The Well-Tempered Ear

Classical music: WQXR radio names 19 musicians to watch in ’19. What do you think of the choices? Who would you add?

January 28, 2019
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By Jacob Stockinger

What will 2019 bring in the way of classical music?

What and who should we be looking at and paying attention to?

WQXR — the famed classical radio station in New York City – recently published its list of 19 to watch in ‘19, with detailed reasons for and explanations of their picks.

It seems like a pretty good choice to The Ear, although there is always something of a parlor game aspect to such projects.

Nonetheless, the list covers a fine variety – instrumentalists and vocalists, young and old, American and international, the well-known and the up-and-coming such as the opera singer Devone Tines (below, in a photo by Nikolai Schukoff).

Some names will be familiar to Madison audiences – such as pianist Inon Barnatan, violinist Nicola Benedettti, the JACK Quartet and cellist Steven Isserlis — especially through their live appearances at the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music and the Madison Symphony Orchestra plus broadcasts on Wisconsin Public Radio.

Here is a link to the list: https://www.wqxr.org/story/wqxr-presents-19-19-artists-collaborations-upcoming-year/

The Ear can think of some other musicians that he would add to the list.

An especially deserving one of them is the young American virtuoso pianist George Li (below, in a photo by Simon Fowler).

Born in China and brought as a child to the United States by his parents, Li attended Harvard and just finished his master’s degree from the New England Conservatory of Music. (At the bottom, you can hear Li play virtuosic music by Liszt and Horowitz in the YouTube video of a Tiny Desk Concert at National Public Radio or NPR.)

Li won the silver medal in the 2015 at the 15th Tchaikovsky International Competition in Moscow and had a lot of people talking about the energy and excitement of his playing. He was praised for both outstanding technical prowess and deep expressiveness.

He then took first prize at a piano competition in Paris.

Ever since, he has been steadily booked. At 23, the amiable Li has already toured China, Japan and Russia and seems to have a very busy schedule ahead of him, judging by his posts on Instagram.

He has also released his first recording on the Warner Classics label, a fine CD that received many positive reviews from critics, including this one.

The program includes Haydn’s Sonata in B minor, Chopin’s Sonata No. 2 in B-flat Minor “Funeral March,” Rachmaninoff’s “Variations on a Theme of Corelli,” and Consolation No. 3 and the popular Hungarian Rhapsody No. 2 by Franz Liszt.

Given all the concertos he is now performing, it would not surprise one to see his next recording be a concerto, possibly the Tchaikovsky Piano Concerto N. 1 in B-flat minor, Op. 23, which brought him instant acclaim.

Here is a link to his website: http://www.georgelipianist.com

And here is a link to his entry in Wikipedia: https://en.wikipedia.org/wiki/George_Li

Keep your ears and eyes on George Li.

What do you think of the choices made by WQXR?

Who would you add to the list of musicians to watch in 2019, and why?

If possible, maybe you can include a YouTube link to a performance, live or recorded, in your comment.

The Ear wants to hear.

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Classical music: Who are the greatest classical composers? And how do you decide?

November 24, 2018
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ALERT: The Madison Symphony Orchestra’s holiday tradition of the “Community Carol Sing,” with organist Greg Zelek, is FREE and open to the public of all ages. It takes place in Overture Hall at 7 p.m. this Monday night, Nov. 26. No tickets or reservations are needed for the hour-long Carol Sing. For more information, including a list of the carols on the program, go to: https://madisonsymphony.org/event/free-community-carol-sing/

By Jacob Stockinger

Who are the greatest composers of classical music?

Who are the most influential composers?

And which composer is the greatest of all time?

Just as important, how do you decide? How do you pick them and make your choice?

And finally, should such choices matter?

You could ask Anthony Tommasini (below), senior classical music critic for The New York Times  — who came to the UW-Madison during the Pro Arte Quartet centennial several years ago and lectured in the Wisconsin Union Theater — who has just published a new book about those very questions.

The new book is “The Indispenable Composers: A Personal Guide” (below) and is published by Penguin Books. (It could make a nice holiday gift for a classical music fan.)

In a recent story, Tommasini – who readily admits to the project being very much a subjective game – discussed the process, which comes in the wake of his publishing a two-week project in 2011 when he named the 10 greatest composers of all time.

This time he uses (below, from left) Gustav Mahler, Ludwig van Beethoven and Edvard Grieg as test cases for asking: Who is a great composer, and how do you know or decide what makes a composer great?

The Ear doesn’t agree with all the results, but he found it a fascinating and thought-provoking discussion, and figures you might too:

Here is a link: https://www.nytimes.com/2018/11/02/arts/music/anthony-tommasini-classical-music.html

Read the overview story, and then leave word if you agree with Tommasini about the greatest of all composers. (A clue is in the YouTube video at the bottom.)

Which composers would you include that he didn’t?

Who did he include whom you wouldn’t?

And let’s play along: Which composers would be on your own personal list of the Top 5 or Top 10 indispensable composers? And in what order?

Have fun!

And, pro or con, don’t be shy in saying what you think. The more controversial and stronger the opinion and the words, the better.

The Ear wants to hear.


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Classical music: The international Handel Aria Competition launches a new showcase concert for local high school singers

November 16, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Handel Aria Competition (below are the 2017 finalists) was established seven years ago to encourage emerging artists ages 18-35 from around the world to perform Handel’s vocal works.

We are pleased to introduce our newest project, the Handel Aria Competition High School Singers Showcase. Our goal with this event is to encourage high school singers in the Madison, Wisconsin area to explore works from George Frideric Handel’s extensive vocal repertoire.

We are inviting local voice teachers to help one or more of their students prepare a Handel aria or duet to be performed at the Handel Aria Competition High School Singers Showcase.

This concert, which will be free and open to the public, will take place at Capitol Lakes, 333 West Main Street in downtown Madison, at 2 p.m. on Saturday, Jan. 26, 2019. Piano accompaniment will be provided, and each singer will receive a $100 scholarship towards voice lessons.

Voice teachers with students who might be interested are encouraged to contact Handel Aria Competition Artistic Director Sarah Brailey (below) — herself a winner of the competition and now a graduate student at the UW-Madison — at handelariacompetition@gmail.com for more information. A limited number of performance slots are available on a first-come basis.

PLEASE NOTE: The 7th annual Handel Aria Competition will be Friday night, June 7, 2019 in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music. (Below is a soprano Suzanne Karpov, First Prize winner of the 2018 competition. Many other performances from past years are on YouTube.)

Auditions for the competition via YAP Tracker, an online way to audition for opera and vocal competition, will open soon – and the deadline will be April 1, 2019


Classical music: TONIGHT at 7:30 p.m., guest artist Clive Greensmith of the Tokyo String Quartet and USC will give a FREE cello recital at the UW-Madison

October 28, 2018
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By Jacob Stockinger

If you like cello music – which to some ears sounds especially appropriate in autumn – you might be interested in an event tonight.

One of the most distinguished chamber music cellists in the world has been at the University of Wisconsin’s Mead Witter School of Music over the weekend for a three-day residency involving UW string and piano students and members of the Wisconsin Youth Symphony Orchestras (WYSO).

He is Clive Greensmith (below) who played with the acclaimed Tokyo String Quartet from 1999 until it disbanded in 2013 and who now teaches at the Colburn School of Music at the University of Southern California in Los Angeles.

Greensmith’s residency of lectures, demonstrations and master classes culminates TONIGHT at 7:30 p.m. in Mills Hall with a FREE recital that also features UW piano professor Christopher Taylor, UW cello professor Uri Vardi and the UW Cello Choir.

The appealing program includes the Sonata for Two Cellos by Luigi Boccherini; “Silent Woods” by Antonin Dvorak and the Sonata No. 2 in F Major, Op. 99, by Johannes Brahms. (You can hear the slow movement of the Brahms sonata, played by the late cellist Jacqueline du Pré and pianist Daniel Barenboim, in the YouTube video at the bottom.)

For more information about Greensmith, his UW residency, his teaching and the concert tonight, go to: https://www.music.wisc.edu/event/guest-artist-recital-clive-greensmith-cello/

To to learn much more about Greensmith, including his recordings and latest projects, go to his homepage web site at: http://www.clivegreensmith.com


Classical music: The Oakwood Chamber Players open their new “Vignettes” season with concerts on Saturday night and Sunday afternoon

September 14, 2018
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A CORRECTION: The Ear wants to apologize for and correct an error he made in yesterday’s blog post. The correct time and address for the all-Schubert concert by the Mosaic Chamber Players is on Saturday night at 7:30 p.m. in the chapel of the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

By Jacob Stockinger

The Oakwood Chamber Players (below) will begin their 2018-2019 season series “Vignettes” with concerts on Saturday, Sept. 15, at 7 p.m. and Sunday, Sept. 16, at 2 p.m.

The concerts will both be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors 62 and over; and $5 students. Visit www.oakwoodchamberplayers.com or call (608) 230-4316 for more information for individual and season tickets.

Once again, the group will explore largely new or unknown composers and neglected music.

Each program of the 2018-19 series will focus on how composers create specific themes to tell stories, and represent emotions, places or characteristics to enhance the listening experience.

Central to the program is poetry and narration paired with music that will feature Boston-based guest soprano Mary Mackenzie (below). She has been described by The New York Times as “a soprano of extraordinary agility and concentration,” and the Boston Globe as “sensational.”

Mackenzie is a passionate performer of contemporary vocal music, and has appeared with the Chameleon Arts Ensemble of Boston, Collage New Music, the Da Capo Chamber Players, Fulcrum Point New Music Project, and The Knights.

American composer Byron Adams (below) was commissioned by renowned American clarinetist Yehuda Weiner to set Nightingales, a poem by British Victorian poet Robert Bridges, as a memorial to his brother. The composer chose a quartet of soprano, clarinet, cello and piano to evoke the breathtaking beauty of the natural world that is overlaid with a sense of loss and longing.

By contrast, the Pulitzer Prize-winning American composer Jennifer Higdon (below, in a photo by Candace DiCarlo) set four poems that have titles that reference roses by James Whitcomb Riley for the combination of flute, soprano and piano.

Bentley Roses was written as a surprise tribute for the retirement of her former music teacher, Judith Bentley. The settings are sunny and accessible, the music weaves around the words with swirling energy, coy interactions, and graceful interplay.

The yearning Vocalise by conductor, composer and pianist Andre Previn conveys emotion using the voice without words as a chamber instrument. The combination of soprano, cello and piano carries the shifting harmonies and sinuous melodic line through a series of subtle yet powerful transformations. (You can hear Previn’s beautiful “Vocalise,” with soprano Barbara Bonney and the the composer at the piano, in the YouTube video at the bottom.)

A second piece by Previn (below) piece puts the cello and soprano in conversation with his setting of Pulitzer Prize-winning writer Toni Morrison’s poem Stones.

American film composer and bassoonist Charles Fernandez (below) wrote Quatuor Parisienne (Parisian Quartet) for flute, oboe, clarinet and bassoon. It consists of three movements: a tongue-in-cheek march; a gracefully flowing reflection: and a farcical musical conversation with a dash of merriment.

Budapest-based clarinetist and composer Endre Szervanszky (below) wrote his Quintet No. 1 in 1953. Audiences will hear some characteristics similar to the writing of Kodaly and Bartok. It is a pleasing four-movement work that shows his strong understanding of each of the instruments, demanding both melodic expressiveness and technical panache.

The program concludes with poetry by British writer Roald Dahl, known for his darkly humorous children’s stories. Composer Martin Butler (below, in a photo by Katie Vandyck) incorporated The Pig, The Tummy Beast, and The Crocodile into his piece Dirty Beasts for narrator, piano and woodwind quintet. Butler mirrors the acerbic wit of the text with clever effects, closing out the program with some unexpected twists and turns.

Guest performers are soprano Mary Mackenzie, pianist Joseph Ross (below top) and oboist Laura Medisky (below bottom).

They join Oakwood Chamber Players members Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szczys, bassoon; Anne Aley, horn; and Maggie Darby Townsend, cello.

This is the first of five concerts in the Oakwood Chamber Players’ 2018-19 season series entitled Vignettes. Remaining concerts will take place on Nov. 24 and 25; Jan. 12 and 13; March 2 and 3; and May 18 and 19. For more information about the Oakwood Chamber Players and their new season, go to: https://www.oakwoodchamberplayers.com

The Oakwood Chamber Players are a group of Madison-area professional musicians who play with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra and have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


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Classical music: Last spring’s inaugural LunART Festival of women composers and creators in Madison wins a national prize

August 12, 2018
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By Jacob Stockinger

Some hearty applause and major congratulations are in order, especially in the #MeToo society and culture!

The inaugural LunART Festival that took place this past spring and celebrated women composers and creators just took First Prize from the National Flute Association.

Below is a photo of co-founder and co-director Iva Ugrcic holding the certificate that she received in Orlando, Florida:

And here is what she has to say, as passed along on the festival’s Facebook site, which has hundreds of congratulations and comments as well as photos:

“Over the moon for winning the 1st prize at the The National Flute Association C.R.E.A.T.E. Competition with my baby project LunART Festival

In case you don’t recall what went into the inaugural three-day festival and what participants took part and what events resulted from it —  including the combining of spoken word and music, which you can see in the YouTube video at the bottom — here is a reminder in the form of an extended festival preview:

https://welltempered.wordpress.com/2018/06/26/classical-music-the-inaugural-lunart-festival-celebrating-women-creators-and-performers-will-take-place-this-coming-thursday-through-saturday/

The festival was the brainchild of two local performers and graduates of the University of Wisconsin-Madison’s Mead Witter School of Music.

They are the flutist Iva Ugrcic, who is the new head of the Rural Musicians Forum in Spring Green, and the oboist Laura Medisky (below), who performs with the local wind quintet Black Marigold. Both musicians also play with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

The project proved savvy in how it used social media to launch it with success.

Here are some other links to keep you current with the festival as it looks forward to its second year:

Here is the festival’s home page and website:

https://www.lunartfestival.org

Here is the festival’s page on Facebook:

https://www.facebook.com/lunartfestival/

This is the festival’s entry on Twitter:

https://twitter.com/lunartfestival

And you can also follow the LunART festival on Instagram.


Classical music: The Ancora String Quartet plays in Spring Green this Monday, then tours Germany during August. It will perform the same tour program in several Wisconsin cities, including Madison, in early September

August 10, 2018
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By Jacob Stockinger

The Ear has received the following announcement about another Madison group – in addition to the Wisconsin Youth Symphony Orchestra’s tour of Peru and the Scotland concerts by the Madison Youth Choirs – that is bringing its music to international audiences.

The group is the Ancora String Quartet (below, in a photo by Barry Lewis), which will leave for a tour of Germany next week. From left are: violinists Wes Luke and Robin Ryan; violist Marika Fischer Hoyt and cellist Benjamin Whitcomb.

A sort of send-off concert is this Monday night in Spring Green. Here are the details:

The concert is for the Rural Musicians Forum and will take place on this coming Monday night, Aug. 13, at 7:30 p.m. at Unity Chapel, located at 6597 County Hwy T, in Spring Green.

The program features works by Joaquin Turina, Franz Joseph Haydn and Samuel Barber.

Admission is by free will offering, with a suggested donation of $15.

Soon to start its 18th season, the Ancora String Quartet has an impressive and extensive resume. The four players have well-established individual musical careers as soloists, chamber musicians and orchestral players. They perform regularly in Madison and beyond, appearing in such ensembles as the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Bach Musicians, the Wisconsin Baroque Ensemble, and the Bach Collegium of Fort Wayne, Indiana.

Here is what violist Marika Fischer Hoyt says about the upcoming tour to Germany:

“The Ancora String Quartet looks forward with eager anticipation to our first overseas tour.

“We are partnering with a fabulous mezzo-soprano, Melinda Paulsen (below), who serves on the voice faculty at the Musikhochschule in Frankfurt.

“Together, we have selected a program of works by German and American composers, for mezzo-soprano and quartet, and for string quartet alone.

“The program includes: the beautiful Wesendonck Lieder by Richard Wagner; Melancholie by Paul Hindemith, Drei Lieder (Three Songs) by Victor Ullmann; and Dover Beach by Samuel Barber, as well as the iconic Barber String Quartet with the slow movement that was re-orchestrated as the “Adagio for Strings.” (You can hear Samuel Barber’s “Dover Beach” with a mezzo-soprano in the YouTube video at the bottom.)

“The quartet will be in Germany (map is below) from August 17 to August 26, performing at the Rathaus in Nieder-Olm; the Musikschule Chroma in Vellmar (north of Kassel); the Lutheran Church in Schlitz (halfway between Frankfurt and Kassel); and at Phillipsburg in Braubach, as part of the festival in St. Goar. The concert at the music school in Vellmar will be a lecture-concert for students, so we’re brushing up on our German!

“Following our performances in Germany, we will all return to Wisconsin to perform this same program Sept. 4-9 in Germantown, Whitewater, Janesville, Beloit and Madison. That includes an interview with radio host Norman Gilliland on Wisconsin Public Radio’s “The Midday” at noon on Wednesday, Sept. 5.

“We have secured funding from several German organizations, and received a generous grant from the Kassel County-Dane County Sister County Taskforce.

“Melinda and the members of this quartet are thrilled beyond words that this project has taken shape. We look forward to sharing with our audiences a program exploring the intersections between two cultures that are quite distinct today, but which share deep, common roots.”


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Classical music: You Must Hear This: Violinist Hilary Hahn plays “Mercy” by Max Richter

March 26, 2018
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By Jacob Stockinger

One of the gems in the 27 encores that violinist Hilary Hahn commissioned from 27 different composers a couple of years ago is “Mercy” by the German-born British composer Max Richter.

Hahn has played here several times, mostly at the Wisconsin Union Theater but also with the Madison Symphony Orchestra.

Although Max Richter’s Minimalist music has not been played in Madison as far as The Ear remembers, you might already know his name from the popular recording of his take on Vivaldi in “The Four Seasons Recomposed” or his more ambitious and most current project “Sleep,” which provides music for eight and a half hours of sleeping.

But The Ear confesses he had not heard this moving miniature called “Mercy” until recently, even though Hahn recorded it along with the other 26 encores with pianist Cory Smithe.

He likes it.

And so apparently do a lot of other listeners.

So it is something that is well worth using five minutes of your time to sample.

Write your comments, positive or negative, below.

The Ear wants to hear.


Classical music: UW trombonist Mark Hetzler explores Stravinsky with new music and alumni musicians in a FREE concert on FRIDAY night. Plus, you can hear FREE Brahms at noon this Friday

October 12, 2017
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ALERT: The music of Johannes Brahms will be featured at this Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Performers are Wes Luke and Valerie Sanders, violin; Ina Georgieva and Marie Pauls, viola; and Rachel Bottner, cello. (No word on specific works, but it sure sounds like a string quintet is on the program.) The concert runs from 12:15 to 1 p.m.

And more Brahms (below) fits into the question The Ear recently posted about what explains why we are hearing more music by Brahms these days. Here is a link to that post:

https://welltempered.wordpress.com/2017/10/07/classical-music-are-we-hearing-more-brahms-if-so-why/

By Jacob Stockinger

The always adventurous and inventive UW-Madison trombone professor Mark Hetzler (below) will once again perform an experimental and innovative FREE concert this FRIDAY night (NOT Saturday night, as incorrectly listed on here before) at 8 p.m. in Mills Hall.

“Solitude and Stravinsky“ is an exploration of social isolation and a reimagining of Igor Stravinsky’s popular Neo-Classical “Pulcinella” Suite (which you can hear in the YouTube video at the bottom).

According to the website at the UW-Madison’s Mead Witter School of Music: “This concert will showcase landmark works by contemporary composers and an experimental performance by the quartet combo Mr. Chair, with special guests and alumni Jason Kutz (piano, below top), Ben Ferris (double bass, below bottom) and Mike Koszewski (drums).”

Here is the full eclectic program:

Allemande, Suite No. 2 in D Major for Solo Cello……J.S. Bach

Brass Atmosphere…..Matthew Burtner

Disegno…….Anders Eliasson

Caravaggio….John Stevens (below)

  1. Realism; 2. Shadow;  3. Vulgarity;  4. Light

Luminous….Mark Engebretson

Onyzx Quartet…..Jason Kutz

PULCINELLA RE-IMAGINED……Igor Stravinsky (below)

Introduzione (Domenico Gallo)

Scherzino (Giovanni Battista Pergolesi)

Serenata (Pergolesi)

Allegro assai (Gallo)

Allegro alla breve (Pergolesi)

Largo (Pergolesi)

Tarantella (Count Unico Wilhelm Wasserader/Fortunato Chelleri)

Gavotta (Carlo Monza)

Andantino (Alessandro Parisotti)

Minuetto (Pergolesi)

Finale (Gallo)

For a biography of Mark Hetzler and his previous projects, including his many recordings, prizes and guest appearances, go to:

http://www.music.wisc.edu/faculty/mark-hetzler/


Classical music: Explore how modern and contemporary piano music uses bird songs

August 16, 2017
3 Comments

By Jacob Stockinger

Kyle Johnson (below, in a photo by Peter Jakubowski), a talented pianist who is studying at the UW-Madison and who has contributed reviews to this blog, sends the following information:

Hi all,

You’re receiving this email because you collaborated with me on my ongoing Messiaen podcast production, helped me in a small way, are on my doctoral committee, or are simply someone whom I’ve told about the project in recent weeks.

I’ve great news: Edge Effects, a magazine out of the Center for Culture, History and Environment (within UW’s Nelson Institute) picked up knowledge of the project and decided to feature it!

The feature is a full-length preview episode of the podcast series, specifically created for Edge Effects. That episode is currently available for streaming or download HERE.

I hope everyone can get a chance to listen to it and enter the world of birdsong (below), contemporary piano repertoire, composition, ornithology and performing. (You can hear Messiaen’s use of birdsong in the YouTube video at the bottom.)

Podcasting, itself, is a great, relatively new medium for education, storytelling, and informing — all attributes I hope you’ll take away after hearing it.

Happy listening,

Kyle

Kyle D. Johnson, Mead Witter School of Music

Dissertator, Doctor of Musical Arts

www.kyledjohnson.weebly.com


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