The Well-Tempered Ear

Classical music: Let us now praise elderly audiences! Plus, the 14th annual FREE Opera in the Park is TONIGHT at 8 p.m.

July 25, 2015
4 Comments

By Jacob Stockinger

When you start talking about audiences for classical music, almost inevitably the subject turns to: How can we attract younger audiences to live concerts?

Proposals range from making tickets cheaper and concerts shorter, stressing music education and community outreach, moving to informal concert venues like bars and coffeehouses, and programming more new music.

It is a good question to revisit today, when the 14th annual family-friendly Opera in the Park, put on by the Madison Opera at 8 p.m. in Garner Park on the far west side, takes place and will draw up to 15,000. Here is a link to a posting about the event with more details:

https://welltempered.wordpress.com/2015/07/23/classical-music-on-the-eve-of-opera-in-the-park-madison-operas-general-director-kathryn-smith-recaps-the-last-season-and-previews-the-next/

Opera in Park 2012 crowd 2 James Gill

But such a discussion about audiences usually runs the risk of almost always underestimating and even insulting the contribution of older audiences. (The Sunday afternoon crowd at the Madison Symphony Orchestra comes immediately to mind.)

Not that we should ever stop looking for ways to attract young people. But isn’t it maybe a little like asking: How can we attract more blue hairs to young punk band or rap concerts? Maybe we just need different music at different stages of our life.

In any case, let us not forget to praise the immense contribution of older people or to be grateful for them.

That is the welcome and long overdue message of British pianist-composer-painter and polymath MacArthur Foundation “genius grant” winner Stephen Hough (below), who has performed in Madison several times, in his blog for The Guardian.

Hough_Stephen_color16

Here is a link to his posting. Read it and see if you agree and leave a message in the COMMENT section:

http://blogs.telegraph.co.uk/culture/stephenhough/100076555/our-wonderful-elderly-audiences/

What do you think?

The Ear wants to hear.


Classical music: Listen to wrong notes played by great pianists.

October 12, 2014
4 Comments

By Jacob Stockinger

Yesterday, The Ear offered a blog post about stage fright and performance anxiety.

stage fright

It was written by someone who knows: Concert pianist and polymath Renaissance Man Stephen Hough (below), who is also a writer, painter, composer, photographer, culture critic and more.

Hough_Stephen_color16

But even the greatest musicians can -– and do — mess up.

So today is a follow-up.

Here is a link to a YouTube video with some pretty messed up notes and whole passages by some of history’s greatest pianists, virtuosos and technical wizards.

They include Sviatoslav Richter, Vladimir Horowitz (below) and Artur Schnabel – along with the actual scores to show you what is being muffed.

Vladimir Horowitz

There was no recording technology back then, but it makes one wonder what Frederic Chopin or Franz Liszt might have sounded like off the page when they played. Or even such famed keyboard virtuosos as Wolfgang Amadeus Mozart and Ludwig van Beethoven.

After all, in the same video the great Arthur Rubinstein (below) even explains how he faked an entire difficult Chopin etude and dumped a whole batch of deliberately played wrong notes into it during a public concert — and still won rave reviews from the critics!

artur rubinstein in moscow 1964

It also puts a frame around the picture, and suggests that maybe we should simply worry more about the music and less about the notes. Performers just have to learn to accept failure! Perfection is beyond any of us.

Anyway, I hope you enjoy it.

If you know of other examples, or have personal experiences to share, let us know.

The Ear wants to hear.

 


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