The Well-Tempered Ear
Classical music: This week at the UW-Madison highlights choral music
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, featurestwo local musicians: oboist Laura Medisky and pianist Vincent Fuh.
The program features solo works for oboe, oboe d’amore and piano by Johann Sebastian Bach, Grażyna Bacewicz, and Camille Saint-Saens. Food and drink are allowed. The concert runs from 12:15 to 1 p.m. Due to construction, Friday Musicale concerts are being held in the Atrium auditorium through December.
By Jacob Stockinger
Two choral concerts are the big events this week at the University of Wisconsin-Madison’s Mead Witter School of Music.
Here are the details:
FRIDAY
On this Friday night, Nov. 9, at 8 p.m. in Mills Hall, the UW Chorale, under director and conductor of Bruce Gladstone (below in a photo by Katrin Talbot), will present a FREE concert.
The program features “Lament of Gilboa” by Arthur Honegger (below top) and “Into the Silent Darkness” by Elizabeth Alexander (below bottom).
According to the School of Music’s website: “This concert explores opposites in a variety of ways (cold/hot, slow/fast, laughing/crying, life/death), inviting the listener to think about the gray areas in between.”
SUNDAY
On this Sunday afternoon, Nov. 11, at 2 p.m. in Mills Hall, there will be a FREE concert of combined choirs. Participating groups are Masters Singers, University Chorus and Women’s Chorus (below).
The program, to be performed under graduate student conductors Michael Johnson and Andrew Voth, features traditional folk music as well as works by Giovanni Battista Pergolesi, Johann Sebastian Bach, Franz Joseph Haydn, Johannes Brahms (see the YouTube video at the bottom), Ralph Vaughan Williams and Aaron Copland.
For a long listing of specific works to be sung, go to: https://www.music.wisc.edu/event/combined-choirs-concert-masters-singers-university-chorus-and-womens-chorus/
Tags: #AaronCopland, #ArthurHonegger, #BeijingChina, #BlogPost, #BlogPosting, #BruceGladstone, #CamilleSaint-Saens, #ChoralMusic, #ElizabethAlexander, #FacebookPost, #FirstUnitarianSocietyofMadison, #FolkMusic, #FranzJosephHaydn, #GiovanniBattistaPergolesi, #GrazynaBacewicz, #IntotheSilentDarkness, #JohannesBrahms, #JohannSebastianBach, #KatrinTalbot, #LamentofGilboa, #LauraMedisky, #LifeandDeath, #MastersSingers, #MeadWitterSchoolofMusic, #NoonMusicale, #OboeD'Amore, #OboeMusic, #PianoAccompaniment, #PianoAccompanist, #RalphVaughanWilliams, #SeoulSouthKorea, #ShanghaiChina, #SouthKorea, #Sundayafternoon, #TaipeiTaiwan, #TokyoJapan, #TraditionalMusic, #UniversityChorus, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #UWChorale, #VincentFuh, #VocalMusic, #Women'sChorus, #YouTubevideo, Aaron Copland, Arthur Honegger, Arts, audience, auditorium, Bach, Baroque, Beijing, Blog post, blog posting, Bruce Gladstone, Camille Saint-Saëns, China, choral music, Classical music, cold, composer, Concert, conductor, construction, crying, death, director, drink, Early music, earlymusic, Elizabeth Alexander, Facebook, fast, First Unitarian Society of Madison, Folk music, food, Franz Joseph Haydn, free, graduate student, gray, Grazyna Bacewicz, hot, Into the Silent Darkness, Jacob Stockinger, Japan, Johann Sebastian Bach, Johannes Brahms, Katrin Talbot, Korea, Lament of Gilboa, laughing, Laura Medisky, life, life and death, listener, Madison, Masters Singers, Mead Witter School of Music, Music, Noon Musicale, Oboe, oboe d'amore, opposite, opposites, performer, Pergolesi, Piano, Ralph Vaughan Williams, Seoul, Shanghai, singer, Singing, slow, South Korea, Student, Sunday, Taipei, Taiwan, traditional, traditional music, University Chorus, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Chorale, Vincent Fuh, vocal music, Wisconsin, women's chorus, YouTube
Classical music: UW trombonist Mark Hetzler explores Stravinsky with new music and alumni musicians in a FREE concert on FRIDAY night. Plus, you can hear FREE Brahms at noon this Friday
2 Comments
ALERT: The music of Johannes Brahms will be featured at this Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Performers are Wes Luke and Valerie Sanders, violin; Ina Georgieva and Marie Pauls, viola; and Rachel Bottner, cello. (No word on specific works, but it sure sounds like a string quintet is on the program.) The concert runs from 12:15 to 1 p.m.
And more Brahms (below) fits into the question The Ear recently posted about what explains why we are hearing more music by Brahms these days. Here is a link to that post:
https://welltempered.wordpress.com/2017/10/07/classical-music-are-we-hearing-more-brahms-if-so-why/
By Jacob Stockinger
The always adventurous and inventive UW-Madison trombone professor Mark Hetzler (below) will once again perform an experimental and innovative FREE concert this FRIDAY night (NOT Saturday night, as incorrectly listed on here before) at 8 p.m. in Mills Hall.
“Solitude and Stravinsky“ is an exploration of social isolation and a reimagining of Igor Stravinsky’s popular Neo-Classical “Pulcinella” Suite (which you can hear in the YouTube video at the bottom).
According to the website at the UW-Madison’s Mead Witter School of Music: “This concert will showcase landmark works by contemporary composers and an experimental performance by the quartet combo Mr. Chair, with special guests and alumni Jason Kutz (piano, below top), Ben Ferris (double bass, below bottom) and Mike Koszewski (drums).”
Here is the full eclectic program:
Allemande, Suite No. 2 in D Major for Solo Cello……J.S. Bach
Brass Atmosphere…..Matthew Burtner
Disegno…….Anders Eliasson
Caravaggio….John Stevens (below)
- Realism; 2. Shadow; 3. Vulgarity; 4. Light
Luminous….Mark Engebretson
Onyzx Quartet…..Jason Kutz
PULCINELLA RE-IMAGINED……Igor Stravinsky (below)
Introduzione (Domenico Gallo)
Scherzino (Giovanni Battista Pergolesi)
Serenata (Pergolesi)
Allegro assai (Gallo)
Allegro alla breve (Pergolesi)
Largo (Pergolesi)
Tarantella (Count Unico Wilhelm Wasserader/Fortunato Chelleri)
Gavotta (Carlo Monza)
Andantino (Alessandro Parisotti)
Minuetto (Pergolesi)
Finale (Gallo)
For a biography of Mark Hetzler and his previous projects, including his many recordings, prizes and guest appearances, go to:
http://www.music.wisc.edu/faculty/mark-hetzler/
Tags: alumni, Arts, Bach, Baroque, bass, blog, Caravaggio, Cello, Chamber music, Classical music, combo, composer, contemporary, drum, Early music revival, experimental, finale, First Unitarian Society of Madison, Gavotte, guest, Igor Stravinsky, innovative, introduction, isolation, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Stevens, landmark, light, Madison, Mark Hetzler, Mead Witter School of Music, minuet, Mr Chair, Music, musicale, New Music, Orchestra, Pergolesi, Piano, posting, prize, project, Pulcinella Suite, Quartet, quintet, realism, recording, reimagining, Scherzo, Serenade, shadow, social, Stravinsky, Suite, Tarantella, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vulgar, Website, YouTube
Classical music: Former UW-Madison professor and soprano Julia Faulkner is named Director of Vocal Studies at the Lyric Opera of Chicago.
Leave a Comment
By Jacob Stockinger
Many of us remember when, more than a decade ago, soprano Julia Faulkner returned from her noteworthy career in Europe, which included many major opera and orchestral appearances as well as recordings on the Naxos and Deutsche Grammophon labels, to her native Wisconsin.
Then, once settled at home, she started teaching at the University of Wisconsin-Madison School of Music as an instructor, as adjunct academic staff. Eventually, she joined the department as a junior faculty member.
Faulkner gave us many moments of pleasure when she performed at the UW-Madison and also with the Madison Opera and Madison Symphony Orchestra.
Two years ago, Faulkner went to do a guest teaching stint at the Ryan Opera School, an adjunct educational and professional development institution at the famous Lyric Opera of Chicago. Superstar diva Renée Fleming is an advisor to the school.
Now Faulkner is staying.
The gig is permanent and Faulkner is getting promoted.
This past week, Julia Faulkner was named Director of Vocal Studies at the school at the Lyric Opera of Chicago (below).
Here is a link to the story:
What can The Ear say?
Only: “Brava, bravissima!”
Plus, one can hope that Julia Faulkner’s departure is NOT a harbinger of things to come with other faculty and staff members under Wisconsin Governor Scott Walker‘s newly announced plan to implement huge cuts to the UW-Madison budget in exchange for more independence.
Anyway, listen to Julia Faulkner in her recording of Giovanni Battista Pergolesi‘s gloriously beautiful “Stabat Mater Dolorosa” in the YouTube video at the bottom.
Tags: Arts, Chicago, Classical music, Compact Disc, Deutsche Grammophon, diva, Jacob Stockinger, Lyric Opera of Chicago, Madison, Madison Opera, Madison Symphony Orchestra, Music, Naxos, opera, Orchestra, Pergolesi, Renée Fleming, Ryan Opera Center, soprano, Stabat Mater, Undergraduate education, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vocal music, YouTube
Recent Comments
 | Genie Ogden on Classical music: The seventh a… |
 | Sam Crownover on Classical music: The Bach Danc… |
 | Mary Gordon on Classical music: Here are the… |
 | Larry Wells on Classical music: Here are the… |
 | fflambeau on Classical music: Today is Memo… |
