The Well-Tempered Ear

Classical music: This week offers FREE concerts by the Pro Arte String Quartet on Wednesday night and the Trio Unprepared for piano and percussion on Thursday night

September 26, 2016
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By Jacob Stockinger

Two FREE and appealing but very different concerts are on tap this week at the University of Wisconsin-Madison School of Music:

PRO ARTE QUARTET

On Wednesday night at 7:30 p.m. in Mills Hall, the acclaimed Pro Arte Quartet (below in a photo by Rick Langer) will perform a program that features standard works as well as new music.

Pro Arte Quartet new 2 Rick Langer

The quartet will play the String Quartet in B-flat Major (1790), Op. 64, No. 3, by Franz Joseph Haydn; and the String Quartet No, 10 (1809), Op. 74, called the “Harp” Quartet, by Ludwig van Beethoven.

You can hear the first movement of Beethoven’s “Harp” Quartet, performed by the Alban Berg Quartet, in a YouTube video at the bottom.

Less well is the contemporary work “Fantasies on the Name of Sacher” (2012) by French composer Philippe Hersant.

Here are program notes from Pro Arte cellist Parry Karp (below):

“The Haydn and Hersant are new pieces for the Pro Arte and it has been a great pleasure to learn them.

“The Haydn was written at the time that Haydn’s job as the court composer of the court of Esterhazy had come to an end. It is one of the “Tost” Quartets, named for the Hungarian violinist Johann Tost. Haydn dedicated the quartets to him to thank him for his performances and for helping Haydn get a publisher for the quartets.

Parry Karp

“The next piece on the program is the “Fantasies for String Quartet” by the French composer Philippe Versant (b. 1948, below). Here are the composer’s notes on this piece:

“This piece has been in the works for years. First performed in 2008, the first version for string trio included six fantasies. I added two the following year, then an additional instrument (second violin). This version for string quartet was commissioned for the Cully Classique Festival, where it was premiered in 2012. Finally, for the Grand Prix Lycéen for Composers, I imagined a version for string orchestra, commissioned by Musique Nouvelle en Liberté (2013).

“The initial challenge was to write a series of pieces that were as different as possible, from a basic material that was very narrow. That common material is a short motif of 6 notes, which correspond (in Germanic notation) to the letters of Sacher’s name (with a few twists): S (E-flat) A C H(B) E R(D).

“This motif has already been used by a number of composers (Henri Dutilleux, Pierre Boulez and Benjamin Britten) in their homages to Paul Sacher, the great patron and conductor.

“Joined together by the omnipresence of these six notes, the eight fantasies offer strong contrasts in character and style:the first has a high-pitched, rarefied atmosphere a la Shostakovich; the second has a taunting and obsessional tone; there is a dramatic, tense ambience in the fourth …. Two others showcase the voices of the soloists: viola (lyrical) in the third and the cello (stormy) in the seventh.

“Some quotations pepper the discourse: In the third fantasy an altered version of a passage from Beethoven’s String Quartet No. 13, Op. 130, and the sixth combines motifs borrowed from Gustav Mahler’s Symphony No. 4, Igor Stravinsky’s “Symphony of Psalms” and Dmitri Shostakovich. A falsely naive, short children’s song closes the set.

“-P. H.”

The last piece on the program, the String Quartet in E-flat Major, Op. 74, by Beethoven, was named the “Harp” Quartet by the first publisher of the work. It was so named because of the the unique use of pizzicato in the first movement of the piece.

This string quartet is one of the great masterpieces of the quartet repertoire with a brilliant first movement, a profound slow movement which foreshadows Beethoven’s late period, a brilliant scherzo, and a classical style variation movement as the finale.

philippe-hersant

TRIO UNPREPARED

On Thursday night at 7:30 p.m. in Mills Hall, the Trio Unprepared will perform a FREE concert of improvised music.

Here is the blurb from the UW-Madison School of Music’s website:

Drawing from the vast resources of contemporary, jazz, classical and global music, the Trio Unprepared presents an evening of IMPROVISED music for piano and percussion. Ensemble members are Andre Gribou, piano, and Roger Braun and Anthony DiSanza on percussion. (DiSanza teaches at the UW-Madison and is a member of the Madison Symphony Orchestra.)

trio-unprepared-poster

Trio Unprepared has performed globally in extraordinarily diverse musical settings and worked together in various configurations for many years.

This concert — and the subsequent tour of Wisconsin — brings the trio back together for the first time since performing in Switzerland in July 2015.

A master class will follow this concert, from 9 to 10:30 p.m.


Classical music education: Here is a shout-out for Susan Cook, director of the University of Wisconsin-Madison School of Music, who defended music education and music performance as part of the Wisconsin Idea that is now under attack by state Republicans.

February 20, 2015
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By Jacob Stockinger

If you attended the recent concert by the winners of the UW-Madison School of Music Concerto Competition, you heard something extraordinary besides terrific music by Johann Strauss, Francois Borne, Ernest Chausson, Charles Gounod, Sergei Rachmaninoff and UW-Madison graduate student in composition Adam Betz from the four soloists, two conductors and the UW Symphony Orchestra.

At the beginning of the concert Susan Cook (below), who is a respected musicologist and the relatively new director of the School of Music, stood before the large house and defended music education and music performance as part of the Wisconsin Idea.

Susan Cook 1  at Concerto 2015

That long-celebrated idea that was formulated in the Progressive Era – that the publicly funded university exists to serve all the citizens of the state –- is under attack from anti-intellectual, budget-cutting Republicans who are being led by presidential wannabe Gov. Scott Walker.

Clearly, Walker and the conservative Republicans are once again picking on public workers — this time university professors — as overpaid and underworked scapegoats.

In addition, they are insisting that the university has to do more to foster economic development with the implication that the arts and humanities are not doing their fair share compared to the sciences, the professions and engineering. Why not turn the UW-Madison into a trade school or vocational school?

So they seem determined to dismantle the great University of Wisconsin or reduce it to a second-rate institution. And they are annoyed and disapproving that UW-Madison Chancellor Rebecca Blank is playing politics right back at them by marshalling alumni and faculty, staff and students, to fight back against the record $300 million budget cut.

Too bad the state legislators don’t rank as high among state legislatures as the UW-Madison does among public universities. They should be taking lessons – not giving them.

Anyway, Susan Cook (below) eloquently defended music education and music performance. She pointed out the diversity of the students in the School of Music. She pointed out the national distinctions that the school and its faculty have earned. And she pointed out how many of the school’s teachers and performers tour the state, and even the country and world, to share their art and knowledge. Surely all of that fulfills the ideals of the Wisconsin Idea.

DSusan Cook 2 at Concerto 2015

In addition, the growing body of research studies show that music education plays a vital role in all education and in successful careers in other fields. But one doubts whether the Republicans will consider that as central to economic development -– even though businesses lament the lack of a prepared workforce.

Cook got loud and sustained applause for her remarks.

She deserved it.

Cook stood up and, as the Quakers say, spoke truth to power.

So The Ear sends a big shout-out to Susan Cook and hopes that all music fans will second her views and protest and resist what the governor and state legislature want to do to gut the UW-Madison.

Brava, Susan Cook!

The Ear says leave a Comment and show both the politicians and the School of Music that you stand with Cook and want to preserve the quality of the UW-Madison, in the arts and humanities as well as in the sciences and technology, to be maintained.

 


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