soloist was the Serbian-born flutist Iva Ugrcic, an absolute whiz of a player, and, among other things, a product of the UW-Madison’s Mead Witter School of Music doctoral program. She played with super-precision and confidence, giving her instrument great personality.
Without intermission, the concert ended with the Symphony No. 100, known as the “Military,” by Franz Joseph Haydn (below). It was first played in 1794 among the composer’s “London” Symphonies during his second visit to England. But it may well have been begun while he was in Vienna, for it reflects a particular fad popular there.
This was the use in orchestral writing of an adaptation of the sounds of the Turkish Janissary band. In the second movement, whose tune was taken from an earlier chamber work of his, Haydn introduced recurrently the “Turkish” instruments (two clarinets, triangle, cymbals, bass drums) with startling effect.
At the movement’s end, a trumpet call brings these novelties back for a crashing conclusion. And then, in the fourth movement’s ending, the “Janissary” instruments return for another razzle-dazzle finish. (You can hear the fourth movement in the YouTube video at the bottom.)
It’s all great fun, and the orchestra players seemed to find their own enjoyment in it.
The MCO continues its steady growth as a polished and reliable ensemble — all 98 players!
Tags: #19thCentury, #AlexanderGlazunov, #AmateurMusician, #AmericanRecordGuide, #BalletMusic, #BassDrum, #BlogPost, #BlogPosting, #BlogReview, #BrassSection, #CarlReinecke, #DanceMovement, #EmeritusProfessor, #FacebookPost, #FluteConcerto, #FranzJosephHaydn, #GermanComposers, #GreatIdea, #IsthmusNewspaper, #IvaUgrcic, #JanissaryBand, #JohnW.Barker, #LondonEngland, #LondonSymphonies, #LyricalMusic, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #MedievalHistory, #MiddletonCommunityOrchestra, #MilitarySymphony, #MusicReview, #OrchestralPlayers, #PercussionSection, #PopularMusic, #RadioHost, #RussianComposer, #SteveKurr, #StringSection, #TheSeasons, #TrumpetMusic, #TurkishMusic, #UniversityofWisconsin-Madison, #ViennaAustria, #WindSection, #WORT-FM89.9, #YouTubevideo, Alexander Glazunov, amateur, American Record Guide, Arts, Autumn, ballet, bass, bass drum, blog, Carl Reinecke, Cello, clarinet, classicalmusic, color, composer, Concert, concerto, conductor, confidence, conservative, cymbal, dance, drum, Early music, emeritus professor, England, Facebook, fad, flute, flutist, Franz Joseph Haydn, German, great, gusto, History, host, idea, instrument, Isthmus, Iva Ugrcic, Jacob Stockinger, Janissary, John W. Barker, London, London symphonies, lyricism, Madison, Madison Early Music Festival, Mead Witter School of Music, Medieval, Middleton Community Orchestra, military, Military Symphony, movement, music review, Orchestra, performance, personality, photo, photography, piece, popular, precision, program, prolific, Radio, razzle-dazzle, review, rondo, Russia, Russian, seasons, Serbia, Serbian, soloist, Steve Kurr, symphony, Teacher, The Seasons, triangle, Trumpet, Turkey, Turkish, Turkish music, United States, University of Wisconsin–Madison, Vienna, Viola, Violin, virtuosic, virtuosity, Wisconsin, workout, WORT-FM 89.9, Writer, YouTube
Classical music: Prize-winning UW-Madison conductor Chad Hutchinson talks about the FREE and unusual all-American, all-20th century concert he will perform with the UW Symphony Orchestra this Friday night
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Chad Hutchinson (below) is starting his second season at the University of Wisconsin-Madison’s Mead Witter School of Music by putting his own stamp on programming with an intriguing, all-American and all-20th-century concert that combines music for the concert hall with music for plays and films.
The FREE concert by the UW Symphony Orchestra is in Mills Hall this Friday night, Oct. 12, and starts at 8 p.m. with an informal pre-concert talk by Hutchinson (below) at 7:30 p.m.
Hutchison recently won one first prize and two second prizes from The American Prize for work he did – in opera conducting, orchestral conducting and orchestral programming — at the University of Minnesota and the University of South Dakota.
For more details, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/
The Ear asked Hutchinson how, after his first year, he feels about the UW-Madison.
He answered: “What makes the UW-Madison special is the camaraderie and support of the students, faculty and staff across the numerous disciplines within the Mead Witter School of Music.
“I’m thrilled to be back working with the orchestra (below), opera and conducting students and collaborating with the amazing faculty here. Seeing the “light bulb” moments when students realize and achieve a new level of competency for themselves and the ensemble is the best part of the profession.”
Here are his thoughts about the program:
“The UW-Madison Symphony Orchestra opens the 2018-2019 season with a program of three influential American composers. This concert will highlight the juxtaposition of traditional classical music and compositions heavily influenced by folk, jazz and the blues.
“A common thread throughout the concert is the idea of firsts and exploring new ideas as a composer.
“The Overture to “The School for Scandal” (1931) of Samuel Barber (below) was the first piece that he composed for full orchestra and is based on the Restoration comedy by Richard Sheridan.
“This performance will be the debut of one of the Symphony Orchestra’s new doctoral conducting students Ji-Hyun Yim (below). Ji-Hyun (Jenny) comes to Madison after completing a Master’s Degree in Orchestral Conducting from the University of North Texas.
“The second piece on the program is one that I have wanted to program for quite some time. The “Afro-American” Symphony (1930) of William Grant Still (below, in a photo by Carl Van Vechten), his first symphony, is widely regarded as the first large-scale piece of symphonic repertoire composed by an African-American and performed by a major symphony orchestra.
Each movement’s title is influenced by short poems by the 20th-century African-American poet Paul Laurence Dunbar (below, in 1890).
“Since the Barber and Still were composed within one year of each other in 1930-1931, I wanted to show the dichotomy of the straight-ahead classical world and the other side of classical music in the late 1920s and 1930s that was being heavily influenced by the more popular music of the time.
“Lastly, we feature the first and only film music that Bernstein composed. “On the Waterfront” (1954), an Oscar-winning film directed by Elia Kazan that starred Marlon Brando (below) and Eva Marie Saint, shows Bernstein writing simultaneously for the symphonic hall and the big screen.
“This work will feature UW-Madison professor of saxophone and composition Les Thimmig (below) and will showcase many soloists within the orchestra. While not programmed as often as his music from West Side Story or On the Town, I believe that Bernstein’s unique use of color, rhythm and melody in this work – heard in the YouTube video at the bottom — speak for themselves.”
Tags: #20thCentury, #African-AmericanMusic, #Afro-AmericanSymphony, #All-American, #AmericanComposer, #AudienceMembers, #BigScreen, #BlogPost, #BlogPosting, #BrassMusic, #CarlVanVechten, #ChadHutchinson, #ConcertHall, #CrossoverMusic, #DoctoralDegree, #EliaKazan, #EvaMarieSaint, #FacebookPost, #FilmComposer, #FilmMusic, #FilmScore, #FilmSoundtrack, #FirstPrize, #FolkMusic, #Fridaynight, #JazzMusic, #JennyYim, #Ji-HyunYim, #LeonardBernstein, #LesThimmig, #MarlonBrando, #Master'sDegree, #MeadWitterSchoolofMusic, #OntheTown, #OntheWaterfront, #OperaConductor, #OperaMusic, #OrchestralMusic, #OscarAward, #PaulDunbar, #PercussionSection, #RestorationComedy, #RichardSheridan, #SamuelBarber, #SecondPrize, #SymphonicRepertoire, #TheAmericanPrize, #TheBlues, #TheSchoolforScandal, #UniversityofMInnesota, #UniversityofNorthTexas, #UniversityofSouthDakota, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #UniversityOpera, #UWOpera, #UWSymphonyOrchestra, #WestSideStory, #WilliamGrantStill, #WindSection, #WomanConductor, #YouTubevideo, 20th-century, 20th-century music, African American, African-American music, Afro-American Symphony, American Prize, Arts, audience, blog, Blog post, blog posting, blues, camaraderie, Carl Van Vechten, Cello, Chad Hutchinson, Classical music, classicalmusic, collaborating, collaboration, color, comedy, competency, composer, Composition, concert hall, Conducting, conductor, crossover music, discipline, drama, Elia Kazan, Eva Marie Saint, Facebook, faculty, film, first prize, Folk music, free, Friday night, influence, informal, Jacob Stockinger, Jazz, Jenny YIm, Ji-Hyun Yim, Leonard Bernstein, Les Thimmig, like, Madison, Marlon Brando, master's, Mead Witter School of Music, melody, movement, movie, On the Town, On the Waterfront, opera, Orchestra, Oscar, Overture, Paul Dunbar, performer, play, poet, Poetry, profession, professor, programming, repertoire, repertory, Restoration Comedy, rhythm, Richard Sheridan, Samuel Barber, Saxophone, School for Scandal, Season, second prize, share, soloist, staff\, Student, Suite, support, symphony, talk, thought, title, traditional, unique, United States, University of Minnesota, University of South Dakota, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University of Wisocnsin, University Opera, use, UW Opdra, UW Symphony Orchestra, Viola, Violin, West Side Story, William Grant Still, work, YouTube
Recent Comments
The Well-Tempered Ear 