The Well-Tempered Ear

Classical music: Let us now praise women composers — with the help of a new history and recent political events

June 12, 2016
2 Comments

By Jacob Stockinger

Politically, this has been a historic week and a week to remember for women.

Democrat Hillary Clinton (below), the former U.S. Senator and Secretary of State,  became the first woman to win the presidential nomination – barring something unexpected or a surprising turn of events – of a major political party in the United States.

hillary clinton thumbs up

That victory was soon followed by an endorsement from President Barack Obama and from another promising woman in American politics: Senator Elizabeth Warren.

So it also seems a good time to take a long look back to the 17th century and discover women composers who were overlooked and who failed to crack the glass ceiling of artistic fame or sexism in the arts in their own lifetimes.

They include the Baroque composer Barbara Strozzi, the Romantic composers Fanny Mendelssohn Hensel and Clara Schumann (below top, in a photo from Getty Images), and the modern composers Lili Boulanger and Elizabeth Maconchy (below bottom).

(You can hear a lovely Romance for solo piano by Clara Schumann, a virtuoso pianist who championed the works of her husband Robert Schumann, in the YouTube video at the bottom.)

Clara Schumann Getty Images

Elizabeth Maconchy 2

The Ear doubts there is a better guide than Anna Beer (below top, in a photo by Jeff Overs) and her new book “Sounds and Sweet Airs: Forgotten Women of Classical Music” (below bottom):

anna beers CR Jeff Overs

Sounds and Sweet Airs

The historian and writer recently spoke with Rachel Martin of NPR or National Public Radio, about her history. Here is a link to the blog site, which also has links to related stories:

http://www.npr.org/sections/deceptivecadence/2016/05/22/478734604/sounds-and-sweet-airs-remembers-the-forgotten-women-of-classical-music


Classical music: Conservative Republican presidential candidate and Evangelical Christian Ted Cruz wants to ban the tritone – or Devil’s chord – from classical music. NOT. Then again, maybe he does

March 21, 2016
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By Jacob Stockinger

Today is the first day when you can vote early via absentee ballot for the presidential primary election in Wisconsin on Tuesday, April 5, when you can also vote to fill a seat on the state Supreme Court.

And tomorrow, Tuesday, brings more presidential primaries for both Republicans and Democrats in the Western states of Arizona and Utah. Plus, there will also be Democratic caucuses in Idaho.

So the following political piece — a pseudo-news report — seems timely and appropriate, especially given the drive by establishment Republicans to rally and choose the ultra-conservative U.S. Senator Ted Cruz from Texas (below) as a way to stop New York City businessman Donald Trump.

Republican presidential candidate, Sen. Ted Cruz, R-Texas, speaks at the Defending the American Dream summit hosted by Americans for Prosperity at the Greater Columbus Convention Center in Columbus, Ohio, Saturday, Aug. 22, 2015. (AP Photo/Paul Vernon)

Republican presidential candidate, Sen. Ted Cruz, R-Texas, speaks at the Defending the American Dream summit hosted by Americans for Prosperity at the Greater Columbus Convention Center in Columbus, Ohio, Saturday, Aug. 22, 2015. (AP Photo/Paul Vernon)

Sure, it’s a satire.

But it is a very well done satire — about something that was indeed banned in the Renaissance and Baroque eras by the Roman Catholic  Church.

But like so much satire, it is fun that also cuts close to the bone and contains more than a grain of truth about Cruz and about his many “first day on the job” promises if he gets elected president.

Cruz, the son of an evangelical minister, is such a devout and intolerant Christian fundamentalist, it is almost as if he is waging his own jihad, much like the Islamic terrorist state ISIS, on any culture he considers unChristian and heretical to his personal faith and what he considers to be the inerrant and literal truth of the Bible.

Hmm. Does that qualify him as an extremist or radical?

To The Ear, what is really and truly scary is Cruz — not the music.

And it is hard to say who is more threatening as a potential president: Donald Trump or Ted Cruz?

Well, make up your own mind, fellow music-lovers.

Here is the satire from submediant.com. It’s a good read with lots of details, specific composers and food for thought.

http://www.submediant.com/2016/03/15/citing-evangelical-faith-ted-cruz-calls-to-ban-satanic-tritone/

And here is a YouTube lesson in music theory that offers an explanation with examples of the Satanic tritone:


Classical music: Republican presidential candidate Dr. Ben Carson talks about the classical music he likes. It includes Schubert and Rossini, and Baroque composers Bach, Vivaldi and Corelli

January 3, 2016
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By Jacob Stockinger

Republican presidential candidate Dr. Ben Carson has been in the news this week as his campaign flounders with the loss of its manager, deputy manager and communications director, who all resigned.

A while back, The Ear complained about too little attention being paid to the arts by the candidates and questioners during the Republican and Democratic presidential debates.

Here is a link to the posting:

https://welltempered.wordpress.com/2015/10/27/classical-music-why-dont-the-presidential-debates-include-questions-about-funding-and-supporting-the-arts-and-humanities/

But now Dr. Ben Carson (below) – whose politics seem downright bizarre to The Ear – has indeed talked about classical music, including the music he listened to, and made others listen to, in the operating room.

Dr. Benjamin Carson, director of Pediatric Neurosurgery at Johns Hopkins School of Medicine, speaks to the Conservative Political Action Conference (CPAC) in National Harbor, Maryland, March 16, 2013. REUTERS/Jonathan Ernst (UNITED STATES - Tags: POLITICS HEALTH) - RTR3F2WE

Dr. Benjamin Carson, director of Pediatric Neurosurgery at Johns Hopkins School of Medicine, speaks to the Conservative Political Action Conference (CPAC) in National Harbor, Maryland, March 16, 2013. REUTERS/Jonathan Ernst

True, in this interview he doesn’t talk about funding the arts. And one must assume that his conservative, small government policies would probably undermine any support for the National Endowment for the Arts, the National Endowment for the Humanities, National Public Radio (NPR) and the Public Broadcasting System (PBS).

The Ear guesses, perhaps wrongly, that Dr. Ben Carson is or will be a defender of defunding.

But at least it is a start. And given his earlier comments and complaints, The Ear feels obliged to be honest and pass it along:

http://www.greenvilleonline.com/story/entertainment/arts/paul-hyde/2015/12/23/ben-carson-talks-love-classical-music/77836114/

And in honor of Carson — who especially loves the Baroque composers Johann Sebastian Bach, Antonio Vivaldi and Arcangelo Corelli — here is a YouTube recording of one of his favorites: the Symphony No. 8 “Unfinished” by Franz Schubert as performed by the Chicago Symphony Orchestra under the baton of the late music director and conductor George Solti:


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