#ProfessionalMusician | The Well-Tempered Ear

The Wisconsin Chamber Orchestra starts its four-concert Winter Chamber Series TONIGHT at 7:30. Tickets are $30 for one-time access from Friday night to Monday night

January 22, 2021
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The new semester of virtual online concerts begins tonight with the inauguration of the Winter Chamber Series by the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski).

Tonight’s program features music by Giovanni Gabrieli, Valerie Coleman, Alec Wilder, Craig Russell and Franz Schubert. (In the YouTube video at the bottom, you can hear the first movement of the Schubert Cello Quintet, played by the Chamber Music Society of Lincoln Center.)

The programs are short and feature classic works as well as new music and neglected composers. Often single movements or excerpts rather than complete works are performed.

Concerts all debut on Fridays and remain available through Monday night. Debut dates are TONIGHT, Jan. 22; Feb. 26; March 26; and April 16. A ticket entitles the purchaser to one viewing.

Here is a description of the chamber music series from the WCO:

“While full orchestras remain sidelined, the WCO is excited to present the Winter Chamber Series. This new series will feature chamber works for multiple ensembles ranging from trios to octets, showcasing the versatility and caliber of the WCO’s 34 world-class musicians.

“Patrons will enjoy the four-concert series in the comfort of their own home, streaming each concert on WCO Live on-demand starting at 7:30 p.m. on the evening of the concert launch.

“All programs will be 60–75 minutes in length, with not only music but also stories from the WCO’s own musicians on their journey to becoming professional musicians.

“Also included is a pre-concert talk with maestro Andrew Sewell and Norman Gilliland, as well as a post-concert reflection with musicians of the WCO.”

Here is a link to the concerts, with programs plus notes by music director and conductor Sewell (below in a photo by Alex Cruz) as well as a link to purchase tickets from the Overture Center box office: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

In addition, the WCO has started a musician’s relief fund. It seeks donations to pay musicians for the wages they have lost due to postponed or canceled concerts.

Here is a link: https://wcoconcerts.org/support/donate

Posted in Classical music
Tags: #AlecWilder, #AndrewSewell, #ArtsPatron, #BlogPost, #BlogPosting, #BoxOffice, #BrassMusic, #CelloMusic, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CraigRussell, #FacebookPost, #FacebookPosting, #FranzSchubert, #Fridaynight, #GiovanniGabrieli, #JacobStockinger, #LincolnCenter, #MeadWitterSchoolofMusic, #Mondaynight, #MusicalExcerpt, #MusicDirector, #NeglectedComposers, #NewMusic, #NormanGilliland, #OnlineConcert, #OvertureCenter, #Pre-concertTalk, #ProfessionalMusician, #ProgramNotes, #StringMusic, #StringQuartet, #TheEar, #TheInauguration, #TheUW, #UniversityofWisconsin-Madison, #ValerieColeman, #ViolinMusic, #VirtualConcert, #WindMusic, #WinterChamberSeries, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #YouTubevideo, Alec Wilder, Andrew Sewell, Arts, audience, available, become, biography, blog, box office, brass music, calibre, canceled, cellist, Cello, cello music, Chamber music, Chamber Music Society of Lincoln Center, classic, Classical music, Coleman, comfort, complete, composer, Concert, concert series, conductor, coronavirus, Craig Russell, debut, donation, donor, Early music, ensemble, excerpt, excite, Facebook, Facebook post, Facebook posting, flute, forward, Franz Schubert, Friday, full, fund, Gabrieli, Giovanni Gabrieli, hearing, Home, Horn, host, inauguration, Jacob Stockinger, journey, length, like, Lincoln, LIncoln Center, link, listener, lost, Madison, Mead Witter School of Music, minute, minutes, Monday, movement, multiple, Music, Music director, musicians, neglected composers, new, New Music, night, Norman Gilliland, notes, Octet, one, online, Orchestra, Overture Center, pandemic, patron, post, post-concert, posting, postponed, pre-cocert, pre-concert, professional, program, program notes, purchase, purchaser, reflection, relief, remain, Russell, Schubert, semester, share, short, sidelined, single, stories, story, stream, string music, String quartet, symphony, tag, talk, The Ear, ticket, tickets, time, tonight, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, UW-Madsion, VALERIE COLEMAN, versatility, Viola, viola music, Violin, violinist, violist, virtual, WCO, Wilder, wind music, winter chamber music, Winter Chamber Series, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, YouTube

Should you keep practicing at 90? Ask famed cellist Pablo Casals

October 11, 2020
Leave a Comment

By Jacob Stockinger

Do you ever get old enough and accomplished enough to stop practicing?

Just ask the legendary Catalan cellist Pau (Pablo) Casals (below).

That’s the same Pablo Casals (1876-1973) who spent his entire life learning and performing, as you can read in his Wikipedia biography: https://en.wikipedia.org/wiki/Pablo_Casals.

That’s also the same pioneering Pablo Casals who also first discovered, recorded and popularized the solo cello suites by Johann Sebastian Bach, which you can sample in the YouTube video at the bottom. It was recorded in 1954 when Casals was 77.

What do you think about his remark?

Do you agree with Casals?

Would you still practice at 90?

The Ear wants to hear.

Posted in Classical music
Tags: #BaroqueMusic, #BlogPost, #BlogPosting, #CatalanCulture, #CelloMusic, #ChamberMusic, #FacebookPost, #FacebookPosting, #JacobStockiner, #JohannSebastianBach, #MusicEducation, #PabloCasals, #PauCasals, #PracticingMusic, #ProfessionalMusician, #RecordedMusic, #SoloCelloSuites, #SoundSample, #TheEar, #Wikipediabiography, #Wikipediaentry, #YouTubevideo, 90years, agree, Arts, Bach, Baroque, biography, blog, Catalan, cellist, Cello, Chamber music, Classical music, Concert, discover, Early music, enough, Facebook, fame, famed, first, forward, hear, Jacob Stockinger, Johann Sebastian Bach, learning, legendary, life, like, link, Madison, Music, Music education, old, Pablo Casals, Pau Casals, perform, performing, pioneer, pioneering, popularized, post, posting, practicing, professional, read, recorded, remark, sample, share, Solo Cello Suites, Spain, Spanish, spent, Student, tag, The Ear, thjnk, United States, Wikipedia, YouTube

Classical music: This year’s virtual Bach Around the Clock proved a 10-day success. Here is a news update with a date for 2021

August 31, 2020
Leave a Comment

By Jacob Stockinger

The Ear has received the following message from artistic director and violist Marika Fischer Hoyt (below top) about this year’s virtual Bach Around the Clock and the dates for next year’s festival when amateur and professional musicians will again celebrate the birthday of Johann Sebastian Bach (1685-1750):

Greetings! I hope this finds you well and finding ways to maintain equilibrium in these tumultuous times.

I’d like to thank you all again for making our 10-day 2020 Virtual Festival (one example is in the YouTube video at the bottom) such a success.

After the sad cancellation of our in-person festival, it was wonderful to see so many of you playing and singing Bach! It reminded me of the Dr. Seuss book; the COVID Grinch may have stolen the trappings of our festival, but we just held it anyway! (Below are members of the Suzuki Strings from a previous BATC festival.)

With the summer over, the BATC board of directors is looking ahead to next year’s festival, which will take place on Saturday, March 20, 2021. We don’t yet know what format it will take — whether in-person, virtual or some combination — but we will explore all available options.

If you have suggestions, please contact us.

Meanwhile, with so many concerts canceled, I hope you can find other ways to include music in your lives. I’ll continue posting Bach-related articles and performance links on our Facebook page.

If you have the means, please consider donating to artists and ensembles whose livelihoods have vanished for the foreseeable future.

Thank you again for being part of the BATC community, and please take care.

Posted in Classical music
Tags: #AfricanHoliday, #AmateurMusicians, #BachAroundtheClock, #BaroqueMusic, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ClarinetMusic, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #HarpsichordContinuo, #InstrumentalMusic, #InstrumentalPlayer, #JacobStockinger, #JohannSebastianBach, #MadisonSymphonyOrchestra, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #NewsUpdate, #NextYear, #ProfessionalMusician, #SopranoSinger, #SuzukiStrings, #SuzukiStringsofMadison, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VioladaGamba, #ViolinistVirtuoso, #VocalMusic, #WisconsinChamberOrchestra, #YouTubevideo, amateur, Articles, artists, Arts, audience, available, Bach, Bach Around the Clock, Baroque, Baroque music, BATC, birthday, blog, Book, canceled, cancellation, care, celebrate, Cello, Chamber music, choral music, clarinet, Classical music, classicalmusic, combination, community, composer, Concert, concerto, contiue, coronavirus, day, donating, Dr. Seuss, Early music, ensemble, equilibrium, example, explore, Facebook, festival, foreseeable, format, forward, future, greetings, Grinch, harpsichord, hope, in person, include, instrumental music, Jacob Stockinger, Johann Sebastian Bach, like, link, livelihood, lives, Madison, Madison Symphony Orchestra, maintain, Marika Fischer Hoyt, me, Mead Witter School of Music, means, member, message, Music, musicians, news, next year, one-day, online, option, other, pandemic, participant, Piano, play, player, playing, popular success, post, posting, professional, remind, share, Singing, Sonata, soprano, stolen, success, sucessful, suggestion, summer, Suzuki, Suzuki Strings, Suzuki Strings of Madison, tag, take, The Ear, times, trappings, tumultuous, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, UW, UW-Madison, vanished, Viola, viola da gamba, Violin, violinist, virtual, vocal music, ways, well, Wisconsin, Wisconsin Chamber Orchestra, wonderful, year, YouTube

Classical music: Meet the “Stay at Home” Symphony Orchestra. How do they sound so close and tight? Plus, today is May Day. What music would you play to celebrate workers?

May 1, 2020
2 Comments

ALERT: Today is May Day, a time to honor workers. What music would you play to celebrate and thank all the frontline workers — doctors, nurses, EMTs, police officers, firefighters, bus drivers, cleaners and janitors, grocery store workers, delivery people and others — who are now so indispensable?

By Jacob Stockinger

Many musicians — both singers and instrumentalists (below) — are self-isolating and doing their at-home best to keep those of us also sheltering in place entertained by performing virtual concerts.

It is something listeners can be grateful for. The players do an admirable and free public service during the COVID-19 crisis and coronavirus pandemic.

Of course, the virtual performances also have practical purposes.

The musicians keep their skills sharp during isolation.

And the virtual performances help to keep the names of individuals and groups, of composers and pieces, in the public’s mind at a time when live concerts have all been canceled or postponed.

There are many, many virtual concerts to choose from – made by local, regional, national and international musicians, some amateurs and some professional.

Many of them are solo performances given by an individual member of an orchestra, chamber music group or choral ensemble as well as big-name soloists such as pianist Emanuel Ax and cellist Yo-Yo Ma.

The individual ones are appreciated and impressive, even if some of the performances seem amateur-like in the sound or awkwardness.

What really impresses The Ear is when large groups, such as symphony orchestras and choirs, perform something with all the players at home and yet somehow the whole finished product sounds incredibly tight in and incredibly professional.

Last Saturday, the Metropolitan Opera even held a four-hour online gala with singers and instrumentalists from all over the world.

It makes The Ear wonder why they sound so good. How they do it, with all the complications and variables of timing and tempo, of rhythm, pitch and dynamics?

Is it the planning?

The processing and editing?

In any case, a very good example comes from the “Stay at Home” Symphony Orchestra playing Mozart’s Overture to the opera “The Marriage of Figaro.”

You can hear the YouTube video of the performance below.

Are there other such performances that you can point out to The Ear and you would like to see posted on this blog?

The Ear wants to hear.

Posted in Classical music
Tags: #AmateurMusician, #BaroqueMusic, #BlogPost, #BlogPosting, #BusDriver, #ChoralMusic, #Classicalera, #COVID-19, #EmanuelAx, #FacebookPost, #FacebookPosting, #GroceryStore, #LiveMusic, #MarriageofFigaro, #MayDay, #MetropolitanOpera, #OrchestralMusic, #PoliceOfficers, #ProfessionalMusician, #PublicHealth, #Self-Isolation, #ShelterinPlace, #SocialDistance, #SocialDistancing, #Stayathome, #StayatHomeSymphonyOrchestra, #SymphonyOrchestra, #TheMet, #VirtualConcert, #VocalMusic, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, admiran;e, amateur, Arts, at home, Bach, Baroque, Beethoven, big-name, blog, bus driver, cancel, canceled, celebrate, cellist, Cello, Chamber music, Choir, choral music, Classical, Classical music, cleaner, complications, composer, Concert, coronavirus, crisis, delivery, doctors, dynamics, editing, Emanuel Ax, EMT, entertain, era, example, execution, Facebook, finish, firefighters, forward, free, frontline, gala, good, grateful, grocery, grocery store, group, hear, Home, honor, impress, impressive, indispensible, individual, instrumentalists, international, isolation, Jacob Stockinger, janitor, Johann Sebastian Bach, like, link, listeners, live music, local, Ludwig van Beethoven, Ma, Marriage of Figaro, May Day, member, Metropolitan Opera, mind, Mozart, Music, national, nurses, online, opera, Orchestra, Overture, pandemic, perform, performer, Pianist, Piano, piece, pitch, planning, play, police, police officers, post, posting, postpone, practical, processing, product, professional, Public health, purpose, regional, self-isolating, share, sharp, shelter, shelter in place, singer, skill, social distance, social distancing, solo, soloists, Sound, stay at home, Stay at Home Symphony Orchestra, symphony, symphony orchestra, tag, Tempo, The Marriage of Figaro, the Met, tight, time, timing, United States, variable, Viola, Violin, virtual, vocal music, Wisconsin, Wolfgang Amadeus Mozart, work, workers, Yo-Yo Ma, YouTube

Classical music: The Virtual Bach Around the Clock 2020 festival ends today. Here’s how to catch up on the 10 days of making Baroque music

April 7, 2020
1 Comment

By Jacob Stockinger

If you recall, this year’s 12-hour Bach Around the Clock festival – a platform for students, amateurs and professional musicians to celebrate the birthday of Johann Sebastian Bach (below) — was scheduled to take place at St. Andrew’s Episcopal Church on Saturday, March 28.

Faced with cancellation of the annual free event because of the public health dangers posed by the COVID-19 pandemic and the need for social distancing, the organizers decided to try going virtual and hold the festival online by asking performers to send in short videos made at home.

And it worked.

“From what we have heard, it has been a very rewarding experience for both the performers who sent in videos and for the people who watched and listened to them,” says violist and BATC artistic director Marika Fischer Hoyt (below).

The cost of going virtual was not great, but it took lot of time and hard work, admits Fischer Hoyt, who says she spent between 7 and 10 hours a day to post each day’s Bach video.

It was hard especially at the beginning, she notes, when she had to learn how to use software programs, such as iMovie, to make and then upload and post the videos.

She didn’t just organize the online festival. She also performed and provided gracious introductions to the program for each day.

Lately, the videos average about 20 minutes – your Daily Minimum Requirement of Bach, as the witty Wisconsin Public Radio host Anders Yocom would say. But they were longer at the beginning when more videos were sent in. Towards the end, the festival even used some photos and audio recordings from past years to round out programs.

But the reach of the virtual festival, intended to be local, was wider than Fischer Hoyt had expected. Musicians replied and participated from Florida, Minnesota and – as you can hear today – from Costa Rica.

All the effort worked.

In one of the major victories against all the coronavirus cancellations and postponements in the Madison music scene, the Virtual Bach Around the Clock 2020 brought the public beautiful Baroque music by voices, strings, keyboards and winds in cantatas, partitas, preludes and fugues, sonatas and suites.

Listening to just one a day would be a good way to spread out and savor the joy of the festival for 10 days while you self-isolate and shelter in place at home.

You can find the videos on YouTube. In the search bar, just type in Virtual Bach Around the Clock 2020, Madison, Wisconsin.

But a much easier and more organized way can be found here on the festival’s home website, which lists the videos in chronological order and links to them: https://bachclock.com/audience-listening-viewing

Try listening to them and tell us what you think about the individual videos and performances — do you have a favorite? — and about mounting the virtual festival.

And, if you like, leave a note of thanks in the Comment section.

The Ear wants to hear.

Here is Day 5:

Posted in Classical music
Tags: #AmateurMusicians, #AndersYocom, #ArtisticDirector, #BachAroundtheClock, #BachCantata, #BaroqueMusic, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ChristianChurch, #CostaRica, #COVID-19, #DailyMinimumRequirement, #FacebookPost, #FacebookPosting, #Hard Work, #HardWork, #JacobStockinger, #JohannSebastianBach, #KeyboardMusic, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #NationalPublicRadio, #PreludeandFugue, #ProfessionalMusician, #PublicHealth, #Self-Isolation, #ShelterinPlace, #SocialDistancing, #SpreadOut, #St.Andrew'sEpiscopalChurch, #StringMusic, #TheEar, #TheInternet, #UniversityofWisconsin-Madison, #VocalMusic, #WindMusic, #WisconsinPublicRadio, #YouTubevideo, 2020, admit, amateur, Anders Yocom, annual, Artistic director, Arts, audience, Audio, average, Bach, Bach Around the Clock, bar, Baroque, BATC, beautiful, beginning, birthday, blog, cancel, cancellation, Cantata, celebrate, Chamber music, choral music, Christian, chronological, church, Classical music, classicalmusic, comment, composer, Concert, coronavirus, cost, Costa Rica, covid, daily minimum requirement, day, Early music, effort, event, expect, expense, experience, Facebook, festival, Florida, forward, free, fugue, gracious, hard, harpsichord, Health, Home, host, hour, iMovie, individual, Internet, introduction, isolation, Jacob Stockinger, Johann Sebastian Bach, Joy, Keyboard, leave, like, link, listen, local, longer, made, Madison, Marika Fischer Hoyt, Mead Witter School of Music, Minnesota, minute, Music, music student, Musician, National Public Radio, need, note, NPR, on-line, online, order, organizer, pandemic, participate, partita, past, People, performance, performer, photo, Piano, platform, post, posting, postpone, postponement, Prelude, programs, provide, public, Public health, Radio, reach, recording, rewarding, round out, Saturday, savor, scene, schedule, search, section, self-isolate, share, shelter in place, sing, singer, social distancing, software, Sonata, soprano, spread out, St. Andrew's Episcopal Church, string music, strings, students, Suite, tag, thanks, The Ear, think, time, today, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upload, use, UW-Madison, video, Viola, Violin, violist, virtual, vocal music, voice, watch, winds, Wisconsin, wisconsin public radio, witty, work, WPR, year, YouTube

Classical music: Madison Bach Musicians cancels its performances in late April of the Monteverdi Vespers of 1610. Here are details about ticket donations and refunds

April 1, 2020
1 Comment

By Jacob Stockinger

The Ear has received the following note from founder and artistic director Trevor Stephenson (below top) and associate artistic director Kangwon Kim (below bottom) of the Madison Bach Musicians regarding the cancellation of the April performances of Monteverdi’s Vespers of 1610.

Dear Friends of Madison Bach Musicians,

We hope everyone is staying well and hanging in there during this global health crisis and massive shutdown. We’re all monitoring the news and looking for any indication that things might improve soon.

Unfortunately, the chances of improvement coming soon enough for public concerts scheduled even near the end of April are overwhelmingly remote.

Madison Bach Musicians (MBM) is very sorry to have to cancel the Vespers of 1610 by Claudio Monteverdi (below) on April 25 and 26. We were all greatly looking forward to it, and of course the piercing irony of having to cancel is that the joy this music brings is what we now, as a culture, need more than ever.

The global economic impact of the coronavirus and COVID-19 pandemic is certainly catastrophic. And, in the music world we are feeling this directly. As a non-profit organization, cancelling a performance is one of the hardest decisions to make ― but the health and well-being of our audience, musicians and staff absolutely come first.

Madison Bach Musicians (below) has offered the Vespers musicians 40 percent of their fee ― we regret we are not a large enough organization to offer full payment.

Several of the players, however, in a show of great generosity, immediately requested that their portion be distributed among the other players. Considering the economic hardship that most freelance musicians will be facing in the coming months, every degree of financial support is deeply appreciated.

MBM is so very grateful to those of you who have purchased tickets to the Vespers. As MBM will feel the economic effects of the Vespers cancellation for a long time, we ask for your support and careful consideration as you decide what to do with your unused Vespers tickets.

If you have purchased tickets, please let us know by April 26, 2020 whether you would like to:

Make your Vespers tickets a tax-deductible donation to MBM. Thank you ― we appreciate it!

A. If you purchased tickets as part of a 2019-20 MBM season subscription or as individual tickets online, please email MBM manager Karen Rebholz at madisonbachmusicians.manager@gmail.com. She will email you your donation tax receipt.

B. If you purchased tickets at one of our outlet locations (Orange Tree Imports or Willy Street Co-op East and West), please mail your tickets to MBM by U.S. mail, provide us with your email address, and we will email you your donation tax receipt.

Request a refund. We’re happy to provide your money back, and look forward to seeing you again in 2020-21 season.

B. If you purchased tickets at one of our outlet locations (Orange Tree Imports or Willy Street Co-op East and West), please mail your tickets to MBM by the U.S. mail, provide us with your street address, and MBM will mail you your refund check.

Our mailing address is: Madison Bach Musicians, 5729 Forsythia Place, Madison WI 53705. If you have questions, please email Karen Rebholz, MBM manager, at madisonbachmusicians.manager@gmail.com or call us at (608) 238-6092

Thank you for your understanding. We look forward to seeing you in the 2020-21 season

Very best wishes―and please stay safe.

Posted in Classical music
Tags: #ArtisticDirector, #BaroqueMusic, #BlogPost, #BlogPosting, #ChoralMusic, #ClassicalMusician, #ClaudioMonteverdi, #COVID-19, #EmailAddress, #FacebookPost, #FacebookPosting, #FinancialSupport, #FullPayment, #GovernmentShutdown, #HealthCrisis, #JacobStockinger, #JohannSebastianBach, #KangwonKim, #MadisonBachMusicians, #MailingAddress, #MusicWorld, #OrangeTreeImports, #PostalService, #ProfessionalMusician, #RenaissanceMusic, #SeasonSubscription, #StreetAddress, #SubscriptionTicket, #TheEar, #TheU.S., #TheVespers, #TrevorStephenson, #U.S.PostalService, #Vespersof1610, #VocalMusic, #WillyStreetCo-op, #WillyStreetCoopEast, #WillyStreetCoopWest, 2020, 2021, address, appreciate, April, Artistic director, Arts, audience, Bach, Baroque, blog, cancel, cancellation, catastrophe, catastrophic, Cello, check, choral music, Classical, Classical music, Claudio Monteverdi, co-op, composer, Concert, conductor, coronavirus, crisis, cultural, culture, decision, degree, direct, distribute, donation, Early music, ecnomic, eco-friendly, economic, effect, email address, event, everyone, face, Facebook, fee, feel, feeling, financial, forward, founder, freelance, full, full payment, generosity, global, gmail, government shutdown, grateful, hard, hardship, Health, impact, improve, improvement, indication, individual, irony, Jacob Stockinger, Johann Sebastian Bach, Joy, Kangwoo Kim, Kim, large, like, link, location, look, Madison, Madison Bach Musicians, mail, mailing address, manager, massive, MBM, money, moning, monitor, Monteverdi, Music, music world, Musician, need, news, non-profit, note, online, Orange Tree Imports, Orchestra, outlet, overwhelming, pandemic, payment, performance, performer, pierce, players, portion, post, postal service, posting, provide, purchase, questions, receipt, refund, regret, remote, Renaissance, request, safe, Season, see, share, shutdown, sorry, staff\, street, subscription, support, tag, tax, tax-deductible, The Ear, ticket, time, Trevor Stephenson, U.S., U.S. Postal Service, understanding, unfortunately, United States, USPS, vespers, Vespers of 1610, Viola, Violin, vocal music, we, well, well-being, Willy Street Co-op, Willy Street Coop East, Willy Street Coop West, Wisconsin, wish, world

Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW

March 27, 2020
Leave a Comment

ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.

The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.

For a link and portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/

By Jacob Stockinger

The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:

The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.

The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.

Sadly, that was not to be.

But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.

We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.

We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.

Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.

We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.

Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.

BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.

We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)

The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.

Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)

For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison

Posted in Classical music
Tags: #AmateurMusician, #AndrewSewell, #ArtisticDirector, #BachAroundtheClock, #BaroqueMusic, #BlogPost, #BlogPosting, #BoardofDirectors, #CamilleSaint-Saens, #ChamberMusic, #ChoralMusic, #ConcertSeason, #FacebookPost, #FacebookPosting, #Fridaynight, #GeorgesBizet, #HighTechnology, #HomeWebsite, #InstrumentalMusic, #IntroductionandAllegroAppassionato, #JacobStockinger, #JacquesOffenbach, #JasonKutz, #JohannSebastianBach, #KittReuter-Foss, #LeonardBernstein, #LiveMusic, #LocalMusicians, #MarikaFischerHoyt, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MusicDirector, #MusicLover, #OperaMusic, #OriginalEnding, #OrpheusintheUnderworld, #PianoConcerto, #PianoMusic, #PoetandPeasantOverture, #ProfessionalMusician, #RachelBartonPine, #RobertSchumann, #SaturdayMorning, #SoldOut, #SuzukiMethod, #SuzukiStringsofMadison, #TheEar, #TroubleinTahiti, #TuneIn, #UniversityofWisconsin-Madison, #ViolinConcerto, #VirtuosoViolinist, #VocalMusic, #WhataMovie, #WisconsinChamberOrchestra, #YouTubeChannel, add, adult, amateur, Andrew Sewell, appreciate, appreciative, Artistic director, Arts, audience, Audio, Bach, Bach Around the Clock, Baroque, beginning, Bernstein, birthday, Bizet, blog, Board of Directors, booked, Box, Camille Saint-Saëns, Cantata, Carmen, Cello, Chamber music, channel, choral music, Classical music, classicalmusic, click, collapse, community, composer, Concert, concert season, concerto, conduct, conductor, disappointment, Early music, enjoy, explain, exposure, Facebook, festival, file, forward, Franz von Suppe, free, Friday, full, Georges Bizet, guide, Habanera, home website, in person, include, information, instructions, instrumental music, introduction, Introduction and Allegro Appassionato, invite, Jacob Stockinger, Jacques Offenbach, Jason Kutz, Johann Sebastian Bach, Joy, Kitt Reuter-Foss, Leonard Bernstein, life-giving, like, link, live, live music, local, lover, Madison, Marika Fischer Hoyt, Mead Witter Foundation Concert Hall, Mead Witter School of Music, meaning, media, message, Mezzo-soprano, morning, movie, Music, Music director, music lover, musical, musicians, need, new, newcomer, newcomers, night, opera, original, Orpheus, Orpheus in the Underworld, outlet, Overture, page, participate, participation, particular, Passion, past, performance, performer, Pianist, Piano, piece, playing, Poet and Peasant Overture, portal, post, posting, premiere, professional musician, program, quality, Rachel Barton Pine, recording, request, Robert Schumann, Saint-Saens, Saturday, schedule, Schumann, seasoned, seat, selection, share, shocking, Singing, sold-out, something, Sonata, stream, students, subject, submission, sudden, Suppe, Suzuki, Suzuki Strings of Madison, tag, talent, talk, team, tech, technical, technology, text, thinking, thoughts, time, tonight, transcendent, Trouble in Tahiti, try, tune in, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, video, Viola, Violin, violinist, virtual, vocal music, WCO, Website, What a Movie, Wisconsin, Wisconsin Chamber Orchestra, you, young, YouTube

Classical music: The coronavirus forces the cancellation of Bach Around the Clock plus concerts by pianist Drew Petersen and violinist Gil Shaham. Other groups will wait and see. Read local and national overviews

March 13, 2020
2 Comments

By Jacob Stockinger

The pandemic of the coronavirus (below, from by the federal Centers for Disease Control) has now put Wisconsin into a public health emergency, as declared Thursday morning by Gov. Tony Evers, and continues to take its toll on the local art scene – and does so very quickly.

Since yesterday, the threat posed by the coronavirus and COVID-19 has forced the cancellation of three more major musical events:

The biggest is the cancellation of Bach Around the Clock 2020 on Saturday, March 28.

BATC is the FREE annual event celebrating the birthday of Johann Sebastian Bach (1685-1750). It runs for 12 hours, from 10 a.m. to 10 p.m., and offers dozens of performances by student, amateur and professional musicians.

A Saturday night concert and Sunday afternoon master class by up-and-coming pianist Drew Petersen (below) — for the Salon Piano Series at Farley’s House of Pianos– has been cancelled and postponed until the summer.

And the March 28 recital by violinist Gil Shaham (below) and pianist Akira Eguchi at the Wisconsin Union Theater has been cancelled

Some other major groups are taking a wait-and-see approach about cancelling events. They include: the Madison Opera, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

You can read more about them, and about other local arts events, including pop music as well as museum openings and exhibitions, in a comprehensive overview by Michael Muckian in Isthmus: https://isthmus.com/news/news/coronavirus-impacts-arts-events/

And here is an excellent story from National Public Radio (NPR) about the national context of how the Coronavirus is impacting the arts across the U.S. https://www.npr.org/2020/03/12/814992409/in-the-age-of-covid-19-event-cancellations-precipitate-a-large-economic-impact

DETAILS ABOUT POSTPONEMENTS AND REFUNDS

Here is the announcement from BATC artistic director Marika Fischer Hoyt (below):

“Dear friends and colleagues,

“We on the BATC board have been carefully monitoring this rapidly-developing situation: the exponentially increasing number of cases being diagnosed in the U.S., the recommendations from the medical community, and responses from other organizations large and small.

“After careful consideration, we have decided, regretfully, that the most responsible course of action is to cancel the BATC festival this March.

“We on the board are so grateful to the performers, hosts and donors, who have invested time, talent and resources in this year’s festival. Our hope is to reschedule for a date in the fall. Stand by for more information on that soon.

“But for now, we ask for your understanding.

“I hope, even though we can’t celebrate his music together on the March 28, that we will all find ways to enjoy Bach’s music this month.”

For more information, go to: https://bachclock.com and facebook.com/batcmadison

Here are details about the Drew Petersen cancellations:

“Sadly, we are postponing both the Drew Petersen concert on March 14 and his master class on March 15 until the summer.

“New dates for the concert and master class are yet to be determined. We will announce them via email, the Salon Piano Series website and on social media for the Salon Piano Series.

“We know you’ll understand that our concern for your health and well-being made this decision necessary.

“You may request a refund or keep your ticket for the concert in the summer. Everyone who bought a ticket will have one week after the announcement of the new concert date to request a refund.

“If you would like a refund immediately, please follow the instructions below. Please allow several business days for refunds to be processed.

Paper Tickets: If you have a paper ticket, please take a photo of your ticket and email the photo to cristofori@salonpianoseries.org

explaining that you would like a refund.

Online Tickets: “If the ticket is not part of a season ticket, call Brown Paper Tickets at 1-800-838-3006.

If your ticket is part of a season ticket, contact Salon Piano Series at 608-271-2626. Refunds for season ticket holders will be issued through Salon Piano Series by check, not through Brown Paper Tickets.

Tickets Ordered by Phone

If you purchased a ticket by phone, contact Salon Piano Series at 608 271-2626 to request a refund.

Posted in Classical music
Tags: #AkiraEguchi, #AmateurMusician, #ArtExhibition, #ArtisticDirector, #BachAroundtheClock, #BaroqueMusic, #BlogPost, #BlogPosting, #BrownPaperTickets, #BusinessDay, #CentersforDiseaseControl, #ChamberMusic, #COVID-19, #Drew Petersen, #DrewPetersen, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #GilShaham, #Gov.Evers, #Gov.TonyEvers, #HealthEmergency, #HomeWebsite, #IsthmusMagazine, #IsthmusNewspaper, #JacobStockinger, #JohannSebastianBach, #MadisonOpera, #MadisonSymphonyOrchestra, #MarikaFischerHoyt, #MichaelMuckian, #NationalPublicRadio, #OvertureCenter, #PopMusic, #ProfessionalMusician, #PublicHealth, #SalonPIanoSeries, #SocialMedia, #TheU.S., #UnitedStates, #UniversityofWisconsin-Madison, #Up-and-Coming, #Wait-and-See, #WisconsinChamberOrchestra, #WisconsinUnionTheater, Akira Eguchi, amateur, annual, approach, Art, Artistic director, Arts, audience, Bach, Bach Around the Clock, Baroque, Baroque music, BATC, birthday, blog, board, Brown Paper Tickets, Business, business day, cancel, cancellation, case, CDC, celebrate, Centers for Disease Control, Chamber music, check, Classical music, classicalmusic, community, composer, comprehensive, concern, Concert, coronavirus, date, day, declare, diagnose, donor, dozens, Early music, edia, enjoy, event, exhibition, exponential, Facebook, fall, Farley's House of Pianos, federal, festival, find, forward, free, Gil Shaham, Gov. Tony Evers, governor, grateful, Health, health emergency, home website, hope, host, hour, impact, increase, Isthmus, Jacob Stockinger, Johann Sebastian Bach, large, like, link, local, Madison, Madison Opera, Madison Symphony Orchestra, march, Marika Fischer Hoyt, medical, Michael Muckian, monitor, morning, Museum, Music, musical, national, National Public Radio, Newspaper, NPR, number, opening, opera, Orchestra, organization, Overture Center, overview, pandemic, paper, performer, phone, Pianist, Piano, pop music, post, posting, postpone, postponement, professional, public, Public health, quick, recital, refund, reschedule, response, run, Salon Piano Series, scene, Season, share, small, social, state, story, Student, summer, symphony, tag, talent resources, threat, ticket, toll, Tony Evers, U.S., understanding, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Violin, violinist, virus, way, Website, well-being, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Union Theater, year, yesterday, young

Classical music: Acclaimed native son Kenneth Woods returns this weekend to conduct the Madison Symphony Orchestra. He talks to The Ear about what Madison meant to him and his international career

March 2, 2020
2 Comments

By Jacob Stockinger

This weekend, native Madisonian Kenneth Woods (below) returns from his home in the UK to conduct three performances of the Madison Symphony Orchestra.

The concerts feature two MSO debuts: the prize-winning young Canadian violinist Blake Pouliot performing Mendelssohn’s Violin Concerto in E minor; and the acclaimed guest conductor, Kenneth Woods, leading the orchestra for the MSO premiere of Haydn’s Symphony No. 96, “Miracle” plus Richard Strauss’ tone poem Ein Heldenleben (A Hero’s Life).

Performances will be held in Overture Hall on Friday night, March 6, at 7:30 p.m.; Saturday night, March 7, at 8 p.m.; and Sunday afternoon, March 8, at 2:30 p.m.

Single tickets are $19-$95 each and are on sale now, along with discounted tickets, at: https://madisonsymphony.org/event/the-miracle/; through the Overture Center Box Office at 201 State Street; or by calling the Box Office at (608) 258-4141. Fees apply to online and phone sales.

You can view program notes for this concert online at http://bit.ly/msomar2020programnotes

A Prelude Discussion by Randal Swiggum will take place one hour before each concert.

Guest conductor Kenneth Woods is a busy and versatile musician. He is the Principal Conductor of the English Symphony Orchestra and the artistic director of both the Colorado MahlerFest and the Elgar Festival in England. (You can hear Woods conducting Carl Maria von Weber’s “Oberon” Overture in the YouTube video at the bottom.)

Woods has won accolades for rediscovering and recording the music of the Austrian-British composer Hans Gàl. Woods, who has played guitar in a rock band, is also a professional cellist who solos with orchestras and plays chamber music. He writes a respected blog. And he currently plays and records in the Briggs Piano Trio for Avie Records.

For much more information about Kenneth Woods, including his blog “A View From the Podium,” go to: https://kennethwoods.net/blog1/

Woods recently spoke via email to The Ear about what Madison has meant to him and to his international career.

How did living in Madison play a role in your decision to become a professional musician?

Madison offered me a chance to hear music at an early age. I was taken to watch a rehearsal of the Wisconsin Youth Symphony Orchestra as a very young kid, maybe three or four years old. That made a huge impression on me, especially seeing the rehearsal process. Later, my parents took us to all the UW Symphony Orchestra concerts for years.

There’s really no reason not to take young kids to concerts! For me, a love of live music led to a love of recorded music, listening to records at home, and from there, to an interest in playing music as a kid.

We were lucky to have a very strong music program in the Madison public schools when I was growing up here. The orchestras at Memorial High School played some really impressive repertoire under Tom Buchhauser (below top, in a photo by Jon Harlow). The UW Summer Music Clinic made being a musician social – it was a great immersion with one’s peers.

Most important, however, was probably the Wisconsin Youth Symphony Orchestras (WYSO). Playing under Jim Smith (below bottom) was the most fantastic education in orchestral playing one could hope for. He and Tom are a big part of why I became a conductor.

Madison in those days wasn’t a super-pressurized scene, like one might encounter around the big pre-college programs in New York or LA. But what I might have missed in terms of conservatory-level instrumentalists in every corridor, one made up in terms of feeling like you could find your own path. By the time I was in high school, I pretty much knew music was that path.

How did your experiences in Madison help prepare you for that career?

I learned so much about rehearsing from Jim Smith. In his first year, we worked on Dvorak’s 8th Symphony pretty much all year. Every week, he opened our ears to new facets of the music. I’ve never forgotten that.

I went off to Indiana University to do my Bachelor’s degree, but returned to Madison for a Master’s, when I studied cello with UW-Madison professor Parry Karp (below top).

Those were wonderful years for me. I learned an enormous amount from Parry as both a cello teacher and chamber music coach (and especially as a person).

I played in fantastic chamber groups, did lots of wacky new music and had solo opportunities. UW Symphony Orchestra conductor David Becker (below bottom) even gave me my first meaningful chance to rehearse an orchestra when he had me take a couple of rehearsals on the Copland Clarinet Concerto.

And I played in both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra. I came away from that time with both new skills and new confidence.

What does returning to your hometown to conduct the Madison Symphony Orchestra mean to you?

It’s both very exciting and a little surreal. Under the leadership of John DeMain (below top, in a photo by Greg Anderson), the MSO (below bottom, in a photo by Peter Rodgers) has come so far since the time I was in it. And the new hall is such a treasure for all of Wisconsin – it’s practically a different orchestra.

I still have many friends and former mentors in the orchestra and it’s going to be wonderful to see them all and make music together again after so long.

But it’s more than a homecoming. It’s a chance to celebrate where we’ve all been and what we’ve all done the last 20 years or so. My musical life has mostly been in the UK for a long time, so to re-connect with my musical roots here is rather magical.

What are your major current and upcoming projects?

The English Symphony Orchestra (below) represents the biggest chunk of my musical life. This year we’re celebrating Beethoven’s 250th birthday and the orchestra’s 40th anniversary.

The ESO has a special commitment to new and unknown music, and right now we’re in the midst of something called the 21st Century Symphony Project, which involves commissioning, premiering and recording nine new symphonies by diverse composers. It’s one of the most ambitious commissioning projects I’ve ever heard of, let alone been involved in.

I’m also excited about this year’s Colorado MahlerFest in Boulder, where we’re focusing on Mahler’s Symphony No. 2 “Resurrection” this May, which will crown a week of music exploring themes of color and visual art with music by Wagner, Messiaen and British composer Philip Sawyers.

Is the MSO program special to you?

I must say that it was incredibly generous of John DeMain to offer me such a fantastic program. Not every music director is gentleman enough to let a guest have Ein Heldenleben.

What would you like the public to know about your approach to music and about the specific works by Haydn, Mendelssohn and Richard Strauss?

Haydn’s music is maybe the richest discovery of my adult life. I didn’t get it as a kid, largely because most performances I heard were so dull.

His music is so varied, and his personality so complex, one mustn’t try to reduce him down to a simplistic figure. The late symphonies, of which this is one of the finest, are inexhaustible sources of wisdom, beauty, humor and sanity.

The Mendelssohn is really an astonishing piece. I’ve probably conducted it as much as any piece of music, with so many different soloists, all of whom had hugely different temperaments, personalities, sounds and approaches.

I’ve played it with some of the greatest violinists in the world and with young students. Somehow, whoever is playing, it always leaves me, and the audience, smiling. I’m pretty sure we can continue that streak with Blake Pouliot (below, in a photo by Jeff Fasano).

The Strauss is a rich, personal, wise, funny and moving work. It’s always a challenge, particularly bringing out all the astonishing detail in the score, but it’s also a real joy to perform. If the Mendelssohn always leaves me smiling, the Strauss always leaves me smiling with a tear in my eye.

Posted in Classical music
Tags: #21stCentury, #AaronCopland, #AntoninDvorak, #ArtisticDirector, #AvieRecords, #AViewFromthePodium, #Bachelor'sDegree, #BeethovenYear, #BlakePouliot, #BlogInterview, #BlogPost, #BlogPosting, #BloomingtonIndiana, #BoxOffice, #BriggsPianoTrio, #BritishComposer, #CarlMariavonWeber, #ChamberMusic, #CityofMadison, #ClarinetConcerto, #ClarinetMusic, #ColoradoMahlerFest, #CommissionedMusic, #DavidBecker, #EdwardElgar, #EinHeldenleben, #EnglishSymphonyOrchestra, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FranzJosephHaydn, #Fridaynight, #GreatBritain, #GrowingUp, #GuestArtist, #GustavMahler, #HansGàl, #HighNotes, #HighSchool, #HomeWebsite, #IndianaUniversity, #JacobStockinger, #JamesSmith, #JimSmith, #JohnDeMain, #KennethWoods, #LiveMusic, #LosAngeles, #LosAngelesCalifornia, #LudwigVanBeethoven, #MadisonMemorialHighSchool, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MakeMusic, #Master'sDegree, #MeadWitterSchoolofMusic, #MemorialHighSchool, #MiracleSymphony, #MusicClinic, #MusicEducation, #NativeSon, #NewMusic, #NewYorkCity, #OlivierMessiaen, #OrchestralMusic, #OvertureCenter, #OvertureHall, #ParryKarp, #PhilipSawyers, #PianoTrio, #PreludeDiscussion, #Prize-Winning, #ProfessionalMusician, #ProgramNotes, #PublicSchools, #RandalSwiggum, #RecordedMusic, #ResurrectionSymphony, #RichardStrauss, #RichardWagner, #RockBand, #SaturdayNight, #Sundayafternoon, #TheEar, #TheU.K., #TheUK, #ThomasBuchhauser, #TomBuchhauser, #TonePoem, #UniversityofWisconsin-Madison, #UnknownMusic, #UWProfessor, #UWSymphonyOrchestra, #VirtuosoViolinist, #VisualArt, #WisconsinChamberOrchestra, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, 21st century, A View From the Podium, Aaron Copland, accolades, accomplished, adult, age, ambitious, anniversary, Antonín Dvořák, approach, Art, Artistic director, Arts, astonishing, audience, Austrian, Avie Records, Bachelor's degree, band, beauty, Beethoven, Beethoven Year, birthday, Blake Pouliot, blog, Bloomington, Boulder, box office, Briggs Piano Trio, British, busy, Canada, Canadian, career, Carl Maria von Weber, celebrate, cellist, Cello, challenging, Chamber music, chance, clarinet, clarinetist, Classical music, coach, college, color, Colorado, Colorado MahlerFest, commission, commitment, Compact Disc, complex, composer, Concert, concerto, conduct, conductor, confidence, conservatory, Copland, David Becker, debut, decision, detail, different, discount, discovery, discussion, dukk, Dvorak, early, ears, Education, Edward Elgar, Ein Heldenleben, Elgar, email, England, English, English Symphony Orchestra, enormous, event, excited, exciting, experience, eye, Facebook, facet, fantastic, fee, Felix Mendelssohn, festival, finest, forward, Franz Joseph Haydn, Friday, friend, funny, generous, gentleman, Great Britain, growing up, guest artist, guitar, Gustav Mahler, hall, Hans Gàl, Haydn, hear, hero, high school, Home, home website, Homecoming, huge, Humor, immersion, important, impression, impressive, Indiana, Indiana University, inexhaustible, information, instrumentalist, instrumentalists, interest, international, interview, Jacob Stockinger, James Madison Memorial High School, James Smith, Jim Smith, John DeMain, Kenneth Woods, kid, kids, know, LA, late, leadership, learn, life, like, link, listening, live music, living, Los Angeles, Love, Ludwig van Beethoven, Madison, Madison Memorial High School, Madison Symphony Orchestra, Madisonian, magical, Mahler, make, master's, masters degree, Mead Witter School of Music, Memorial High School, Mendelssohn, mentor, Messiaen, Miracle Symphony, moving, MSO, Music, music clinic, Music education, musical, Musician, native, new, New Music, New York City, night, notes, Oberon, Olivier Messiaen, online, Orchestra, orchestral music, Overture, Overture Center, Overture Center for the Arts, Overture Hall, parents, Parry Karp, path, peers, perform, performance, performer, personal, personality, Philip Sawyers, Piano Trio, play, podium, poem, pre-college, premiere, prepare, pressure, principal, prize, process, professional, professor, program, program notes, project, public, public schools, Q&A, Randal Swiggum, re-connect, record, recorded music, records, rediscover, rehearsal, repertoire, respect, respected, Resurrection Symphony, return, rich, Richard Strauss, Richard Wagner, rock band, role, roots, sale, sanity, Saturday, scene, score, share, simplistic, skill, smile, smiling, social, soloist, son, Sound, Strauss, strong, study, Sunday, surreal, symphony, tag, talk, Teacher, tear, temperament, The Ear, theme, Thomas Buchhauser, tickets, Tom Buchhauser, tone, tone poem, treasure, U.K., UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, unknown music, UW, UW Symphony Orchestra, varied, versatile, view, Violin, violinist, visual art, Wagner, Website, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Youth Symphony Orchestras, wisdom, won, wonderful, works, write, WYSO, year, young, YouTube

Classical music: This Sunday afternoon at the Chazen Museum of Art, you can attend or live stream a FREE sampler of the upcoming Bach Around the Clock festival

February 29, 2020
2 Comments

By Jacob Stockinger

The Ear has received the following announcement to post:

It’s March – time for Bach!

Every March, the 12-hour FREE Bach Around The Clock (BATC) festival (below top, the Suzuki Strings of Madison) takes place in Madison on a Saturday near the birthday of Johann Sebastian Bach (below bottom) on March 31, 1685.

This year BATC is on Saturday, March 28, from 10 a.m. to 10 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street.

And every year the Sunday Afternoon Live at the Chazen concert series invites BATC to send a representative sampling of musicians to perform at the UW-Madison’s Chazen Museum of Art on the first Sunday in March, giving the public a taste of the offerings from the festival.

This year the Chazen program on this Sunday – tomorrow, March 1 – features: the Madison Youth Viol Consort in four chorales; pianist Tim Adrianson (below top) playing the English Suite No. 6 in D Minor (you can hear Murray Perahia play the opening Prelude in the YouTube video at the bottom); violist Dierdre Buckley and pianist Ann Aschbacher playing the Gamba Sonata No. 1 in G Major; and BATC’s Ensemble-in-Residence, Sonata à Quattro (below bottom in a photo by Barry Lewis, attached), performing Cantata 209, Non sa che sia dolore (He knows not what sorrow is).

Doors at the Chazen Museum of Art’s Elvehjem Building open at noon, and the concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3.

Admission is free and open to the public, and the event will be live audio-streamed on the Chazen website.

Here is a link to the page on the Chazen website, with more information and the streaming portal:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-3-1-20/

For more information about Bach Around the Clock, including the full and complete schedule of amateur and professional performances, go to: https://bachclock.com or facebook.com/batcmadison

Posted in Classical music
Tags: #AmateurMusician, #AnnAschbacher, #BachAroundtheClock, #BachCantata, #BaroqueComposer, #BlogPost, #BlogPosting, #ChamberMusic, #ChazenMuseumofArt, #ChoralMusic, #ChristianChurch, #DeirdreBuckley, #ElvehjemBuilding, #EnglishSuite, #Ensemble-in-residence, #EpiscopalChurch, #FacebookPage, #FacebookPost, #FacebookPosting, #HomeWebsite, #JacobStockinger, #JesusChrist, #JohannSebastianBach, #LiveStreaming, #MadisonYouthViolConsort, #MeadWitterSchoolofMusic, #MendotaConsort, #MurrayPerahia, #ProfessionalMusician, #SonataaQuattro, #St.Andrew'sEpiscopalChurch, #StringMusic, #Sundayafternoon, #SundayAfternoonLiveattheChazen, #SuzukiMethod, #SuzukiStringsofMadison, #TheEar, #TimAdrianson, #UniversityofWisconsin-Madison, #VioladaGamba, #ViolaMusic, #ViolaSonata, #VocalMusic, #YouTubevideo, admission, amateur, Andrew, Ann Aschbacher, announcement, Art, Arts, attend, audience, Audio, Bach, Bach Around the Clock, Baroque, Baroque composer, BATC, birthday, blog, Cantata, Chamber music, Chazen Museum of Art, choral music, Chorale, Christ, Christian, church, Classical music, complete, composer, Concert, consort, Deirdre Buckley, door, Early music, Elvehjem, Elvehjem Building, English, English Suite, ensemble, Episcopal, Facebook, festival, forward, free, full, gamba, hear, J.S. Bach, Jacob Stockinger, Jesus, Johann Sebastian Bach, like, link, live streaming, Madison, Madison Youth Viol Consort, march, movement, Murray Perahia, Museum, Music, noon, online, open, page, performer, Pianist, Piano, portal, post, posting, Prelude, professional, public, reader, representative, residence, sample, sampler, sampling, Saturday, schedule, series, share, Sonata, Sonata à Quattro, sorrow, St. Andrew, St. Andrew's Episcopal Church, streaming, strings, subscriber, Suite, Sunday, Sunday Afternoon Live at the Chazen, Suzuki Method, Suzuki Strings of Madison, tag, The Ear, Tim Adrianson, time, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Viola, viola da gamba, violist, vocal music, Website, Youth, YouTube

	Bill Lane on The new Apple Music Classical…
	Augustine on The new Apple Music Classical…
	samanthacrownoversbc… on How do post-pandemic concert a…
	Ronnie on How do post-pandemic concert a…
	welltemperedear on How do post-pandemic concert a…

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this:

Share this:

Like this: