The Well-Tempered Ear

Too bad the Wisconsin Union Theater didn’t book a great pianist for next season

May 21, 2022
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By Jacob Stockinger

“We are living in a Golden Age of pianists,”  famed concert pianist, Juilliard teacher and frequent Madison performer Emanuel Ax (below) has said.

He should know. But you would never guess that from the recently announced next season at the Wisconsin Union Theater (below).

The WUT has not booked a solo pianist for the 2022-23 season.

Here is a link to the lineup for the next season:

https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/

Is The Ear the only one who has noticed and is disappointed?

Who else feels bad about it?

After all, this is the same presenting organization that brought to Madison such legendary pianists as Sergei Rachmaninoff, Ignaz Jan Paderewski, Percy Grainger, Arthur Rubinstein, Vladimir Horowitz, Dame Myra Hess, Guiomar Novaes, Egon Petri, Robert Casadesus, William Kapell, Claudio Arrau, Alexander Brailowsky, Gary Graffman, Glenn Gould, Rosalyn Tureck, Byron Janis, Misha Dichter, Peter Serkin, André Watts, Lili Kraus and Garrick Ohlsson

It is the same hall (below) in which The Ear has heard Rudolf Serkin, Vladimir Ashkenazy, Angela Hewitt, Alfred Brendel, Murray Perahia, Valentina Lisitsa, Andras Schiff, Joyce Yang, Yefim Bronfman, Jeremy Denk, Ingrid Fliter, Richard Goode, Leon Fleisher, Simone Dinnerstein, Wu Han and so many other great and memorable names including, of course, Emanuel Ax.

What a history!

As you can see and as The Ear likes to say, the Wisconsin Union Theater is “The Carnegie Hall of Madison.” For over 100 years, it is where the great ones play.

One irony is that many of those former bookings of pianists took place when the University of Wisconsin School of Music had many more pianists on the faculty and provided a major alternative venue for piano recitals.

Another irony is that so many young people take piano lessons (below) and are apt to want to attend, probably with their parents, to hear a live professional concert piano recital. You would think the WUT would also see the advantages of having such community outreach links to the public and to music education, especially since the WUT has hosted Open Piano Day for the public. (See the YouTube video of a Channel 3000 story in February 2020 at the bottom.)

From what The Ear reads, there are lots of up-and-coming pianists, many affordable names of various winners of national and international competitions. They should be affordable as well as worthy of being introduced to the Madison public.

But that seems a mission now largely left to the Salon Piano Series.

Plus, so many of the new pianists are young Asians who have never appeared here, which should be another draw for the socially responsible and diversity-minded WUT.

But that is another story for another day.

What do you think of the WUT not presenting a solo pianist next season?

Maybe there will be a pianist booked for the 2023-24 season.

What pianists would you like see booked by the WUT student programming committee?

The Ear wants to hear.

 


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Classical music: Tuesday night brings concerts of band music as well as organ and violin duets

October 21, 2019
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By Jacob Stockinger

This Tuesday night, Oct. 22, will see concerts of band music and organ-violin duets.

Here are details:

ORGAN AND VIOLIN CONCERT

At 7:30 p.m. in Overture Hall, the Overture Concert Organ Series, sponsored by the Madison Symphony Orchestra and organized by MSO principal organist Greg Zelek, offers a concert of music for organ and violin.

The organist is Michael Hey (below right), a Wisconsin native who won first prize at an organ competition in Shanghai, China, and is the organist at the famed St. Patrick’s Cathedral in New York City.

The violinist is Christiana Liberis (below left) who recently toured with the rock band The Eagles.

Tickets are $20.

The program includes music by Johann Sebastian Bach, Sir Edward Elgar, Maurice Ravel, Charles-Marie Widor, Giovanni Battista Vitali, Naji Hakim and Fritz Kreisler.

In the YouTube video at the bottom, you can hear the duo perform a haunting version of the popular “Gymnopedie No. 1” by Erik Satie

For information, including specific works on the program and detailed biographies about the performers, go to: https://madisonsymphony.org/event/organ-michael-hey-christiana-liberis/

UW-MADISON CONCERT BAND

At 7:30 p.m. in the new Mead Witter Foundation Concert Hall of the  Hamel Music Center, 740 University Avenue, the UW-Madison Concert Band (below) will perform a FREE concert.

The band will perform under director Scott Teeple (below) and guest conductor Ross Wolf.

The program includes:

“Lux Arumque” by Eric Whitacre
“Firefly” by Ryan George
“Colonial Song” by Percy Grainger/ed. Mark Rogers
“Huntington Tower Ballad” by Ottorino Respighi
“George Washington Bridge” by William Schuman

For information, go to: https://www.music.wisc.edu/event/uw-concert-band-and-winds-of-wisconsin/


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Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night

April 25, 2019
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CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.

By Jacob Stockinger

This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.

On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.

The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).

The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)

To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/

To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg

The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).

The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).

SATURDAY

On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a  photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.

All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.

No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.

Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.


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Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music

November 20, 2018
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By Jacob Stockinger

This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.

On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.

The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.

The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.

In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)

The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.

Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.

The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.

Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.

The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.

Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.

This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


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Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
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By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)


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Classical music: A busy week at the UW-Madison brings the debut of a new conducting professor with the UW Symphony Orchestra plus a major voice recital, a string quintet and two master classes.

October 2, 2017
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By Jacob Stockinger

It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.

Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.

The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.

The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.

Here is a link to more about Hutchinson’s impressive background:

http://www.music.wisc.edu/chad-hutchinson/

And here is a schedule of other events at the UW:

WEDNESDAY

At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).

Here is a link to program notes:

http://www.music.wisc.edu/event/wind-ensemble/

Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.

THURSDAY

At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.

The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.

At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.

For more information, go to:

http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/

NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.

FRIDAY

At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a  photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).

For the complete program, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/

SATURDAY

At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.

SUNDAY

At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.

Here is a link with a schedule and more information:

http://www.music.wisc.edu/event/carillon-concert/2017-10-08/


Classical music: Edgewood College offers two promising band and choral concerts this coming weekend. Plus, a FREE concert of new music for harp and cello is Friday at noon

March 31, 2016
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ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. in the Landmark Auditorium of the historic Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features harpist Linda Warren and cellist Carol Wessler in the music of Harper Tasche and Laura Zaerr.

By Jacob Stockinger

Two promising band and choral concerts are on tap this weekend at Edgewood College.

Both will take place in the St. Joseph Chapel, 1000 Edgewood College Drive.

FRIDAY

The Edgewood College Concert Band, under the direction of Walter Rich (below), will perform a benefit concert for Luke House on Friday at 7 p.m.

Admission is FREE with a freewill offering to benefit the Luke House community meal program.

Included on the program are Flourish for Wind Band by Ralph Vaughan Williams; “Serenity” by Norwegian composer Ola Gjeilo; “Chorale and Capriccio” by Caesar Giovanini; “Jerusalemby Hubert Parry; “I’m Seventeen Come Sundayby Percy Grainger; “Daybreak” by Carl Strommen and “Children of Gaia” by Robert Sheldon.

The Music Department at Edgewood College has hosted benefit concerts for Luke House since 1994.

Walter Rich

SUNDAY

Two vocal ensembles will perform a concert at 2:30 p.m., Sunday in St. Joseph Chapel. Admission is FREE.

Featured will be the Chamber Singers (below), under the direction of Sergei Pavlov (center at the bottom of the stairs). The group has just returned from performances at the International Sacred Music Festival in Quito, Ecuador.

The Chamber Singers will perform excerpts from the Mass in F by Domenico Zipoli; “Usnijze mi, usnij” by Polish composer Henryk Gorecki; “Holy, Holy” from the Gospel Mass by Robert Ray; and a Victor Johnson arrangement of “Bonse Aba,” a traditional Zambian work. Todd Hammes, adjunct faculty member in the Music Department, will assist on percussion.

Edgewood College Chamber Singers

Also performing will be the Women’s Choir (below top), under the direction of Kathleen Otterson (below bottom). The Women’s Choir will perform Israeli and Jewish folk songs, a spiritual, and the “Domine Deus” from Johann Sebastian Bach’s Mass in G major, also featuring Victoria Gorbich on violin. (You can hear the glorious Bach piece performed in a YouTube video at the bottom.)

Edgewood College Women's Choir

Kathleen Otterson 2


Classical music: String music and a piano for small hands, wind music and band music — This week brings varied FREE concerts at the UW-Madison

February 15, 2016
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By Jacob Stockinger

It will be a busy week in Madison and especially at the University of Wisconsin-Madison School of Music. Here is a list to help you decide what you want to attend.

TUESDAY

At 7:30 p.m. in Mills Hall, the UW-Madison Chamber Orchestra will give a FREE concert under its music director James Smith.

The program is: Rumanian Folk Dances by Béla Bartók; the “Holberg” Suite by Edvard Grieg; and Symphony for Strings, Opus 118a, by Dmitri Shostakovich (arranged by Russian violist Rudolf Barshai and based on Shostakovich’s well known String Quartet No. 8.)

UW Chamber Orchestra Stravinsky

FRIDAY

UW-Madison professor of chamber music and cellist Parry Karp, who performs in the Pro Arte Quartet, is a newly elected member of the Wisconsin Academy of Sciences, Arts and Letters.

On Friday night at 8 p.m. he will give a FREE recital in Mills Hall.

The program features: the Partita in A Minor for Solo Flute, BWV 1013 (1723?) by Johann Sebastian Bach, as transcribed for solo cello in C Minor by Parry Karp.

Sonata No. 1 in D Major Piano and Violin, Op. 12 No. 1 (1798) by Ludwig van Beethoven, as transcribed for piano and cello by Parry Karp. He will perform with pianist mother Frances Karp.

“Märchenbilder” (Fairy Tales) for Piano and Viola, Op. 113 (1851) by Robert Schumann, as transcribed for piano and cello by Robert Hausmann. With pianist Frances Karp.

Sonata in A Minor for Piano and Cello, D. 821, “Arpeggione,” (1824) by Franz Schubert. Pianist Bill Lutes will perform with Karp.

Parry Karp

SATURDAY AFTERNOON AND NIGHT

Attention all pianists and especially those with smaller hands!

UW pianist and pedagogue Jessica Johnson (below) will give an afternoon workshop and evening concert on “The Joy of Downsizing.”

All events are FREE and OPEN TO THE PUBLIC and take place in Morphy Recital Hall.

WORKSHOP — 2:30-3:45: “All Hands on Keys: Strategies for Teaching Students with Small Hands”

MASTERCLASS — 4:15-5:45 p.m.

TRY THE PIANO — 5:45-6:45 p.m.

FACULTY CONCERT — 8 p.m. Performed on a Steinbuhler DS 5.5™ (“7/8”) Size Piano; Tentative program includes: Thee Piano Pieces, D. 946, by Franz Schubert (played by Alfred Brendel in a YouTube video at the bottom); Ballad, Op. 6, by Amy Beach; Concert sans Orchestre in f minor, Op. 14, by Robert Schumann.

jessica johnson at piano

Here is a statement about the workshops and concert from Jessica Johnson:

“The hands of great pianists come in all shapes and sizes. Spending literally thousands of hours at the piano, we develop time-tested, proven strategies for learning repertoire in a way that suits our unique physiology. We know best that which we have experienced within our own bodies.

“How does this impact our ability to work with students with different hand sizes than our own?

“As a small-handed pianist, I have spent my entire professional career seeking creative strategies to adapt to playing conventional-sized piano keyboards.

“I have become a guru of innovative fingerings and have learned how to employ ergonomic movements and compensatory gestures in order to perform technically challenging repertoire on the conventional piano.

“Since the life-changing moment when I started practicing on an alternatively sized keyboard, I have experienced a whole new level of artistic and technical freedom.

“Research related to the use of Ergonomically-Scaled Piano Keyboards (ESPKs) suggests similar benefits for small-handed pianists, including less pain and injury, greater technical facility and accuracy, and ease of learning.

“Using a Steinbuhler DS 5.5TM (7/8) Size Piano Keyboard insert, manufactured by Steinbuhler & Company, that was custom-made for a Steinway B piano, this workshop will demonstrate effective strategies for teaching students with small hands and ways to exploit musical and technical choices that maximize artistry and biomechanical ease.”

“I’ve spent most of my life thinking that I could not play with a big sound and that I was never going to be comfortable with large chords and octaves. Now I simply believe that I’ve been playing the wrong size piano keyboard.”

Small Hands photo

SATURDAY AFTERNOON

The University of Wisconsin-Madison clarinet studio will host a Clarinet Day on Saturday, Feb. 20, starting at 1:30 p.m. and running to 6 p.m. in Mills Hall at the School of Music.

clarinet

Wesley Warnhoff (below), visiting assistant professor of clarinet, and the UW-Madison Clarinet studio have invited all high school clarinetists to attend.

Wesley Warnhoff

The day includes concerts, master classes, chamber music, student performances and dinner with the UW-Madison clarinetists. It must be a popular idea because registration is now CLOSED.

But at 7:30 P.M. the group will end the day by attending a FREE concert – which is OPEN TO THE PUBLIC — by the UW Wind Ensemble (below top), conducted by Professor Scott Teeple (below bottom).

The program includes: “Spin Cycle” by Scott Lindroth; “Colonial Song” by Percy Grainger/Rogers; “Heavy Weather” by Jess Turner, featuring Tom Curry, adjunct professor of tuba; the Symphonies of Wind Instruments by Igor Stravinsky; and “Apollo Unleashed” by Frank Ticheli.

UW Wind Ensemble

Scott Teeple conducting

SUNDAY

The UW-Madison Concert Band will give two FREE concerts in Mills Hall at 2 p.m. and 7 p.m. under band director Mike Leckrone  (below), best known for leading the acclaimed UW Marching Band. Sorry, no word about program.

Mike Leckrone BIG


Classical music: Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin-Madison School of Music this weekend.

April 23, 2015
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By Jacob Stockinger

Even as the school year winds down, there are several noteworthy events and concerts at the University of Wisconsin this weekend.

FRIDAY

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble will perform a FREE concert under director Scott Teeple.

The Wind Ensemble is the premier wind/percussion ensemble in the UW-Madison School of Music. Repertoire varies from classical wind compositions to contemporary works.

The Wind Ensemble actively commissions new works from world-renowned composers, often performing with internationally acclaimed soloists and guest conductors.

Jacob Klingbeil will assist as graduate student guest conductor.

YOUniversity Band will be side-by-side with community musicians

The program includes:

Gvorkna Fanfare by Jack Stamp

Baron Cimetieres Mambo by Donald Grantham

Irish Tune from County Derry by Percy Grainger

Starwars Trilogy, by John Williams/arr. Donald Hunsberger

UW Wind Ensemble performance

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, a FREE Doctoral Recital: Russian Literature and the Music Salon. It is a multimedia concert with narration.

This doctoral project, organized by pianist Oxana Khramova, involves several students and faculty members from various departments.

It will be devoted to writers and composers who were connected to St. Petersburg in their lives and works: Nikolai V. Gogol, Anna A. Akhmatova, Joseph A. Brodsky, Sergei Prokofiev and Alfred Schnittke.

Listeners will experience their masterpieces through the prism of Russian music, language and visual images. By attempting to combine literature, music and art. participants hope to recreate the atmosphere of St. Petersburg’s culture (as recreated in the museum photo below).

Participants include:

Oxana Khramova, piano, DMA candidate, School of Music, where she is a student of Christopher Taylor

with

Yana Groves, piano, DMA candidate, School of Music

Nicole Heinen, soprano, MM candidate, School of Music

Ilona Sotnikova, visual images and literature, PhD candidate, Department of Slavic Languages and Literature

Conor Ryan, narrator, Undergraduate Student, Department of Slavic Languages and Literature

Russia salon in Saint Petersburg

At 4 p.m., in Mills Hall, the All-University String Orchestra will give a FREE concert under the baton of director Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on the program.

Janet Jensen Katrin Talbot

From 4 to 6 p.m. the Wingra Woodwind Quintet will hold its 50th Anniversary Party at the University Club (below), 803 State St., next to the Humanities Building.

university club uw in winter

Embodying the Wisconsin Idea and serving as role models to our students, the Wingra Quintet has a rich tradition and will honor current and former members.

Former members who plan to attend are Robert Cole, flute, Marc Fink, oboe, Glenn Bowen, clarinet, Richard Lottridge, bassoon, Douglas Hill, horn, and Nancy Becknell, horn. (Below are photos from 1990 and 2010.)

A short program of 20 minutes is planned and then we will celebrate with hors d’oeuvres and beverages catered by the University Club. Everyone is invited to enjoy the food, music, and good company of current and former members of the Wingra Quintet.

Please RSVP to news@music.wisc.edu

Learn about the rich history of the WWQ here: http://www.music.wisc.edu/wingra-woodwind-quintet/

Wingra 1990 2010

SUNDAY

At 1 p.m. in Mills Hall, the UW Women’s Chorus (below) and University Chorus will give a FREE concert. Anna Volodarskaya and Sarah Guttenberg will conduct.

This event is FREE.  Registration is encouraged, but not required.

No program has been announced.

UW Women's Chorus


Classical music: The Oakwood Chamber Players conclude their season by performing Australian and New Zealand music this Saturday night and Sunday afternoon. On Saturday afternoon, the Arbor Ensemble performs a benefit concert of works by English composers.

May 15, 2014
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ALERT: Violist Marie Pauls, a blog reader and music teacher, writes: “I have a newer chamber group called Arbor Ensemble, and I wanted to share with you info about a benefit recital we are doing. It is called “Steeped in Tradition: A Celebration of English Composers” and it will take place this Saturday, May 17, at 2:30 p.m. at the McFarland United Church of Christ, 5710 Anthony Street in McFarland.” 

The Anglophile recital program will include works by Ralph Vaughan Williams, Rebecca Clarke, Ian Clarke and Sir Arthur Bliss. Tea and scones will be served following the performance.

Reservations are strongly encouraged to guarantee your place. PLEASE NOTE: Reserved tickets not claimed 10 minutes prior to the recital will be released to the public. Visit the lick below and click the “tickets link” to make your reservation today. If you are interested in donating an item to the silent auction, please contact Arbor Ensemble! Tickets are $10 for general admission, $5 for students. All ages are welcome.

http://arborensemble.com/events

Marie Pauls violist

By Jacob Stockinger

Talk about performing rarely heard repertory — even in the same English-speaking world!

Plus, add in some unknown women composers, and you have the makings of a memorable event.

This Saturday night and Sunday afternoon the Oakwood Chamber Players (below) will perform “Down Under,” its final concert in the season exploring music by composers from various regions around the world, featuring a program of music by Australian and New Zealand composers.

Oakwood Chamber Players 2012 2

Map of Australia and New Zealand

The Oakwood Chamber Players will present the program “Down Under” on Saturday, May 17 at 7 p.m. and on Sunday, May 18, at 1 p.m., in the Oakwood Village Center for Arts and Education, 6205 Mineral Point Road, 6205 Mineral Point Road, on Madison’s far west side.

Tickets are available at the door. Admission is $20 for the general public, $15 for seniors and $5 for students.

This is the fifth and final concert in the 2013-2014 Season Series titled “Origination: Exploring Musical Regions of the World.”

Australian compositions to be performed include a string quartet (at bottom in a YouTube video performed by the Australian String Quartet)  by Miriam Hyde (below top), written in the 20th century pastoral style, as well as “Concertina di Camera” for winds and piano by Peggy Glanville-Hicks (below bottom), who was a student of Ralph Vaughan Williams.

Miriam Hyde and music mss

Peggy Glanville-Hicks at piano

Compositions by Percy Grainger (below) will be represented with a grouping of favorites including “Country Gardens “ for solo piano and three pieces in mixed chamber ensemble settings including “Handel on the Strand”, “Shepherd’s Hey” and “Walking Tune.”

Percy Grainger

Two centuries of New Zealand compositions will be represented by Keith Statham’s melodic “Lansdown Gardens” and “Flora” for flute, clarinet and piano, by Keith Statham (below top) as well “Morningstar II” for mixed winds and strings by 21st century composer Paul Stanhope (below bottom, in a photo by Jacky Ghossein).

Keith Statham drawing

Paul Stanhope CR Jacky Ghossein

The lively and familiar “Jamaican Rumba” buy Australian Arthur Benjamin (below) will round out the programming.

Paul Stanhope CR Jacky Ghossein

arthur benjamin

The Oakwood Chamber Players is a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for 30 years. Many have affiliations with and perform with well-known groups such as the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Opera and the University of Wisconsin-Madison School of Music.

Visit www.oakwoodchamberplayers.com for more information.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation, in collaboration with Friends of the Arboretum, Inc.

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