The Well-Tempered Ear

Classical music: This Friday night, the Wisconsin Chamber Orchestra will make a LIVE RECORDING of the encore performance of the two-piano concerto it commissioned and premiered two years ago

March 21, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Want to be part of a live concert recording?

At first look, it seems like a typical — and in one way even repetitive – concert by the Wisconsin Chamber Orchestra (below).

But this particular concert — which is this Friday night, March 22, at 7:30 p.m. in the Capitol Theater of the Overture Center – is anything but usual.

In fact, it promises to be unique and historic.

That is because the encore performance of the two-piano concerto “Double Rainbow” –- commissioned by the WCO and composed by Thomas Cabaniss for wife-and-husband pianists Jessica Chow Shinn (a Madison native) and Michael Shinn (below) — will be recorded live.

Also on the program is a string orchestra transcription of Arnold Schoenberg’s “Transfigured Night,” an entrancing work that is an emotionally intense, late Romantic work that precedes Schoenberg’s 12-tone or atonal period; and the Symphony No. 58 in F Major by Franz Joseph Haydn.

For more information and tickets ($12-$80), go to:

https://wisconsinchamberorchestra.org/performances/masterworks-iii-4/

The same pianists, who are on the faculty of the Boston Conservatory at Berklee, gave the world premiere of the work under the baton of WCO music director and conductor Andrew Sewell two years ago. (The two pianists will be interviewed by Norman Gilliland at noon on this Friday during “The Midday” show on Wisconsin Public Radio.)

It proved an accessible work that clearly pleased the audience. (In 2018, Sewell also programmed the concerto for the San Luis Obispo Symphony, which he directs in California.)

“I like tunes,” said Cabaniss (below) – who will attend the performance this Friday night – when he talked to The Ear in an email Q&A from 2017 on the occasion of the world premiere.

Here is a link to that interview, which also has background information about Cabaniss and the inspiration for the concerto:

https://welltempered.wordpress.com/2017/04/24/classical-music-i-like-tunes-says-composer-thomas-cabaniss-who-talks-about-his-double-rainbow-piano-concerto-the-wisconsin-chamber-orchestra-and-guest-soloists/

Then Sewell heard the same pianists play another piece by Cabaniss – “Tiny Bits of Outrageous Love” for two pianos with no orchestra or other accompaniment.

“Andrew heard them and thought the piece would be a great pairing with ‘Double Rainbow’ for a recording,” says Alan Fish, who is the interim executive director of the WCO.

A release date has not yet been set for the recording. The goal is to issue a recording in the near future, adds Fish, both in a CD format and a downloadable format. More details will be known once the Shinns have recorded “Tiny Bits,” Fish adds.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: On Thursday and Friday nights, brass music and a modernist homage to Martin Luther King round out UW-Madison concerts before spring break

March 13, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Spring Break at the University of Wisconsin-Madison starts on Saturday. But there are noteworthy concerts right up to the last minute.

THURSDAY

On this Thursday night, March 14, at 7:30 p.m. in Mills Hall, the acclaimed Wisconsin Brass Quintet (below, in 2017, in a photo by Michael R. Anderson) will perform a FREE concert.

The program by the faculty ensemble  includes music by William Byrd; Isaac Albeniz; Leonard Bernstein; Aaron Copland; David Sampson; Anton Webern; Joan Tower; Ennio Morricone; and Reena Esmail.

For more details, including the names of quintet members and guest artists who will participate as well as the complete program with lengthy notes and background about the quintet, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-3-14-2019/

FRIDAY

On this Friday night, March 15, at 7:30 p.m. in Mills Hall, UW-Madison bassoonist Marc Vallon (below, in a photo by James Gill) – who worked in Paris with the renowned 20th-century composer and conductor Pierre Boulez – will host another concert is his series of “Le Domaine Musical” that he performs with colleagues.

Vallon explains:

Every year, I put together a concert devoted to the masterpieces of the 1950-2000 period. We call it “Domaine Musical,” which was the group founded in Paris by Pierre Boulez in the 1950s. Its subtitle is : “Unusual music for curious listeners.”

“The series offers Madison concert-goers an opportunity to hear rarely performed music of the highest quality, played by UW-Madison faculty, students and alumni.

“The program features a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King Jr.” (You can hear “O King” in the YouTube video at the bottom.)

The all-modernist program is:

Pierre Boulez (below), Dialogues de l’Ombre Double (Dialogues of the Double Shadow) for solo clarinet and electronics.

Luciano Berio (below), O King and Folk Songs.

Also included are unspecified works by Karlheinz Stockhausen and Timothy Hagen.

Guest performers are Sarah Brailey, soprano (below); Alicia Lee, clarinet; Leslie Thimmig, basset horn; Sally Chisholm, viola; Parry Karp, cello; Timothy Hagen, flute; Yana Avedyan, piano; Paran Amirinazari, violin; and Anthony DiSanza, percussion.

For more information, including a story about a previous concert in “Le Domaine Musical,” go to:

https://www.music.wisc.edu/event/le-domaine-musical-with-marc-vallon/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the  Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television

March 11, 2019
2 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.

Here are details about both events:

JUST BACH

This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.

The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)

Here is a list of upcoming performances and programs for the second semester:

https://justbach.org/concerts/

And here is a link to the home page and website with links to information about the performers and more.

https://justbach.org

FINAL FORTE

Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.

The public is invited to attend the FREE event, but tickets but must be reserved in advance.

The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).

The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.

For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:

https://madisonsymphony.org/education-community/education-programs/young-artist-competitions/the-final-forte/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This weekend, the Madison Symphony Orchestra spotlights three of its principal players in music by Prokofiev, Debussy and Vaughan Williams along with works by Schubert and Gershwin

March 7, 2019
7 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) will once again perform a program that highlights its principal artists as soloists.

 The program for “Orchestral Brilliance: Three Virtuosi” begins with Franz Schubert’s Symphony No. 8, “Unfinished.

Then the featured artists appear: concertmaster Naha Greenholtz performs Sergei Prokofiev’s Concerto No. 2 for Violin; principal clarinetist JJ Koh follows with Claude Debussy’s Rhapsody for Clarinet and Orchestra; and principal tubist Joshua Biere concludes with Ralph Vaughan Williams’ Concerto for Tuba and Orchestra. For more biographical information about the soloists, see below.

The program finishes with George Gershwin’s “An American in Paris.”

Performances will be held in Overture Hall, 201 State Street, on Friday, March 8, at 7:30 p.m.; Saturday, March 9, at 8 p.m.; and Sunday, March 10, at 2:30 p.m.

Details about tickets ($18-$93) are below.

“Our March concerts shine the spotlight on our own brilliant musicians that make up the Madison Symphony Orchestra,” says music director and conductor John DeMain (below, in a photo by Greg Anderson). “It is important to me on the occasion of my 25th anniversary with the symphony to share this celebration in a special way with these artists, who make my musical life such a pleasure.”

Franz Schubert (below) began composing his “Unfinished Symphony” in 1822, but left the piece with only two movements despite living for six more years. For reasons that remain unclear, the score was shelved until 1860 when the owner finally realized he possessed a gem. He approached conductor Johann von Herbeck with assurances of a “treasure” on par “with any of Beethoven’s,” and Schubert’s “Unfinished” Symphony had its premiere in 1865.

The Violin Concerto No. 2 in G Minor, Op. 63, by Sergei Prokofiev (below) is more conventional than the composer’s early bold compositions. It starts off with a simple violin melody and recalls traditional Russian folk music. The graceful violin melody flows throughout the entire second movement, and the third movement’s theme has a taste of Spain, complete with the clacking of castanets. (You can hear David Oistrakh play the gorgeous and entrancing slow second movement in the YouTube video at the bottom.)

Composed between December 1909 and January 1910, the Rhapsody for Clarinet and Orchestra by Claude Debussy (below) was written as one of two test pieces for the clarinet examinations at the Paris Conservatory. The piece is described as dreamily slow at the start, followed by a duple meter section that moves the music along until the joyous final section.

The Concerto for Tuba and Orchestra by Ralph Vaughan Williams (below)
was written in 1953-54 to mark the 50th anniversary of the London Symphony Orchestra.

“An American in Paris” by George Gershwin (below) is one of the popular composer’s most well-known and most beloved compositions. Written in 1928, it evokes the sights and energy of the French capital in the 1920s. As Gershwin explains, the work’s purpose is to “portray the impressions of an American visitor in Paris as he strolls about the city, listens to the various street noises, and absorbs the French atmosphere.”

ABOUT THE SOLOISTS

Naha Greenholtz (below, in a photo by Chris Hynes) is concertmaster of both the Madison Symphony Orchestra and the Quad City Symphony Orchestra. Additional performance highlights include guest concertmaster appearances with the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony and Memphis Symphony, among many others. Additionally, she performs frequently with the Cleveland Orchestra both domestically and abroad. Greenholtz has also held positions with the Milwaukee Symphony Orchestra and the Louisiana Philharmonic Orchestra, joining the latter as Associate Concertmaster at age 21.

JJ Koh (below) joined the Madison Symphony Orchestra as principal clarinetist in 2016. In addition, he holds a position with the Milwaukee Symphony Orchestra, and Wisconsin Chamber Orchestra. Prior to joining the MSO, Koh was a member of the Civic Orchestra of Chicago. He is a founding member of the Arundo Donax Reed Quintet, and a winner of the Fischoff National Chamber Music Competition. As principal clarinetist of KammerMahler, Koh participated in a world premiere recording project, which featured chamber versions of Gustav Mahler’s Fourth and Ninth Symphonies.

Joshua Biere (below, in a photo by Peter Rodgers) joined the Madison Symphony Orchestra as principal tubist in 2013. He also holds the principal tuba chair with the Kenosha Symphony and regularly performs with the new Chicago Composers Orchestra. Biere has also performed at the Grant Park Music Festival (Chicago), and with the St. Paul Chamber Orchestra. An established chamber musician, Biere is also a highly sought-after clinician and teacher, maintaining a studio of well over 35 tuba and euphonium students.

CONCERT AND TICKET DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, maestro John DeMain will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticketholders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/mar2019programnotes

  • Single Tickets are $18-$93 each and are on sale now at: http://madisonsymphony.org/orchestral
through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined.

Presenting sponsorship provided by the Kelly Family Foundation. Major funding provided by Madison Magazine, Louise and Ernest Borden, Scott and Janet Cabot, and Elaine and Nicholas Mischler. Additional funding provided by von Briesen & Roper, S.C., and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts (NEA).


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: UW-Madison pianist Jessica Johnson celebrates International Women’s Day this Friday night with a FREE recital of all-female composers and a special keyboard for smaller hands

March 6, 2019
3 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Ukrainian pianist Yana Avedyan in solo works by Ludwig van Beethoven, Sergei Prokofiev and Franz Liszt. The program will include music from her upcoming appearance at Carnegie Hall. The musicale runs from 12:15 to 1 p.m.

By Jacob Stockinger

March is Women’s History Month, and this Friday is International Women’s Day.

To mark the latter occasion, Jessica Johnson, who teaches piano and piano pedagogy at the University of Wisconsin-Madison’s Mead Witter School of Music, where she has won an award for distinguished teaching, will perform a program of all-women composers.

The FREE recital is this Friday night, March 8, at 8 p.m. in Mills Hall. Johnson (below, in a photo by M.P. King for The Wisconsin State Journal) will perform works from the 19th, 20th and 21st centuries, pairing works with interesting connections.

Here is what Johnson has to say about the program:

Dreaming, Op. 15, No. 3, by Amy Beach (below top) and The Currents by Sarah Kirkland Snider (below bottom) both feature beautiful lyricism and long-line phrases inspired by poetry.

“2019 is the bicentennial celebration of Clara Schumann’s birth, so I wanted to honor her and her tremendous legacy. Her Romance, Op. 11, No. 1, was composed in 1839 in the midst of the difficult year when Clara (below) was separated from her beloved Robert. (You can hear the Romance in the YouTube video at the bottom.)

“Bolts of Loving Thunder by Missy Mazola (below) was written in 2013 for pianist Emanuel Ax as a piece that would appear on a program of works by Brahms. Mazzoli alludes to the romantic, stormy side of “pre-beard” Brahms, with exuberant floating melodies, hand crossings and dense layers of chords.

“Troubled Water (1967) by Margaret Bonds (below) is based on the spiritual “Wade in the Water,” with hints of blues, jazz and gospel traditions throughout.

“Azuretta (2000) by Chicago-based composer, Regina Harris Baiocchi (below) describes Azuretta as a musical reaction to a debilitating stroke Dr. Hale Smith, her former composition teacher, suffered in 2000. The work honors his incredible legacy by mixing classical and jazz idioms.

“Germaine Tailleferre (below), the only female member of Les Six, the group of early 20th-century French composers, wrote her beautiful Reverie in 1964 as an homage to Debussy’s “Homage à Rameau” from Images, Book I.

“Preludes (2002) by Elena Ruehr (below) draw inspiration from Debussy’s Preludes, mimimalism and Romantic piano music.

“Also, as an advocate for the adoption of the Donison-Steinbuhler Standard — which offers alternatively sized piano keyboards for small-handed pianists  — I will perform on the Steinbuhler DS 5.5 ™ (“7/8”) piano keyboard.

“By performing on a keyboard that better fits my hands — studies suggest that the conventional keyboard is too large for 87% of women — and featuring works by female composers who are typically underrepresented in concert programming, I hope to bring awareness to gender biases that still exist in classical music.

“For more information about both me and the smaller keyboard, go to the following story by Gayle Worland in The Wisconsin State Journal:

https://madison.com/wsj/entertainment/music/a-smaller-piano-for-bigger-artistry/article_38b80090-be0f-5050-9862-32c3c36c6930.html


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Superstar soprano Renée Fleming and pianist Emanuel Ax headline the 100th anniversary of the Wisconsin Union Theater’s Concert Series next season

March 4, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following major announcement to post about the Wisconsin Union Theater, which The Ear calls “the Carnegie Hall of Madison” for its long and distinguished history of presenting great performing artists.

The Wisconsin Union Theater (below top, with Shannon Hall below bottom) is delighted to announce the schedule for its 100th Concert Series during 2019-20.

In this celebratory year, we introduce two exciting additions: A transformative gift by Kato Perlman establishes the David and Kato Perlman Chamber Series, ensuring the world’s best chamber ensembles continue to perform as a regular feature of the Concert Series.

Additionally, two Concert Series performances will take place in the Mead Witter School of Music’s new Hamel Music Center (below). We look forward to increased collaborations with the school of music.

The 100th anniversary series was curated by the Wisconsin Union Directorate’s Performing Arts Committee, with wife-and-husband advisors pianist Wu Han and cellist David Finckel (below, in a photo by Tristan Cook), who are celebrated musicians and directors of several festivals of classical music and also serve as co-artistic directors of the Chamber Music Society of Lincoln Center. (You can hear them performing music by Johann Sebastian Bach in the YouTube video at the bottom.)

The first season of this distinguished series was in 1920-1921, and featured soprano May Peterson, violinist Fritz Kreisler and pianist Benno Moiseiwitsch.

Nineteen years later, in 1939-1940, the series moved to the newly opened Wisconsin Union Theater. The first season in the Wisconsin Union Theater featured bass singer Ezio Pinza, cellist Emanuel Feuermann, violinist Joseph Szigeti, pianist Robert Casadesus and, the highlight, contralto Marian Anderson.

Through these 99 years, numerous renowned, accomplished and prominent classical musicians have played in the series, the longest continuous classical series in the Midwest. Some made their debut here and continued returning as their fame rose.

See this article for an interview with former WUT director Michael Goldberg about the history of the series.

The schedule for the 100th Concert Series, including the inaugural David and Kato Perlman Chamber Music Series, is:

Oct. 6 – A cappella choral group Chanticleer, Hamel Music Center. Program To Be Announced

Nov. 2 – Pianist Emanuel Ax (below), Shannon Hall. All-Beethoven program, including Piano Sonatas Nos. 1, 2 and 3.

Dec. 6 – The Kalichstein, Laredo and Robinson Piano Trio (below), Shannon Hall. “Canonic Etudes” by Robert Schumann; Piano Trio No. 1 in D minor by Felix Mendelssohn; and Piano Trio in B-flat major “Archduke” by Ludwig van Beethoven.

Jan. 25, 2020 – The Escher String Quartet (below), featuring David Finckel, Shannon Hall. Quartets by Franz Joseph Haydn, Fritz Kreisler and Franz Schubert.

March 5, 2020 – Chamber Music Society of Lincoln Center – featuring David Finckel, Wu Han, Paul Neubauer and Arnaud Sussman, Shannon Hall. Sonatine by Antonin Dvorak; Piano Quartet by Josef Suk; Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms.

March 7, 2020 – Wu Han with the UW Symphony Orchestra, Hamel Music Center. Program TBD.

March 28, 2020 – Violinist Gil Shaham (below) with pianist Akira Eguchi, Shannon Hall. Program TBD.

May 2, 2020 – Special Gala Concert with Renée Fleming (below). Shannon Hall. Mixed Recital.

All programs are subject to change.

Subscriptions will be available starting March 18, 2019. Subscribers benefits include: access to the best seats, 20% off the price of single tickets, no order fees, a free ticket to Wu Han’s performance with the UW Symphony Orchestra, and the opportunity to be first to purchase tickets to Renée Fleming’s 100th Anniversary Gala Concert.

Find more information about the series and the artists at www.uniontheater.wisc.edu. Subscriptions will be available on March 18 at www.artsticketing.wisc.edu.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Middleton Community Orchestra and solo trumpeter Jessica Jensen score big with an unusual program

March 2, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

The concert by the largely amateur Middleton Community Orchestra (below, in a photo by Margaret Barker) on Wednesday night presented a novel program at the Middleton Performing Arts Center.

In the relatively brief first part, it presented two unusual items.

The first was by Nebojsa “Neb” Macura (b. 1982, below right with conductor Steve Kurr), a local musician of Serbian background, who has been particularly identified with Russian folk music and ensembles. But he also plays viola in the MCO, which gave him this opportunity in the spotlight.

His piece, Polar Night, is quite brief, but in this version for full orchestra (with piano), it is grounded with secure melodic flow, and it unfolds into a tonal picture full of beautiful colors. My only reservation was that I wanted more of it — either more music in this piece or other sections around it.

Macura is obviously talented, and he has a confident sense of orchestral writing. I really look forward to hearing more of him. Indeed, the MCO might well serve as exactly the laboratory in which he can develop new creations.

The second item was only a bit longer, a Trumpet Concerto by Russian composer Aleksandra Pakhmutova (b. 1929, below). Her long career has involved her in jazz, and also in extensive scoring for films. But she has a feeling for Russian traditional song, and that could be heard in this concerto.

It is cast in only a single movement, but it proceeds episodically.  There is certainly much flashy writing for the solo instrument, and local trumpeter Jessica Jensen (below) brought off her role dashingly.

The longer second part of the concert was devoted to the Symphony No. 3, the “Rhenish,” by Robert Schumann. This splendid work was inspired by observation of life along the Rhine River.

It is unusual in being written in five movements, not the conventional four. (Oddly, their individual markings were not printed in the program, but conductor Steve Kurr (below) gave a clever spoken introduction that outlined the score for the audience.)

This is a very extroverted work, calling for a lot of orchestral sonority. I suspect that a little more rehearsal time would have helped the avoidance of some blemishes: rapid passages, especially in the first movement, were roughly articulated, and there were some tiny gaffes all along.

But the players were devoted in responding to maestro Kurr’s rather propulsive tempos. This score gives a lot to do particularly to the horn section, which played with ardent splendor.

As always, then, the MCO earned further laurels for presenting this very adventurous program.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Oakwood Chamber Players will play music by Russian, British, Canadian and American composers this Saturday night and Sunday afternoon

March 1, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: If you attend the concert by the Cuarteto Casals tonight at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater, you night want to read local writer and amateur cellist Paul Baker’s interview with the Chicago-born violist who analyzes the interpretation of each piece on the program. Here is a link to Baker’s blog “Only Strings” where you can find the interview: https://onlystringswsum.wordpress.com/author/pbaker/  

For more information about the group and the concert, go to yesterday’s post:  https://welltempered.wordpress.com/2019/02/28/classical-music-this-friday-night-the-wisconsin-union-theater-presents-a-world-class-spanish-string-quartet-and-will-also-announce-the-special-programs-for-its-centennial-anniversary-next-season/

By Jacob Stockinger

This coming weekend, the Oakwood Chamber Players (below) continue their season theme of Vignettes with compositions that depict concepts and stories.

The program includes dances from Panama, a string quartet from Russia and interpretation of the natural world woven into a composition by an American composer.

Performances will take place Saturday night, March 2, at 7 p.m. and Sunday afternoon, March 3, at 2 p.m. Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side not far from West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors, and $5 for students. Visit www.oakwoodchamberplayers.com or call (608) 230-4316 for more information.

Five Novelettes for string quartet by Russian composer Alexander Glazunov (below) showcase the composer’s imagination and romantic writing. From the opening elegance in the Spanish style to the spirited Hungarian character in the finale, each of the five contrasting movements is graceful and captivating.

Red Hills Black Birds was composed by American composer Libby Larsen (below) for clarinet, viola and piano after she viewed contrasting paintings of New Mexico by Georgia O’Keeffe. Many of O’Keeffe’s works embody a sense of perspective, color and horizon. Larsen’s music uses her impressions of O’Keeffe’s art as her compositional focus. She reimagines six paintings of the southwest and shapes her composition to concepts of breadth and timelessness.

Dash for flute, clarinet and piano by American composer Jennifer Higdon (below) is a riotous musical chase. The composer chose these three instruments specifically for their capability of velocity. The unrelenting pulse creates a breath-taking technical sprint for the players.

O Albion by British composer Thomas Adès (below) is excerpted from his string quartet Arcadiana. The music has an ethereal quality and mesmerizes with its slow beauty and simplicity. (You can hear “O Albion” in the YouTube video at the bottom.)

Trio for flute, clarinet and bassoon is an upbeat piece written by Canadian composer, bassoonist and jazz pianist Bill Douglas. His writing brings together both classical and jazz influences.

The concert concludes with Danzas de Panama by William Grant Still (below) for string quintet and flute. A noted 20th century African-American composer, Still based this piece on Panamanian folk tunes collected in the 1920s. He used the lushness of the songs and compelling rhythms with great success. He was a talented orchestrator and it is hard to resist the panache and charm of the four movements: Taborita, Mejorana, Punto and Cumbia y Conga.

Oakwood Chamber Players members are Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; and Maggie Townsend, cello. They will be joined by guest artists Elspeth Stalter-Clouse, violin; Ariel Garcia, viola; Brad Townsend, bass; and Satoko Hayami, piano.

This is the fourth of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place on May 18 and 19.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They have also played in other local groups, including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and at the University of Wisconsin-Madison.

The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This Wednesday night, the Middleton Community Orchestra will perform a Russian trumpet concert and a new work by an orchestra member along with a famous Schumann symphony

February 24, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following announcement from the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a  photo by Brian Ruppert) to post:

“For our winter concert, we are excited to welcome trumpeter Jessica Jensen back to the stage on this Wednesday night, Feb. 27, at 7:30 p.m. to perform the Concerto for Trumpet and Orchestra by Aleksandra Pakhmutova with the musicians of the Middleton Community Orchestra led by conductor Steve Kurr (below).

“I am beyond thrilled to be playing Aleksandra Pakhmutova’s Trumpet Concerto with the Middleton Community Orchestra,” says Jensen (below).

“After completing her concerto in 1955, Pakhmutova (below) — who is still actively composing and performing today at the age of 89 — cultivated a legendary career as one of Russia’s top film and popular music composers.

“Her future cinematic success was foreshadowed in her trumpet concerto as parts of it sound as though they could have been taken directly out of the score to a 1950s film. Week after week the MCO adds a new electricity to the work. I cannot wait to share this rarely performed fiery, dramatic piece with everyone.”

The program will open with “Polar Nights,” a piece composed by MCO violist Nebojsa Macura (below), who says: “‘Polar Nights’ uses a variety of instrumental colors to conjure up images of winter above the Arctic Circle. I’m tremendously honored to perform my own piece as a member of such a dedicated orchestra.”

The program will conclude with the famous Symphony No. 3 “Rhenish” by Robert Schumann. (You can hear the lyrical second movement in the YouTube video at the bottom.)

The concert is at the Middleton Performing Arts Center, which is attached to Middleton High School at 2100 Bristol Street.

General admission is $15.  All students are admitted free of charge. Tickets are available at the door and at Willy St. Coop West.

The box office opens at 6:30 p.m. and the concert hall doors open at 7 p.m.

A meet-and-greet reception (below) follows the concert.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Pianist Ilya Yakushev returns to play Russian jazz with the Wisconsin Chamber Orchestra on Friday night, then a recital of piano classics at Farley’s House of Pianos on Saturday night

February 21, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: The second of two FREE Friday Noon Musicales — devoted to the music of John Harbison on the occasion of his 80th birthday — will take place this Friday at the First Unitarian Society of Madison, 900 University Bay Drive. The Mosaic Chamber Players will perform. The concert runs from 12:15 to 1 p.m. The composer will be there to sign copies of his new book “What Do We Make of Bach?”

By Jacob Stockinger

Although he has heard the jazz suites by Dmitri Shostakovich many times, The Ear was surprised to learn how many modern Russian composers fell under the spell of American jazz.

Cultural difference combined with cultural exchanges might be one explanation.

But he also wonders if perhaps living in a state of psychological and emotional distress and danger – the Stalinist Terror facing composers in the Soviet Union and the Jim Crow racism facing African-American jazz artists in the United States – created a certain affinity between such apparently different musical traditions.

One thing is certain: the program that Ilya Yakushev (below), who was born and trained in Russia and now teaches at the Mannes College of Music in New York City – promises to be one of the most interesting programs of this season.

During his return to Madison, the Russian virtuoso pianist – who has his own interest in jazz and played a solo version of George Gershwin’s “Rhapsody in Blue” when last here — will perform two programs at venues where he has proven to be a sensational audience favorite.

This Friday night, Feb. 22, at 7:30 p.m. in the Capitol Theater of the Overture Center, Yakushev will once again team up with the Wisconsin Chamber Orchestra (below) and its music director and conductor Andrew Sewell, to perform two rarely heard Russian works that demonstrate the influence of American jazz.

Those two Russian works are “Ten Bagatelles for Piano Orchestra” by Alexander Tcherepnin (below top) and the “Jazz Suite for Piano and Small Orchestra by Alexander Tsfasman (below bottom).

You can hear the Lyrical Waltz from Tsfasman’s Suite in the YouTube video at the bottom.

The WCO complements that with two jazz-influenced works by Igor Stravinsky (below): Suite No. 2 for Small Orchestra and “Ragtime.”

Then the concert concludes with one of the most iconic and well-known pieces of all classical music: the Symphony No. 40 in G minor, K. 550, by Wolfgang Amadeus Mozart.

For much more information about Yakushev and the program as well as to a link to buy tickets ($15-$80) go to:

https://wisconsinchamberorchestra.org/performances/masterworks-ii-4/

SATURDAY

Then on this Saturday, Feb. 23, at 7:30 p.m. at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall, Yakushev will perform a program of impressive tried-and-true classics as part of the Salon Piano Series.

An artist’s reception will follow the concert.

Tickets are $45 in advance (students $10) or $50 at the door. Service fees may apply. Tickets can also be purchased at Farley’s House of Pianos. Call (608) 271-2626.

Student tickets can only be purchased online and are not available the day of the event. Tickets can be purchased in advance from:

https://www.brownpapertickets.com/producer/706809brownpapertickets.com

For more information, go to: https://salonpianoseries.org

Yakushev’s recital program is:

Adagio in B minor, K. 540 (1788), by Mozart

Sonata in F minor “Appassionata,” Op. 57 (1804), by Ludwig van Beethoven

Vallée d’Obermann, S. 160 (1855), from “Années de pèlerinage, Première année” (Years of Pilgrimage, First Year), by Franz Liszt

The song “Widmung” (Dedication) by Robert Schumann as transcribed for solo piano by Liszt, S.566 (1848)

“Mephisto Waltz No. 1,” S. 514 (1862), by Liszt (below, in an 1886 photo, the year before he died, when Liszt was teaching many students, by Nadar)

In addition, on Saturday at 4 p.m., Yakushev will teach a FREE and PUBLIC master class at Farley’s House of Pianos, where he will instruct local students.

The master class program will include:

Sonata No. 1 in F Minor, Op. 2, No. 1, First Movement by Beethoven; performed by Kevin Zhang who studies with Kangwoo Jin.

Six Variations on “Nel cor piu non mi sento” (In My Heart I No Longer Feel) by Beethoven, performed by Daniel Lee who studies with Irmgard Bittar.

Etude in G-Flat Major (“Black Key”) Op. 10, No. 5,by Frederic Chopin; performed by Alysa Zhou, who studies with Denise Taylor.

Master classes for the 2018-19 season are supported by the law firm of Boardman & Clark LLP.

The concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

The Salon Piano Series is a nonprofit founded to continue the tradition of intimate salon concerts featuring exceptional artists. To become a sponsor of the Salon Piano Series, please contact Renee Farley at (608) 271-2626 or email renee@salonpianoseries.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,182 other followers

    Blog Stats

    • 2,009,288 hits
%d bloggers like this: