The Well-Tempered Ear

Classical music: The Middleton Community Orchestra announces an ambitious 2020-21 season with new guest soloists and conductors, but with no Middleton venue

March 30, 2020
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By Jacob Stockinger

Amid all the concert cancellations due to COVID-19 comes good news.

The mostly amateur and critically acclaimed Middleton Community Orchestra (MCO, below) — which has canceled and postponed concerts for the remainder of this season — has announced its five-concert line-up for the 2020-21 season.

It is undeniably ambitious on several counts.

But unfortunately it usual venue — the Middleton Performing Arts Center that is attached to Middleton High School — will be undergoing renovations.

That means that the MCO will be using other venues besides its home base (below) for its 11th season.

The new venues include the Mead Witter Foundation Concert Hall (below) in the new Hamel Music Center, 740 University Ave., at the UW-Madison, which will host three of the concerts.

Also included for the other two concerts are the brand new McFarland Performing Arts Center (below)  – where the MCO will give the center’s inaugural public concert on Oct. 7 — and Madison Memorial High School.

Concert dates and times are usually Wednesdays at 7:30 p.m. They are Oct. 7, Dec. 16, Feb. 17, April 2 (Friday) and May 26. Admission will remain $15 with free admission for students. And, as usual, post-concert meet-and-greet receptions will be held at all performances.

The ambitious new season includes some familiar faces but also some new names.

On Oct. 7, pianist Thomas Kasdorf (below) will open the season by performing the Piano Concerto No. 2 by Rachmaninoff; and then, on May 26, he will close the season with the Piano Concerto No. 1 by Beethoven as the first installment of a complete cycle of Beethoven piano concertos.

On Oct. 7, UW professor and Pro Arte Quartet first violinist David Perry (below top) will make his MCO debut in the Violin Concerto No. 4 by Mozart; and on Dec. 16, Madison Symphony Orchestra concertmaster Naha Greenholtz (below bottom) will return to play the Violin Concerto by Brahms.

On April 2, the Festival Choir of Madison (below), under its director Sergei Pavlov, will makes its MCO debut in the movie-score cantata “Alexander Nevsky” by Prokofiev.

And the teenage winners of the second Youth Concerto Competition, to be held next December, will perform with the orchestra on Feb. 17.

The conductor for three concerts will be Kyle Knox, the music director of the Wisconsin Youth Symphony Orchestras (WYSO) and associate conductor of the Madison Symphony Orchestra (MSO).

A frequent MCO guest conductor, Knox has also agreed to become the ensemble’s new principal conductor and artistic adviser. (In the YouTube video at the bottom, you can hear Kyle Knox conducting the MCO last December in Wagner’s Overture to the opera “Die Meistersinger von Nürnberg” (The Master Singers of Nuremberg) at the UW’s Hamel Music Center.)

Two guest conductors will be making their MCO debuts: UW-Whitewater professor Christopher Ramaekers (below top) on Oct. 7 and Edgewood College professor Sergei Pavlov (below bottom) on April 2.

Some repertoire still hasn’t been decided. For up-to-date information, as well as information about how to audition for the MCO, how to subscribe to its email newsletter and how to support it, go to the newly redesigned website at: https://middletoncommunityorchestra.org

“We will also try to schedule the concert with this year’s Youth Concerto Competition winners for this summer, even if it means going to an outdoor venue,” says MCO co-founder and co-artistic director Mindy Taranto. The winners are: violinists Ava Kenny and Dexter Mott, and cellist Andrew Siehr.

Adds Taranto: “We are really excited about the lineup of guest soloists and new conductors, and are especially grateful to Kyle Knox for his continued association with us. We’re going to have a fantastic year.”

 


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Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW

March 27, 2020
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ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.

The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.

For a link and  portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/

By Jacob Stockinger

The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:

The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.

The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.

Sadly, that was not to be.

But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.

We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.

We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.

Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.

We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.

Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.

BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.

We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)

The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.

Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)

For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison


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Classical music: What music is helping you get through the Coronavirus by staying home? Help create a Pandemic Playlist

March 25, 2020
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By Jacob Stockinger

Starting today, Wisconsin joins other states and countries in proclaiming a stay-at-home emergency condition to help fight the coronavirus pandemic.

That means non-essential businesses and schools are closed; restaurants can only deliver food and do pick-up; and residents must stay at home except for essential services and travel such as buying food, seeing a doctor and getting medicine.

For a couple of weeks, many of us have already been spending almost all our time hunkering down at home.

And the Internet and other mass media are full of helpful hints about how to handle the loneliness, fear and anxiety that can come with self-isolation and self-quarantining.

For many, music proves a reliable coping strategy.

Since there are no live concerts to preview or review, now seems like a good time for The Ear to ask readers: What music helps you deal with the isolation of staying at home?

Is listening to music a part of your daily schedule, structure or routine?

Maybe you are using the time to discover new music or neglected composers, works and performers.

Maybe you are using the time to revisit old favorites by Bach, Mozart and Beethoven.

Maybe you prefer darker and deeper, more introverted works such as symphonies by Mahler, Bruckner and Shostakovich?

Maybe you prefer the stories and drama of operas by Verdi and Puccini, oratorios by Handel and songs by Schubert?

Maybe, like The Ear, you find the music of Baroque Italian composers, such as the violin concertos by Vivaldi and Corelli, to be a great, upbeat way to start the day with energy and a good mood.

One more modern but neo-classical work that The Ear likes to turn to — a work that is rarely heard or performed live – is the beautiful “Eclogue” for piano and strings by the 20th-century British composer Gerald Finzi (below).

Finzi wrote it as a slow movement to a piano concerto, but then never finished the concerto. The “Eclogue” — a short pastoral poem — was never performed in his lifetime. So it continues to stand alone.

But like so much English pastoral music, the poignant Eclogue feels like sonic balm, some restorative comfort that can transport you to a calmer and quieter place, put you in a mood that you find soothing rather than agitated.

Hear it for yourself and decide by listening to it in the YouTube video at the bottom, then let The Ear know what you think.

Perhaps you have many other pieces to suggest for the same purpose.

But the series of reader suggestions is meant to be ongoing.

The idea is to build a collective “Pandemic Playlist.”

So right now and for this time, please post just ONE suggestion – with a YouTube link, if possible — in the Comment section with perhaps what you like about it and why it works for you during this time of physical, psychological and emotional distress from COVID-19.

What do you think of the idea of creating a Pandemic Playlist?

The Ear hopes that you like his choice, and that he and other readers like yours.

Be well and stay well.

Let’s get through this together.

 


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Classical music: With live concerts cancelled, what will you do for music? The Ear has some suggestions but wants to hear your ideas

March 16, 2020
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ALERT 1: It’s official. The Madison Symphony Orchestra has cancelled its performances of Dvorak’s Requiem on April 3, 4 and 5. Sometime this week, according to the MSO website, the administration will inform ticket holders about what they can do.

ALERT 2: The Mosaic Chamber Players have cancelled their performance of Beethoven Piano Trios on March 21 at the First Unitarian Society of Madison.

By Jacob Stockinger

Now that live concerts and performances have been cancelled for the near future – thanks to the threat of the pandemic of the coronavirus and COVID-19 — music-lovers are faced with a problem:

What will we – especially those of us who are isolated at home for long periods of time — do to continue to listen to music?

Perhaps you have a large CD collection you can turn to. Or perhaps you subscribe to a streaming service such as Apple Music, SoundCloud, Amazon Music or another one.

Don’t forget local sources such as Wisconsin Public Radio and WORT-FM 89.9, both of which generously broadcast classical music, from the Renaissance to contemporary music, and often feature local performers.

Here is a link to Wisconsin Public Radio (WPR): https://www.wpr.org

Here is a link to WORT 88.9 FM: https://www.wortfm.org

There are also many other choices.

Happily, there is YouTube with its mammoth collection of free musical performances and videos. You can surf YouTube for new music and classic music, contemporary performers and historic performers, excerpts and complete works.

Here is a link: https://www.youtube.com

Those who are students or amateurs might use the time to sing – like those marvelous, uplifting Italians making music from their balconies during the crisis – or practice and play an instrument at home.

But other organizations – solo performers, chamber music ensembles, symphony orchestras, opera houses – are also trying to meet the challenge by providing FREE public access to their archives.

And it’s a good time for that.

Music can bring us together in this crisis.

Music can help us relax, and fight against the current panic and anxiety.

It’s also a good time to have a music project. Maybe you want to explore all the many symphonies or string quartets of Haydn, or perhaps the 550 keyboard sonatas by Scarlatti, or perhaps the many, many songs of Franz Schubert.

Here are some suggestions offered as possible guidance:

Here is what critics for The New York Times, including senior critic Anthony Tommasini (below) who likes Van Cliburn playing a Rachmaninoff concerto, will do: https://www.nytimes.com/2020/03/13/arts/music/coronavirus-classical-music.html

If you are an opera lover, you might want to know that, starting today, the Metropolitan Opera (below) in New York City will be streaming for FREE a different opera every day or night.

The productions are video recordings of operas that have been broadcast over past years in the “Live in HD” program. The titles are listed by the week and here is a link:

https://operawire.com/metropolitan-opera-to-offer-up-nightly-met-opera-streams/

If you like orchestral music, it is hard to beat the Berlin Philharmonic – considered by many critics to be the best symphony orchestra in the world — which is also opening up its archives for FREE.

Here is a background story with a link: https://www.newyorker.com/culture/cultural-comment/coronavirus-concerts-the-music-world-contends-with-the-pandemic

Here is another link, from Norman Lebrecht’s blog “Slipped Disc,” to the Berlin Philharmonic along with some other suggestions, including the Vienna State Opera: https://slippedisc.com/2020/03/your-guide-to-the-new-world-of-free-streaming/

And if you like chamber music, you can’t beat the FREE performances being offered by the acclaimed Chamber Music Society of Lincoln Center, some of whom recently performed in Madison at the Wisconsin Union Theater and with the UW-Madison Symphony Orchestra: https://www.chambermusicsociety.org/watch-and-listen/

But what about you?

What will you listen to?

Where will you go to find classical music to listen to?

Do you have certain projects, perhaps even one to recommend?

How will you cope with the absence of live concerts?

The Ear wants to hear.


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Classical music: The coronavirus forces the cancellation of Bach Around the Clock plus concerts by pianist Drew Petersen and violinist Gil Shaham. Other groups will wait and see. Read local and national overviews

March 13, 2020
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By Jacob Stockinger

The pandemic of the coronavirus (below, from by the federal Centers for Disease Control) has now put Wisconsin into a public health emergency, as declared Thursday morning by Gov. Tony Evers, and continues to take its toll on the local art scene – and does so very quickly.

Since yesterday, the threat posed by the coronavirus and COVID-19 has forced the cancellation of three more major musical events:

The biggest is the cancellation of Bach Around the Clock 2020 on Saturday, March 28.

BATC is the FREE annual event celebrating the birthday of Johann Sebastian Bach (1685-1750). It runs for 12 hours, from 10 a.m. to 10 p.m., and offers dozens of performances by student, amateur and professional musicians.

A Saturday night concert and Sunday afternoon master class by up-and-coming pianist Drew Petersen (below)  — for the Salon Piano Series at Farley’s House of Pianos– has been cancelled and postponed until the summer.

And the March 28 recital by violinist Gil Shaham (below) and pianist Akira Eguchi at the Wisconsin Union Theater has been cancelled

Some other major groups are taking a wait-and-see approach about cancelling events. They include: the Madison Opera, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

You can read more about them, and about other local arts events, including pop music as well as museum openings and exhibitions, in a comprehensive overview by Michael Muckian in Isthmus: https://isthmus.com/news/news/coronavirus-impacts-arts-events/

And here is an excellent story from National Public Radio (NPR) about the national context of how the Coronavirus is impacting the arts across the U.S. https://www.npr.org/2020/03/12/814992409/in-the-age-of-covid-19-event-cancellations-precipitate-a-large-economic-impact

DETAILS ABOUT POSTPONEMENTS AND REFUNDS

Here is the announcement from BATC artistic director Marika Fischer Hoyt (below):

“Dear friends and colleagues,

“We on the BATC board have been carefully monitoring this rapidly-developing situation:  the exponentially increasing number of cases being diagnosed in the U.S., the recommendations from the medical community, and responses from other organizations large and small.

“After careful consideration, we have decided, regretfully, that the most responsible course of action is to cancel the BATC festival this March.

“We on the board are so grateful to the performers, hosts and donors, who have invested time, talent and resources in this year’s festival. Our hope is to reschedule for a date in the fall. Stand by for more information on that soon.

“But for now, we ask for your understanding.

“I hope, even though we can’t celebrate his music together on the March 28, that we will all find ways to enjoy Bach’s music this month.”

For more information, go to: https://bachclock.com and facebook.com/batcmadison

Here are details about the Drew Petersen cancellations:

“Sadly, we are postponing both the Drew Petersen concert on March 14 and his master class on March 15 until the summer.

“New dates for the concert and master class are yet to be determined. We will announce them via email, the Salon Piano Series website and on social media for the Salon Piano Series.

“We know you’ll understand that our concern for your health and well-being made this decision necessary.

“You may request a refund or keep your ticket for the concert in the summer. Everyone who bought a ticket will have one week after the announcement of the new concert date to request a refund.

“If you would like a refund immediately, please follow the instructions below. Please allow several business days for refunds to be processed.

Paper Tickets: If you have a paper ticket, please take a photo of your ticket and email the photo to cristofori@salonpianoseries.org

explaining that you would like a refund.

Online Tickets: “If the ticket is not part of a season ticket, call Brown Paper Tickets at 1-800-838-3006.

If your ticket is part of a season ticket, contact Salon Piano Series at 608-271-2626. Refunds for season ticket holders will be issued through Salon Piano Series by check, not through Brown Paper Tickets.

Tickets Ordered by Phone

If you purchased a ticket by phone, contact Salon Piano Series at 608 271-2626 to request a refund.


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Classical music: This Friday at noon, technology meets Beethoven when UW-Madison pianist Kangwoo Jin plays a FREE concerto performance

March 5, 2020
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By Jacob Stockinger

This week’s FREE Friday Noon Musicale — tomorrow, March 6 — at the First Unitarian Society of Madison, 900 University Bay Drive, features an unusual concert in which classical music meets high technology.

Kangwoo Jin (below, in a photo by Steve Apps for the Wisconsin State Journal), a gifted and prize-winning pianist from South Korea, will perform the second and third movements of Beethoven’s Piano Concerto No. 4 in G major, Op. 58.

But instead of a second piano or a full orchestra, Jin will be accompanied by a newly developed interactive app that adjusts to Jin and allows him to play his solo part flexibly with a real orchestra accompaniment that has been recorded minus the piano part.

Jin is studying for his doctorate with UW Professors Christopher Taylor and Jessica Johnson. He will graduate this May.

Next week Jin — who has won the UW-Madison Concerto and Beethoven Competitions and who teaches at Farley’s House of Pianos, the Wisconsin Conservatory of Music and the UW Continuing Education program– will open and close the UW-River Falls Piano Festival with two performances of the same Beethoven concerto with the St. Croix Valley Symphony Orchestra

Jin suffers from hemophilia and has to be careful about injuring himself from over-practicing and over-playing. He has a fascinating and inspiring personal story to tell. Here is a link to a story about him in the Wisconsin State Journal: https://madison.com/wsj/entertainment/uw-pianist-shares-musical-gift-despite-health-challenge/article_fdba6f0f-9245-5816-a97c-c4f3a6e2d0ed.html

You can follow his Facebook page. And here is a link to Jin’s own website, which has more biographical information and videos: https://www.pianistkangwoojin.com


Jin says that, in addition to the two concerto movements, he will also play several short pieces:  “Clair de Lune” (Moonlight) by Claude Debussy; the “Raindrop” Prelude by Chopin; and two song transcriptions by Franz Liszt — Schubert’s “Litany” and Schumann’s “Widmung” (Dedication).

The orchestral accompaniment for the Beethoven concerto is performed by MusAcc — an iPad app. It is an app that can customize and manipulate the audio, much like an actual instrument, in real time.  Think of it as an orchestra in a box that you can use anywhere.

Jin explains the reasons for his FUS concert, which starts at NOON (not 12:15 p.m., as it used to be) and goes to about 1 p.m.:

“Playing a concerto is not possible in that venue, so I am using a recorded file for the orchestra part,” Jin says. “My friend Yupeng Gu, who developed this audio controlling device, will conduct and control the pacing of the recording so that the sound synchronizes with my playing. It is quite incredible and will be a very interesting concert.”

“I hope this breaks the barrier of having to have a big venue and other difficulties for performing concertos, and lets local people enjoy a more accessible and diverse repertoire,” he says. “If people like it, I would like to play the whole concerto and maybe more concertos — hopefully, all five Beethoven piano concertos — this way. This is something I have not tried before, so I am excited about it.”

“People have much easier access to solo performances, but not to concertos due to many limitations,” Jin adds. “So I expect them to have a novel experience with this concert.”

In the YouTube video at the bottom, you can hear a similar performance, done with the same device, featuring a different pianist playing the first movement of Beethoven’s Piano Concerto No. 1 in C Major, Op. 15.

 


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Classical music: Members of the Chamber Music Society of Lincoln Center will give two concerts this week as part of the centennial season of the Concert Series at the Wisconsin Union Theater

March 4, 2020
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By Jacob Stockinger

Think of it as one anniversary celebrating another anniversary.

This week, four members of the Chamber Music Society of Lincoln Center in New York City will be giving two concerts as part of the Concert Series at the Wisconsin Union Theater (below).

The Chamber Music Society is marking its 50th anniversary and is in town this week to help the WUT’s Concert Series celebrate its 100th anniversary.

Here is a link with more background about the special programming for the anniversary season: https://welltempered.wordpress.com/2019/03/30/classical-music-personal-experience-artistic-excellence-and-historical-importance-drew-pianist-wu-han-and-cellist-david-finckel-into-planning-next-years-centennial-season-at-the-wisconsin-u/

The first concert is tomorrow — Thursday night, March 5 — at 7:30 p.m. in Shannon Hall at the Memorial Union. The program features two piano quartets and a violin sonatina.

The Ear has seen the Society players before in Madison and has never heard them give anything short of a first-rate performance. 

The piano quartets are the Piano Quartet in A Minor, Op. 1, by Czech composer Josef Suk; the Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms; and the Violin Sonatina in G Major, Op. 100, by Antonin Dvorak. (You can hear Chopin Competition winner and South Korean pianist Song-Jin Cho, play the Gypsy Rondo finale from the Brahms piano quartet in the YouTube video at the bottom.)

Personal ties link all three works. Brahms greatly admired Dvorak and helped launch his career. And Dvorak was both the teacher and father-in-law of Suk.

The performers (below, from left) are violinist Arnaud Sussmann, pianist Wu Han, violist Paul Neubauer; and cellist David Finckel.

The wife-and-husband team of Wu Han and David Finckel are the co-music directors of the Chamber Music Society and also the artistic advisors who helped the Wisconsin Union Theater put together its centennial season.

Says Han: Chamber music is a form of music that has the ability to provide comfort in difficult times, escape and inspiration for all. The Musical America’s Musician of the Year award winner adds that it’s those very things that drive her to continue to make music.

The performance is part of the new David and Kato Perlman Chamber Music Series. More information about the Chamber Music Society of Lincoln Center can be found on their website.

There will also be a pre-concert performance by students of the Suzuki method in Sonora Strings (below) beginning in Shannon Hall at 7 p.m.

For more background as well as how to purchase tickets ($10-$50), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/chamber-music-society-of-lincoln-center/

SATURDAY NIGHT

On Saturday night, March 7, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., pianist Wu Han (below top) will perform with the UW Symphony Orchestra under the baton of its director and conductor Oriol Sans (below bottom).

The program is the Suite No. 1 from the chamber opera “Powder Her Face” by the contemporary British composer Thomas Adès; the Piano Concerto No. 3 in C Minor, Op. 37, by Beethoven; and the Symphony No. 2 in D Major, Op. 73, by Brahms.

Tickets are $30 for the public, $25 for Union members and UW faculty and staff; and $10 for UW students. For more information about Wu Han and to purchase tickets, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/wu-han-with-uw-symphony/

“Wu Han brings to the Wisconsin Union Theater not only a passion for music, but also authentic excitement about inspiring a love of music in others,” said Amanda Venske, Concert Series coordinator of the Wisconsin Union Directorate (WUD) Performing Arts Committee.

The students of the UW-Madison Symphony Orchestra (below, with the UW Choral Union in the background) will have the opportunity to learn from Han as they prepare for the Saturday performance.

Patrons can purchase tickets online or at the Memorial Union Box Office. The Wisconsin Union Theater team offers discounted tickets for University of Wisconsin-Madison faculty, staff and students as well as Wisconsin Union members.

Other upcoming Concert Series performances are by violinist Gil Shaham with Akira Eguchi on March 28, and superstar soprano Renée Fleming on May 2. The Concert Series is the longest running classical music series in the Midwest.

 


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Classical music: This Sunday afternoon at the Chazen Museum of Art, you can attend or live stream a FREE sampler of the upcoming Bach Around the Clock festival

February 29, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post:

It’s March – time for Bach!

Every March, the 12-hour FREE Bach Around The Clock (BATC) festival (below top, the Suzuki Strings of Madison) takes place in Madison on a Saturday near the birthday of Johann Sebastian Bach (below bottom) on March 31, 1685.

This year BATC is on Saturday, March 28, from 10 a.m. to 10 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street.

And every year the Sunday Afternoon Live at the Chazen concert series invites BATC to send a representative sampling of musicians to perform at the UW-Madison’s Chazen Museum of Art on the first Sunday in March, giving the public a taste of the offerings from the festival.

This year the Chazen program on this Sunday – tomorrow, March 1 – features: the Madison Youth Viol Consort in four chorales; pianist Tim Adrianson (below top) playing the English Suite No. 6 in D Minor (you can hear Murray Perahia play the opening Prelude in the YouTube video at the bottom); violist Dierdre Buckley and pianist Ann Aschbacher playing the Gamba Sonata No. 1 in G Major; and BATC’s Ensemble-in-Residence, Sonata à Quattro (below bottom in a photo by Barry Lewis, attached), performing Cantata 209, Non sa che sia dolore (He knows not what sorrow is).

Doors at the Chazen Museum of Art’s Elvehjem Building open at noon, and the concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3.

Admission is free and open to the public, and the event will be live audio-streamed on the Chazen website.

Here is a link to the page on the Chazen website, with more information and the streaming portal:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-3-1-20/

For more information about Bach Around the Clock, including the full and complete schedule of amateur and professional performances, go to: https://bachclock.com or facebook.com/batcmadison

 


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Classical music: This Saturday, you can hear and see UW-Madison grad Brenda Rae make her Metropolitan Opera debut in Handel’s “Agrippina.” Read a local interview with her. Plus, the Avanti Piano Trio gives a free concert on Saturday afternoon.

February 28, 2020
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ALERT: The Avanti Piano Trio will perform a FREE concert this Saturday, Feb. 29, at 3 p.m. at Christ Presbyterian Church, 944 East Gorham St. in Madison. The Madison-based trio is pianist Joseph Ross, violinist Wes Luke and cellist Hannah Wolkstein.

The program includes the Piano Trio No. 1 by Claude Debussy, Three Nocturnes by Ernest Bloch and the Tango Trio of Miguel del Aguila.

By Jacob Stockinger

This Saturday, Feb. 29, soprano Brenda Rae (below, in a photo by Harrison Parrott) – an Appleton native and a graduate of the UW-Madison School of Music – makes her worldwide debut at the Metropolitan Opera in New York City.

Rae appears in the role of the temptress Poppea – below left, in a photo by Marty Sohl, with acclaimed soprano Joyce DiDonato in the title role on the right — in a new production of “Agrippina” by Baroque composer George Frideric Handel. (In the YouTube video at the bottom, you can hear Rae sing an excerpt of an Act I aria by Poppea.)

Starting at noon, you can hear it live on Wisconsin Public Radio or see and hear it in “Live in HD From the Met” (below is the poster) in the Point Cinema (608 833-3980) on Madison’s far west side and the Palace Cinema (608 242-2100) in Sun Prairie.

The live broadcast will be seen in 2,200 theaters in 70 countries worldwide. Encore performances on Wednesday are at 1 p.m. and 6:30 p.m. at the Point Cinema only.

Admission is $24 with $22 for seniors and $18 for children 3 to 11. Encore tickets are $18 for everyone. The tickets no longer include sales tax.

The opera will be sung in Italian with surtitles in English, Italian, German and Spanish.

The running time is 3 hours and 35 minutes with one 25-minute intermission.

Here is a link to the Met’s website about the production with photos of cast members and some videos of the the opera: https://www.metopera.org/season/in-cinemas/2019-20-season/agrippina-live-in-hd/

Here is a link to a list of cast members and production staff: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/agrippina_feb20_global.pdf

Here is a synopsis of the plot that takes place in ancient Rome and involves the Emperor Nero (Nerone): https://www.metopera.org/discover/synopses/agrippina/

Finally, here is an email Q&A with Brenda Rae done by Norman Gilliland (below), host of The Midday program on Wisconsin Public Radio: https://www.wpr.org/shows/soprano-brenda-rae-appleton-native-and-uw-alumna-performing-metropolitan-opera

 


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Classical music: University Opera updates and stages Mozart’s “Cosi fan tutte” on this Friday night, Sunday afternoon and Tuesday night. Plus, here are the winners of the Madison Symphony Orchestra’s Final Forte

February 27, 2020
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NEWS UPDATE: If you missed it, here are the results of Wednesday’s night Final Forte teenage concerto competition with the Madison Symphony Orchestra, which was broadcast live from Overture Hall on Wisconsin Public Radio and PBS Wisconsin (formerly Wisconsin Public Television).

First and second place prizes of a $2,000 scholarship went to pianist Michael Wu and pianist Jessica Jiang, respectively. The two runners-up — violinists Emily Hauer and Jonah Kartman — each received a scholarship of $1,000.

Here is a link to more information, photos and background – including teachers — for each of the four contestants as well as the dates for rebroadcasting the finalists’ concert on radio and TV.

https://welltempered.wordpress.com/2020/02/23/classical-music-this-wednesday-night-four-teenage-soloists-compete-in-this-years-final-forte-competition-with-the-madison-symphony-orchestra-attend-it-live-for-free-or-watch-and-hear-it-l/

By Jacob Stockinger

The prize-winning University Opera and UW Symphony Orchestra will stage three performances of “Cosi fan tutte” (So Do They All, or Women Are Like That), the late comic and seriously satirical opera by Mozart about love, gender roles and cheating on partners.

The performances are in Old Music Hall on Bascom Hill on this Friday night, Feb. 28, at 7:30 p.m.; Sunday afternoon, March 1, at 2:30 p.m.; and Tuesday night, March 3, at 7:30 p.m.

Tickets are $25 for general admission with reserved seats, $20 for seniors (62 and up) and $10 for UW students.

As usual, UW students will alternate certain roles during the three performances. (Below is returning singer Anja Pustaver, one of the three Despina’s in the production.)

The stage director is David Ronis, the head of the opera program at the UW-Madison’s Mead Witter School of Music. He has won numerous national awards during his tenure at the UW-Madison for his inventive re-imaginings of well-known operas and musicals.

The student orchestra will be conducted by Oriol Sans, the acclaimed new professor of conducting and director of Orchestral Activities at the UW-Madison. (In the YouTube video at the bottom, you can hear the Overture to  “Cosi” played by the Metropolitan Opera conducted by James Levine.)

Below is a studio photo by radio host Norman Gilliland of members of the production when they appeared on Wisconsin Public Radio. From left are: conductor Oriol Sans, director David Ronis, soprano Julia Urbank and soprano Cayla Rosche.

The opera has been updated to the Roaring Twenties, at a time when the women’s suffrage movement and other women’s rights issues were gaining traction. The re-staging also seems especially timely and contemporary, given the #MeToo and Time’sUp movements.

Here is a link to the full press release with the complete cast and production staff as well as a sketch of the abstract stage set (below) designed by Joseph Varga and other information, including a detailed synopsis and an explanation of the reason for setting the opera by in the Roaring 20s: https://www.music.wisc.edu/2020/02/10/cosi-fan-tutte/

Here is a link to a shortened version – with information about tickets and parking — on the Mead Witter School of Music’s home website under Concerts and Events: https://www.music.wisc.edu/event/university-opera-mozarts-cosi-fan-tutte/2020-02-28/

 


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