By Jacob Stockinger
Our friends at Farley’s House of Pianos write to the blog with news of a noteworthy piano concert this Saturday night:
Renowned American pianist Peter Serkin (below top) and Julia Hsu (below bottom) will perform piano, four-hand pieces by Schumann, Bizet, Mozart and more, as part of the Salon Piano Series concerts held at Farley’s House of Pianos at 6522 Seybold Road on Madison’s far west side near West Towne.
The concert is at 7:30 p.m. this Saturday night, April 4 and will include an introduction by Karlos Moser (below), a retired University of Wisconsin-Madison professor of music and former longtime director of the University Opera at the UW-Madison School of Music.
The program includes: Six Etudes in the Form of Canons for Pedal-Piano, Op. 56, by Robert Schumann; Three Pieces from “Jeux d’Enfants” (Children’s Games) by Georges Bizet; the Sonata in B flat Major, K. 358, by Wolfgang Amadeus Mozart; the Allegro ma non troppo in A minor (the dramatic and lyrical “Lebenssturme” or “Lifestorms” that you can hear in a live performance in a YouTube video at the bottom), D.947, and the Rondo in A Major, D.951, by Franz Schubert; and Four Hungarian Dances by Johannes Brahms.
Tickets are $45 and are expected to sell quickly. They are available online at www.salonpianoseries.org and http://www.brownpapertickets.com/profile/706809 or at Farley’s House of Pianos, (608) 271-2626.
For more information about the Salon Piano Series, visit: http://salonpianoseries.org
The distinguished American pianist Peter Serkin has performed with the world’s major symphony orchestras with such conductors as Seiji Ozawa, Daniel Barenboim, George Szell, Claudio Abbado, Eugene Ormandy and James Levine. A dedicated chamber musician, Serkin has collaborated with artists including violinist Pamela Frank and cellist Yo-Yo Ma.
An avid exponent of the music of many contemporary composers, Serkin has brought to life the music of Arnold Schoenberg, Igor Stravinsky, Michael Wolpe, and others for audiences around the world. He has performed many world premieres written specifically for him, in particular, works by Toru Takemitsu, Oliver Knussen and Peter Lieberson. Serkin currently teaches at Bard College Conservatory of Music and the Longy School of Music. Serkin became friends with the Farleys in 1994 when he was in town for a concert and visited the Farley’s showroom (below).
Originally from Taiwan, Julia Hsu received scholarships to study at The Purcell School for young musicians at the age of 14. She has also studied at the Royal Academy of Music, London and at the Hannover Hochschule für Musik und Theater, Germany. Julia has collaborated with conductors Fabio Panisello, Lutz Koeler and cellist Ivan Moniguetti. She was a Festival Fellow at Bowdoin Music Festival, and a scholar at the Banff Centre, Canada before she became a Piano Fellow at Bard College Conservatory of Music in 2013.
The Salon Piano Series is a non-profit founded by Tim and Renée Farley to continue the tradition of intimate salon concerts at Farley’s House of Pianos.
Upcoming concerts include the internationally acclaimed Czech pianist Martin Kasík (below top), who will play the “Moonlight” and “Les Adieux” Sonatas by Ludwig van Beethoven and Sonata No. 3 by Sergei Prokofiev, on Saturday, April 18, 2015 at 7:30 p.m. Jazz pianist Dick Hyman (below bottom) will perform on May 30 and 31, 2015, at 4 p.m. both days.
For ticket information and concert details see www.salonpianoseries.org.
All events will be held at Farley’s House of Pianos, 6522 Seybold Road, Madison, on Madison’s west side near the Beltline, and plenty of free parking is available. It is also easy to reach by bicycle or Madison Metro.
By Jacob Stockinger
But now Pierre Boulez is part of the establishment. (You can hear him discuss his approach to music, and how it differs from the 12-tone composers and atonal composers, in a YouTube video at the bottom. Somehow, I find his music more interesting to discuss than to listen to.)
Maybe you were lucky enough to attend the special concert marking the event last Friday night at the University of Wisconsin-Madison School of Music. (The Ear was unable to go.) It was organized and hosted by Marc Vallon (below, in a photo by James Gill), a French-trained bassoonist who teaches at the UW-Madison and who once worked with Boulez.
A lot of musicians live in awe of Boulez, who has been very influential in the development of new music. They include the Italian pianist Maurizio Pollini (below top), who championed his work early on, and the American conductor David Robertson (below bottom) who does so today.
Perhaps the best summary of Boulez (below, in a photo from his younger years from Sony Music) is the one that was researched and written by Tom Huizenga for the Deceptive Cadence blog on NPR (National Public Radio).
It features audio samples from Boulez’ orchestral and instrumental works, from his masterpieces and his unknown works.
To be honest, I prefer the modernist Boulez who, as the music director of the Cleveland Orchestra and the Chicago Symphony Orchestra, conducts and records the music of Gustav Mahler and Claude Debussy. He definitely has a point of view that clarified the older music. I like his interpretations more than I like his compositions.
I am willing to admit that his music, his modernist esthetic, is important.
But I don’t think I would go so far as to call his music “sensual.” Radical, yes. But I find the sound too jagged and rough to be sensual, despite it being French. Sensual, for me, means pleasurable. And pleasurable is not an adjective I, personally, would use to describe the music of Boulez.
But then maybe I am just being overly insensitive.
Anyway, read the NPR story and listen to the samples, and then tell us how you perceive Pierre Boulez and his music.
The Ear wants to hear.
ALERT: Just a reminder that this Saturday afternoon, the top-ranked Youth Orchestra (below) of the Wisconsin Youth Symphony Orchestras (WYSO) will perform under conductor James Smith at 1:30 p.m. in Mills Hall on the University of Wisconsin-Madison campus in the Mosse Humanities Building, 455 North Park Street.
Also included are the winners of the WYSO Concerto Competition. Trumpeter Noah Mennenga will perform the Trumpet Concert by Alexander Arutiunian. Pianist Theodore Lau will play the third movement of the Piano Concerto No. 3 in C Minor, O;. 37, by Ludwig van Beethoven.
Admission is $10 for adults, $5 for young people 3-18. For more information, call (608) 263-3320 or visit http://wyso.music.wisc.edu/dianne-endres-ballweg-winterfest-concert-series/
By Jacob Stockinger
Spring Break starts tomorrow at the University of Wisconsin-Madison.
So The Ear wants students and faculty to leave on a positive note and then return with renewed energy and dedication, knowing that the UW-Madison School of Music still ranks relatively high (No. 24) among the nation’s top 30 public and private schools for overall programs and even higher (No. 10) for music education in an informal blog survey.
To be sure, the UW-Madison School of Music is facing a lot of complex challenges.
Those challenges range from finding enough scholarship money to compete in recruiting outstanding students to finding enough money to recruit and retain outstanding faculty.
And some of the challenges look to be made worse through budget cuts and policy changes proposed by the Republican-dominated legislature and Republican Gov. Scott Walker (below), though we will have to wait to see the final outcomes.
But the politicians sure are sending out signals that they want to treat the world-class university more like a trade school than a star player in the liberal arts, the arts and the humanities. They just don’t see those fields as adding much to economic development.
As if economic development is the bottom line for everything of personal and social value.
Besides, study after study shows the relevance of music education to success in other fields. (Below are the UW Symphony Orchestra and UW Choral Union.)
So before anyone starts fooling around and making major changes and cuts, it is good to be reminded of what a precious educational, cultural and economic resource the UW-Madison remains, as a world-class learning institution.
But it won’t take much negligence or wrong-headed tinkering for the UW to drop out of the ranking.
So here they are to read and then think about how to best protect the great university that the state of Wisconsin has.
First comes the overall ranking (No. 24) among private and public Schools of Music, which, if The Ear recalls correctly, has dropped over the past decade:
And then comes the ranking (No. 10) in the specific area of music education in a less prestigious blog poll done by an individual:
The Ear wants to hear.
By Jacob Stockinger
Four of Wisconsin’s most talented young musicians will perform in concert with the Madison Symphony Orchestra (MSO) as Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR) offer a live broadcast of “Wisconsin Young Artists Compete: The Final Forte” at 7 p.m. this Wednesday night, March 25.
WPT will air an encore presentation 11 a.m. Sunday, March 29.
The Final Forte features (below) harpist Maya Pierick, a student at Madison West High School, violinist Julian Rhee, a student at Brookfield East High School, pianist Vivian Wilhelms, a student at Waunakee High School and pianist Isabella Wu, a student at Madison Memorial High School. (Below are, from left to right, pianists Isabella Wu and Vivian Wilhelms, violinist Julian Rhee and harpist Maya Pierick.)
The four young artists will perform in the Capitol Theater (below) of the Overture Center for the Arts with MSO music director John DeMain conducting the MSO as the four teenagers vie for honors and scholarship money in the 2015 Bolz Young Artist Competition.
Each finalist will perform a movement from a concerto while judges determine who will win scholarships. The winners will be announced at the end of the concert.
Be sure to include your name and the number in your party. We are expecting a full house, so if you make a reservation and are unable to attend, please let us know.
Audience members MUST be seated by 6:45 p.m.
Wisconsin Young Artists Compete: The Final Forte is a partnership of Wisconsin Public Television, Wisconsin Public Radio and the Madison Symphony Orchestra.
Wisconsin Young Artists Compete: The Final Forte is part of WPT’s multi-year Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.
Major funding is provided by Diane Ballweg, Fred and Mary Mohs, Stephen D. Morton, and The Boldt Company, with additional funds from Sentry Insurance Foundation, AHMC Properties, A. Paul Jones Charitable Trust, Margaret C. Winston, W. Jerome Frautschi, James Dahlberg and Elsebet Lund, Larry and Julie Midtbo, Kato L. Perlman, Anne W. Bolz, and Friends of Wisconsin Public Television.
The Final Forte is the final round of the MSO’s Bolz Young Artist Competition. Young artists from across the state of Wisconsin competed in the Bolz Young Artist Competition’s two preliminary rounds for a chance to perform a movement from a concerto with the Madison Symphony Orchestra during the final round.
The 90-minute WPT program features profiles of each of the finalists.
Tune in to these ENCORE broadcasts:
HISTORIC COLLABORATION WINS AWARDS
The unique collaboration among the Madison Symphony Orchestra (below), Wisconsin Public Radio and Wisconsin Public Television is producing award-winning programming. In addition to an Emmy Award nomination, the Final Forte earned First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007 and was rated the fifth most-watched program in the February 2007 Nielsen ratings (the television audience was 63 percent greater than WPT’s average audience in the Madison market). The 2008 broadcasts on WPR and WPT reached more than 60,000 viewers in the Madison market alone and there were an estimated 200,000 statewide viewers and listeners for the 2009 broadcasts.
CONDUCTOR JOHN DEMAIN’S TAKE: “This has been a very auspicious partnership,” says John DeMain (below, in a photo by Prasad). “The quality of the broadcasts and the performances of the finalists are simply spectacular. I think this sends a magnificent message to our community and to the entire state of Wisconsin about the importance and effectiveness of our music education programs. It is an extraordinary opportunity for everyone to feel the commitment and energy of these young performers and to reflect on the central role the arts play in our lives. I look forward to these events with great joy.”
DeMain will lead the MSO in the final movement of the Symphony No. 4 in D Minor, Op. 120, by Robert Schumann while the four judges are evaluating the performers.
TO SUPPORT THIS PROGRAM
Please contact Director of Development Casey Oelkers at (608) 257-3734 or firstname.lastname@example.org.
HERE ARE BIOGRAPHIES OF THE FOUR PERFORMERS. YOU CAN ALSO FIND VIDEOS, DONE BY WISCONSIN PUBLIC TELEVISION, ABOUT THEM ON YOUTUBE. JUST PUT THEIR NAME OR “FINAL FORTE” INTO THE SEARCH ENGINE.
MAYA PIERICK, HARP
Maya Pierick, age 17, is a senior at Madison West High School. Having started early in Suzuki violin, she began playing harp at age eight with Karen Atz. She currently studies with Danis Kelly of the Milwaukee Symphony Orchestra. Maya has played harp in the Wisconsin Youth Symphony Orchestras (WYSO) from 4th through 11th grade. After playing for 6 years at the Youth level under conductor James Smith, she toured Argentina with WYSO in 2014.
Maya’s realized her love of singing with choir director Heather Thorpe at First Unitarian Society. In high school she has furthered her achievements in voice by successfully auditioning into the Cantabile choir of the Madison Youth Choirs under the direction of Michael Ross, as well as West High School’s Concert Choir under the direction of Anthony Cao – with whom she recently completed a semester as teaching assistant to the Freshman Choir.
In her spare time Maya also enjoys dance, ceramics, circus arts and photography. In college, Maya plans to study Harp Performance and Physics.
She will play Marcel Tournier’s “Feerie” for Harp and Strings.
JULIAN RHEE, VIOLIN
Julian Rhee, age 14, is a freshman at Brookfield East High School. Julian recently won the 2015 Wisconsin Chamber Orchestra Young Artist Competition; the 2015 Milwaukee Youth Symphony Concerto Competition; and the 2015 Concord Orchestra Dorothy J. Oestreich Concerto Competition. Also, Julian is one of the 11 violinists advancing to the semi-finals of the prestigious Johansen International Competition for Young String Players, where he will be traveling to Washington, D.C. representing Wisconsin.
Julian won the Madison Symphony Orchestra’s Fall Youth Concerto competition in 2011 and 2013. Julian has performed with the Milwaukee Symphony Orchestra, the Milwaukee Youth Symphony Orchestra, the Menomonee Symphony Orchestra, as well as being the youngest semi-finalist of the 2013 Stradivarius International Violin Competition at age 12.
In addition to violin, Julian has studied piano since age 7, and loves to read, play basketball and video games, and is an avid local sports team fan. Julian is Concertmaster of the Milwaukee Youth Senior Symphony Orchestra and is currently studying privately with Ms. Hye-Sun Lee at the Music Institute of Chicago.
He will perform the first movement of the Violin Concerto in D, Op. 77, by Johannes Brahms.
VIVIAN WILHELMS, PIANO
Vivian Wilhelms, 16, is a sophomore at Waunakee High School. Vivian began playing piano at age four and currently studies with Bill Lutes. In 2010, she was the winner of the MSO Fall Youth Concerto Competition, and in 2013, she was a winner of the Wisconsin Youth Symphony Orchestras (WYSO) Youth Orchestra Concerto Competition. In 2014, she received first place in the UW Madison School of Music High School Piano Extravaganza Competition and was the runner-up in the WMTA Badger State Competition. This year, she also received an honorable mention in the Lacrosse Rising Star Concerto Competition. Vivian has studied violin with Janet Chisholm since she was eight years old and has been an active member of WYSO since 2011.
In school, Vivian is a member of the varsity forensics and Science Olympiad teams. She also loves volunteering as a mentor for beginning violinists through Madison’s Music Makers program and frequently visits the Waunakee Manor, a local retirement center. In her free time, Vivian enjoys swimming, writing, listening to music, and hanging out with her friends.
She will plays the second movement of the Piano Concerto No. 2 in C Minor by Camille Sant-Saens.
ISABELLA WU, PIANO
Isabella Wu, 16, is a sophomore at Madison Memorial High School. She began piano at age 5 with Shu-Ching Chuang. Isabella won the 2010 and 2012 Madison Symphony Orchestra Fall Youth Concerto Competitions, the 2014 Wisconsin Chamber Orchestra Youth Artist Competition, the 2014 Chippewa Valley Symphony Kristo Orthodontics Young Artist Competition, and received honorable mention at the 2013 Midwest Young Artists National Walgreens Concerto Competition. She also won the 2009 Wisconsin State Badger Competition and placed runner-up in the 2012 Music Teachers National Association Wisconsin State Competition.
Isabella additionally plays violin and studies with Liz Norton. A member of the Wisconsin Youth Symphony Orchestras (WYSO) since 5th grade, she has won the Philharmonia Concerto Competition on violin, the Youth Concerto Competition on piano, and served as concertmaster and principal second.
This year, Isabella is a percussionist in her school’s highest band. Outside of music, she is a Mathcounts coach, Lincoln-Douglas debater, member of Future Business Leaders of America, and writes for the school newspaper. Isabella enjoys art, literature, and philosophy, and can be found wandering through the woods on bike or foot.
She will play the first movement of the Piano Concerto No. 1 in F-Sharp Minor, Op. 1, by Sergei Rachmaninoff.
By Jacob Stockinger
The Ear is one of them. And to this day he remains an avid amateur pianist.
But how much do I really know about my chosen instrument? Not enough, it turns out.
And how well do you know the Piano From A To Z? The BBC Music Magazine has listed 26 facts about pianos -– some of which The Ear knew and many of which he didn’t.
See how you do – and let us know.
Here is a link:
By Jacob Stockinger
Yesterday — Friday, March 20, 2015 – brought us the first day of spring.
It also marked the centennial of the birth of the great Russian pianist Sviatoslav Richter (below).
Richter was such a complex and towering figure that it would take a book to really do justice to him and to his career.
With one exception that gets no mention.
Somehow that information seems particularly pertinent to The Ear, given the growing acceptance of LGBT people and of marriage equality.
Still, Wigler’s essay is an excellent read and includes a YouTube video – there are many, many YouTube videos of Richter, who had an immense repertoire, playing. This video is of a live performance by Richter in which he plays the last movement of the first piano sonata by Ludwig van Beethoven in the Great Hall of the Moscow Conservatory.
You can hear the power and energy, the subtleties and excitement, to say nothing of the originality of interpretation, that Richter brought to music.
Enjoy it -– and tell us if you ever heard Richter live and what is your favorite performance by Sviatoslav Richter with a link to a YouTube video is possible.
By Jacob Stockinger
Here is the latest of what The Ear hears from the Madison Symphony Orchestra:
Spring might seem like a long way off, but it isn’t. In fact it officially arrives in the Northern Hemisphere this Friday at 5:45 p.m. CDT.
MSO chorus director and MSO assistant conductor Beverly Taylor and the Madison Symphony Chorus (below, in a photo by Greg Anderson) will usher in the warmer weather this Sunday, March 22, at 2 p.m. and 4 p.m.
That is when they present the “It Might As Well Be Spring” choral concerts in Promenade Hall at Overture Center for the Arts.
The concerts will feature classical music selections from Johannes Brahms and Aaron Copland, a traditional spiritual, and the song “It Might as Well Be Spring” from Rodgers and Hammerstein’s musical “State Fair.” (You can hear the original in a YouTube video at the bottom.)
Madison Symphony Orchestra Principal Pianist Daniel Lyons (below) will accompany much of the music.
Tickets are $19, available at madisonsymphony.org/springchorusconcert, at the Overture Box Office (201 State Street) or by calling (608) 258-4141.
Formed in 1927, the Madison Symphony Chorus gave its first public performance in 1928 and has performed regularly with the Madison Symphony Orchestra ever since.
The chorus (below, in a photo by Greg Anderson) was featured at the popular Madison Symphony Christmas concerts in December and will be joined by four soloists for the MSO’s performance of Ludwig van Beethoven‘s “Choral” Symphony No. 9 (“Ode to Joy”) on May 8, 9 and 10.
The Chorus, conducted by Beverly Taylor (below) is comprised of more than 125 volunteer musicians from all walks of life who enjoy combining their artistic talent., New members are always welcome. Visit madisonsymphony.org/chorus for more information.
By Jacob Stockinger
Our friends from the always unusual and always first-rate Bach Dancing and Dynamite Society write:
Can’t wait for our summer festival in June? Come to Flautistico! The multimedia event will be held this Friday, March 20, at 8 p.m. in Promenade Hall at the Overture Center. All tickets are $25.
Flautistico! is a continuation of co-founder and co-artistic director Stephanie Jutt’s exploration into Latin American, Mexican and Spanish music. (Jutt, below in a photo by Dick Ainsworth, teaches at the UW-Madison School of Music and is also Principal Flute of the Madison Symphony Orchestra.)
This one-time-only concert will feature a wide variety of music from Argentina, Venezuela, Mexico and Spain that has never been performed at BDDS concerts.
Puerto Rican mezzo-soprano Yanzelmalee Rivera, Venezuelan clarinetist Orlando Pimentel, and Madison’s own fantastic collaborative pianist Thomas Kasdorf will join Jutt.
Dance choreographed by Ariel Juarez and performed by Jacques Saint-Cyr and Maria Castello will complement the music of Piazzolla.
An original art installation by UW-Madison artist Carolyn Kallenborn, including her film footage from Day of the Dead in Oaxaca, Mexico, will create a multi-dimensional concert evening.
Photos by Martin Chabi (below) will be projected during the concert.
To purchase tickets from Overture Center, visit: http://www.overturecenter.org/events/flautistico
By Jacob Stockinger
Today’s post is just a reminder that the annual Diane Endres Ballweg Winterfest Concert Series of the Wisconsin Youth Symphony Orchestras (WYSO) will take place this Sunday afternoon and on Saturday afternoon, March 28.
The concerts will feature Sinfonietta, Harp Ensemble (below, to play this Sunday at 4 p.m.), Concert Orchestra, Philharmonia Orchestra and Youth Orchestra.
The music for the programs is below. Please note that the pieces are subject to change at the conductor’s discretion.
All concerts will take place in Mills Concert Hall, located in the UW-Madison Mosse Humanities Building, 455 N. Park St.
Admission is $10 for adults, $5 for youth age 3-18.
For information, call 608-263-3320 or visit www.wyso.music.wisc.edu
SUNDAY, MARCH 15, 2015
Sinfonietta: 1:30 p.m.
Richard Stephan – “Fanfare and Frippery”
Arr. Benjamin Britten – “The Sally Gardens”
William Hofeldt – “Twilight Ceremonial”
Clare Grundman – “Hebrides Suite”
Carold Nunez – “M to The Third Power” (Minor Meter Mix)
Antonin Dvorak – Themes from the “New World” Symphony
Richard Stephans – Variations on a well-known “Sea Chantey”
Concert Orchestra – 1:30 p.m.
Rimsky-Korsakov – Dance of the Tumblers from “The Snow Maiden,” ed. Carl Simpson
William Hofeldt – “Song of the Prairie”
John Barry – “Dances with Wolves,” arr. Steven I. Rosenhaus
James Barnes – “Yorkshire Ballad”
Harry Gregson-Williams and Steve Barton – ‘The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, Arr. Stephen Bulla
Philharmonia Orchestra – 4 p.m.
Schubert – “Military March,” arr. Leopold Damrosch
Mozart – Overture from “The Magic Flute”
Marquez – Danzon No. 2
Debussy – “Clair de Lune,” orch. Arthur Luck
Bizet – Excerpts from “Carmen” Suite No. 1
SATURDAY, MARCH 28, 2015
Youth Orchestra – 1:30 p.m., with winners of the WYSO Concerto Competition
Walter Piston – Suite from the “Incredible Flutist”
Schubert – “Unfinished” Symphony (No. 8) Movements 1 and 2
Arutiunian – Trumpet Concerto
Noah Mennenga, Soloist
Beethoven - Third Piano Concert, Movement 3
Theodore Liu, Soloist
ALERT: Tonight’s recital by pianist Marco Grieco at Farley’s House of Pianos has been CANCELLED due to visa problems.
By Jacob Stockinger
What else can you do except admire the quiet courage and persistence to keep going?
It is exactly what the 20th-century French poet Paul Eduard described as “Le dur désir de durer,” or the hard desire to endure.
Perhaps that is one of the enduring appeals and rewards of great art – to help all of us, artists and audiences alike, get through difficult times, to bear the unbearable.
Last summer, you may recall, the Karp family lost pianist patriarch Howard Karp, a wonderful talent and personality who died suddenly of heart failure at 84 while on vacation in Colorado.
Karp (below, in a photo by Katrin Talbot) had been a longtime piano teacher and beloved performer at the University of Wisconsin-Madison School of Music. He also was a devoted first-rate chamber music partner who performed frequently with the other members of his family.
Here is a link to the blog post about that death that drew so many readers and reader comments:
You can also use the blog’s search engine to see several posts about the memorial held for Howard Karp.
Now the remaining family members – apart from the three granddaughters who have participated in previous concerts – will take to the stage of Mills Hall this Saturday night at 8 p.m. to continue the longtime Karp tradition of performing.
He will be joined by his pianist mother Frances, and his brother Christopher, a gifted pianist and violinist (one-time concertmaster of the Wisconsin Chamber Orchestra) who is also a medical officer with the Bill and Melinda Gates Foundation.
Here is the program:
Second Suite for Solo Cello, Op. 80 (1967) by Benjamin Britten (below)
Scherzo: Allegro molto
Sonata in F Major for Piano and Violin, Op. 24 “Spring” (1801-2) by Ludwig van Beethoven; transcribed for Piano and Cello by Parry Karp
Adagio molto expressivo
Scherzo: Allegro molto
Rondo: Allegro ma non troppo
With pianist Frances Karp (below bottom, on left beside the late Howard Karp, and below bottom playing with Parry Karp, Pro Arte violinist and Wisconsin Chamber Orchestra concertmaster Suzanne Beia, and daughter-in-law violist Katrin Talbot, who also plays with the Madison Symphony Orchestra)
Sonata for Solo Cello (1955) by George Crumb (below)
Fantasia: Andante espressivo e con molto rubato
Tema pastorale con variazioni
Toccata: Largo e drammatico-Allegro vivace
Sonata in G Major for Piano and Violin, Op. 96 (1812) by Ludwig van Beethoven; transcribed for Piano and Cello by Parry Karp. (At bottom in a YouTube video with a performance by violinist Isabelle Faust and pianist Alexander Melnikov of the appealing first moment of the original version of Beethoven’s Violin Sonata, Op. 96. The work is one of The Ear’s all-time favorites.)
with pianist Christopher Karp (below top and bottom, playing with his brother Parry)