The Well-Tempered Ear

Classical music: Live radio broadcasts of opera from The Met start today at noon on Wisconsin Public Radio. And superstar Plácido Domingo marks his 50th year at the Met.

December 1, 2018
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By Jacob Stockinger

Today at noon, the Metropolitan Opera starts its 88th season of Live Broadcasts From the Met.

Locally, the performance today, like all of them, airs on Wisconsin Public Radio. The new season, which starts with Arrigo Boito’s “Mefistofole,” continues through May 11.

Here is a list to the title of the entire season: https://www.wpr.org/metropolitan-opera-begins-its-88th-season

It also seems like a perfect time to mark a milestone at the Met: The 50th anniversary of the Met debut of superstar tenor Plácido Domingo (below) who is still singing, now as a baritone, at the age of 77.

Here is a link to his impressive biography on Wikipedia: https://en.wikipedia.org/wiki/Plácido_Domingo

Here is a link to an account, appreciation and review of the event last week, celebrated with Domingo’s appearance in Puccini’s “Gianni Schicchi” below center, in a photo by Sara Krulwich for the New York Times) in The New York Times:

https://www.nytimes.com/2018/11/25/arts/music/review-placido-domingo-met-opera-trittico-puccini.html

Here is The Met’s general manager Peter Gelb (left) giving a piece of the Met’s stage to Domingo to mark his golden anniversary:

Finally, here is a YouTube video of the Met’s celebration of Domingo:


Classical music: James Levine has been fired by The Met for sexual abuse. Plus, “Pulcinella Re-Imagined: An Evening of Music by Mr. Chair” will be performed at The Mineral Point Opera House this Friday night at 7 p.m.

March 13, 2018
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NEWS ALERT: James Levine was fired Monday night by the Metropolitan Opera for sexual abuse.

Here is a link to a story in The New York Timeshttps://www.nytimes.com/2018/03/12/arts/music/james-levine-metropolitan-opera.html

By Jacob Stockinger

The Ear has been asked to post the following announcement:

“Pulcinella Re-Imagined: An Evening of Music by Mr. Chair” will be performed at The Mineral Point Opera House this Friday night at 7 p.m.

The Opera House is located at 139 High St. in Mineral Point.

Based in Madison, Mr. Chair (below, in a photo by Ryan Gilman) is a multi-genre group that plays a mix of rock, jazz, modern classical and improv-based styles.

This show will feature an arrangement of Igor Stravinsky‘s “Pulcinella” ballet as well as original music. It features beautiful, hip and surreal textures from whispering lyricism to thunderous wails in a gorgeous, historic theater. (You can hear the original version of “Pulcinella” in the YouTube video at the bottom.)

Members of the groups are UW-Madison professor Mark Hetzler on trombone, electronics; Jason Kutz on piano/keyboards; Ben Ferris on basses; and Michael Koszewski on drums

The concert will feature a special appearance by dancer/choreographer Amy Ryerson (below top) and narration by Buzz Kemper (below bottom).

Tickets can be purchased at the door or through BrownPaperTickets at https://m.bpt.me/event/3341686

Admission is $15 for adults, $5 for students and under 12 (at the door)

The program includes:

  1. “Mile of Ledges” 2. “Correction” 3. “Freed” 4. Three Views of Infinity, Mangalore to Bangalore Express”

Intermission

“Pulcinella”


Classical music: The “Met Live in HD” starts its 10th season this coming Saturday with Verdi’s “Il Trovatore.” Plus, today is your last time to hear the acclaimed opening concert by the Madison Symphony Orchestra. Read the reviews here.

September 27, 2015
5 Comments

ALERT: Today at 2:30 p.m in Overture Hall is your last chance to hear the season-opening program of music by Ludwig van Beethoven, Aaron Copland and Peter Ilyich Tchaikovsky by the Madison Symphony Orchestra. The performance won acclaim from local critics.

Here is a review by John W. Barker for Isthmus:

http://www.isthmus.com/arts/stage/madison-symphony-orchestra-opens-2015-season/

And here is a review by Jessica Courtier for The Capital Times:

http://host.madison.com/ct/news/local/individual-sections-shine-in-madison-symphony-orchestra-s-season-opener/article_3fd85244-6456-11e5-b949-ef2658626736.html

And here is Greg Hettmansberger’s review for Madison Magazine:

http://www.channel3000.com/madison-magazine/arts-culture/madison-symphony-celebrates-itself-rightly-so/35500642

By Jacob Stockinger

Next weekend sure is a train wreck for local music. Not that this past weekend wasn’t or that future weekends won’t be.

So much is happening that The Ear sometimes gets discouraged rather than excited. You begin to think not about what you will see or hear, but about what you will miss!

And then there are the major non-local events.

One such big one is the opening this coming Saturday, Oct. 3, of the 10th season of the series of “Live From the Met in HD,” the broadcast of live opera performances that are broadcast via satellite to thousands of cinemas around the globe.

Met Live IlTrovatore poster

The series has been one of the Metropolitan Opera’s outstanding success stories and money-makers over the past decade and of the controversial tenor of the Met’s general director Peter Gelb.

Here in Madison, you have a choice of two locations: Eastgate cinemas on the far east side and Point Cinemas on the far west side.

Here is a link to the Marcus Theatres web site where you can find out about other locations in the area, state and region:

https://www.marcustheatres.com/movies/met-ii-trovatore-live

The opening production is Giuseppe Verdi’s “Il Trovatore” (The Troubadour, 1853) with the famous Anvil Chorus (heard from a previous production at the bottom in a YouTube video). The staging and production of the opera with a Spanish theme is the dramatic and disturbing art of Francisco Goya.

Met Il Trovatore anvil

The cast features soprano Anna Netrebko and baritone Dmitri Hvorostovsky.

The show will start on Saturday at 11:55 a.m. Running time, with one half-hour intermission, is about 2 hours and 45 minutes. Admission is $24 for adults and $22 for seniors 60 and over; and $18 for children 3 to 11. Tickets to the encore productions are $18.

Here is a link with the title of the 10 other productions – including works by Richard Wagner, Wolfgang Amadeus Mozart, Gaetano Donizetti, Richard Strauss, Giacomo Puccini, Alban Berg and Georges Bizet for this season.

And you can follow links to plot synopses, cast notes and other information.

https://www.metopera.org/Season/In-Cinemas/


Classical music: Metropolitan Opera radio host Margaret Juntwait is dead at 58.

June 6, 2015
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ALERT: This month’s “Sunday Afternoon Live From the Chazen” concert will take place tomorrow at 12:30 p.m. in Brittingham Gallery III.

The concert features local violinist Kangwon Kim, violist Micah Behr and cellist Mark Bridges. The program includes a suite for solo viola by Quincy Porter and an arrangement of Johann Sebastian Bach’s famous “Goldberg” Variations for string trio done by Russian violist Dmitry Sitkovetsky.

Admission is FREE. Since Wisconsin Public Radio ended live broadcasts of the concert after 36 years, you can stream it live starting at 12:30. Just go to the Chazen Museum of Art’s website where you will find the necessary link:

http://www.chazen.wisc.edu/about/news/in-the-news/the-goldberg-trio-sunday-afternoon-live-at-the-chazen-on-june-7

By Jacob Stockinger

Her expressive voice became as identifiable with the opera -– with the Metropolitan Opera -– as have some of the world’s great singers.

Her name is Margaret Juntwait (below in a photo by Jonathan Tichler) and she hosted the live radio broadcast from the Met that started in December and ran through May. Every Saturday, she reached more than one million fans worldwide with her commentaries and her outstanding interviews with singers and conductors.

Margaret Juntwait CR jonathan-tichler

This past Wednesday, Margaret Juntwait died at 58 of complications from ovarian cancer, which she had battled with for a decade.

Because today is Saturday, it seems like the perfect day for The Ear to post about her passing.

Here are three stories about Margaret Juntwait and her career plus a very short YouTube video about Puccini’s “La Boheme” that shows her quick wit.

From the Deceptive Cadence blog on National Public Radio (NPR):

http://www.npr.org/sections/deceptivecadence/2015/06/03/411784750/met-opera-and-public-radio-host-margaret-juntwait-dies

From the Metropolitan Opera:

http://metopera.org/metopera/news/features/news-flash/remembering-margaret-juntwait

From the famed radio station in New York City, WQXR and WNYC:

http://www.wqxr.org/#!/story/margaret-juntwait-former-wnyc-host-and-voice-metropolitan-opera-dies-58/

Feel free to leave your thoughts and feelings in the COMMENTS section of the blog.

The Ear wants to hear – and so do others.

 

 


Classical music: Go inside the Money Opera at the Met with the Pulitzer Prize-winning financial reporter James B. Stewart.

March 30, 2015
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By Jacob Stockinger

It is no secret that the famed Metropolitan Opera in New York City has been having major financial and labor problems during the tenure of its General Director Peter Gelb (below).

Peter Gelb 2.jpg

But it is hard to find a better researched or more detailed account of what is going on than the account that was written by the journalist James B. Stewart and appeared in the March 23 issue of The New Yorker magazine.

A graduate of the Harvard University Law School, Stewart (below), you may recall, is a winner of the Pulitzer Prize, a former reporter for The Wall Street Journal and currently a columnist for the New York Times. He has also written best-selling books. Such qualifications give him added credibility when reporting on the fiscal state of the arts.

James B. Stewart

Plus, Stewart got access to documents and records as well as to members of the board of directors. His account is filled with specific details about costs and fundraising that are convincing.

The discrepancy, for example, between what the Met said was the official cost of its recent and controversial “Ring” cycle (below) by Robert Lepage of Cirque du Soleil and what others say it cost is both astonishing and appalling.

Lepage Ring set

In an interview with Jim Zirin, Peter Gelb defends himself and his tenure in a YouTube video at the bottom.

To The Ear, the larger question is whether some of the same criticisms apply to other large performing arts groups, opera companies and symphony orchestras in other cities.

But that is another story for another day.

Here is a link to the story about the Met by James B. Stewart:

http://www.newyorker.com/magazine/2015/03/23/a-fight-at-the-opera

 


Classical music: The new “Met Live in HD” season opens this Saturday afternoon with an acclaimed performance by Anna Netrebko in Verdi’s “Macbeth.” Plus, the UW-Madison six-day brass festival opens tonight.

October 8, 2014
3 Comments

ALERT: The University of Wisconsin-Madison School of Music’s brass festival, “Celebrate Brass,” starts TONIGHT at 7:30 p.m. in Mills Hall with the UW-Madison Wisconsin Brass Quintet and composer Anthony Plog. It runs through next Monday. All events and concert except the big one on this Saturday night — are FREE and open to the public.

Here is a link to a previous story about it:

https://welltempered.wordpress.com/2014/10/03/classical-music-education-an-impressive-and-long-overdue-brass-festival-celebrate-brass-will-be-held-at-the-uw-madison-school-of-music-it-opens-next-wednesday-oct/

And here is a link to a complete schedule of the festival:

http://www.music.wisc.edu/brass-festival/

Wisconsin Brass Quintet 2014 CR Megan Aley

By Jacob Stockinger

Recently, the famed Metropolitan Opera (below) in New York City had to weather some pretty severe turbulence –- labor strife that threatened to close down the Met and delay the opening of its season.

Metropolitan Opera outdoors use Victor J. Blue NYT

But general director Peter Gelb (bel0w) and his negotiators reached an agreement with several labor unions, and everything remains on schedule.

Peter Gelb

That means the new season of “Met Live in HD” will open this Saturday with the acclaimed production of Giuseppe Verdi’s opera “Macbeth” that features soprano Anna Netrebko in a major role that is unusually and unexpectedly dramatic for her. The conductor is Fabio Luisi.

Verdi Macbeth 2014 MET

That successful production should be very good news. The “MET Live in HD” program in seen in hundreds of cities around the world, and is one of the big moneymakers for the Met.

Main showings in Madison are this Saturday at 11:55 a.m. at the Point Cinemas on Madison’s far west side and the Eastgate Cinema on the city’s far east side. Running time is about 3-1/2 hours.

Admission is $24 for adults, $18 for children.

Encore showing are usually at 6:30 pm. on the following Wednesday and cost $18.

Here is some background including a review by New York Times critic Anthony Tommasini and a profile of Anna Netrebko  (below), who can be heard singing an aria from the same opera, in a different production with conductor Valery Gergiev in Russia, at the bottom in a YouTube video.

Here is the link to the review by Anthony Tommasini:

http://www.nytimes.com/2014/09/26/arts/music/in-the-mets-macbeth-anna-netrebko-as-the-scheming-wife.html?_r=0

And here is the feature about diva Anna Netrebko:

http://www.nytimes.com/2014/10/06/arts/after-anna-netrebkos-macbeth-triumph-norma-is-next.html

Anna Netrebko - Romy 2013

Want to know more about the Met’s HD season so you can plan?

Here is a link to see other information, including the entire season’s offering with dates, times, artist biographies, audio-video clips, synopses and program notes.

The season features lots of standards, including Georges Bizet’s “Carmen” and Jacques Offenbach’s “Tales of Hoffmann” “Carmen,” and some unusual works by Peter Tchaikovsky and Bela Bartok:

http://www.metopera.org/metopera/liveinhd/live-in-hd-2014-15-season

MET LIve in HD poster 2014-15

 

 

 

 

 


Classical music: Meet the Met. Here is a historical pop quiz about the Metropolitan Opera from NPR. But don’t grow complacent because the labor disputes are settled. Troubles are far from over, says one expert.

August 24, 2014
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By Jacob Stockinger

Now that the labor strife is over and the new season at the Metropolitan Opera (below) will open on time after all, it is time to lighten up and shout out a bit.

Metropolitan Opera outdoors use Victor J. Blue NYT

But no one should be naïve. And no one should get too complacent. Even with the labor negotiations now settled, the future may not be so rosy for the Met, or for other big opera companies:

Here is a commentary in The Wall Street Journal by the acclaimed cultural historian Joseph Horowitz (below, speaking in Madison in 2011) who, you may recall, came to Madison to open the Pro Arte Quartet’s centennial celebration at the University of Wisconsin-Madison three years ago:

http://online.wsj.com/articles/joseph-horowitz-union-trouble-isnt-the-mets-only-problem-1407537082

Joseph Horowitz 2

Still, this season will go on, starting on Oct. 27 with Giuseppe Verdi‘s epic “Aida.” So to see how much you know about the Met –- The Ear finds that opera fans, like sports fans, are vast repositories of historical trivia and statistics.

Try this quiz, based on historical facts, about the Met that was posted by NPR (National Public Radio:

But a word of advice or warning: Make sure your speakers are turned on or use headphones, since sound is an integral part of the quiz:

http://www.npr.org/blogs/deceptivecadence/2014/08/20/318464055/the-music-geek-s-met-opera-puzzler

Metropolitan Opera quiz Valkyries Ken Howard The Met

 


Classical music: Good news! The Metropolitan Opera season will open on time, now that it has settled disputes with its labor unions.

August 23, 2014
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By Jacob Stockinger

A week ago, The Ear offered readers an update on the labor strife at the Metropolitan Opera (below), which had been partially resolved.

The final results, and successful settlement, came in earlier this week.

And the news is good.

metropolitan opera 1

Here is a wrap-up of what happened from several major media outlets, plus a link to the Met so you can check into its various seasons and productions. 

Met from stage over pit

First, here is link to the back story about the first settlements between general director Peter Gelb (below top), who sought even bigger salary rollbacks, and the unions (below bottom):

https://welltempered.wordpress.com/2014/08/19/classical-music-the-shows-will-go-on-or-so-it-seems-as-the-metropolitan-opera-and-two-major-unions-reach-agreement/

Peter Gelb

Metropolitan Opera union members

Now here are links to three stories that wrap up the labor disputes and the final outcome:

From The New York Times:

http://www.nytimes.com/2014/08/21/arts/music/metropolitan-opera-labor-talks.html?_r=0

From The Wall Street Journal:

http://online.wsj.com/articles/metropolitan-opera-reaches-deal-with-stagehands-1408526766

From the Associated Press via Billboard magazine:

http://www.billboard.com/biz/articles/6221948/metropolitan-opera-reaches-deal-with-stagehands-union

Last but not least, here is a link to the Met’s own website, where you can see the schedule of productions for the regular Met season -– which opens on Oct. 27 with Giuseppe Verdi’s “Aida” (below, the opera’s show-stoppping Act 2 Triumphal March from a 1989 Met Opera production in a YouTube video) –- and for the productions for “The Met Live in HD,” which are shown locally at the Eastgate and Point cinemas:

https://www.metopera.org/metopera/season/index.aspx?nav=top&gclid=Cj0KEQjw1NufBRCx8ayaqY2t6KkBEiQA2nLWm0XjHlAakMLoTzDM-NoyRoahceCgKqUcDjUgrwGFTjIaAvWB8P8HAQ


Classical music: The shows will go on. Or so it seems as the Metropolitan Opera and two major labor unions reach agreement.

August 19, 2014
1 Comment

By Jacob Stockinger

Today’s post was supposed to be the second installment of my preview of the 25th annual Token Creek Chamber Music Festival, which starts this Saturday night and will focus on the 300th anniversary of the birth of Carl Philipp Emmanuel Bach.

But some breaking and important news has happened. So I will postpone the Token Creek follow-up for a day or two.

The big news is this: While not all the labor disputes have ended, the famed Metropolitan Opera (below, in a photo by Victor J. Blue of The New York Times) in New York City -– the largest opera company in the world -– has reached an agreement with two of the largest and most major unions.

Metropolitan Opera outdoors use Victor J. Blue NYT

The agreement involved far smaller concessions and rollbacks than the Met’s general director Peter Gelb (below) proposed.

Peter Gelb 2

The drama is not completely over. More negotiations are under way with other unions. But it now seems that the opening of the Met’s season -– and of the “Met Live in HD:” series – will NOT be postponed, as feared, by a lockout.

Metropolitan Opera union members

Here are two comprehensive stories.

The first is a radio story done by NPR (National Public Radio) by Jeff Lunden:

http://www.npr.org/blogs/deceptivecadence/2014/08/18/341369803/met-opera-tentatively-settles-with-two-major-unions

The second story is from The New York Times:

http://www.nytimes.com/2014/08/19/arts/music/in-met-opera-deal-both-sides-give.html?_r=0

Met from stage over pit

 


Classical music: The Metropolitan Opera is playing out its own dramatic opera plot as it renegotiates contracts with labor unions and seeks major cutbacks. If an agreement isn’t reached, a lockout could throw off the Met’s opening for the new season. Read and hear about it in a variety of sources selected by The Ear.

August 5, 2014
1 Comment

By Jacob Stockinger

The Metropolitan Opera (below top is the Met’s exterior and bottom below is the Met’s grand interior) in New York City’s Lincoln Center is playing out its own dramatic plot.

metropolitan opera 1

The Met hall 1

Will the outcome be tragedy?

Or farce?

Or both.

In case you haven’t heard about it, the famed Met is negotiating new contracts with its labor unions. The Met currently has a debt of $2.8 million.

According to the Met’s general director Peter Gelb (below), major reductions totaling some $30 million, in salaries are required to put the Met back on a financially sustainable course.

Peter Gelb

Those are easy words to say for Gelb, whose own salary is reported to be $1.4 million and whose tenure has emphasized extremely expensive productions that have taxed the Met’s budget.

On his behalf, Gelb also is the manager who initiated the “Met Live in HD” that have been so popular in movie theaters around the world – including the Eastgate and Point cinemas in Madison — and have generated a lot of income. (You can see the coming season in a YouTube video at the bottom, although the November broadcast of “The Death of Klinghoffer” by John Adams has been cancelled under a controversial agreement to pacify Jewish and Israeli protest groups and lobbyists who see the opera as too focused on humanizing terrorism and Palestinian terrorists, and who threatened to withdraw much needed needed underwriting for the Met.)

Met HD Rheingold

The original deadline for an understanding or agreement was this past Sunday. But that deadline has been extended until Tuesday, today, apparently because negotiations continued and presumably continued in a positive way, despite the appearance of an overall deadlock.

Mediators were called in and apparently an independent audit of the Met’s books is under way.

So by the end of the day we should hear more about the results –- or lack of results. That, in turn, will tell us more about the short-term future and long-term future of the Met.

Some of the best coverage of this potentially major event can be found on the Deceptive Cadence blog written by NPR (National Public Radio):

Here are some links mostly to websites for newspapers and radio. The Ear has heard NOTHING – at least nothing that I recall – on the major TV outlets and network, commercial or cable. Well, maybe they are too busy doing features about dogs and children who raise money for good causes. I am sure they have polling and surveys to back up their story selection.

To learn about the major players in the Met drama – or the Cast of Characters, so to speak, here is a story:

http://www.npr.org/blogs/deceptivecadence/2014/08/01/337161589/keeping-score-in-the-met-s-labor-misfortunes

Metropolitan Opera union members

How the negotiations were going? Read this:

http://www.npr.org/blogs/deceptivecadence/2014/07/31/336586571/on-the-eve-of-a-possible-lockout-met-opera-talks-remain-contentious

If you want an overview of the situation, try these:

http://www.npr.org/blogs/deceptivecadence/2014/07/24/334974965/labor-conflict-may-lock-out-met-opera-workers

http://www.npr.org/blogs/deceptivecadence/2014/07/26/335336345/war-of-words-at-met-opera-may-signal-shutdown

And here in another selection of stories from The New York Times:

http://topics.nytimes.com/top/reference/timestopics/organizations/m/metropolitan_opera/index.html?inline=nyt-org

Here is the latest news from The Wall Street Journal about an independent audit of the Met’s books:

http://online.wsj.com/articles/met-operas-books-to-undergo-financial-review-1407120687

Do you have an opinion on the matter?

Given the recent bankruptcies and closings of American symphony orchestras and the City Opera of New York, what do you think the Metropolitan Opera drama signifies or means for the classical music scene in the U.S.?

The Ear wants to hear.

 

 

 


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