The Well-Tempered Ear

Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5

June 23, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about an interim job at Just Bach:

Do you love the music of Johann Sebastian Bach (below)? 

Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?

Are you a professional instrumentalist with training and experience in period performance practice?

Do you have strong organizational skills?

If the answer to all these questions is yes, then Just Bach needs you!

Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)

 

The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.

POSITION SUMMARY

The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.

The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.

The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.

The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)

The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.

A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#

For more information, please contact and apply to Just Bach at: justbachseries@gmail.com

APPLICATION ARE DUE BY JULY 5.


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Edgewood College will live-stream its FREE Spring Celebration concert this Friday night

April 28, 2021
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By Jacob Stockinger

At 8 p.m. CDT this Friday night, April 30, the music department at Edgewood College will live-stream its FREE online Spring Celebration concert.

Here is the link: music.edgewood.edu

Here is the program:

The Edgewood Chamber Orchestra (below) will perform music by the Austrian composer Johann Nepomuk Hummel, who studied with Mozart and knew Haydn, Beethoven and Schubert (see the Wikipedia bio at https://en.wikipedia.org/wiki/Johann_Nepomuk_Hummel;  Krzysztof Penderecki, a Polish composer who died a year ago March; and the Argentinean “new tango” composer Astor Piazzolla, whose birth centennial was last month. Soloists include Gwyneth Ferguson on trumpet, and Malia Huntsman on oboe.

The Chamber Singers (below) will offer selections from Broadway musicals and contemporary choral arrangements, including Lord of the Rings by Enya, works from Josh Groban, and the Polish composer Henrik Gorecki.

The Guitar Ensemble will perform Haru no Umi (The Sea in Spring) by the Japanese composer Michio Miyagi (below), and a medley from the 1970s rock group Chicago: 25 or 6 to 4/Saturday in the Park, by Mark Lamm.

The Chamber Winds will perform selections from Crooner’s Serenade; Josef Rheinberger’s Evening Song (Abendlied, in the YouTube video at the bottom); and an arrangement of John Williams’ movie score for Star Wars: The Force Awakens.


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Longtime friends organist Greg Zelek and Madison native and award-winning trumpeter Ansel Norris team up for a FREE live-streamed concert this Tuesday night

April 26, 2021
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By Jacob Stockinger

Two longtime friends and fellow musicians will team up this Tuesday night, April 27, to close this season’s organ concert series, sponsored in the Overture Center by the Madison Symphony Orchestra.

It will be live-streamed online because of the pandemic restrictions on attendance.

The concert features the critically acclaimed MSO organist Greg Zelek (below left) and Ansel Norris (below right), an award-winning trumpeter who is a native of Madison.

The program includes works by Bach, Vivaldi, Haydn and Samuel Barber among others.

The concert starts at 7:30 p.m. CDT. It is FREE but you must register. The concert will be available to registered listeners for unlimited access through May 31.

Here is a link to the MSO website where you can register. It also has more information about the program and biographies of the two performers: https://madisonsymphony.org/event/norris-zelek-2021-streamed/

Here is more background. It appeared in the latest issue of the email newsletter of the Wisconsin Youth Symphony Orchestras (WYSO), of which Norris was a member for many years:

Ansel Norris and Greg Zelek first met in 2010 as high school seniors who had both been selected as finalists in the YoungARTS Awards. The YoungARTS Award is a big competition with just a small percentage of students selected for the $10,000 prize from the thousands of high school applicants. In classical music that year, 12 students became finalists and assembled in Miami for a week of master classes with internationally recognized arts leaders.

Ansel Norris attended as an outstanding trumpeter from Madison East High School and Greg Zelek attended as an outstanding high school organist from the New World School of the Arts in Coral Gables, Florida. 

We hit it off right away and it came to me later what a great story this was,” Norris (below) mused. “Greg had grown up in south Florida and now was living in Madison, and I had grown up in Madison and was now living in south Florida.

“You know, there really is a synergy with trumpet and organ. The sounds are produced in a similar way and the way the sounds blend together is really special. Even then, I imagined a concert together.” 

Ten years later, the two friends were dreaming up this concert when Greg was in Miami in February, 2020. And then the world shut down due to the coronavirus pandemic. Norris has distinguished himself as a solo, orchestral and chamber musician.

After graduating from East High School in Madison, he attended Northwestern University, from which he received a Bachelor’s degree in Music in 2016.  From there he attended Rice University in 2019. Twice he was the first-prize winner at the National Trumpet Competition and a winner of the New World Symphony’s Concerto Competition. Then, at 26 years old, he became the first-ever American prizewinner in the International Tchaikovsky Competition’s Brass division. (You can hear Norris perform in the competition’s semi-finals in the YouTube video at the bottom.)

Playing as soloist with orchestras is a special pleasure for Ansel, and he has enjoyed performances in front of the Mariinsky Orchestra, New World Symphony and his hometown Madison Symphony Orchestra, to name a few. Also a chamber musician, Ansel won a Bronze Medal at the Fischoff International Competition with his friends from the Lincoln Chamber Brass.

Ansel Norris currently resides in Naples, Florida, where he enjoys an eclectic musical career with the Naples Philharmonic. In a place without cold weather, the Naples orchestra could potentially play music safely outside all winter. But Ansel shook his head, “For the most part we’ve been indoors. The orchestra gets tested for COVID each week and we play on a stage with musicians spaced 10 feet apart. HEPA filters are positioned everywhere. Playing 10 feet apart is just crazy. You absolutely cannot depend on the musical cues you were trained to depend on.”

Norris remembers growing up in Madison where there was a “fine legacy for trumpet players. It was so great I didn’t want to go away to Interlochen, even with a full scholarship.” He studied privately with John Aley and attended WYSO rehearsals on Saturdays, which he absolutely loved. 

And now this Tuesday, this 2009 Bolz Young Artist Competition finalist will be returning to the Overture stage with his good friend Greg Zelek, who are both amazing and accomplished young musicians.

As Greg Zelek (below, in a photo by Peter Rodgers) writes: “Concerti of Bach and Haydn will bookend this program filled with music that is both written and arranged for this electrifying pairing of instruments. Mr. Norris’ remarkable technique and soaring lyricism will be on full display while our Mighty Klais both supports and shimmers in this exhilarating performance you won’t want to miss!” Register here for Tuesday’s concert! 


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Songs by Black composers trace their cultural realities in a free online UW performance TONIGHT of “Verisimilitudes.” Plus, the five winners of this year’s Beethoven Competition perform Sunday.

April 24, 2021
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ALERT: This Sunday, April 25, from 3:30 to 5:30 p.m. the five winners of this year’s Beethoven Competition at the UW-Madison will perform in a winners’ concert. Included in the program are the popular and dramatic “Appassionata” Sonata, Op. 57, and the famous and innovative last piano sonata, No. 32 in C minor, Op 111. Here is a link to the YouTube video: https://www.youtube.com/watch?v=eMF0Hd1MJwMg. Click on “Show More” and you can see the full programs and biographical profiles of the winners.

By Jacob Stockinger

The concert could hardly be more timely or the subject more relevant.

Think of the events in and near Minneapolis, Chicago and elsewhere in the U.S.; of the Black Lives Matter movement and social protest; of the political fight for D.C. statehood and voting rights – all provide a perfect context for an impressive student project that will debut online TONIGHT, Saturday, April 24, at 7 p.m.

The one-hour free concert “Verisimilitudes: A Journey Through Art Song in Black, Brown and Tan” originated at the UW-Madison’s Mead Witter School of Music. It seems an ideal way for listeners to turn to music and art for social and political commentary, and to understand the racial subtexts of art.

Soprano Quanda Dawnyell Johnson (below) created, chose and performs the cycle of songs by Black composers with other Black students at the UW-Madison.

Here is a link to the YouTube video: https://youtu.be/-g5hjeuSumw

Click on “Show More” to see the complete program and more information.

Here is the artist’s statement: 

“Within the content of this concert are 17 art songs that depict the reality of the souls of a diasporic people. Most of the lyricists and all of the composers are of African descent. In large part they come from the U.S. but also extend to Great Britain, Guadeloupe by way of France, and Sierra Leone.

“They speak to the veracity of Black life and Black feeling. A diasporic African reality in a Classical mode that challenges while it embraces a Western European vernacular. It is using “culture” as an agent of resistance.

“I refer to verisimilitude in the plural. While syntactically incorrect, as it relates to the multiple veils of reality Black people must negotiate, it is very correct. 

“To be packaged in Blackness, or should I say “non-whiteness” is to ever live in a world of spiraling modalities and twirling realities. To paraphrase the great artist, Romare Bearden, in “calling and recalling” — we turn and return, then turn again to find the place that is our self.

“I welcome you to… Verisimilitudes: A Journey Through Art Song in Black, Brown, and Tan”

Here, by sections, is the complete program and a list of performers:

I. Nascence

Clear Water — Nadine Shanti

A Child’s Grace — Coleridge-Taylor Perkinson

Night — Florence Price (below)

Big Lady Moon — Samuel Coleridge-Taylor

II. Awareness

Lovely, Dark, and Lonely — Harry T. Burleigh

Grief –William Grant Still (below)

Prayer — Leslie Adams

Interlude, The Creole Love Call — Duke Ellington

III. The Sophomore

Mae’s Rent Party, We Met By Chance –Jeraldine Saunders Herbison

The Barrier — Charles Brown

IV. Maturity

Three Dream Portraits: Minstrel Man, Dream Variation; I, Too — Margaret Bonds (below)

Dreams — Lawren Brianna Ware

Song Without Words — Charles Brown

Legacy

L’autre jour à l’ombrage (The Other Day in the Shade) — Joseph Boulogne (Chevalier de Saint-Georges, below)

The Verisimilitudes Team

Quanda Dawnyell Johnson — Soprano and Project Creator

Lawren Brianna Ware – -Pianist and Music Director

Rini Tarafder — Stage Manager

Akiwele Burayidi – Dancer

Jackson Neal – Dancer

Nathaniel Schmidt – Trumpet

Matthew Rodriguez – Clarinet

Craig Peaslee – Guitar

Aden Stier –Bass

Henry Ptacek – Drums

Dave Alcorn — Videographer

Here is a link to the complete program notes with lyrics and composer bios. And a preview audio sample is in the YouTube video at the bottom: https://simplebooklet.com/verisimilitudesprogramnotes#page=1


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The UW Symphony strings and Pro Arte Quartet team up Thursday night for a free online MUST-HEAR concert of Shostakovich, Elgar and Caroline Shaw. TONIGHT you can hear free piano and percussion recitals

April 21, 2021
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All times are Central Daylight Time.

ALERTS: Tonight from 6:30 to 8 p.m. in Collins Recital Hall of the Hamel Music Center, the UW-Madison Mead Witter School of Music will present a departmental piano recital with undergraduate and master’s students. There is no listing of performers and pieces yet. One assumes they will be announced during the live-stream. Here is the link to take you to the YouTube video: https://www.youtube.com/watch?v=-7muCH_gupA

Then from 7:30 to 9 p.m., the UW Chamber Percussion Ensemble will live-stream a concert from the Mead Witter Foundation Concert Hall. Here is the YouTube link. If you click on Show More, you will find the details of the program and composers: https://www.youtube.com/watch?v=xWv285nZutI

By Jacob Stockinger

This Thursday night, April 22, you can hear two of the musical groups that The Ear found most impressive and consistently excellent during the Pandemic Year.

At 7:30 p.m., the UW-Madison Symphony Orchestra’s string section (below) and the Pro Arte Quartet will team up to perform a free 90-minute, live-streamed concert online.

It is one of the last major concerts of this school year and will be conducted by the outstanding music director and conductor of the orchestra, Professor Oriol Sans (below).

For The Ear, it is a MUST-HEAR concert.

Here is a link to the YouTube site where you can see and hear it: https://youtu.be/TN2PftBJ4yg. If you click on Show More, you can see the members of the orchestra’s strings along with a list of the graduating seniors.

All the works on the innovative program are closely informed by the string quartet.

The program includes the darkly dramatic five-movement Chamber Symphony, Op. 110a, based on the famous and popular String Quartet No. 8, by Dmitri Shostakovich; the orchestral version of the entrancing and quietly hypnotic “Entr’acte” — heard in the YouTube video at the bottom — that was originally written for string quartet by the Pulitzer Prize-winning contemporary American composer Caroline Shaw (below, in a photo by Kait Moreno); and the Introduction and Allegro for String Quartet and String Orchestra by Sir Edward Elgar.

The UW-Madison’s acclaimed Pro Arte Quartet (below) is the soloist and will join forces with the orchestra for the Elgar work. Quartet members are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

And here is a link to more information about the program and to more extensive program notes: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-8/


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A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more

March 25, 2021
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By Jacob Stockinger

With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.

Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule

The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra

Here is a day-by-day lineup. All times are Central Daylight Time:

TONIGHT, MARCH 25

The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.

The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.

The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and  the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)

Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8

For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/

FRIDAY, MARCH 26

At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.

Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.

Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii

At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu

The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.

Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.

SATURDAY, MARCH 27

At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.

Here is a link: YouTube.com/GracePresentsConcerts

You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/

At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert. 

Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A

Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/

At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8

And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/

SUNDAY, MARCH 28

From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.

The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.

Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/

From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:

“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.

“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.

Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200

At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.

Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/


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Today – Monday, March 22 — is Day 6 of the 2021 online Bach Around the Clock festival. The program features string, keyboard, percussion and vocal music with some interesting transcriptions

March 22, 2021
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By Jacob Stockinger

Yesterday – Sunday, March 21 — was the actual birthday, the 336th, of Johann Sebastian Bach (1685-1750).

But the 10-day virtual and online celebration being held by Bach Around the Clock (BATC) continues.

Here are the pieces and performers that will take place.

The Ear is especaially pleased by some of the transcriptions, which offer more proof of just how indestructible and versatile Bach’s music remains.

Particularly interesting is the string quartet version of the famous cantata “Wachet auf” (Sleepers, Wake) and the Three-Part Inventions or Sinfonias transcribed for marimba, and played by Sean Kleve (below), a UW-Madison graduate who performs with the critically acclaimed experimental Madison-based percussion ensemble Clocks in Motion.

Monday’s program is available starting at 8 a.m.

Click here and scroll down to Day 6 to view.

Performers

•  Minuet 2 in G  Major, Anh 116; Suite in G Minor,  BWV 822; Gavotte 
from Double Concerto in  D Minor, BWV 1043, I. Vivace. Suzuki Strings Sonora Ensemble

•  Cantata 140: “Wachet Auf” (Sleeper, Wake), arranged for string quartet. St. Croix Valley String Quartet: Janette Cysewski and Debbie Lanzen, violins; Dianne Wiik, viola; and Joel Anderson, cello.

•  French Suite No. 3 in B Minor for keyboard, BWV 814: Sarabande, Anglaise, Menuett and Trio. Kris Sankaran

•  Sinfonia 1 in C Major, BWV 787; Sinfonia 7 in E Minor, BWV 793; Sinfonia 10 in G Major, BWV 796; Sinfonia 11 in G Minor, BWV 797; Sinfonia 15 in B Minor, BWV 801. Sean Kleve, marimba. (You can hear Glenn Gould playing the original version of the first Sinfonia in the YouTube video at the bottom.)

•  Chorale: We thank Thee, Lord, for sending. Katie Hultman, soprano, and Kenneth Stancer, organ  

Live and Recorded Evening Program at 7 p.m. 

Click here and scroll down to Day 6 to view.

BATC audiences will remember pianist Lawrence Quinnett (below) from his exquisite renderings of selections from The Well-Tempered Clavier, at the 2018 Festival. 

Quinnett, on the piano faculty of Livingstone College, returns in 2021 to give a brief talk on his approach to ornamentation in the six French Suites, as a prelude to his live performance of Suite No. 5. The floor will open for questions, followed by Quinnett’s recorded performance of the remaining five Suites.


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Here is a collaborative obituary for music critic, radio host, performer and gay pioneer Jess Anderson, who died in January at 85

March 7, 2021
3 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

In late January of this year, Jess Anderson (below) — a longtime friend, devoted musician and respected music critic – died at 85.

The Ear promised then that when more was known or written, it would be posted on this blog.

That time has come.

Jess was a polymath, a Renaissance Man, as the comments below attest to time and again.

For the past several years, he suffered from advancing dementia and moved from his home of 56 years to an assisted living facility. He had contracted COVID-19, but died from a severe fall from which he never regained consciousness.

Jess did not write his own obituary and he had no family member to do it. So a close friend – Ed Wegert (below) – invited several of the people who knew Jess and worked with him, to co-author a collaborative obituary. We are all grateful to Ed for the effort the obituary took and for his caring for Jess in his final years.

In addition, the obituary has some wonderful, not-to-be-overlooked photos of Jess young and old, at home, with friends, sitting at the piano and at his custom-built harpsichord.

It appears in the March issue of Our Lives, a free statewide LGBTQ magazine that is distributed through grocery stores and other retail outlets as well as free subscriptions. Here is a link to the magazine’s home webpage for details about it: https://ourliveswisconsin.com.

That Jess was an exceptional and multi-talented person is obvious even from the distinguished names of the accomplished people who contributed to the obituary:

They include:

Chester Biscardi (below), who is an acclaimed prize-winning composer, UW-Madison graduate, composer and teacher of composition at Sarah Lawrence College.

John Harbison (below), the MacArthur “genius grant” recipient and Pulitzer Prize-winning composer who teaches at MIT and co-directs the nearby Token Creek Chamber Music Festival in the summer.

Rose Mary Harbison (below), who attended the UW-Madison with Jess and became a professional performing and teaching violinist who co-directs the Token Creek Chamber Music Festival.

Steve Miller (below), a close friend who became a bookmaker and is now a professor at the University of Alabama.

The Ear, who knew Jess over many decades, was also invited to contribute.

Here is a link to the joint obituary in Our Lives magazine, a free LGBTQ periodical that you can find in local grocery store and other retail outlets: https://ourliveswisconsin.com/article/remembering-jess-anderson/?fbclid=IwAR027dzv2YqRUNlYF1cF6JyXnEcQxAwcprPYbtBQCs3rYt0Nu847W_xbjpk

Feel free to leave your own thoughts about and memories of Jess in the comment section.

It also seems a fitting tribute to play the final chorus from The St. John Passion of Johann Sebastian Bach. You can hear it in the YouTube video below. It is, if memory serves me well, the same piece of sublime music that Jess played when he signed off from hosting his Sunday morning early music show for many years on WORT-FM 89.9.

 


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Wisconsin Baroque Ensemble performs a FREE live-streamed concert this Sunday afternoon

February 19, 2021
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

After a year of canceled events, the Wisconsin Baroque Ensemble (below) will perform a live-streamed concert this Sunday afternoon, Feb. 21, at 3 p.m. CST.

The concert will take place at the First Congregational Church in Beloit as part of the Musica Maxima concert series.

(A concert scheduled for this Saturday night, Feb. 21, at St. Andrew’s Episcopal Church in Madison has been CANCELED.)

On the program are: six duos for two cellos, Op. 18, by Tommaso Giordani (below top), played by Charlie Rasmussen and Anton TenWolde (you can hear the same performers play the second of the six duos in the Centaur recording featured in the YouTube video at the bottom);  and the sonata for viola da gamba and harpsichord obbligato (WQ 88) by Carl Philipp Emanuel Bach (below bottom) performed by Eric Miller and Max Yount, respectively.

There will be no live audience.

The link to the free concert as well as a full program can be found at our home webpage: http://www.wisconsinbaroque.org

There is no charge, but please consider making a donation to the Wisconsin Baroque Ensemble to help defray our expenses. Go to: http://www.wisconsinbaroque.org/donate.html

In case you are unable to watch the live broadcast, the concert will remain posted for viewing for several weeks.

 


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The UW Pro Arte Quartet performs the sixth installment of its must-hear Beethoven cycle in a FREE virtual online concert this Friday night. Here are the schedule and links for the rest of the cycle

February 4, 2021
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

This Friday night, Feb. 5, the University of Wisconsin Mead Witter School of Music’s Pro Arte Quartet (PAQ, below) will perform a FREE live virtual and online all-Beethoven concert.

The program is the sixth installment of the PAQ’s Beethoven string quartet cycle, which is part of the Pro Arte Quartet’s yearlong retrospective of Beethoven’s quartets to celebrate the 250th anniversary of the birth of the composer (below).

Members (below, from left, in a photo by Rick Lang) are violinists David Perry; violist Suzanne Beia; and cellist Parry Karp.

The live-streamed concert begins at 7:30 CST with a short lecture by UW-Madison professor of musicology Charles Dill (below), who will introduce both string quartets: String Quartet in B-flat Major, Op. 18, No. 6; and String Quartet in F major, Op. 59, No. 1.

If this concert is at all like the past ones online, listeners are in for a treat. The playing is always first-rate, but – unlike what has been the case with even professional online and virtual performers – the sound and visual technology matches that quality. To The Ear, these are must-hear performances, wherever you are in the world.

Because of copyright issues, each concert will stay posted in YouTube for only 24 hours.

Here is the new schedule for the spring semester and the rest of the Beethoven cycle.

Explains cellist Parry Karp: “The schedule for this coming semester has been changed a bit because the semester started a week later and we decided to do Beethoven’s String Quintets as well.”

All virtual concerts will take place in Mead Witter Foundation Concert Hall in the Hamel Music Center. But no in-person attendance will be allowed.

PROGRAM No. 6: Friday, Feb. 5, 7:30 p.m. String Quartet in B-flat Major, Op. 18, No. 6 (1798-1800). You can hear the last movement in the YouTube video at the bottom. String Quartet in F Major, Op 59, No. 1 (1808)

PROGRAM No. 7:  Friday, March 5, 7:30 p.m. Fugue for String Quintet in D Major, Op. 137 (1817); String Quintet in C Major, Op. 29 (1801); String Quartet in C Major, Op. 59, No. 3 (1808)

PROGRAM No. 8:  Friday, April 9, 7:30 p.m. String Quartet in F Major, Op. 135 (1826); String Quartet in B-flat major, Opp. 130 and 133 (1825-6)

And here are links to those performances: 

Feb. 5

https://youtu.be/wQajNmutqgU

https://fb.me/e/16Km8etgD

March 5

https://youtu.be/56inR_uR_b8

https://fb.me/e/GjwiUI2W

April 9

https://youtu.be/IIW_5NVgGaA

https://fb.me/e/624dKB9kS

 


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