The Well-Tempered Ear
The famed International Tchaikovsky Competition has been expelled from the World Federation of International Music Competitions
9 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
One of the granddaddies of all international music competitions — probably the best known and most prestigious — has been disowned.
The International Tchaikovsky Competition — the one that catapulted the young American pianist and first winner Van Cliburn (below, during the competition) to worldwide fame during the height of the Cold War, for which he received the only ticker tape parade in New York City ever given to a musician — has been expelled from the World Federation of International Music Competitions, which was founded in 1957 and represents 110 music competitions and programs to help young musicians build a career.
The move comes in response to recent events in Ukraine — including alleged Russian war crimes during its brutal, deadly and unprovoked invasion.
The famed Tchaikovsky Competition — which started in 1958 and is now for pianists, violinists, cellists, vocalists as well as woodwind and brass players — is held in Moscow and St. Petersburg and is financed and organized by the Russian government. It has launched the careers on many great musicians.
It is co-chaired by the discredited Russian conductor Valery Gergiev (below right, in 2014), a close friend and avid supporter of Russian President Vladimir Putin (below left) and of the conflict in Ukraine.
The expulsion came about because the Tchaikovsky Competition refused to condemn the Russian invasion, as the federation requested.
Here is a link to the story that was published on the website Classical Music, an online publication of the BBC Music Magazine. It contains background on both the competition and the current state of affairs regarding Russian musicians and the Russian conflict in Ukraine. It has a lot of noteworthy links:
And here is the response from the organizers of the Russian competition, which takes place every four years. The 16th competition was held in 2019, and the 17th is still scheduled for 2023. (The announcement of the 2019 piano winners — by the Russian former piano winner Denis Matsuev, who has been boycotted because of Ukraine — is in the YouTube-Medici.TV video at the bottom.)
The response — which accuses the federation of “persecuting” Russian musicians and promises that it will be held as usual and remain open to contestants worldwide — is posted on the competition’s website:
https://tchaikovskycompetition.com/en/news/415.htm
It makes one wonder what the effects on the next Tchaikovsky competition will be.
Will potential jurors outside Russia boycott the competition?
Will non-Russian contestants — with the exception perhaps on Chinese and Belarusian performers — avoid participating?
And what will be the effect on the inaugural Rachmaninoff Competition for pianists, composers and conductors that is scheduled to take place this June in Moscow?
What do you think?
Is it the right call by the international federation?
Or the wrong call?
Why do you think so?
The Ear wants to hear.
Tags: #AnnaNetrebko, #ArmedConflict, #BBCMusicMagazine, #BestKnown, #BlogPost, #BlogPosting, #BrassMusic, #ChineseMusicians, #ColdWar, #DaniilTrifonov, #DenisMatsuev, #DublinIreland, #DublinPianoCompetition, #FacebookPost, #FacebookPosting, #GidonKremer, #InternationalTchaikovskyCompetition, #JacobStockinger, #NewYorkCity, #PeterIlyichTchaikovsky, #PianoConcerto, #RussianFederation, #SergeiRachmaninoff, #SergeiRachmaninov, #StringMusic, #TheEar, #UniversalMusic, #ValeryGergiev, #VanCliburn, #VictoriaMullova, #ViolinConcerto, #VladimirAshkenazy, #VladimirPutin, #VocalMusic, #WarCime, #WoodwindMusic, #WorldFederationofInternationalMusicCompeititions, #YouTubevideo, accuse, Anna Netrebko, announcement, armed conflict, Arts, audience, authoritarian, background, BBC, BBC Music Magazine, Belarus, Belarusian, best-known, blog, Blog post, blog posting, boycott, brass, brutal, build, career, cellist, Cello, China, Chinese, Classical music, classicalmusic, close, Cold War, composer, Concert, concerto, condemn, conductor, conflict, contestant, Daniil Trifonov, deadly, deffect, democracy, Democratic, Denis Matsuev, discredited, Dublin, Dublin Piano Competition, exception, expel, expulsion, Facebook, fame, federation, founded, friend, funance, Gidon Kremer, government, grandaddy, great, hear, International Tchai, International Tchaikovsky Competition, invasion, Jacob Stockinger, June, juror, jury, launch, link, medici.tv, Moscow, move, Music, Musician, New York City, next, now, online, Orchestra, parade, participate, persecute, pianists, Piano, Piano concerto, President, prize, program, publication, publish, Putin, Rachmaninoff, Rachmaninoff Competition, Rachmaninov, represent, response, right, Russia, Russian, Russian Federation, schedule, Sergei Rachmaninoff, Sergei Rachmaninov, share, sing, singer, Singing, St. Petersburg, story, string music, supporter, symphony, tag, Tchaikovsky, The Ear, think, Ukraine, Ukrainian, United States, Universal Music, Valery Gergiev, Victoria Mullova, video, Violin, Violin concerto, violin music, violinist, Vladimir Ashkenazy, Vladimir Putin, vocal music, war, war crime, Website, why, win, winner, Wisconsin, wonder, woodwind, world, World Federation of International Music Competitions, worldwide, wrong, year, young, YouTube
Longtime friends organist Greg Zelek and Madison native and award-winning trumpeter Ansel Norris team up for a FREE live-streamed concert this Tuesday night
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Two longtime friends and fellow musicians will team up this Tuesday night, April 27, to close this season’s organ concert series, sponsored in the Overture Center by the Madison Symphony Orchestra.
It will be live-streamed online because of the pandemic restrictions on attendance.
The concert features the critically acclaimed MSO organist Greg Zelek (below left) and Ansel Norris (below right), an award-winning trumpeter who is a native of Madison.
The program includes works by Bach, Vivaldi, Haydn and Samuel Barber among others.
The concert starts at 7:30 p.m. CDT. It is FREE but you must register. The concert will be available to registered listeners for unlimited access through May 31.
Here is a link to the MSO website where you can register. It also has more information about the program and biographies of the two performers: https://madisonsymphony.org/event/norris-zelek-2021-streamed/
Here is more background. It appeared in the latest issue of the email newsletter of the Wisconsin Youth Symphony Orchestras (WYSO), of which Norris was a member for many years:
|
Ansel Norris and Greg Zelek first met in 2010 as high school seniors who had both been selected as finalists in the YoungARTS Awards. The YoungARTS Award is a big competition with just a small percentage of students selected for the $10,000 prize from the thousands of high school applicants. In classical music that year, 12 students became finalists and assembled in Miami for a week of master classes with internationally recognized arts leaders. “You know, there really is a synergy with trumpet and organ. The sounds are produced in a similar way and the way the sounds blend together is really special. Even then, I imagined a concert together.” Ten years later, the two friends were dreaming up this concert when Greg was in Miami in February, 2020. And then the world shut down due to the coronavirus pandemic. Norris has distinguished himself as a solo, orchestral and chamber musician. As Greg Zelek (below, in a photo by Peter Rodgers) writes: “Concerti of Bach and Haydn will bookend this program filled with music that is both written and arranged for this electrifying pairing of instruments. Mr. Norris’ remarkable technique and soaring lyricism will be on full display while our Mighty Klais both supports and shimmers in this exhilarating performance you won’t want to miss!” Register here for Tuesday’s concert!
|
Tags: #African-AmericanMusic, #AnselNorris, #AntonioVivaldi, #BaroqueMusic, #BestPerformance, #BlogPost, #BlogPosting, #BolzYoungArtistCompetition, #BrassMusic, #BronzeMedal, #CentralTimes, #ChamberMusic, #CityofMadison, #ClassicalMusician, #ColdWeather, #ConcertoCompetition, #CoralGables, #CoralGablesFlorida, #COVID-19, #CriticallyAcclaimed, #EastHighSchool, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FirstPrize, #FischoffNationalChamberMusicCompetition, #FranzJosephHaydn, #GregZelek, #GrowingUp, #HighSchool, #HomeWebsite, #InternationalTchaikovskyCompetition, #JacobStockinger, #JohannSebastianBach, #JohnAley, #KeyboardMusic, #KlaisOrgan, #LincolnChamberBrass, #MadisonEastHighSchool, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MariinskyOrchestra, #MiamiFlorida, #NaplesFlorida, #NaplesPhilharmonic, #NationalTrumpetCompetition, #NewWorldSchooloftheArts, #NewWorldSymphony, #NorthwesternUniversity, #OnlineConcert, #OrganMusic, #OvertureCenter, #PrizeWinner, #RiceUniversity, #SamuelBarber, #Semi-finals, #SocialDistance, #SouthFlorida, #TheEar, #TrumpetMusic, #VirtualConcert, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, access, acclaimed, accomplished, air, Aley, amazing, American, Ansel Norris, Antonio Vivaldi, applicants, April, Art, Arts, audience, availahle, award-winning, Bach, background, Barber, Baroque, Baroque music, biography, blend, blog, Blog post, blog posting, Bolz Young Artist Competition, bookend, brass, bronze medal, career, CDT, Central Time, Chamber music, Classical music, classicalmusic, cold, cold weather, Competition, composer, Concert, concerto, concerto competition, Coral Gables, crazy, critically acclaimed, cues, depend, display, distinguish, duet, duo, Early music, East High School, eclectic, electifying, email, enjoy, exhilarating, Facebook, Facebook post, Facebook posting, filters, finalist, first prize, Fischoff National Chamber Music Competition, Florida, forward, Franz Joseph Haydn, free, friend, full, great, Greg Zelek, growing up, Haydn, HEPA, high school, himself, home website, imagine, indoors, information, Interlochen, international, International Tchaikovsky Competition, issue, Jacob Stockinger, Johann Sebastian Bach, John Aley, keyboard music, Klais, latest, leaders, legacy, like, Lincoln Chamber Brass, link, listener, live-stream, livestream, living, lojgtime, Love, lyricism, Madison, Madison East High School, Madison Symphony Orchestra, Mariinsky Orchestra, master class, masterclass, May, member, Miami, miss, MSO, Music, Musician, Naples, Naples Philharmonic, National Trumpet Competition, New World School of the Arts, New World Symphony, newsletter, Norris, Northwestern University, online, Orchestra, orchestral, organ, organ music, organist, outside, Overture Center, pairing, perform, performance, performer, pleasure, prize, produce, program, recognize, register, rehearsal, remarkable, Rice University, Samuel Barber, share, shimmers, small, soaring, social distance, solo, Sound, sounds, south Florida, special, stage, story, supports, symphony, synergy, tag, technique, test, The Ear, together, trumpet music, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unlimited, virtual, Vivaldi, weather, Website, week, winner, Wisconsin, Wisconsin Youth Symphony Orchestras, WYSO, year, years, YoungARTS, YouTube, Zelek
This Friday night the Verona Quartet performs an online concert of Brahms and Dvorak for the Wisconsin Union Theater. Plus, longtime music critic Jess Anderson has died
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Jess Anderson (below), a longtime local music critic for Isthmus, an active participant in the local music scene and a veteran radio host of an early music program for WORT-FM 89.9, died this past Sunday. He was 85. When more information is known, The Ear will devote a blog post to Jess, who was also a friend.
By Jacob Stockinger
The Ear has received the following announcement to post:
The Wisconsin Union Theater’s Concert Series will continue this season with a performance by the Verona Quartet (below) on this Friday, Jan. 29, at 7:30 p.m. CST. It will be preceded by a question-and-answer session with the Quartet at 7 p.m. CST.
The Quartet will perform two complete works: the String Quartet in A Minor, Op. 51, No. 2, by Johannes Brahms; and the famous String Quartet No. 12 in F Major, Op. 96, the “American,” by Antonin Dvorak. (In the YouTube video at the bottom, you can hear the Verona Quartet perform the familiar last movement of the string quartet by Dvorak.)
The Verona Quartet rose to international fame by sweeping top prizes at competitions, including the Chamber Music America’s Cleveland Quartet Award in 2020.
Hailing from four different parts of the world, differences unify the Quartet’s members and music. Its music aims to show how diverse experiences can come together in harmony.
“The Verona Quartet brings fresh approaches to classical music masterpieces,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “The Quartet has risen to become one of the world’s most sought-after string quartets. We are honored to include them in our Concert Series season.”
Ticket purchase information can be found here. Tickets for this virtual online event are $10 for UW-Madison students, $17 for Wisconsin Union members and students who do not attend the UW-Madison, and $20 for all other patrons.
Ticket buyers will receive an email from approximately 2 hours before the event begins that contains the link to view the performance.
Anyone who purchases a ticket within 2 hours of the event’s start time will receive their link in their confirmation email immediately following their purchase. Only 1 ticket per household is needed to view this concert.
The link will remain active until Friday, Feb. 5, at 9:30 p.m. (CST) to view whenever you would like.
This performance will include the Quartet’s regular violinists Jonathan Ong and Dorothy Ro, and violist Abigail Rojansky.
But due to challenges related to the coronavirus pandemic, Quartet member and cellist Jonathan Dormand will not be part of the event. Instead, cellist Dmitry Kouzov (below top) will perform the string quartet by Brahms and cellist Annie Jacobs-Perkins (below bottom, in a photo by C. Tihms Van Velden) will perform the string quartet by Dvorak.
The Verona Quartet’s performance is made possible by the David and Kato Perlman Chamber Music Endowment Fund, with additional support from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
An additional Concert Series performance will take place on Sunday, Feb. 28, at 7:30 p.m. CDT and features the Meccore Quartet.
For more than 75 years, the Wisconsin Union Theater has served as a cultural center for community members and visitors and provides a variety of performing arts events.
The Theater’s Concert Series began more than a century ago and is one of the oldest uninterrupted series of its kind in the United States.
The Wisconsin Union Theater team presents the Concert Series in collaboration with the student-led Wisconsin Union Directorate (WUD) Performing Arts Committee.
The Theater team strives for all of its spaces to be accessible, and those that need accommodations can reach out by email to the Wisconsin Union Theater team at: wisconsinuniontheater@union.wisc.edu
For more information about the Verona Quartet, including how to purchase tickets, visit union.wisc.edu/events-and-activities/event-calendar/event/verona-quartet.
Tags: #AbigailRojensky, #AmericanQuartet, #AnnieJacobs-Perkins, #AntoninDvorak, #AspectsofAmerica, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberMusicAmerica, #ClassicalMusician, #ClevelandQuartet, #CoronavirusPandemic, #COVID-19, #CulturalCenter, #DavidandKatoPerlmanChamberMusicSeries, #DmitryKouzov, #DorothyRo, #ElizabethSnodgrass, #FacebookPost, #FacebookPosting, #Fridaynight, #JacobStockinger, #JessAnderson, #JohannesBrahms, #JonathanDormand, #JonathanOng, #KatoPerlman, #MeadWitterSchoolofMusic, #MeccoreQuartet, #MusicCritic, #MusicScene, #NationalEndowmentfortheArts, #OnlineConcert, #PerformingArts, #RadioHost, #ReachOut, #StartTime, #StateOfWisconsin, #TheEar, #TheU.S., #UnionTheaterConcertSeries, #UnitedStates, #UniversityofWisconsin-Madison, #VeronaQuartet, #VirtualConcert, #WisconsinArtsBoard, #WisconsinDirectorate, #WisconsinUnionTheater, #WORT-FM89.9, #YouTubeChannel, #YouTubevideo, Abigail Rojensky, accessible, accommodation, active, alert, American, American Quartet, Annie Jacobs-Perkins, announcement, Antonín Dvořák, anyone, Arts, audience, blog, Brahms, cellist, Cello, center, Central Time, century, challenge, Chamber music, Chamber Music American, Classical music, classicalmusic, Cleveland Quartet, comlete, community, Competition, composer, Concert, concert series, confirmation, contests, coronavirus, CST, cultural, David and Kato Perlman Chamber Music Series, death, devote, died, difference, director, diverse, Dmitry Kouzov, Dorothy Ro, Dvorak, Early music, earlymusic, Elizabeth Snodgrass, event, events, experience, Facebook, Facebook post, Facebook posting, fame, familiar, famous, feature, February, fresh, Friday, friend, funds, harmony, honor, host, hours, household, hpur, include, information, international, Jacob Stockinger, January, Jess Anderson, Johannes Brahms, Jonathan Dormand, Jonathan Ong, Kato Perlman, last, local, Madison, masterpiece, Mead Witter School of Music, Meccore Quartet, member, movement, Music, music critic, music scene, Musician, National Endowment for the Arts, NEA, night, oldest, online, pandemic, participant, perform, performance, Performing arts, post, posting, precede, prize, program, purchase, question-and-answer, Radio, radio host, reach out, Season, session, space, start time, State of Wisconsin, String quartet, Sunday, support, team, The Ear, ticket, time, U.S., unify, uninterrupted, Union Theater Concert Series, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, US, UW, UW-Madison, variety, Verona Quartet, Veteran, view, Viola, Violin, violinist, violist, virtual, winning, Wisconsin, Wisconsin Arts Board, Wisconsin Union Directorate, Wisconsin Union Theater, works, world, WORT-FM 89.9, YouTube
Classical music: This afternoon is your last chance to hear native son Kenneth Woods conduct the Madison Symphony Orchestra and Canadian violinist Blake Pouliot. Here are two reviews, one a rave and the other very positive
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear native son and guest conductor Kenneth Woods and guest Canadian violinist Blake Pouliot with the Madison Symphony Orchestra (below, in a photo by Peter Rodgers).
Woods (below), once a student in Wisconsin Youth Symphony Orchestras (WYSO) and a student at Memorial High School, has established an international reputation by leading the English Symphony Orchestra, the Colorado MahlerFest and the British Elgar Festival, and by making many highly praised recordings.
At 26, Pouliot (below in a photo by Jeff Fasano) is a rising star, thanks to winning a major competition in Montreal and other prizes. (You can hear him play “Lotus Land,” composed by Cyril Scott and arranged by Fritz Kreisler, in the YouTube video at the bottom.)
The program is: Symphony No. 96 “Miracle” by Franz Joseph Haydn; the Violin Concerto in E Minor by Felix Mendelssohn; and “Ein Heldenleben” (A Hero’s Life) by Richard Strauss.
For more background and program notes, information about purchasing tickets ($19-$95) and The Ear’s detailed interview with Woods about growing up in Madison, go to: https://welltempered.wordpress.com/2020/03/02/classical-music-accomplished-native-son-kenneth-woods-returns-this-weekend-to-conduct-the-madison-symphony-orchestra-in-music-by-haydn-mendelssohn-and-richard-strauss-he-talks-to-the-ear-about-what/
The opening performance on Friday night received excellent reviews. Here are two major ones:
Here is the rave review that veteran critic Greg Hettmansberger (below) wrote for his blog “What Greg Says,” which is well worth following:
https://whatgregsays.wordpress.com/2020/03/07/a-healthy-orchestra-in-strong-hands/
And here is a largely positive review for The Capital Times newspaper written by freelancer Matt Ambrosio (below), who received his doctorate in music theory from the UW-Madison and now teaches at the Lawrence University Conservatory of Music in Appleton, Wisconsin:
You can be a critic too.
If you heard the concert, what did you think?
The Ear wants to hear
Tags: #AHero'sLife, #BlakePouliot, #BlogPost, #BlogPosting, #CanadianMusician, #ColoradoMahlerFest, #CyrilScott, #EdwardElgar, #EinHeldenleben, #ElgarFestival, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FranzJosephHaydn, #FritzKreisler, #GreatBritain, #GregHettmansberger, #GrowingUp, #GustavMahler, #HomeWebsite, #InternationalReputation, #JacobStockinger, #KennethWoods, #LawrenceUniversity, #LotusLand, #MadisonSymphonyOrchestra, #MatineeConcert, #MattAmbrosio, #MeadWitterSchoolofMusic, #MemorialHighSchool, #MiracleSymphony, #MontrealCanada, #MusicCritic, #MusicReview, #MusicTheory, #OpeningNight, #OvertureCenter, #OvertureHall, #RichardStrauss, #Sundayafternoon, #TheCapitalTimes, #TheCapTmes, #TheEar, #TheU.K., #TheUK, #TonePoem, #ViolinConcerto, #VirtuosoViolinist, #WhatGregSays, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, A Hero's Life, arranged, Arts, audience, background, Blake Pouliot, blog, Boulder, British, Canada, Canadian, Cello, Classical music, classicalmusic, Colorado, Colorado MahlerFest, Compact Disc, composer, Concert, concerto, conductor, critic, Cyril Scott, doctorate, Edward Elgar, Ein Heldenleben, Elgar, Elgar Festival, English, Facebook, Felix Mendelssohn, forward, Franz Joseph Haydn, freelancer, Fritz Kreisler, Great Britain, Greg Hettmansberger, growing up, guest, guest artist, Gustav Mahler, Haydn, hear, hero, information, international, interview, Jacob Stockinger, James Madison Memorial High School, Kenneth Woods, Lawrence University, Lawrence University Conservatory of Music, life, like, link, lotus, Lotus Land, Madison, Madison Symphony Orchestra, matinee, Matt Ambrosio, Mead Witter School of Music, Memorial High School, Mendelssohn, miracle, Miracle Symphony, Montreal, MSO, Music, music theory, night, opening night, Orchestra, Overture Center, Overture Hall, performance, performer, play, post, posting, praise, prize, purchase, Recordings, reputation, review, Richard Strauss, share, soloist, Strauss, Student, Sunday afternoon, symphony, tag, The Cap Times, The Capital Times, The Ear, theory, tickets, tone poem, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Veteran, Violin, Violin concerto, violinist, Website, What Greg Says, Wisconsin, Wisconsin Youth Symphony Orchestras, wrote, WYSO, YouTube
Classical music: Acclaimed native son Kenneth Woods returns this weekend to conduct the Madison Symphony Orchestra. He talks to The Ear about what Madison meant to him and his international career
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This weekend, native Madisonian Kenneth Woods (below) returns from his home in the UK to conduct three performances of the Madison Symphony Orchestra.
The concerts feature two MSO debuts: the prize-winning young Canadian violinist Blake Pouliot performing Mendelssohn’s Violin Concerto in E minor; and the acclaimed guest conductor, Kenneth Woods, leading the orchestra for the MSO premiere of Haydn’s Symphony No. 96, “Miracle” plus Richard Strauss’ tone poem Ein Heldenleben (A Hero’s Life).
Performances will be held in Overture Hall on Friday night, March 6, at 7:30 p.m.; Saturday night, March 7, at 8 p.m.; and Sunday afternoon, March 8, at 2:30 p.m.
Single tickets are $19-$95 each and are on sale now, along with discounted tickets, at: https://madisonsymphony.org/event/the-miracle/; through the Overture Center Box Office at 201 State Street; or by calling the Box Office at (608) 258-4141. Fees apply to online and phone sales.
You can view program notes for this concert online at http://bit.ly/msomar2020programnotes
A Prelude Discussion by Randal Swiggum will take place one hour before each concert.
Guest conductor Kenneth Woods is a busy and versatile musician. He is the Principal Conductor of the English Symphony Orchestra and the artistic director of both the Colorado MahlerFest and the Elgar Festival in England. (You can hear Woods conducting Carl Maria von Weber’s “Oberon” Overture in the YouTube video at the bottom.)
Woods has won accolades for rediscovering and recording the music of the Austrian-British composer Hans Gàl. Woods, who has played guitar in a rock band, is also a professional cellist who solos with orchestras and plays chamber music. He writes a respected blog. And he currently plays and records in the Briggs Piano Trio for Avie Records.
For much more information about Kenneth Woods, including his blog “A View From the Podium,” go to: https://kennethwoods.net/blog1/
Woods recently spoke via email to The Ear about what Madison has meant to him and to his international career.
How did living in Madison play a role in your decision to become a professional musician?
Madison offered me a chance to hear music at an early age. I was taken to watch a rehearsal of the Wisconsin Youth Symphony Orchestra as a very young kid, maybe three or four years old. That made a huge impression on me, especially seeing the rehearsal process. Later, my parents took us to all the UW Symphony Orchestra concerts for years.
There’s really no reason not to take young kids to concerts! For me, a love of live music led to a love of recorded music, listening to records at home, and from there, to an interest in playing music as a kid.
We were lucky to have a very strong music program in the Madison public schools when I was growing up here. The orchestras at Memorial High School played some really impressive repertoire under Tom Buchhauser (below top, in a photo by Jon Harlow). The UW Summer Music Clinic made being a musician social – it was a great immersion with one’s peers.
Most important, however, was probably the Wisconsin Youth Symphony Orchestras (WYSO). Playing under Jim Smith (below bottom) was the most fantastic education in orchestral playing one could hope for. He and Tom are a big part of why I became a conductor.
Madison in those days wasn’t a super-pressurized scene, like one might encounter around the big pre-college programs in New York or LA. But what I might have missed in terms of conservatory-level instrumentalists in every corridor, one made up in terms of feeling like you could find your own path. By the time I was in high school, I pretty much knew music was that path.
How did your experiences in Madison help prepare you for that career?
I learned so much about rehearsing from Jim Smith. In his first year, we worked on Dvorak’s 8th Symphony pretty much all year. Every week, he opened our ears to new facets of the music. I’ve never forgotten that.
I went off to Indiana University to do my Bachelor’s degree, but returned to Madison for a Master’s, when I studied cello with UW-Madison professor Parry Karp (below top).
Those were wonderful years for me. I learned an enormous amount from Parry as both a cello teacher and chamber music coach (and especially as a person).
I played in fantastic chamber groups, did lots of wacky new music and had solo opportunities. UW Symphony Orchestra conductor David Becker (below bottom) even gave me my first meaningful chance to rehearse an orchestra when he had me take a couple of rehearsals on the Copland Clarinet Concerto.
And I played in both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra. I came away from that time with both new skills and new confidence.
What does returning to your hometown to conduct the Madison Symphony Orchestra mean to you?
It’s both very exciting and a little surreal. Under the leadership of John DeMain (below top, in a photo by Greg Anderson), the MSO (below bottom, in a photo by Peter Rodgers) has come so far since the time I was in it. And the new hall is such a treasure for all of Wisconsin – it’s practically a different orchestra.
I still have many friends and former mentors in the orchestra and it’s going to be wonderful to see them all and make music together again after so long.
But it’s more than a homecoming. It’s a chance to celebrate where we’ve all been and what we’ve all done the last 20 years or so. My musical life has mostly been in the UK for a long time, so to re-connect with my musical roots here is rather magical.
What are your major current and upcoming projects?
The English Symphony Orchestra (below) represents the biggest chunk of my musical life. This year we’re celebrating Beethoven’s 250th birthday and the orchestra’s 40th anniversary.
The ESO has a special commitment to new and unknown music, and right now we’re in the midst of something called the 21st Century Symphony Project, which involves commissioning, premiering and recording nine new symphonies by diverse composers. It’s one of the most ambitious commissioning projects I’ve ever heard of, let alone been involved in.
I’m also excited about this year’s Colorado MahlerFest in Boulder, where we’re focusing on Mahler’s Symphony No. 2 “Resurrection” this May, which will crown a week of music exploring themes of color and visual art with music by Wagner, Messiaen and British composer Philip Sawyers.
Is the MSO program special to you?
I must say that it was incredibly generous of John DeMain to offer me such a fantastic program. Not every music director is gentleman enough to let a guest have Ein Heldenleben.
What would you like the public to know about your approach to music and about the specific works by Haydn, Mendelssohn and Richard Strauss?
Haydn’s music is maybe the richest discovery of my adult life. I didn’t get it as a kid, largely because most performances I heard were so dull.
His music is so varied, and his personality so complex, one mustn’t try to reduce him down to a simplistic figure. The late symphonies, of which this is one of the finest, are inexhaustible sources of wisdom, beauty, humor and sanity.
The Mendelssohn is really an astonishing piece. I’ve probably conducted it as much as any piece of music, with so many different soloists, all of whom had hugely different temperaments, personalities, sounds and approaches.
I’ve played it with some of the greatest violinists in the world and with young students. Somehow, whoever is playing, it always leaves me, and the audience, smiling. I’m pretty sure we can continue that streak with Blake Pouliot (below, in a photo by Jeff Fasano).
The Strauss is a rich, personal, wise, funny and moving work. It’s always a challenge, particularly bringing out all the astonishing detail in the score, but it’s also a real joy to perform. If the Mendelssohn always leaves me smiling, the Strauss always leaves me smiling with a tear in my eye.
Tags: #21stCentury, #AaronCopland, #AntoninDvorak, #ArtisticDirector, #AvieRecords, #AViewFromthePodium, #Bachelor'sDegree, #BeethovenYear, #BlakePouliot, #BlogInterview, #BlogPost, #BlogPosting, #BloomingtonIndiana, #BoxOffice, #BriggsPianoTrio, #BritishComposer, #CarlMariavonWeber, #ChamberMusic, #CityofMadison, #ClarinetConcerto, #ClarinetMusic, #ColoradoMahlerFest, #CommissionedMusic, #DavidBecker, #EdwardElgar, #EinHeldenleben, #EnglishSymphonyOrchestra, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FranzJosephHaydn, #Fridaynight, #GreatBritain, #GrowingUp, #GuestArtist, #GustavMahler, #HansGàl, #HighNotes, #HighSchool, #HomeWebsite, #IndianaUniversity, #JacobStockinger, #JamesSmith, #JimSmith, #JohnDeMain, #KennethWoods, #LiveMusic, #LosAngeles, #LosAngelesCalifornia, #LudwigVanBeethoven, #MadisonMemorialHighSchool, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MakeMusic, #Master'sDegree, #MeadWitterSchoolofMusic, #MemorialHighSchool, #MiracleSymphony, #MusicClinic, #MusicEducation, #NativeSon, #NewMusic, #NewYorkCity, #OlivierMessiaen, #OrchestralMusic, #OvertureCenter, #OvertureHall, #ParryKarp, #PhilipSawyers, #PianoTrio, #PreludeDiscussion, #Prize-Winning, #ProfessionalMusician, #ProgramNotes, #PublicSchools, #RandalSwiggum, #RecordedMusic, #ResurrectionSymphony, #RichardStrauss, #RichardWagner, #RockBand, #SaturdayNight, #Sundayafternoon, #TheEar, #TheU.K., #TheUK, #ThomasBuchhauser, #TomBuchhauser, #TonePoem, #UniversityofWisconsin-Madison, #UnknownMusic, #UWProfessor, #UWSymphonyOrchestra, #VirtuosoViolinist, #VisualArt, #WisconsinChamberOrchestra, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, 21st century, A View From the Podium, Aaron Copland, accolades, accomplished, adult, age, ambitious, anniversary, Antonín Dvořák, approach, Art, Artistic director, Arts, astonishing, audience, Austrian, Avie Records, Bachelor's degree, band, beauty, Beethoven, Beethoven Year, birthday, Blake Pouliot, blog, Bloomington, Boulder, box office, Briggs Piano Trio, British, busy, Canada, Canadian, career, Carl Maria von Weber, celebrate, cellist, Cello, challenging, Chamber music, chance, clarinet, clarinetist, Classical music, coach, college, color, Colorado, Colorado MahlerFest, commission, commitment, Compact Disc, complex, composer, Concert, concerto, conduct, conductor, confidence, conservatory, Copland, David Becker, debut, decision, detail, different, discount, discovery, discussion, dukk, Dvorak, early, ears, Education, Edward Elgar, Ein Heldenleben, Elgar, email, England, English, English Symphony Orchestra, enormous, event, excited, exciting, experience, eye, Facebook, facet, fantastic, fee, Felix Mendelssohn, festival, finest, forward, Franz Joseph Haydn, Friday, friend, funny, generous, gentleman, Great Britain, growing up, guest artist, guitar, Gustav Mahler, hall, Hans Gàl, Haydn, hear, hero, high school, Home, home website, Homecoming, huge, Humor, immersion, important, impression, impressive, Indiana, Indiana University, inexhaustible, information, instrumentalist, instrumentalists, interest, international, interview, Jacob Stockinger, James Madison Memorial High School, James Smith, Jim Smith, John DeMain, Kenneth Woods, kid, kids, know, LA, late, leadership, learn, life, like, link, listening, live music, living, Los Angeles, Love, Ludwig van Beethoven, Madison, Madison Memorial High School, Madison Symphony Orchestra, Madisonian, magical, Mahler, make, master's, masters degree, Mead Witter School of Music, Memorial High School, Mendelssohn, mentor, Messiaen, Miracle Symphony, moving, MSO, Music, music clinic, Music education, musical, Musician, native, new, New Music, New York City, night, notes, Oberon, Olivier Messiaen, online, Orchestra, orchestral music, Overture, Overture Center, Overture Center for the Arts, Overture Hall, parents, Parry Karp, path, peers, perform, performance, performer, personal, personality, Philip Sawyers, Piano Trio, play, podium, poem, pre-college, premiere, prepare, pressure, principal, prize, process, professional, professor, program, program notes, project, public, public schools, Q&A, Randal Swiggum, re-connect, record, recorded music, records, rediscover, rehearsal, repertoire, respect, respected, Resurrection Symphony, return, rich, Richard Strauss, Richard Wagner, rock band, role, roots, sale, sanity, Saturday, scene, score, share, simplistic, skill, smile, smiling, social, soloist, son, Sound, Strauss, strong, study, Sunday, surreal, symphony, tag, talk, Teacher, tear, temperament, The Ear, theme, Thomas Buchhauser, tickets, Tom Buchhauser, tone, tone poem, treasure, U.K., UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, unknown music, UW, UW Symphony Orchestra, varied, versatile, view, Violin, violinist, visual art, Wagner, Website, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Youth Symphony Orchestras, wisdom, won, wonderful, works, write, WYSO, year, young, YouTube
Classical music: University Opera updates and stages Mozart’s “Cosi fan tutte” on this Friday night, Sunday afternoon and Tuesday night. Plus, here are the winners of the Madison Symphony Orchestra’s Final Forte
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
NEWS UPDATE: If you missed it, here are the results of Wednesday’s night Final Forte teenage concerto competition with the Madison Symphony Orchestra, which was broadcast live from Overture Hall on Wisconsin Public Radio and PBS Wisconsin (formerly Wisconsin Public Television).
First and second place prizes of a $2,000 scholarship went to pianist Michael Wu and pianist Jessica Jiang, respectively. The two runners-up — violinists Emily Hauer and Jonah Kartman — each received a scholarship of $1,000.
Here is a link to more information, photos and background – including teachers — for each of the four contestants as well as the dates for rebroadcasting the finalists’ concert on radio and TV.
By Jacob Stockinger
The prize-winning University Opera and UW Symphony Orchestra will stage three performances of “Cosi fan tutte” (So Do They All, or Women Are Like That), the late comic and seriously satirical opera by Mozart about love, gender roles and cheating on partners.
The performances are in Old Music Hall on Bascom Hill on this Friday night, Feb. 28, at 7:30 p.m.; Sunday afternoon, March 1, at 2:30 p.m.; and Tuesday night, March 3, at 7:30 p.m.
Tickets are $25 for general admission with reserved seats, $20 for seniors (62 and up) and $10 for UW students.
As usual, UW students will alternate certain roles during the three performances. (Below is returning singer Anja Pustaver, one of the three Despina’s in the production.)
The stage director is David Ronis, the head of the opera program at the UW-Madison’s Mead Witter School of Music. He has won numerous national awards during his tenure at the UW-Madison for his inventive re-imaginings of well-known operas and musicals.
The student orchestra will be conducted by Oriol Sans, the acclaimed new professor of conducting and director of Orchestral Activities at the UW-Madison. (In the YouTube video at the bottom, you can hear the Overture to “Cosi” played by the Metropolitan Opera conducted by James Levine.)
Below is a studio photo by radio host Norman Gilliland of members of the production when they appeared on Wisconsin Public Radio. From left are: conductor Oriol Sans, director David Ronis, soprano Julia Urbank and soprano Cayla Rosche.
The opera has been updated to the Roaring Twenties, at a time when the women’s suffrage movement and other women’s rights issues were gaining traction. The re-staging also seems especially timely and contemporary, given the #MeToo and Time’sUp movements.
Here is a link to the full press release with the complete cast and production staff as well as a sketch of the abstract stage set (below) designed by Joseph Varga and other information, including a detailed synopsis and an explanation of the reason for setting the opera by in the Roaring 20s: https://www.music.wisc.edu/2020/02/10/cosi-fan-tutte/
Here is a link to a shortened version – with information about tickets and parking — on the Mead Witter School of Music’s home website under Concerts and Events: https://www.music.wisc.edu/event/university-opera-mozarts-cosi-fan-tutte/2020-02-28/
Tags: #BascomHill, #BlogPost, #BlogPosting, #BroadwayMusical, #CaylaRoche, #Classicalera, #CosifanTutte, #CriticallyAcclaimed, #DavidRonis, #DukeandDuchessofSussex, #EmilyHauer, #FacebookPost, #FacebookPosting, #FinalForte, #Fridaynight, #HomeWebsite, #JacobStockinger, #JamesLevine, #JessicaJiang, #JonahKartman, #JosephVarga, #JuliaUrbank, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MeToo, #MeToomovement, #MetropolitanOpera, #MichaelWu, #MusicHall, #NewsUpdate, #NormanGilliland, #OperaMusic, #OriolSans, #OvertureHall, #PBSWisconsin, #PianoConcerto, #PressRelease, #Prize-Winning, #ProductionStaff, #Roaring20s, #RoaringTwenties, #SeniorCitizen, #SopranoSinger, #Sundayafternoon, #TelevisionBroadcast, #TheEar, #TheMet, #Time'sUp, #Tuesdaynight, #UniversityofWisconsin-Madison, #UniversityOpera, #UWSymphonyOrchestra, #VocalMusic, #WisconsinPublic Radio, #WisconsinStudio, #WolfgangAmadeusMozart, #Women'sRights, #Women'sSuffrage, abstract, acclaim, alternate, audience, award, background, Bascom Hill, blog, Broadcast, cast, Cayla Rosché, cheating, Classical, Classical era, comic, Competition, Concert, concerto, contemporary, contestant, Cosi fan tutte, costume, costumes, date, David Ronis, director, Emily Hauer, era, event, Facebook, Final Forte, finalist, first, forward, Friday, Friday night, gain, gender, head, Home, home website, host, imagine, information, inventive, Jacob Stockinger, James Levine, Jessica Jiang, Jonah Kartman, Joseph Varga, Julia Urbank, late, like, link, live, Love, Madison Symphony Orchestra, Mead Witter School of Music, Met, Metropolitan Opera, Metropolitan Orchestra, Michael Wu, miss, movement, Mozart, Music Hall, musical, national, news, night, Norman Gilliland, opera, Orchestra, Oriol Sans, Overture, Overture Hall, parking, partner, PBS, PBS Wisconsin, performer, photo, Pianist, Piano, play, post, posting, press, prize, production, production staff, professor, program, Radio, rebroadcast, results, rights, Roaring 20s, Roaring Twenties, role, satirical, scholarship, second, senior, set, setting, share, shorten, singer, Singing, sketch, soloist, soprano singer, staff\, stage, Student, studio, suffrage, Sunday, Sunday afternoon, synopsis, tag, Teacher, teenage, teenager, Television, tenure, The Ear, the Met, tickets, time, timely, traction, Tuesday, Tuesday night, TV, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, update, UW, UW Symphony Orchestra, UW-Madison, version, Violin, violinist, vocal music, Website, Wisconsin Pubic Radio, Wolfgang Amadeus Mozart, women, women's rights, women's suffrage, YouTube
Classical music: This Saturday night, Russian pianist Ilya Yakushev returns to the Salon Piano Series at Farley’s House of Pianos to perform popular works by Beethoven, Liszt and Gershwin
5 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This coming Saturday night, Jan. 11, at 7:30 p.m., the acclaimed Russian-born pianist Ilya Yakushev (below) will make his fourth recital appearance at the Salon Piano Series.
The concert will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Yakushev — who studied in his native St. Petersburg and at the Mannes School of Music in New York City — has also performed several times with the Wisconsin Chamber Orchestra.
He never fails to impress with both his virtuosic technique and his insightful interpretations, whether he is playing Russian repertoire by Mussorgsky, Rachmaninoff and Prokofiev or jazzy American classics like Gershwin.
“Yakushev is one of the very best young pianists before the public today,” said the American Record Guide about Yakushev who has also won major international competitions.
For more information about Yakushev, including critics’ reviews, a biography, concert dates and a discography, go to his website: http://www.ilyayakushev.com
The Madison program includes:
Beethoven – Sonata “Pathetique,” Op. 13
Liszt – “Six Consolations” (You can hear the famous Consolation No. 3, often learned by students and played as an encore by concert artists, in the YouTube video at the bottom.)
Gershwin – music from the opera “Porgy and Bess” in an arrangement for solo piano
An artist’s reception will follow the concert.
Tickets are $45 in advance ($10 for students) or $50 at the door. Service fees may apply. Student tickets can only be purchased online and are not available the day of the event.
You can purchase tickets on line at: https://www.brownpapertickets.com/producer/706809
For more information, go to: https://salonpianoseries.org/concerts.html
This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
The Salon Piano Series is a nonprofit founded to continue the tradition of intimate salon concerts featuring exceptional artists. For more information about the series, including upcoming concerts and how to support it, call (608) 271-2626 or go to: https://salonpianoseries.org.
Tags: #AmericanRecordGuide, #BlogPost, #BlogPosting, #BrownPaperTickets, #ConcertArtist, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranzLiszt, #HomeWebsite, #IlyaYakushev, #LudwigVanBeethoven, #Mannes School of Music, #ModestMussorgsky, #MusicalInterpretation, #NationalEndowmentfortheArts, #NewYorkCity, #OperaMusic, #PianoMusic, #PianoSonata, #PorgyandBess, #SalonPIanoSeries, #SaturdayNight, #SergeiRachmaninoff, #SergeiRachmaninov, #ServiceFee, #StateOfWisconsin, #TheEar, #VirtuosoPianist, #WestSide, #WestTowneMall, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #YouTubevideo, age, American, American Record Guide, appearance, artist, Arts, audience, Beethoven, best, biogra[hy, blog, born, Brown Paper Tickets, Classical music, classics, Competition, composer, Concert, concert artist, concerto, consolation, critic, date, day, discography, encore, event, Facebook, fail, Farley's House of Pianos, forward, found, Franz Liszt, George Gershwin, georgegershwin, Gershwin, grant, home website, Ilya Yakushev, impress, information, insightful, international, interpretation, intimate, Jacob Stockinger, Jazz, jazzy, like, link, Liszt, Ludwig van Beethoven, Modest Mussorgsky, Music, music review, Mussorgsky, National Endowment for the Arts, NEA, New York City, nonprofit, opera, pathetique, Pathetique Sonata, performer, Pianist, Piano, Piano sonata, Porgy and Bess, post, posting, prize, Prokofiev, public, Rachmaninoff, Rachmaninov, reception, recital, Russia, Russian, salon, Salon Piano Series, Saturday night, Sergei Prokofiev, Sergei Rachmaninoff, Sergei Rachmaninov, service fee, share, solo, Sonata, St. Petersburg, State of Wisconsin, Student, tag, technique, The Ear, ticket, today, tradition, transcription, United States, virtuosic, virtuoso, Website, west side, West Towne, West Towne Mall, winner, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, young, YouTube
Classical music: Famed radio station WQXR names the best 100 recordings of 2019. Listen to samples of them here
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Did you get a gift card for the holidays?
Are you looking how to spend it by either purchasing CDs or subscribing to a streaming service?
Help and guidance are available.
Few names in the airing of classical music carry more prestige than the famed radio station WQXR in New York City.
To check out the radio station’s choice of the best recordings of 2019 is also to see where the worlds of recording and concertizing are heading.
Such trends include rediscovering neglected composers and championing new music as well as women composers, such as Clara Schumann, and composers of color, such as the American composer Florence Price (below), who has often been featured on Wisconsin Public Radio this past year.
But you will also find noteworthy recordings of such classics as Johann Sebastian Bach – and two of his rarely heard cousins instead of his sons – and well as outstanding recordings of symphonies and piano sonatas (below, the set by Igor Levit) for the upcoming Beethoven Year to mark the 250th anniversary of the birth of the composer.
And you will also find names of outstanding performers you may not have heard of — such as the exceptional Chinese pianist Haochen Zhang (below), a Van Cliburn Competition gold medalist whom The Ear would like to see perform here.
Here is a link to 25 picks with commentaries– plus another 75 titles and samples, without commentary, to round out a Top 100.
Happy listening!
https://www.wqxr.org/story/best-classical-recordings-2019/
Tags: #AmericanComposer, #AmyBeach, #AndrewNorman, #Anne-SophieMutter, #AntoninDvorak, #AntonioVivaldi, #BarbaraStrozzi, #BaroqueMusic, #BeethovenPianoSonatas, #BeethovenYear, #BelaBartok, #BlogPost, #BlogPosting, #CamilleSaint-Saens, #CarolineShaw, #ChamberMusic, #ChoralMusic, #ClaraSchumann, #ClassicalGuitar, #CompactDisc, #ComposersofColor, #DaniilTrifonov, #DanishStringQuartet, #DerekBermel, #DomenicoScarlatti, #EdvardGrieg, #FacebookPost, #FacebookPosting, #FannyMendelssohn, #FilmMusic, #FlorencePrice, #FranzJosephHaydn, #FredericChopin, #GabrielFaure, #GeorgeFridricHandel, #GiacomoPuccini, #GiftCard, #GiftGuide, #GuitarMusic, #GustavMahler, #HaochenZhnag, #HectorBerlioz, #HolidayGift, #HolidayGiftGuide, #IgorLevit, #IsaacAlbeniz, #IsataKanneh-Mason, #JeanSibelius, #JenniferHigdon, #JohannesBrahms, #JohannSebastianBach, #JohnTavener, #JohnWilliams, #JuliaWolfe, #LudwigVanBeethoven, #LuigiBoccherini, #MauriceRavel, #MieczyslawWeinberg, #ModestMussorgsky, #MovieMusic, #NeglectedComposers, #NeglectedMusic, #NewMusic, #NewYorkCity, #OperaMusic, #OrchestralMusic, #OrganMusic, #PeterIlyichTchaikovsky, #PianoConcerto, #PianoSonata, #RichardStrauss, #RobertSchumann, #SergeiProkofiev, #SergeiRachmaninoff, #SergeiRachmaninov, #StringQuartet, #TheEar, #VanCliburn, #VanCliburnInternationalPianoCompetition, #ViolinConcerto, #ViolinMusic, #VocalMusic, #WisconsinPublicRadio, #WolfgangAmadeusMozart, #WomenComposer, #WQXRradio, #WyntonMarsalis, 2019, Albeniz, American, American composer, Amy Beach, Andrew Norman, Anne-Sophie Mutter, anniversary, Antonín Dvořák, Antonio Vivaldi, Arts, Bach, Barbara Strozzi, Baroque, Baroque music, Bartok, Béla Bartók, Beethoven, Beethoven piano sonatas, Beethoven Year, Berlioz, best, birth, blog, Boccherini, Brahms, Caroline Shaw, CD, Chamber music, champion, China, Chinese, Chopin, choral music, Clara Schumann, Classical music, classicalmusic, classics, color, commentary, Compact Disc, composer, composers of color, concertizing, concerto, conductor, cousin, Daniil Trifonov, Danish String Quartet, Derek Bermel, discover, Domenico Scarlatti, Dvorak, Early music, Edvard Grieg, Facebook, fame, Fanny Mendelssohn, Faure, film, film music, Florence Price, forward, Franz Joseph Haydn, Franz Schubert, Frédéric Chopin, George Frideric Handel, Giacomo Puccini, gift, gift card, gift guide, gold, Gold medal, Grieg, guidance, guitar, Gustav Mahler, Handel, Haochen Zhang, Haydn, Hector Berlioz, help, Holiday, holiday gift guide, Igor Levit, Isata Kanneh-Mason, Jacob Stockinger, Jean Sibelius, Jennifer Higdon, Johann Sebastian Bach, Johannes Brahms, John Tavener, John Williams, Julia Wolfe, like, link, Ludwig van Beethoven, Luigi Boccherini, Mahler, Maurice Ravel, medal, Mieczyslaw Weinberg, Modest Mussorgsky, Mompou, Mozart, Music, Mussorgsky, name, neglected, neglected composer, neglected music, new, New Music, New York City, noteworthy, opera, Orchestra, organ, perform, Peter Ilyich Tchaikovsky, Pianist, Piano, Piano concerto, Piano sonata, post, posting, prestige, prize, Puccini, Rachmaninoff, Rachmaninov, Radio, radio station, Ravel, reader, recording, Richard Strauss, Robert Schumann, Saint-Saens, Scarlatti, Sergei Prokofiev, Sergei Rachmaninoff, service, share, Shaw, Sibelius, son, Sonata, Strauss, streaming, String quartet, subscribe, subscription, symphonies, symphony, tag, Taiwan, Taiwanese, Tchaikovsky, The Ear, title, trend, United States, Van Cliburn, Van Cliburn International Piano Competition, Viola, Violin, Vivaldi, vocal music, winner, wisconsin public radio, Wolfgang Amadeus Mozart, women, word, world, WQXR, WQXR-FM, Wynton Marsalis, year, Zhang
Classical music: Award-winning prodigy pianist Maxim Lando performs a recital at Farley’s on Sunday afternoon and gives a free public master class on Saturday afternoon
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: At noon this Saturday, Nov. 16, Grace Presents offers a FREE one-hour concert by Lawren Brianna Ware and friends. The concert is at Grace Episcopal Church, 116 West Washington Avenue, downtown on the Capitol Square.
Pianist and composer Ware, the 2017 Grand Prize Winner of the Overture Rising Stars Competition, will perform a program of original, contemporary and classical solo and chamber works entitled “These Are a Few of My Favorite Things.” Featured are works by Aram Khachaturian, Fazil Say, Frederic Chopin, Ludwig van Beethoven, Robert W. Smith, Martin Ellerby and Eric Ewazen.
By Jacob Stockinger
You have to hand it to Farley’s House of Pianos and its Salon Piano Series: They sure know how to book young up-and-coming performers to stay ahead of the curve.
Last season, they presented Kenneth Broberg, a silver medalist at the last Van Cliburn International Piano Competition, before he was accepted into the International Tchaikovsky Competition in Moscow, where he won a bronze medal.
This weekend, the Salon Piano Series presents another timely choice.
This Sunday afternoon, Nov. 17, at 4 p.m., the 17-year-old American piano prodigy Maxim Lando (below, in a photo by Matt Dine) will perform a solo recital at Farley’s showroom, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Once again, Lando was booked just before winning a big award and honor.
In addition, at his Salon Piano Series premiere, Lando will have grandparents in the audience, as well as an aunt, uncle and cousins, all from the Madison area.
The son of pianist Pippa Borisy, who grew up in Madison, and clarinetist Vadim Lando, Maxim was raised in Great Neck, Long Island, New York, and has a full-time career as a touring pianist while still finishing high school.
Lando first received national attention in 2017 when he performed with superstar Chinese pianist Lang Lang and jazz great Chick Corea with the Philadelphia Orchestra at Carnegie Hall’s Gala Opening Night.
He won the 2018 Young Concert Artists auditions at the age of 16 and Susan Hall of Berkshire Fine Arts has described him as having “a very old musical soul.”
This fall he received a Gilmore 2020 Young Artist Award, which recognizes the most promising of the new generation of U.S.-based pianists, age 22 or younger. He will perform a series of concerts this season at the Gilmore Keyboard Festival as part of the recognition.
For this Salon Piano Series concert, Lando will perform the same program he performed for recent sold-out performances at the Kennedy Center in Washington, D.C., and Carnegie Hall in New York City.
Lando’s program includes: Nikolai Kapustin’s Concert Etude “Toccatina”; Ludwig van Beethoven’s Sonata No. 30 in E Major, Op. 109 (you can hear the opening movement in the YouTube video at the bottom); Alexander Scriabin’s Prelude in B major and Etude in D-sharp minor; and Franz Liszt’s “Transcendental Etudes.”
Tickets are $45 in advance (full-time students are $10) or $50 at the door (if any remain). Service fees may apply. Student tickets can only be purchased online and are not available the day of the concert.
Tickets can be purchased at: https://www.brownpapertickets.com/event/4275212
An artist’s reception will follow the concert.
For more information, go to: https://salonpianoseries.org/concerts.html
MASTER CLASS
Also, on this Saturday, Nov. 16, at 4 p.m., Maxim Lando will teach a master class at Farley’s House of Pianos, where he will instruct four local students.
This is a free event that the public is invited to observe.
For a complete list of the music by Beethoven, Prokofiev and Clementi to be performed as well as the names of the local students and their teachers, go to: https://salonpianoseries.org/concerts.html
The master classes for the 2019-20 season are supported by the law firm of Boardman and Clark LLP.
This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
Tags: #AlexanderScriabin, #AramKhachaturian, #BerkshireFineArts, #BlogPost, #BlogPosting, #BoardmanandClark, #BrownPaperTickets, #CapitolSquare, #CarnegieHall, #ChamberMusic, #ChickCorea, #ChineseMusicians, #ChinesePianist, #ClarinetMusic, #ContemporaryComposer, #ContemporaryMusic, #EricEwazen, #FacebookPosting, #Farley'sHouseofPianos, #FazilSay, #FineArts, #FranzLiszt, #GermanComposer, #GilmoreCompetition, #GraceEpiscopalChurch, #GracePresents, #GrandPrize, #GreatNeck, #HighSchool, #HomeWebsite, #KennedyCenter, #KennethBroberg, #LangLang, #LawFirm, #LawrenBriannaWare, #LudwigVanBeethoven, #MartinEllerby, #MaximLando, #MuzioClementi, #NationalEndowmentfortheArts, #NewMusic, #NewYork, #NewYorkCity, #NikolaiKapustin, #OpeningNight, #OvertureCenter, #PhiladelphiaOrchestra, #PianoSonata, #RobertW.Smith, #RussianComposer, #SalonPIanoSeries, #SergeiProkofiev, #SoldOut, #StateOfWisconsin, #SuperstarPianist, #TchaikovskyCompetition, #TchaikovskyInternationalCompetition, #TheEar, #TranscendentalEtudes, #UnitedStates, #Up-and-Coming, #VanCliburnInternationalPianoCompetition, #WashingtonD.C., #WestTowneMall, #WisconsinArtsBoard, #YoungArtist, #YoungConcertArtists, #YouTubevideo, ahead, Alexander Scriabin, American, Aram Khachaturian, artist, Arts, attention, audience, award, Beethoven, Berkshire, blog, Boardman and Clark, bronze, Brown Paper Tickets, Capitol Square, career, Carnegie Hall, Chamber music, Chick Corea, Chinese, choice, Chopin, Christian, Christianity, Chunese, church, clarinet, Classical music, Competition, composer, Concert, concerts, cousin, cousins, curve, D.C., donor, downtown, Eric Ewazen, etude, Facebook, Facebook post, Farley's House of Pianos, Fazıl Say, fee, festival, fine arts, forward, Franz Liszt, free, friends, fund, funds, gala, generation, German, Germany, Gilmore Compeititon, Gilmore Keyboard Festival, Grace Episcopal Church, Grace Presents, grand prize, grandparents, grant, great, Great Neck, haunting, help, high school, home website, honor, information, International Tchaikovsky Competition, Italian, Italy, Jacob Stockinger, Jazz, John F. Kennedy Center for the Performing Arts, Kennedy Center, Kenneth Broberg, Keyboard, Lang Lang, Lauren Brianna Ware, law firm, like, link, local, Ludwig van Beethoven, Madison, Martin Ellerby, master class, masterclass, Maxim Lando, medal, Moscow, Music, Muzio Clementi, name, national, National Endowment for the Arts, NEA, new, New York City, Nikolai Kapustin, NPR, online, opening night, original, Overture Center, Pennsylvania, performer, Philadelphia, Philadelphia Orchestra, Pianist, Piano, Piano sonata, Prelude, premiere, prize, prodigy, program, promising, public, purchase, reception, recital, recognition, Robert W. Smith, Russia, Russian, Salon Piano Series, Scriabin, Season, Sergei Prokofiev, series, service, share, showroom, silver, sold-out, solo, Sonata, soul, star, State of Wisconsin, Student, superstar, support, tag, Teacher, The Ear, ticket, time, timely, toccata, tour, touring, Transcendental Etudes, U.S., uncle, United States, Van Cliburn, Van Cliburn International Piano Competition, Washington, Washington D.C., Website, West Towne Mall, winner, Wisconsin, Wisconsin Arts Board, works, young, young artist, Young Concert Artists, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: In 2019 who died? What recordings won prizes? What music had its premiere? Here is a comprehensive and detailed worldwide retrospective from Wikipedia
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
A new year is always a good time to do a review and take a look backward to assess the previous year.
Many local publications – newspapers and magazines — do Best of the Year round-ups.
But The Ear has never seen a more comprehensive list with major news and almost daily entries around the world than he found in Wikipedia, which has retrospectives going back to 2009 and looking forward to 2029.
In short, all the reviws are well worth exploring for the reminders they hold that, as the proverb goes, “Ars longa, vita brevis” or “Art is long, life is short.” (It is usually quoted in Latin translation from the original ancient Greek that was written by Hippocrates.)
There are seven different categories to click on, each with long entries. If you hover the cursor over the names or words that are spelled in blue, you will see more text and often a photograph. The categories are:
EVENTS
NEW WORKS
NEW OPERAS
ALBUMS
DEATHS
MAJOR AWARDS
REFERENCES
There are so many details that you may want to check out just one or two categories at a time over several days.
Here is a link: https://en.wikipedia.org/wiki/2019_in_classical_music
Do you know of someone or something – especially of local importance, such as the death in October of longtime Madison music critic John W. Barker (below, in a photo by Mark Golbach) – that did not make the list? Please leave word in the Comment section.
And here’s hoping that 2020 brings us even more important and memorable new and old music, but less loss.
Share this:
Like this:
Tags: #BaroqueMusic, #BestoftheYear, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ClassicalGreek, #FacebookPost, #FacebookPosting, #GrammyAward, #GramophoneAward, #GramophoneMagazine, #InstrumentalMusic, #JohnW.Barker, #JunoAwards, #LatinLanguage, #MadisonWisconsin, #MarkGolbach, #MusicCritic, #NewMusic, #NewYear, #OperaMusic, #OrchestralMusic, #TheEar, #VocalMusic, #Wikipediaentry, 2019, 2020, Album, ancient, Ars longa, Arts, assess, audience, award, Bach, backward, Baroque, Beethoven, Best of the Year, blog, blue, brass, category, Cello, Chamber music, choral music, Classical, Classical music, classicalmusic, comment, Compact Disc, composer, comprehensive, concerto, conductor, cursor, daily, day, dead, death, detail, Early music, entries, event, explore, Facebook, forward, Franz Schubert, Grammy, Gramophone, Gramophone Award, Greek, Hippocrates, hover, important, instrumental, instrumental music, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John W. Barker, journalism, Juno, Latin, like, link, list, local, look, Ludwig van Beethoven, Madison, magazine, major, Mark Golbach, memorable, Mozart, Music, music critic, name, new, New Music, New Year, news, Newspaper, October, old, online, opera, Orchestra, orchestral music, performer, photograph, Piano, post, posting, prize, proverb, publication, recording, reference, retrospective, review, round-up, share, Sonata, spell, symphony, tag, text, The Ear, translation, United States, Viola, Violin, vita brevis, vocal music, Website, Wikipedia, winds, Wisconsin, Wolfgang Amadeus Mozart, word, world, year