The late, great and award-winning American novelist Philip Roth (below) – who died of congestive heart failure in a Manhattan hospital on May 22 at age 85 – spent the last half-dozen years of his life retired and not writing.
Instead he liked to visit friends and attend concerts.
Roth was an avid fan of classical music.
So the following story about a chamber music concert by the Emerson String Quartet (below) – one of his favorite chamber music ensembles — of music by Johann Sebastian Bach, Ludwig van Beethoven and Dmitri Shostakovich is especially amusing and perhaps telling to read.
What seems especially Rothian are his different reactions to fugues by Bach (below top is an unfinished manuscript page from Bach’s “The Art of Fugue”) and by Beethoven (below bottom is a manuscript page from the “Grosse Fuge”).
Here is a link to the story as recounted on the blog by the famous New York City classical music radio station WQXR-FM — and be sure to read the comments by other readers:
You can hear the Emerson Quartet playing the opening fugal theme that Bach chose to permute for almost 90 minutes, followed by Fugue No. 9, in the YouTube videos at the bottom.
What do you think of Roth’s reactions and comments to fugues by Bach and Beethoven?
Classical music: Here is what happened when the late American writer Philip Roth heard fugues by Bach and Beethoven. What do you think of his reactions?
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By Jacob Stockinger
The late, great and award-winning American novelist Philip Roth (below) – who died of congestive heart failure in a Manhattan hospital on May 22 at age 85 – spent the last half-dozen years of his life retired and not writing.
Instead he liked to visit friends and attend concerts.
Roth was an avid fan of classical music.
So the following story about a chamber music concert by the Emerson String Quartet (below) – one of his favorite chamber music ensembles — of music by Johann Sebastian Bach, Ludwig van Beethoven and Dmitri Shostakovich is especially amusing and perhaps telling to read.
What seems especially Rothian are his different reactions to fugues by Bach (below top is an unfinished manuscript page from Bach’s “The Art of Fugue”) and by Beethoven (below bottom is a manuscript page from the “Grosse Fuge”).
Here is a link to the story as recounted on the blog by the famous New York City classical music radio station WQXR-FM — and be sure to read the comments by other readers:
https://www.wqxr.org/story/what-roth-thought-bach
You can hear the Emerson Quartet playing the opening fugal theme that Bach chose to permute for almost 90 minutes, followed by Fugue No. 9, in the YouTube videos at the bottom.
What do you think of Roth’s reactions and comments to fugues by Bach and Beethoven?
Do you agree or disagree with him?
The Ear wants to hear.
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