The Well-Tempered Ear

Classical music: The third and final week of the Bach Dancing and Dynamite Society’s 26th season offers vocal music, four-hand piano music and instrumental chamber music of four centuries plus a Midwest premiere

June 22, 2017
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By Jacob Stockinger

Building on the success of the past two weekends and previous four programs, the Bach Dancing and Dynamite Society chamber music festival, which features top local and guest performers, concludes its season this weekend with a typically eclectic mix of vocal and instrumental music that ranges from the late 18th century up to today, including a Midwest premiere.

As usual, the BDDS venues are suitably intimate for chamber music: The Playhouse (below top) at the Overture Center at 201 State St.; the jewel box historic Stoughton Opera House (below middle) at 381 East Main St.; and Frank Lloyd Wright’s Hillside Theater (below bottom) at Taliesin on County Highway 23 in Spring Green.

Concerts are spiked with stories about the music, mystery guests and even door prizes.

This season’s theme is Alphabet Soup, because it’s BDDS’ 26th year and there are 26 letters in the alphabet. Each program is named after a combination of letters used in everyday language. Sometimes the musical interpretation of those letters is literal and sometimes it’s quite loose.

The final weekend of concerts welcomes back audience favorites Hye-Jin Kim, violin; Ara Gregorian, viola; Randall Hodgkinson, piano (below top); and Timothy Jones, bass-baritone (below bottom).

They are joined by the acclaimed local violinist Soh-Hyun Park Altino (below top), a new member of the UW-Madison music faculty, and by Madison Symphony Orchestra cellist Madeleine Kabat (below bottom, in a photo by Christian Steiner), who is filling in for UW-Madison professor and Pro Arte Quartet cellist Parry Karp, who has sustained a finger injury.

“Cs the Day” includes the Midwest premiere of “Cool Fire” for flute, string quartet and piano by Paul Moravec (below), and Mozart’s  “Coronation Piano Concerto” arranged for the entire ensemble.

Timothy Jones will be featured in the song cycle, “Let Us Garlands Bring” by Gerald Finzi. These are settings of carpe diem poems of Shakespeare. (Carpe diem is Latin for “seize the day” = “Cs the Day”— get it?) You can hear the songs in the YouTube video at the bottom.

At the center of this program is Carl Czerny’s Sonata in C minor for piano four-hands. BDDS will suspend a camera over the keyboard so the audience can see how the hands of the pianists cross and interlock throughout this virtuosic masterpiece. (Below is a view of a similar set up six seasons ago.)

Cs the Day will be performed at The Playhouse, Overture Center for the Arts on Friday, June 23, at 7:30 p.m.; and Spring Green at the Hillside Theater, Sunday, June 25, at 2:30 p.m. 

The final program of the season, “R&B,” features “Rounds for Robin, a short work by Kevin Puts (below top) for flute and piano written in memory of comedian Robin Williams, and the Flute Quintet in G minor by Luigi Boccherini (below bottom).

The “Santa Fe Songs” for baritone and piano quartet by Ned Rorem (below, in a photo by Christian Steiner) features the mesmerizing voice of Timothy Jones in one of the great American song cycles.

The 26th season concludes with Johannes Brahms’ towering Piano Quintet in F minor.

R&B will be performed at The Playhouse, Overture Center, Madison, on Saturday, June 24, at 7:30 p.m.; and Spring Green at the Hillside Theater, Sunday, June 25, and 6:30 p.m. 

Photos by Dick Ainsworth of BDDS performances and behind-the-scenes will be on exhibit in The Playhouse through Sunday, July 9.

Single general admission tickets are $43. Student tickets are always $10.

For tickets visit: http://www.overture.org/events/bach-dancing

For more information about the programs, performers, performances and background, visit www.bachdancinganddynamite.org or call (608) 255-9866.

Tickets can also be purchased at Overture Center for the Arts, (608) 258-4141, www.overturecenter.org (additional fees apply).

Tickets are also available at the door at all locations.

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Classical music: Do we need smaller concert halls?

August 13, 2016
6 Comments

By Jacob Stockinger

Recently, senior New York Times music critic Anthony Tommasini wrote a column in which he praised the intensity and intimacy that listeners feel in a smaller concert hall.

His remarks come in the context of the $500-million remodeling of David Geffen Hall at Lincoln Center and the opening of the Mostly Mozart Festival.

And he offers the suggestions as a solution not only for solo recitals and chamber music performances but also for symphony orchestras and operas.

The Ear compares, say, the intensity of the Bach Dancing and Dynamite Society (below top), with the audience at the edge of the stage) in the Playhouse at the Overture Center to the Wisconsin Chamber Orchestra in the Capitol Theater to the Madison Symphony Orchestra (below bottom) and Madison Opera in Overture Hall.

BDDS 2014 Playhouse standing ovation

John DeMain and MSO from the stage Greg Anderson

You can indeed hear intense performances in all three venues. But overall The Ear has to agree that being closer to the musicians also brings you closer to the music.

Here is a link to Tommasini’s column:

http://www.nytimes.com/2016/08/04/arts/music/review-mostly-mozart-big-music-doesnt-need-huge-halls.html?_r=0

What does your own experience tell you?

What is your favorite concert hall or venue?

Let us know.

The Ear wants to hear.

 


Classical music: Technical difficulties prevent a long or complicated new post today. The Ear apologizes but offers an update about concerts this weekend by the Madison Summer Choir and the Bach Dancing and Dynamite Society

June 24, 2016
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Due to technical difficulties beyond his control and at the web site host, The Ear cannot publish a new post today that is long or complicated, or has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.

There are several noteworthy concerts taking place this weekend:

BACH DANCING AND DYNAMITE SOCIETY

The Bach Dancing and Dynamite Society finishes up its Silver Jubilee summer season this weekend. The ensemble will perform two programs at the Playhouse in the Overture Center (Friday and Saturday nights) and in the Hillside Theater (Sunday afternoon and evening) at the Frank Lloyd Wright compound at Taliesin in Spring Green.

BDDS 25th poster

The “Quicksilver” program features: the Brandenburg Concerto No. 4 by Johann Sebastian Bach; a reduced chamber version of the Piano Concerto No. 25 in C Major, K. 503, by Wolfgang Amadeus Mozart; and the String Octet in E-flat Major, Op. 20 — a double string quartet — by Felix Mendelssohn.

The second program is “Don’t Cry for Me Argentina.” It features a miniature viola concerto, “Soul Garden,” by the contemporary American composer Derek Bermel; and then the “Four Seasons” by Antonio Vivaldi and the “Four Seasons of Buenos of Aires” by Argentinean composer Astor Piazzolla. Movements from the two will be interspersed.

Here is a link with more information:

http://www.bachdancinganddynamite.org/schedule.php

BDDS 2016 Mozart Flute Quartet Margaret Barker

THE MADISON SUMMER CHOIR

On Saturday night, at 7 p.m. in Mills Hall on the UW-Madison campus, the Madison Summer Choir (below), under the direction of Ben Luedcke, will perform a program called “This Is My Song: Music in the Struggle for Peace and Justice.” It includes music by Johannes Brahms, Felix Mendelssohn, Jean Sibelius and other composers. It features piano and orchestral accompaniments.

Here is a link with more information:

http://madisonsummerchoir.org

Summer Choir 2011 orchestraI


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