The Well-Tempered Ear

Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival

June 17, 2021
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By Jacob Stockinger

The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):

We have a very exciting announcement to share.

Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!

The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event. 

Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts.  Learn more at https://bemf.org/2021-festival/fringe-concerts/

The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.

Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU

The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.

This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).

The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.

From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.

The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.


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Soprano and UW-Madison graduate student Sarah Brailey wins a Grammy Award

March 15, 2021
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By Jacob Stockinger

Soprano Sarah Brailey (below), a native of Wisconsin — who now lives, works and studies in Madison — won a Grammy Award last night.

Brailey received the prestigious award (below) in the category “Best Classical Solo Album” category. It was for her role in the long-neglected, opera-like choral symphony “The Prison” by English composer Dame Ethel Smyth on the Chandos label. (You can hear an excerpt from the Brailey recording in the YouTube video at the bottom.)

Brailey’s win is especially noteworthy because it comes early in her career.

Although she has toured nationally and internationally, and has established herself as a professional singer of note, Brailey is a busy graduate student at the University of Wisconsin-Madison’s Mead Witter School of Music, where she is finishing her doctoral degree.

Here is a link to her website: https://sarahbrailey.com

Brailey is also one of the city’s busiest and most respected musicians.

During the pandemic year, she explained and help spark benefit concerts and fundraising for musicians whose livelihoods suffered due to cancelled performances. Here is a link: https://welltempered.wordpress.com/?s=sarah+brailey

She also hosts the Sunday morning radio show “Musica Antiqua” – which features early music — on WORT-FM 89.9.

Recently, Brailey became the artistic director of “Grace Presents,” a series of free concerts at the downtown Grace Episcopal Church across from the state  Capitol.

An avid early music performer, Brailey — who won and now directs the annual Handel Aria Competition — also co-founded and co-directs the free monthly series of Just Bach concerts (below, second from right), the lastest of which takes place this Wednesday, March 17. She sings solos, greets listeners and viewers, and often leads the final sing-along chorale from a Bach cantata.

You can hear many of her performances duing the Just Bach concerts on the Just Bach channel on YouTube.

Leave your own congratulations and thoughts about her performances in the Coment section.

The Ear will post a complete list of the classical music Grammy Award nominees and winners later this week.

PS: Another native of the Madison area was nominated for a non-classical Grammy is Bill Rahko, who co-produced the album “Everyday Life” for the rock band Coldplay. The album was nominated for Album of the Year, but lost to Taylor Swift’s “Folklore.”

Here is a link to a story on NBC 15 about Rahko, who attended Middleton High School: https://www.nbc15.com/2021/03/14/madison-area-native-up-for-grammy-award-for-album-of-the-year/


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The UW-Madison’s Wingra Wind Quintet performs a FREE online virtual concert this Wednesday night. Plus, local music critic Greg Hettmansberger has died

December 8, 2020
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NEWS ALERT: Local music critic and blogger Greg Hettmansberger (below) was killed in a car accident on Dec. 2, near Wichita, Kansas. Hettmansberger, 65, was driving when he hit a deer and then another car hit him. His wife survived but remains hospitalized in Wichita in critical condition. Here is a link to a news account:  https://www.kake.com/story/42993718/man-dies-in-crash-caused-by-deer-in-pratt-county

By Jacob Stockinger

This Wednesday night, Dec. 9, the UW-Madison’s Wingra Wind Quintet (below, in 2017) will perform a FREE virtual online concert from 7:30 to 9 p.m.

Here is a direct link to the pre-recorded video premiere on YouTube at: https://youtu.be/e1NhVZJW2cA

Due to the pandemic, the Wingra Wind Quintet has been unable to perform chamber music in a traditional way since March 2020. (You can hear the quintet play “On, Wisconsin” in the YouTube video at the bottom.)

In response, the quintet put together a program that allowed each member to record parts separately and have those parts edited together.

Current faculty members (below) are: Conor Nelson, flute; Lindsay Flowers, oboe; Alicia Lee, clarinet; Marc Vallon, bassoon; and Devin Cobleigh-Morrison, horn

The engineer/producer is Kris Saebo.

The program is: 

The first piece “Allegro scherzando” from Three Pieces by Walter Piston (below, 1894-1976)

The Chaconne from the First Suite in E-flat for Military Band by Gustav Holst (below, 1874-1934)

“Retracing” by Elliott Carter (below, 1908-2012)

Selections from “Mikrokosmos” by Bela Bartok (below, 1881-1945)

“A 6 letter letter” by Elliott Carter

Intermezzo from the First Suite in E-flat for Military Band by Gustav Holst

“Esprit rude/esprit doux” by Elliott Carter

Since its formation in 1965, the Wingra Wind Quintet at the University of Wisconsin-Madison Mead Witter School of Music has established a tradition of artistic and teaching excellence.

The ensemble has been featured in performance at national conferences such as MENC (Miami), MTNA (Kansas City), and the International Double Reed Society (Minneapolis). 

The quintet also presented an invitational concert on the prestigious Dame Myra Hess series at the Chicago Public Library, broadcast live on radio station WFMT.

In addition to its extensive home state touring, the quintet has been invited to perform at numerous college campuses, including the universities of Alaska-Fairbanks, Northwestern, Chicago, Nebraska, Western Michigan, Florida State, Cornell, the Interlochen Arts Academy, and the Paris Conservatoire, where quintet members offered master classes.

The Wingra Wind Quintet has recorded for Golden Crest, Spectrum, and the UW-Madison Mead Witter School of Music recording series and is featured on an educational video entitled Developing Woodwind Ensembles.

Always on the lookout for new music of merit, the Wingra has premiered new works of Hilmar Luckhardt, Vern Reynolds, Alec Wilder, Edith Boroff, James Christensen and David Ott. The group recently gave the Midwest regional premiere of William Bolcom’s “Five Fold Five,” a sextet for woodwind quintet and piano, with UW-Madison pianist Christopher Taylor (below).

New York Times critic Peter Davis, in reviewing the ensemble’s Carnegie Hall appearance, stated “The performances were consistently sophisticated, sensitive and thoroughly vital.”

The Wingra Wind Quintet is one of three faculty chamber ensembles in-residence at the University of Wisconsin-Madison Mead Witter School of Music. 

Deeply committed to the spirit of the Wisconsin Idea, the group travels widely to offer its concerts and educational services to students and the public in all corners of the state. (Editor’s note: For more about the Wisconsin Idea, which seems more relevant today than ever, go to: https://en.wikipedia.org/wiki/Wisconsin_Idea.)

Portions of this recording were made at the Hamel Music Center, a venue of the Mead Witter School of Music at the University of Wisconsin-Madison.

 


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Will the public pay for online virtual concerts? Will you? Consider the fate of newspapers

August 23, 2020
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By Jacob Stockinger

More and more local classical musicians and music presenters are moving concerts and music-making to virtual online events, at least for the fall and early winter – and quite possibly for the rest of the season. (Below is Shannon Hall in the Wisconsin Union Theater.)

And although we are still waiting for details, it seems all but certain that many of them will be pay-per-view and require tickets.

True, the move from free streaming to pay-for-view might be very useful in helping performers earn a much-needed living.

But it could also be disastrous – or at least extremely disruptive and disappointing.

Anthony Tommasini (below), the senior music critic for The New York Times, recently wrote a long story defending the move from being free to becoming paid for both livestreams and pre-recorded music concerts.

Tommasini — whose profession demands that he follow wherever the music goes —  thinks it will, or should, work.

Here is a link to his story that includes concerts at The Metropolitan Opera and elsewhere with international stars such as soprano Renée Fleming (beow top) and pianist Daniil Trifonov (below bottom).

https://www.nytimes.com/2020/08/11/arts/music/classical-music-livestream.html

But The Ear isn’t so sure.

For one thing, many listeners might find alternatives. They might like watching outstanding performances of the same works by great and even historical performers on YouTube for free.

They might like exploring their own collections of recordings, or listening to the radio and watching TV, or even making more music as amateurs.

The Ear also suspects that now that the habit of going to live concerts has been interrupted, many people will simply find that they miss going to live performances much less than they thought they would – or than various arts groups hoped they would. (Below is the Wisconsin Chamber Orchestra in a photo by Mike Gorski.)

In addition, even since the coronavirus pandemic lockdown last March, listeners have become used to the free events that many organizations offered if only to keep a presence in the public’s mind.

The strategy was understandable and made sense at the time.

But The Ear thinks of what happened with newspapers.

In the early days of the internet, newspapers offered online stories for free, as a kind of extra attraction or added benefit to secure subscribers.

But as the newspapers lost both advertisers and subscribers and tried to “monetize” their online editions, they found that the horse was already out of the barn.

Many viewers did indeed subscribe to digital editions, but many others abandoned newspapers and instead turned to free online media for their news.

So what will happen in cases less prestigious than what Tommasini describes?

What do you think?

Will local pay-per-view concerts, perhaps with bigger volume if lower individual ticket prices, be successful?

Will you pay to “attend” such virtual online events?

The Ear wants to hear.


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Classical music: Grace Presents HD offers a free virtual online concert by the acclaimed Willy Street Chamber Players this Saturday at noon

August 19, 2020
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By Jacob Stockinger

Cellist and UW-Madison graduate student James Waldo has sent the following announcement about a FREE virtual online concert by Grace Presents, which he coordinates.

The hi-def, one-hour concert by the critically acclaimed and popular Willy Street Chamber Players (below) is at noon (CDT) this Saturday, Aug. 22.

Says Waldo:

“This is a pre-recorded event, and as such, I had the singular pleasure of sitting in the room while these fantastic musicians recorded their program. This event is not to be missed!

“Grace Presents HD brings you free, crystal-clear performances by local Madison musicians in the nave of historical Grace Episcopal Church – located downtown on the Capitol Square — from the comfort and safety of your own home.

“The Willy Street Chamber Players will have a video premiere that will be available on the Grace Presents YouTube channel on this Saturday, Aug. 22 at noon CDT. (This virtual concert is available for a limited time only!)

You can see and hear a preview of the concert in the YouTube video at the bottom.

Artists in the Willy Street Chamber Players are: Paran Amirinazari, artistic director, violin and viola; Eleanor Bartsch, violin and viola; Mark Bridges, cello; and Lindsay Crabb, cello, five-string cello.

You can find more information about the chamber music ensemble, including a link to a post in which The Ear named them as Musicians of the Year for 2016, at: http://willystreetchamberplayers.org

As is typical for The Willys, the program reflects diversity and includes both classical masters and contemporary composers:

Schubert: String trio in B-flat major, D. 47

Tania León (below) – Four Pieces for Solo Cello: II. Prayer

Heinrich Ignaz Franz Biber – Passacaglia

George Walker (below) – “Bleu”

J.S. Bach – Solo Cello Suite No. 6 in D major: I. Prelude and IV. Sarabande

Kimo Williams (below): “Quiet Shadows”

Beethoven: String Trio in G major, Op. 9, No. 1 / I. Adagio-Allegro

“We will be hosting a Zoom meet-and-greet with our guest artists following the performance. If you’d like to attend this virtual gathering, please RSVP to Grace Presents Program Coordinator James Waldo (gracepresents@gmail.com) for more information.

“Here is biographical background: The Willy Street Chamber Players (WSCP) are dedicated to creating community through classical music. Established in 2015, the group has become a fixture of the Willy Street neighborhood’s vibrant cultural scene.

“Recently awarded a gold medal in Madison Magazine’s prestigious “Best of Madison” reader poll, WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.

“Today, the group consists of four core members. Led by Artistic Director and violinist Paran Amirinazari, each player brings a fresh, imaginative take to classical music.

WSCP convenes each July – this summer’s concerts were canceled because of the coronavirus pandemic — to present their popular summer concert series at Immanuel Lutheran Church (below) on Spaight Street. For these programs, the group has collaborated with many well-known guest artists from Madison and beyond.

“In addition, WSCP presents an array of events throughout the year including the admission-free Community Connect series that aims to bring classical music to inclusive spaces.

“WSCP has also performed at many other popular Madison venues including Marquette Waterfront Fest; Summer Serenades at Memorial Union Terrace; the Frank Lloyd Wright Taliesin compound in Spring Green; the Madison New Music Festival; and the Madison Museum of Contemporary Art (MMoCA).”

OTHER DETAILS

Video recording and editing has been done by: https://www.microtonemedia.com/

Audio engineering has been done by Bruce Kasprzyk.

Grace Presents is supported in part by generous project grants from Dane Arts, the Madison Arts Commission, the Episcopal Church Women (ECW) and the Grace Episcopal Development Fund Trust as well as individual gifts and in-kind support.

 


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Classical music: Musical America offers an exhaustive and helpful guide to international FREE streaming of operas, concerts and recitals, complete with program notes and links for listening

April 5, 2020
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By Jacob Stockinger

During the COVID-19 pandemic, so much music is being streamed – through both live streaming and delayed pre-recorded streaming – that it can be hard to keep track of it all.

After all, the events are taking place locally, regionally, nationally and internationally.

How do you know what operas, orchestral concerts, chamber music concerts and individual recitals will take place? Where and when they will take place? What time is it in your time zone? And where do you find links to the performances, such as those by the famed Berlin Philharmonic (below)?

Getting so much information can be daunting.

But one loyal reader has helped The Ear by sending word about the most exhaustive compilation or online guide to FREE streaming of classical music events he has seen so far.

It is done by Musical America, and The Ear highly recommends it. 

The Musical America website advises users that the guide will be updated twice weekly, and that Central European Time (CET) is six hours ahead of Eastern Daylight time (EDT) — or seven hours ahead of Central Daylight Time (CDT).

It also tells you how long many of the streamed videos are available for. A full 23 or 24 hours after the initial airing seems pretty average. But many appealing events – by some of the most prestigious organizations and individual performers in the world — will be available for the entire duration of the coronavirus pandemic.

You also get concise notes about the performers and the programs.

Today and tonight, for example, you could take in productions by the Berlin State Opera, the Zurich Opera and Ballet, the Metropolitan Opera (below) and the Vienna State Opera.

You could also take in the historical performances from the ongoing Cliburn Watch Party from the Cliburn International Piano Competition, and the twice weekly concerts by the six musically talented children in the acclaimed Kanneh-Mason family in England, now dubbed “The Von Trapp’s of classical music.” (Below is cellist brother Sheku Kanneh-Mason performing at the royal wedding of Prince Harry and Meghan Markle.)

And you could listen to award-winning cellist Alisa Weilerstein (below) will also discuss and play all 36 movements of the six solo cello suites by Johann Sebastian Bach that she recently recorded and just released.

The guide lists some of the more outstanding paid websites such as Medici TV but also lists events that took place much earlier but are still available for free watching and listening.

The guide has a link so that organizations can submit their own events for listing or users can make suggestions.

In short, the Musical America guide is extremely useful. You should probably bookmark it if you are planning to listen to a lot of musical events online through streaming.

But don’t take The Ear’s word for it. Take a look and check it out for yourself.

Here is a link: https://www.musicalamerica.com/news/newsstory.cfm?storyid=44766&categoryid=1&archived=0

What do you think of it?

Do you find it useful and think you will?

Do you see any major shortcomings or overlooked events?

Recommendations of your own?

The Ear wants to hear.


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Classical music: Cellist Amit Peled and pianist Daniel del Pino open the Salon Piano Series this Friday and Saturday nights. TODAY the Edgewood College Chamber Orchestra opens its new season in a new hall

September 29, 2019
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ALERT: The Edgewood Chamber Orchestra opens its new season TODAY at 2:30 p.m. in the new McKinley Performing Arts Center at Edgewood High School, 2219 Monroe Street. Blake Walter will conduct the program that  features Beethoven’s “King Stephen” Overture, composed to celebrate the opening of a new theater ; Handel’s “Water Music”; and Mozart’s Symphony No. 36 in C Major “Linz,” K. 425. Admission is $5 for the general public, FREE with an ID for Edgewood College or Edgewood High School.

By Jacob Stockinger

The Salon Piano Series will open its new and expanded season with a recital by cellist Amit Peled (below top, in a photo by Lisa Mazzucco) and pianist Daniel del Pino (below bottom) on this coming Friday and Saturday nights, Oct. 4 and 5, at 7:30 p.m.

The concerts, which are being dedicated to retired critic John W. Barker,  will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Each artist has performed individually at Farley’s before, but this will be their first joint recital in Madison.

The program is:

John Eccles – Sonata in G Minor (1720)

Ludwig van Beethoven – Sonata No. 2 in G Minor, Op. 5, No. 2 (1796)

Gaspar Cassadó – Sonata in Old Spanish Style, G Minor, (1925)

Richard Strauss – Sonata in F Major, Op. 6 (1883)

A reception will follow the performances.

Tickets are $45 in advance and $50 at the door. Student tickets are $10 and can only be purchased online and are not available the day of the event.

You can buy tickets online, where service fees may apply, at: https://www.brownpapertickets.com/producer/706809

You can also call Farley’s at (608) 271-2626 to purchase tickets.

After hearing the Israeli-American Peled, The New York Times reported that he has “a glowing tone, a seductive timbre and an emotionally pointed approach to phrasing that made you want to hear him again.”

Daniel del Pino is a leading Spanish concert pianist on the international scene. He has performed in prestigious venues on five continents.

In the YouTube video at the bottom, you can watch a special concert preview and an enthusiastic message about specifically performing in Madison from Amit Peled.

You can also hear and see past performances from Peled and del Pino at the Salon Piano Series on YouTube:

From February 2016, Amit Peled performs on Pablo Casals’ cello: https://www.youtube.com/watch?v=3Yb-SE80eDg

From November 2015, Daniel del Pino performs Chopin: https://www.youtube.com/watch?v=-tnvbk_v2Xk

For more information about this concert and the full season of six concerts, including subscription tickets, go to: https://salonpianoseries.org

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: The experts said his music wouldn’t last. But Rachmaninoff and his fans proved them wrong. Hear for yourself this Wednesday night at this summer’s final Concert on the Square

July 30, 2019
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By Jacob Stockinger

The experts sure got it wrong.

Only 11 years after the death of Russian composer Sergei Rachmaninoff (below, 1873-1943) – also spelled Rachmaninov — the 1954 edition of the prestigious and authoritative “Grove Dictionary of Music” declared Rachmaninoff’s music to be “monotonous in texture … consist[ing] mainly of artificial and gushing tunes” and predicted that his popular success was “not likely to last.”

That opinion probably came from the same academicians who favored the atonal and serial composers at the time.

But Rachmaninoff’s music is so emotional, so beautiful and so easy for audiences to connect with that it can be a challenge to remember its serious backstory.

For example, much personal turmoil and anguish went into his Piano Concerto No. 2 in C Minor, Op. 18, which headlines this Wednesday night’s final summer Concert on the Square by the Wisconsin Chamber Orchestra.

(Other works on the program, to be performed at 7 p.m. on the King Street corner of the Capitol Square, are the Overture to “The Magic Flute” by Mozart, the Firebird” Suite by Igor Stravinsky, the “Cornish Rhapsody” for piano and orchestra by Hubert Bath.)

For more information – including rules, food and etiquette — about the concert, go to: https://wisconsinchamberorchestra.org/performances/concerts-on-the-square-6-4/

The perfectly chosen soloist is the Russia-born and Russia-trained pianist Ilya Yakushev (below), who has appeared several times with Andrew Sewell and the WCO as well as in solo recitals at Farley’s House of Pianos, where he will perform again this coming season as part of the Salon Piano Series.

Rachmaninoff’s Piano Concerto No. 2 (1901) may well be the most popular piano concerto ever written, one that has often been used in many novels, movies and popular songs. Some would argue that Rachmaninoff’s Piano Concerto No. 3 (1910) has surpassed it in the popularity and frequency of performance.

True or not, the second concerto is a triumph of the human spirit and individual creativity. (You can hear the dramatic and lyrical opening movement, played live by Yuja Wang at the Verbier Festival, in the YouTube video at the bottom.)

It was written in 1900-01 after the composer’s first symphony had not succeeded with the critics and when personal problems had overwhelmed him (below, around 1910).

Rachmaninoff fell into a severe depression that lasted four years. During that time he had daily sessions with a psychotherapist whose cure used hypnosis and repeating to the composer that one day soon he would write a piano concerto that prove very good and very popular.

And so it was. The therapist was Dr. Nikolai Dahl (below) — and that is whom the concerto is dedicated to.

Rachmaninoff’s Piano Concerto No. 3 is often considered the Mount Everest of piano concertos for the sheer physicality and stamina required to play it.

Yet the composer himself — who premiered, recorded and often performed both concertos — said he thought the second concerto, although shorter, was more demanding musically, if not technically.

For more information about Rachmaninoff and his Piano Concerto No. 2 as well as its place in popular culture, go to these two Wikipedia websites where you will be surprised and impressed:

For the Piano Concerto No. 2: https://en.wikipedia.org/wiki/Piano_Concerto_No._2_(Rachmaninoff)

For general biographical details about Rachmaninoff: https://en.wikipedia.org/wiki/Sergei_Rachmaninoff


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Classical music: This Friday night, the Wisconsin Union Theater presents a world-class Spanish string quartet and will also announce the special concerts to mark its centennial anniversary next season

February 28, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Think of it as a two-fer, and then some, at the Wisconsin Union Theater this Friday night, March 1.

The main event is the Madison debut of a world-class string quartet from Spain.

The other event is the announcement of the schedule for the Concert Series’ 2019-2020 season — the series’ 100th season.

The first event is the concert by Cuarteto Casals (below) at 7:30 p.m. in Shannon Hall.

Prices for the event are: the general public, $25-40; for Union members, $25-36; for UW faculty and staff members, $25-38; for young people, $20; and for UW-Madison students, $10. Tickets can be bought online, by phone at 608-265-ARTS (2787) or in person. See locations and hours here.

The program includes the String Quartet in C Major “The Bird,” Op. 33, No. 3, by Franz Joseph Haydn; the String Quartet No. 3 by Bela Bartok; selections from the Fantasies for String Quartet by Henry Purcell; and the String Quartet in G Minor, Op. 10, by Claude Debussy. (You can hear the Cuarteto Casals play a movement of a different Haydn string quartet in the YouTube video at the bottom.)

Cuarteto Casals was founded in 1997 at the Escuela Reina Sofia in Madrid. They are named after great 20th-century Catalan cellist Pau (Pablo) Casals (below). Members of the quartet are Vera Martinez Mehner and Abel Tomas, violins; Jonathan Brown, viola; and Arnau Tomas, cello.

The group achieved international recognition after winning First Prizes at the London and Brahms-Hamburg competitions. After receiving the prestigious Burletti-Buitoni Trust award designed to assist young musicians, the quartet acquired a matching set of Baroque and Classical period bows, used to distinguish between musical styles.

The year 2017 marked the 20th anniversary of the quartet, and also the start of a commemorative project: a six-concert series of the complete Beethoven quartets, accompanied by six commissioned works from great composers since the 17th century.

The quartet was selected as ambassadors of Catalan culture by the Generalitat of Catalunya, and accompanies the King of Spain on diplomatic visits.

It is the quartet-in-residence at the Spanish Royal Palace through 2020 and the quartet-in-residence at the Escola Superior de Musica de Catalunya in Barcelona.

Carol Carlson (below) will offer a free pre-concert lecture at 6 p.m. Carol holds both Doctor of Musical Arts and Master of Music degrees in violin performance from the UW-Madison.

Carlson dedicates herself to music education as co-founder, co-director and teacher of Music con Brio, a non-profit organization that provides affordable violin lessons and equipment for students at Emerson Elementary School in Madison. Music con Brio (below, in a photo by Scott Maurer) will perform on the stage of Shannon Hall from 7 to 7:20 p.m.

This program was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. The media sponsor is WORT 89.9 FM.


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