The Well-Tempered Ear
Middleton Community Orchestra performs the second of four FREE outdoor summer concerts at Firemen’s Park this Sunday at 11:30 a.m.
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday from 11:30 a.m. to 1 p.m. in Firemen’s Park, the mostly amateur but critically acclaimed Middleton Community Orchestra (MCO) will give the second of its FREE four summer outdoors concerts.
Besides the fact that the day is Father’s Day holiday, weather predictions also call for a good chance of rain or even thunderstorms.
Updates on whether the concert will take place, be cancelled or postponed to a later date, can be found by checking the MCO’s website at 10 a.m.: https://middletoncommunityorchestra.org
Meanwhile, here are the programs, conductors and soloists for the remaining three concerts. All concerts take place in Firemen’s Park in Middleton close to Middleton High School:
CONCERT – SUNDAY, JUNE 20, 11 a.m.-1 p.m. (revised program)
Sergei Pavlov (below), conductor and professor at Edgewood College
George Walker – “Lyric for Strings”
Ralph Vaughan Williams – “Fantasia on a Theme of Thomas Tallis” (heard in the YouTube video at the bottom)
Giacomo Puccini – Lauretta’s aria from “Gianni Schicchi”; Mimi’s aria in Act 3 and Musetta’s aria in Act 2 from “La Boheme” with soprano Yanzel Rivera (below).
Selections from the Pixar movie COCO (piano and strings)
CONCERT – SUNDAY, JULY 25, 11:30 – a.m.-1 p.m.
Chris Ramaekers (below), conductor and professor at the University of Wisconsin-Whitewater
Peter Illyich Tchaikovsky – “March Slav”
Carl Maria von Weber — Clarinet Concerto No. 2 with soloist and Madison Symphony Orchestra principal clarinetist JJ Koh (below)
Tchaikovsky — Symphony No. 2 “Little Russian”
CONCERT 4 – SUNDAY, AUG. 15, 11:30-1 p.m.
Sergei Pavlov, conductor
Brahms Piano Concerto No. 1 with soloist and UW-Madison graduate Thomas Kasdorf (below)
Tags: #AgnusDei, #AlbumCover, #BlogPost, #BlogPosting, #CarlMariavonWeber, #ChoralMusic, #ChristopherRamaekers, #ClarinetConcerto, #Cocomovie, #CreoleMass, #CriticalAcclaim, #EdgewoodCollege, #FacebookPost, #FacebookPosting, #FantasiaonaThemeofThomasTallis, #FantasyonaThemebyThomasTallis, #Father'sDay, #FilmMusic, #Firemen'sPark, #GeorgeWalker, #GiacomoPuccini, #JacobStockinger, #JJKoh, #JohannesBrahms, #LaBoheme, #LittleRussian", #LyricforStrings, #MadisonSymphonyOrchestra, #MarchSlav, #MeadWitterSchoolofMusic, #MiddletonCommunityOrchestra, #MiddletonHighSchool, #MiddletonWisconsin, #MissaCriolla, #MovieScore, #MusicCritic, #Musicfaculty, #OperaMusic, #PeterIlyichTchaikovsky, #PianoConcerto, #RalphVaughanWilliams, #RomanCatholic, #RomanCatholicism, #SacredMusic, #SergeiPavlov, #SopranoSinger, #SouthAmerica, #SouthAmerican, #SpanishLanguage, #StringMusic, #TheEar, #TheUW, #ThomasKasdorf, #ThomasTallis, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Whitewater, #VocalMusic, #YanzelRivera, #YouTubeChannel, #YouTubevideo, Agnus Dei, amateur, aria, arias, arrangement, Arts, audience, blog, Blog post, blog posting, Brahms, cancel, Carl Maria von Weber, Catholicism, chance, channel, check, choral msuic, Christian, Christianity, Christopher Ramaekers, clarinet, clarinet concerto, clarinetist, Classical music, Coco, composer, Concert, concerto, concerts, conductor, Creole, Creole Mass, critic, critical acclaim, date, Early music, Edgewood College, Facebook, Facebook post, Facebook posting, fact, Fantasia, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme of Thomas Tallis, fathers day, film, film music, Firemen's Park, forward, free, George Walker, Giacomo Puccini, graduate, Holiday, Jacob Stockinger, JJ Koh, Johannes Brahms, Kasdorf, Koh, La bohème, like, link, Little Russian, lyric, Lyric for Strings, Madison, Madison Symphony Orchestra, march, March Slav, mass, MCO, Mead Witter School of Music, Middleton, Middleton Community Orchestra, Middleton High School, Missa Criolla, movie, movie score, Music, music critic, music faculty, opera, opera musiuc, Orchestra, outdoors, performer, Pianist, Piano, Piano concerto, Pixar, post, posting, postpone, prediction, principal, professor, programs, Puccini, rain, Ralph Vaughan Williams, Ramaekers, remaining, Roman Catholic, Russia, sacred music, Sergei Pavlov, share, singer, Slav, soloist, soprano, South America, South American, Spain, Spanish, string music, strings, summer, Sunday, symphony, tag, Tchaikovsky, The Ear, Thomas Kasdorf, Thomas Tallis, thunderstorms, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Whitewater, University of Wisconsin–Madison, update, UW, UW-Madison, vaughan williams, Viola, Violin, vocal music, Walker, weather, Weber, Website, Wisconsin, Yanzel Rivera, YouTube, YouTube video
Classical music: On this Memorial Day, The Ear honors not only soldiers but also civilians, COVID-19 victims and all those responders and workers who serve the public
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is Memorial Day 2020.
It is of course a largely military holiday. Most of the planned public events will be to honor those who died in service to their country. That usually means fallen soldiers and deceased veterans.
It also means that military cemeteries – like Arlington National Cemetery, below — will be decorated with American flags.
But The Ear doesn’t think we should forget that there are many ways to serve your country and protect the public, many kinds war and self-sacrifice.
Let’s not forget civilians, especially since worldwide more than twice the numbers of civilians died in World War II than did members of the armed forces. Lives are taken as well as given.
A larger definition of “national service” also seems especially timely since this weekend the U.S. is likely to surpass 100,000 deaths from COVID-19 during the coronavirus pandemic. They include many first responders and frontline workers (below) as well as grocery store workers and delivery drivers. Even “small” occupations have big heroes. There is no reason not to be more inclusive.
There are traditional kinds of music to honor the dead. They include requiems and elegies, military marches and funeral marches. And in the comment section you should feel free to suggest whatever music you think would be appropriate.
But The Ear found a piece he thinks is both unusual and ideal.
It is called “Old and Lost Rivers” by the contemporary American composer Tobias Picker (below). It is a beautiful, moving and contemplative piece, based on an actual place in Texas, that you can hear in the YouTube video at the bottom.
But you should know this about the work’s title.
With rivers, “lost” doesn’t mean forgotten or misplaced.
One dictionary defines it as “a surface stream that flows into an underground passageway” – and eventually often becomes part of a larger body of water such as a lake or the ocean.
It can also mean rivers that appear during heavy rain and then disappear when they evaporate during a drought.
Somehow, those images serve as fitting metaphors for our losses and that music seems a very appropriate way to honor those who sacrifice themselves and disappear in service to others.
The Ear hopes you agree.
Tags: #AmericanComposer, #ArlingtonNationalCemetery, #ArmedForces, #BlogPost, #BlogPosting, #ContemporaryComposer, #COVID-19, #DecorationDay, #FacebookPost, #FacebookPosting, #FirstResponder, #FrontlineWorker, #GroceryStore, #JacobStockinger, #MemorialDay, #NationalService, #NewMusic, #OldandLostRivers, #TheEar, #TheU.S., #TobiasPicker, #TraditionalMusic, #WorldWar2, #WorldWarII, #YouTubevideo, America, American, appropriate, Arlington National Cemetery, armed forces, Arts, audience, beautiful, big, blog, cemetery, civilian, composer, contemplative, contemporary, country, covid, dead, death, deceased, decorate, Decoration Day, delivery, die, disappear, driver, drought, evaporate, event, Facebook, fallen, first responder, first responders, fitting, flag, forgotten, forward, frontline, funeral march, give, grocery store, hear, hero, Holiday, honor, ideal, image, inclusive, Jacob Stockinger, lake, like, link, lives, loss, losses, lost, Madison, march, Memorial Day, metaphor, miliary, misplaced, moving, Music, national service, New Music, occupation, ocean, old, Old and Lost Rivers, Orchestra, pandemic, passageway, peformer, piece, planned, post, posting, protect, public, rain, Requiem, river, sacrifice, self-sacrifice, serve, service, share, small, soldier, suggest, surface, surpass, symphony, tag, take, Texas, The Ear, Tobias Picker, traditional, U.S., underground, United States, unusual, Veteran, war, way, weekend, worker, World War 2, World War II, YouTube
Classical music: This Friday at noon, technology meets Beethoven when UW-Madison pianist Kangwoo Jin plays a FREE concerto performance
6 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This week’s FREE Friday Noon Musicale — tomorrow, March 6 — at the First Unitarian Society of Madison, 900 University Bay Drive, features an unusual concert in which classical music meets high technology.
Kangwoo Jin (below, in a photo by Steve Apps for the Wisconsin State Journal), a gifted and prize-winning pianist from South Korea, will perform the second and third movements of Beethoven’s Piano Concerto No. 4 in G major, Op. 58.
But instead of a second piano or a full orchestra, Jin will be accompanied by a newly developed interactive app that adjusts to Jin and allows him to play his solo part flexibly with a real orchestra accompaniment that has been recorded minus the piano part.
Jin is studying for his doctorate with UW Professors Christopher Taylor and Jessica Johnson. He will graduate this May.
Next week Jin — who has won the UW-Madison Concerto and Beethoven Competitions and who teaches at Farley’s House of Pianos, the Wisconsin Conservatory of Music and the UW Continuing Education program– will open and close the UW-River Falls Piano Festival with two performances of the same Beethoven concerto with the St. Croix Valley Symphony Orchestra
Jin suffers from hemophilia and has to be careful about injuring himself from over-practicing and over-playing. He has a fascinating and inspiring personal story to tell. Here is a link to a story about him in the Wisconsin State Journal: https://madison.com/wsj/entertainment/uw-pianist-shares-musical-gift-despite-health-challenge/article_fdba6f0f-9245-5816-a97c-c4f3a6e2d0ed.html
You can follow his Facebook page. And here is a link to Jin’s own website, which has more biographical information and videos: https://www.pianistkangwoojin.com
Jin says that, in addition to the two concerto movements, he will also play several short pieces: “Clair de Lune” (Moonlight) by Claude Debussy; the “Raindrop” Prelude by Chopin; and two song transcriptions by Franz Liszt — Schubert’s “Litany” and Schumann’s “Widmung” (Dedication).
The orchestral accompaniment for the Beethoven concerto is performed by MusAcc — an iPad app. It is an app that can customize and manipulate the audio, much like an actual instrument, in real time. Think of it as an orchestra in a box that you can use anywhere.
Jin explains the reasons for his FUS concert, which starts at NOON (not 12:15 p.m., as it used to be) and goes to about 1 p.m.:
“Playing a concerto is not possible in that venue, so I am using a recorded file for the orchestra part,” Jin says. “My friend Yupeng Gu, who developed this audio controlling device, will conduct and control the pacing of the recording so that the sound synchronizes with my playing. It is quite incredible and will be a very interesting concert.”
“I hope this breaks the barrier of having to have a big venue and other difficulties for performing concertos, and lets local people enjoy a more accessible and diverse repertoire,” he says. “If people like it, I would like to play the whole concerto and maybe more concertos — hopefully, all five Beethoven piano concertos — this way. This is something I have not tried before, so I am excited about it.”
“People have much easier access to solo performances, but not to concertos due to many limitations,” Jin adds. “So I expect them to have a novel experience with this concert.”
In the YouTube video at the bottom, you can hear a similar performance, done with the same device, featuring a different pianist playing the first movement of Beethoven’s Piano Concerto No. 1 in C Major, Op. 15.
Tags: #BlogPost, #BlogPosting, #Clairdelune, #ClaudeDebussy, #ContinuingEducation, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FirstUnitarianSocietyofMadison, #FranzLiszt, #FredericChopin, #FridayNoonMusicale, #FullOrchestra, #HighTechnology, #HomePage, #HomeWebsite, #HumanInterest, #InteractiveApp, #JacobS, #JessicaJohnson, #KangwooJin, #LudwigVanBeethoven, #MeadWitterSchoolofMusic, #MusicEducation, #OrchestralAccompaniment, #PianoConcerto, #PianoConcertoNo.4, #PianoFestival, #PianoTranscription, #Prize-Winning, #RaindropPrelude, #RealTime, #RiverFalls, #RobertSchumann, #SouthKorea, #SouthKorean, #St.CroixValleySymphonyOrchestra, #SteveApps, #TheEar, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #UW-RiverFalls, #WisconsinConservatoryofMusic, #WisconsinStateJournal, #YouTubevideo, #YupengGu, accompany, accomplished, acocmpaniment, app, Arts, audience, Audio, Beethoven, biography, blog, Chopin, Clair de Lune, Classical music, Claude Debussy, close, Competition, composer, Concert, concerto competition, concertos, conduct, Continuing Education, control, customize, Debussy, dedication, develop, device, different, doctoral, doctorate, drop, event, Facebook, Farley's House of Pianos, festival, file, first, First Unitarian Society of Madison, flexible, flexibly, forward, Franz Liszt, Frédéric Chopin, free, Friday Noon Musicale, friend, gifted, graduate, Gu, hemophilia, home website, human, human interest, information, injure, instrument, interactive, interesting, intuitive, invent, IPad, Jacob Stockinger, Jessica Johnson, Kangaroo Jin, Korea, like, link, litany, Ludwig van Beethoven, Madison, manipulate, Mead Witter School of Music, meet, minus, moonlight, movement, MusAcc, Music, Music education, open, Orchestra, orchestral accompaniment, pace, pacing, part, perform, performer, personal, Pianist, Piano, Piano Concerto No. 4 (Beethoven), piano festival, playing, possible, post, posting, practicing, Prelude, rain, raindrop, Raindrop Prelude, real, real time, recorded, rehearse, relative, River Falls, Robert Schumann, sample, Schumann, second, share, small, society, solo, South Korea, South Korean, St. Croix Valley Symphony Orchestra, Steve Apps, story, Student, symphony, synchronize, tag, teach, technology, Tempo, The Ear, third, time, transcription, Unitarian, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, use, UW, UW-Madison, UW-River Falls, venue, Website, win, Wisconsin, Wisconsin Conservatory of Music, Wisconsin State Journal, YouTube, Yupeng, Yupeng Gu
Classical music: The Madison Symphony Orchestra opens its new season with a strong and memorable concert that had something for everyone — with no outside help from a guest artist
4 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: On this Saturday, Oct. 5, from 4 to 5 p.m., cellist Amit Peled will teach a master class at Farley’s House of Pianos, 6522 Seybold Road, near West Towne Mall, where he will instruct local students. This is a FREE event that the public is invited to observe, and is part of the two concerts by Peled and pianist Daniel del Pino. For more information, go to:
By Jacob Stockinger
Many orchestras, including the Madison Symphony Orchestra (below, in a photo by Peter Rodgers), often use the opening concert of a new season as a chance to lure audiences by wowing them with some big-name guest soloist.
But last weekend maestro John DeMain (below, in a photo by Greg Anderson) once again preferred to show off his own ensemble. And it worked, making for a memorable concert.
The MSO opener had something for everyone, and what you saw as the highlight probably depended more on your personal taste or preference than on the overall impressively tight playing and singing of the MSO, its principals and its chorus.
It seemed clear that, for most listeners the MSO’s young organist Greg Zelek (below, in a photo by Peter Rodgers) filled the role of the impressive imported star or guest artist.
The virtuosic Zelek is simply so good that he managed to turn a second-rate piece by Samuel Barber into a first-rate crowd-pleaser that brought huge applause and a long standing ovation, then an encore and another standing ovation.
As music, the concerto-like “Toccata Festiva” (1960) is simply not on par with Barber’s Violin Concerto or his Adagio for Strings or his Overture to “The School for Scandal.” It is 15 minutes of mostly loud and bombastic music meant to show off the new organ that it was commissioned for.
The King of Instruments seems to invite such bragging. And the boyish, vest-clad Zelek milked the score by Barber (below) for all it was worth, including an astounding three-minute cadenza played only with the feet. It’s hard to argue with such dramatic success.
If you preferred more serious fare, there was the Symphony No. 7 in D minor by Antonin Dvorak (below). Last spring, DeMain announced his fondness for Dvorak – in the spring the MSO will perform his Requiem.
DeMain’s feeling for Dvorak showed in a convincing and engaging performance of this darker, non-programmatic Brahmsian work that goes beyond the Czech folk dances, folk song-like melodies and nature mimicry of Dvorak’s other major symphonies and chamber music.
If you wanted exciting Romanticism, it would be hard to beat Wagner’s rhythmic strings soaring in the Overture to the opera “Tannhauser” by Richard Wagner (below). And that flowed into Wagner’s sensual “Venusberg” music that featured the MSO chorus singing offstage.
But The Ear thinks that the best measure of musicianship – orchestral, instrumental or vocal — is not how loudly they can play or sing, but how softly.
For that reason, he found the standout work at the concert to be “Prelude to The Afternoon of a Faun” by Claude Debussy (below). The balance among various sections proved ideal at expressing subtlety. You could hear everything combining to make a distinctive and atmospheric tonal color.
For example, it is hard to imagine more sensual playing of the opening theme than how principal flutist Stephanie Jutt (below) did it. The performance and interpretation projected the exact kind of impressionistic seductiveness that the composer meant for it to have. For sheer beauty of sound, it took the top spot. (You can see a graphic depiction of Debussy’s score in the YouTube video at the bottom.)
Still, there seemed to be more than the usual number of empty seats. Was it the rainy weather? The football weekend? Or do people still miss the thrill of hearing a well-known guest artist opening the season?
What do you think?
What was your favorite piece on the opening MSO program? And why?
The Ear wants to hear.
Tags: #AdagioforStrings, #AmitPeled, #AntoninDvorak, #BlogPost, #BlogPosting, #BlogReview, #ChamberMusic, #ChoralMusic, #ClaudeDebussy, #CommissionedMusic, #Czechcomposer, #DanieldelPino, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FolkDance, #FolkMelody, #GregZelek, #GuestArtist, #GuestSoloist, #JohannesBrahms, #JohnDeMain, #KingofInstruments, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #OrchestralMusic, #PersonalTaste, #PopularSuccess, #PreludetotheAfternoonofaFaun, #RichardWagner, #SamuelBarber, #StandingOvation, #StephanieJutt, #SymphonyOrchestra, #TheEar, #TheSchoolforScandal, #UniversityofWisconsin-Madison, #VenusbergMusic, #ViolinConcerto, #VocalMusic, #WestTowneMall, #YouTubevideo, Adagio for Srtrings, Amit Peled, Antonín Dvořák, applause, Arts, astounding, atmosphere, audience, balance, blog, bombastic, Brahmsian, cadenza, cellist, Cello, Chamber music, chance, Choir, choral music, chorus, Classical music, classicalmusic, Claude Debussy, color, commission, commissioned music, composer, Concert, concerto, crowd, Daniel del Pino, dark, Debussy, depiction, drama, Dvorak, empty, encore, ensemble, event, express, Facebook, fare, Farley's House of Pianos, feet, flute, folk dance, folk song, folksong, fondness, football, free, graphic, Greg Zelek, guest artist, guest soloist, hear, highlight, impressive, instrument, Jacob Stockinger, Johannes Brahms, John DeMain, King, king of instruments, loud, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, Maestro, master class, masterclass, Mead Witter School of Music, measure, melody, memorable, mimicry, minute, Music, musicianship, nature, new, offstage, opener, opera, orchestral music, organ, organist, Overture, personal, personal taste, Pianist, Piano, playing, pleaser, popular, post, posting, prefer, preference, Prelude to the Afternoon of a Faun, principal, public, rain, Requiem, Richard Wagner, Romanticism, Samuel Barber, score, Season, seats, second-rate, sensual, serious, show-off, singer, Singing, song, Spring, standing ovation, Stephanie Jutt, strings, subtle, subtlety, success, symphony, symphony orchestra, Tannhauser, taste, test, The Ear, The School for Scandal, theme, thrill, tight, toccata, tonal, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, UW-Madison Mead Witter School of Music, Venusberg, Violin, Violin concerto, virtuosic, virtuoso, vocal, vocal music, Wagner, weather, weekend, West Towne Mall, Wisconsin, work, worked, worth, YouTube
Classical music: The Token Creek Chamber Music Festival starts this Friday and marks 30 years with jazz plus music by Bach, Mozart, Liszt, Brahms, Ravel, Schoenberg and John Harbison
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Starting this coming Friday, Aug. 16, and running through Sept. 1, the Token Creek Chamber Music Festival will mark its 30th anniversary with the theme of “Sanctuary.” (The festival takes place in a refurbished barn, below, at 4037 Highway 19 in DeForest.)
Add the festival directors: “The term ‘sanctuary’ attempts to capture in a single word something essential about what the festival has meant to players and listeners over all these years. From the start it aspired to offer something of retreat, an oasis, a place of refreshment and nourishment in art, both for musician participants who find a welcoming environment to “re-charge” their work, and for audience attendees who engage in and become a part of it.”
“In our small country barn,” writes prize-winning composer John Harbison (below top, in a photo by Tom Artin) who co-directs the festival with his violinist wife Rose Mary Harbison (below bottom, in a photo by Tom Artin), “we have always remained devoted to the scale and address of much chamber music, which speaks as often in a whisper as in a shout.
“Where larger musical institutions have been habitually frustrated by trying to live in the business model of growth, we have remained devoted to the intensity of the experience, which explains why the music never goes away, rather than to claims of numbers, which begs the music itself to change its very nature.
“Our conviction is that today’s composers, just like Schubert and Mozart, are still striving to embody daily experience, to connect to the natural world, and to ask philosophically and spiritually unanswerable questions, surrounded and interrupting silence, asking only for our most precious commodity — time. We continue to look for valuable ways to offer this transaction to our listeners, and are grateful for their interest over so many years.”
The first two concerts, at 5 p.m., on Friday and Saturday nights, feature the return of a jazz cabaret featuring standard works in the Great American Songbook. For more information about the program and performers, as well as tickets, go to: www.tokencreekfestival.org or call (608) 241-2525.
Tickets for the two jazz concerts are $40 for the balcony and $45 for cafe seating. Tickets for the other concerts are $32 with a limited number of student tickets available for $12.
HERE IS THE LINEUP FOR THE REST OF THE FESTIVAL
Program 2: Music of Brahms at 4 p.m. on Saturday, Aug. 24, and Sunday, Aug. 25
Johannes Brahms is the only composer whose complete catalogue of chamber music is still in constant use. This is due to his fastidious high standards, and to his ideal temperament for music played by smaller groups of players. His music is universally admired for the astounding combination of sheer craft and deep emotional impact.
The program includes the Regenlied (Rain Song), Op. 57 no. 3; Sonata for Violin and Piano in G major, Op. 78; the Sonata for Cello and Piano in E minor, Op. 38; and the Piano Quartet in C minor, Op. 60. (The “Rain Song” is used as the theme of the last movement of the violin sonata. You can hear it performed by violinist Leonidas Kavakos and pianist Yuja Wang in the YouTube video at the bottom, which also features the score so that you can follow along.)
Performers are Edgewood College mezzo-soprano Kathleen Otterson (below top); violinist Rose Mary Harbison; violist Lila Brown (below second); cellist Rhonda Rider (below third, in a photo by Liz Linder); and pianist Janice Weber (below bottom).
Program 3: Then and Now, Words and Music – An 80th Birthday Tribute to John Harbison. Wednesday, Aug. 28, at 7:30 p.m.
Last February, when Madison launched a citywide celebration of co-artistic director John Harbison’s 80th birthday, bitter cold and deep snow made it impossible for the festival to open up The Barn and join in the festivities.
The Wednesday program – an intimate concert of words and music curated by the Harbisons — is the festival’s belated birthday tribute. Harbison will read from his new book about Johann Sebastian Bach, and Boston poet Lloyd Schwartz (below top) will offer a reading of his poems that are the basis of a song cycle to presented by baritone Simon Barrad (below bottom). The evening will include a discussion on setting text, “Poem to Song,” and the world premiere of new Harbison songs, still in progress, on poems of Gary Snyder.
The program includes: Selections from the Violin Sonata in B minor, with violinist Rose Mary Harbison, and “The Art of Fugue” by Johann Sebastian Bach; “Four Songs of Solitude” and “Nocturne” by John Harbison; the Violin Sonata in G Major by Wolfgang Amadeus Mozart; the “Phantasy” for violin and piano by Arnold Schoenberg; the “SchwartzSongs” and “Four Poems for Robin” by John Harbison.
Program 4: The Piano , at 4 p.m. on Sunday, Aug. 31, and Sunday, Sept. 1.
The closing program welcomes back husband-and-wife pianists Robert Levin and Ya-Fei Chuang, playing together and as soloists.
Chuang (below top) is acclaimed by critics in the U.S. and abroad for performances of stunning virtuosity, refinement and communicative power. Levin (below bottom, in a photo by Clive Barda), who teaches at Harvard University, is revered for his Mozart completions and classical period improvisations.
Their program explores the question of the composer-performer — that is, composers who were also formidable pianists: Mozart, Ravel and Liszt.
Beethoven’s fourth piano concerto, arranged by the composer for chamber ensemble, and excerpts of Harbison’s Piano Sonata No. 2, written for Levin, will be performed. Also on the program are Mozart’s Allegro in G Major, K. 357 (completion by Robert Levin); Maurice Ravel’s “Gaspard de la Nuit”; and Franz Liszt’s “Reminiscences of Don Juan.”
Other performers are: violinists Rose Mary Harbison and Laura Burns, of the Madison Symphony Orchestra and Rhapsodie String Quartet; violists Jen Paulson and Kaleigh Acord; cellist Karl Lavine, who is principal cello of both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra as well as the Chamber Music Director of the Wisconsin Youth Symphony Orchestras (WYSO); and double bassist Ross Gilliland.
Tags: #AmericanJazz, #ArnoldSchoenberg, #BaritoneSinger, #BaroqueEra, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonMassachusetts, #BusinessModel, #CafeSeating, #CelloSonata, #ChamberMusic, #Classicalera, #CriticalAcclaimed, #DonJuan, #DoubleBass, #EdgewoodCollege, #EmotionalImpact, #FacebookPost, #FacebookPosting, #FacultyMember, #FranzLiszt, #FranzSchubert, #GarySnyder, #GasparddelaNuit, #GreatAmericanSongbook, #HarvardUniversity, #HighStandard, #husband-and-wife, #JaniceWeber, #JazzMusic, #JenPaulson, #JohannesBrahms, #JohannSebastianBach, #JohnHarbison, #KaleighAcord, #KathleenOtterson, #LauraBurns, #LeonidasKavakos, #LilaBrown, #LivingComposers, #LloydSchwartz, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MauriceRavel, #Mezzo-sopranoSinger, #MusicCritic, #MusicScore, #NaturalWorld, #NewMusic, #PianoConcerto, #PianoQuartet, #Prize-Winning, #RainSong, #RhapsodieQuartet, #RhapsodieStringQuartet, #RhondaRider, #RobertLevin, #RoseMaryHarbison, #RossGilliland, #SimonBarrad, #SongCycle, #StringQuartet, #TheArtofFugue, #TheU.S., #TokenCreek, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #ViolinSonata, #VocalMusic, #WisconsinChamberOrchestra, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #WorldPremiere, #Ya-FeiChuang, #YouTubevideo, #YujaWang, abroad, acclaimed, American, anniversary, Arnold Schoenberg, Art, Arts, aspire, astounding, audience, Bach, balcony, baritone, barn, Baroque, Beethoven, birthday, bitter, blog, Book, Boston, Brahms, Business, Business model, cabaret, cafe, cafe seating, capture, catalogue, cellist, Cello, Cello Sonata, Chamber music, Classical era, Classical music, cold, combination, commodity, communicative, completion, composer, composer-performer, Concert, concerto, connection, constant, conviction, counterpoint, country, Craft, critic, daily, deep, DeForest, director, Don JUan, double bass, Early music, Edgewood College, emotional, emotional impact, environment, essential, evening, experience, Facebook, faculty, Franz Liszt, Franz Schubert, frustrated, fugue, Gary Snyder, Gaspard de la Nuit, grateful, Great American Songbook, growth, Harvard, Harvard University, high standard, husband, ideal, impact, improvisation, information, institution, intensity, interest, international, intimate, Jacob Stockinger, Janice Weber, Jazz, Jen Paulson, Johann Sebastian Bach, Johannes Brahms, John Harbison, Kaleigh Acord, Karl Lavine, KarlLavine, Kathleen Otterson, larger, last, Laura Burns, Leonidas Kavakos, like, Lila Brown, limited, lineup, link, listeners, live, living composers, Lloyd Schwartz, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Maurice Ravel, Mezzo-soprano, movement, Mozart, Music, Musician, natural world, nature, new, New Music, nocturne, nourishment, now, number, numbers, oasis, participant, performer, phantasy, philosophical, Pianist, Piano, Piano concerto, Piano Quartet, players, poem, Poetry, post, posting, power, precious, prinicpal, program, progress, Quartet, questions, rain, reader, refinement, refreshment, refurbished, reminiscences, retreat, revere, Rhonda Rider, Robert Levin, Rose Mary Harbison, Ross Gilliland, sanctuary, scale, Schubert, score, share, shout, silence, Simon Barrad, singer, snow, solitude, Sonata, song, song cycle, songs, spiritual, String quartet, Student, stunning, subscriber, tag, teach, temperament, text, The Art of Fugue, theme, then, ticket, time, today, Token Creek, Token Creek Chamber Music Festival, Token Creek Festival, transaction, tribute, U.S., United States, universal, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, valuable, Viola, Violin, Violin Sonata, violinist, violist, virtuosity, vocal music, way, welcoming, whisper, wife, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Youth Symhony Orchestras, Wolfgang Amadeus Mozart, word, words, work, world premiere, Ya-Fei Chuang, years, YouTube, Yuja Wang
Classical music education: The 18th annual family-friendly and FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras, with two student soloists, is this Wednesday night on the far west wide of Madison
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras will perform its 18th annual FREE summer Concert in the Park (below) on this coming Wednesday, Aug. 7, at 1200 John Q. Hammons Drive in the Old Sauk Trails Business Park. (The rain date is this Thursday.)
Hosted by The Gialamas Company, the Concert in the Park is designed to be fun for all ages and is FREE to the public. The Ear can attest to the excellent quality of the musical performances.
Led by WYSO’s music director and Youth Orchestra conductor Kyle Knox (below), who is a graduate of the UW-Madison and the associate conductor of the Madison Symphony Orchestra, WYSO’s Youth Orchestra will perform works by Antonin Dvorak, Peter Ilyich Tchaikovsky, Modest Mussorgsky, Felix Mendelssohn, Camille Saint-Saens, John Philip Sousa and Dmitri Shostakovich.
The program includes concerto performances by two WYSO student soloists: violinist Ellen Zhou; and cellist Grace Kim.
The grounds will open at 5 p.m. for setting up lawn chairs and blankets for picnics and socializing, and for engaging in pre-concert activities, including an ice cream social (below top) and a WYSO instrument petting zoo. Also scheduled are a visit by The Big Red Reading Bus (below bottom) from the Madison Reading Project and activities by the Madison Children’s Museum.
The concert begins at 7 p.m., followed by a fireworks display.
Here is the concert program:
Slavonic Dances Nos. 1, 3, 4, 6, 8 by Antonin Dvorak
Violin Concerto by Felix Mendelssohn
- Allegro molto appassionato
Ellen Zhou, violin (below)
Cello Concerto No. 1 in A minor, Op. 33, by Camille Saint-Saens
III. Tempo primo
Grace Kim, cello (below)
Symphony No. 4 in F minor, Op. 36, by Peter Ilyich Tchaikovsky
- Finale: Allegro con fuoco
Intermission
“Tahiti Trot” (Tea for Two) by Dmitri Shostakovich (orchestrated by Dave Brubeck and heard in the YouTube video at the bottom)
“Stars and Stripes Forever” March by John Philip Sousa (orchestrated by Leopold Stokowski)
“Pictures at an Exhibition” by Modest Mussorgsky (orchestrated by Maurice Ravel)
1st Promenade
Gnomus
2nd Promenade
4th Promenade
Ballet of Unhatched Chicks
The Hut on Hen’s Legs (Baba Yaga)
The Great Gate of Kiev
For more information, food and beverage menus, and information about how to reserve tables, call (608) 836-8000 or visit www.Gialamas.com (click on Events) or email office@Gialamas.com
For more information about WYSO, including how to join it, support it, learn about its background and attend future events, go to https://www.wysomusic.org
Tags: #AntoninDvorak, #BigRedReadingBus, #BlogPost, #BlogPosting, #BusinessPark, #CamilleSaint-Saens, #CelloConcerto, #ConcertinthePark, #ConcertProgram, #DaveBrubeck, #DmitriShostakovich, #EllenZhou, #FacebookPost, #FacebookPosting, #FamilyFriendly, #FelixMendelssohn, #FolkDance, #FolkMusic, #GialamasCompany, #GraceKim, #GreatGateofKIev, #HomeWebsite, #IceCream, #IceCreamSocial, #JohnPhilipSousa, #JohnQ.HammonsDrive, #KyleKnox, #LeopoldStokowski, #MadisonChildren'sMuseum, #MadisonReadingProject, #MadisonSymphonyOrchestra, #MauriceRavel, #MeadWitterSchoolofMusic, #ModestMussorgsky, #MusicalPerformance, #MusicDirector, #MusicEducation, #OldSaukTrailsBusinessPark, #OrchestralArrangement, #PeterIlyichTchaikovsky, #PettingZoo, #PicnicDinner, #PicturesatanExhibition, #RainDate, #SlavonicDances, #SouthKorea, #StarsandStripesForever, #TahitiTrot, #TeaforTwo, #TheEar, #Thursdaynight, #UniversityofWisconsin-Madison, #ViolinConcerto, #Wednesdayafternoon, #WisconsinYouthSymphonyOrchestras, #WYSOconcerts, #YoungPeople, #YouthOrchestra, #YouTubevideo, activities, age, allegro, American, Antonín Dvořák, Arts, asian, attend, background, ballet, beverage, Big Red Reading Bus, blog, bus, Business, business park, Camille Saint-Saëns, celiist, Cello, Cello Concerto, chicks, children, children's concerts, China, Chinese, Classical music, composer, Concert, Concert in the Park, concert program, concerto, conductor, dance, Dave Brubeck, display, Dmitri Shostakovich, drink, Ellen Zhou, email, engage, evening, event, excellent, Facebook, Family, family-friendly, Felix Mendelssohn, finale, Fireworks, Folk music, food, forward, free, friend, fun, funding, future, Gialamas Company, Grace Kim, Great Gate of Kiev, grounds, hen, host, hut, ice cream, ice cream social, information, instrument, Jacob Stockinger, John Philip Sousa, John Q. Hammons Drive, join, kids, Korea, Korean, Kyle Knox, learn, Leopold Stokowski, like, link, Madison, Madison Children's Museum, Madison Reading Project, Madison Symphony Orchestra, march, Maurice Ravel, Mead Witter School of Music, menu, Modest Mussorgsky, Music, Music director, Music education, musical, Old Sauk Trails, open, Orchestra, orchestral arrangement, orchestrated, Park, perform, performance, pet, Peter Ilyich Tchaikovsky, petting zoo, picnic, Pictures at an Exhibition, post, posting, program, promenade, public, quality, rain, rain date, reserve, share, Slavonic Dances, social, socialize, socializing, soloist, South Korea, sponsor, Stars and Stripes Forever, Student, support, symphony, table, tag, Tahiti Trot, Tea for Two, Tempo, The Ear, Thursday, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Violin, Violin concerto, violinist, visit, Website, Wednesday, Wisconsin, Wisconsin Youth Symphony Orchestras, works, WYSO, young, Youth Orchestra, YouTube, zoo
Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:
Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.
The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)
A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.
Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.
Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.
Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.
David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.
Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ people, in February.
The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).
The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).
“Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”
Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.
The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).
Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.
On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.
The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.
For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/
While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.
Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.
WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.
RELATED EVENTS
The Prelude Dinner at Opera in the Park 2019 is at 6 p.m. This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.
The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.
More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website www.madisonopera.org
Tags: #ALittleNightMusic, #All-FestivalConcert, #BaritoneSinger, #BenEdquist, #BerbeeWalshFoundation, #BlogPost, #BlogPosting, #BroadwayMusical, #BroadwayShows, #Carouselmusical, #CavalleriaRusticana, #ChoralMusic, #ColonyBrands, #CUNAMutual, #DaneArts, #DavidBlalock, #DonPasquale, #ErichWolfgangKorngold, #FacebookPost, #FacebookPosting, #FamilyFriendly, #FellowTravelers, #FreeParking, #FullCompassSystems, #FunnyGirl, #GaetanoDonizetti, #GarnerPark, #GeneralDirector, #GeorgeSmith, #GiuseppeVerdi, #GregAnderson, #GregorySpears, #HistoricBuilding, #HomeWebsite, #JacquesOffenbach, #JamesGill, #JeniHouser, #JohnandCarolynPeterson, #JohnDeMain, #JohnsonFinancialGroup, #KathrynSmith, #LaForzadelDestino, #LaMovida, #LavenderScare, #LGBTQrights, #LGBTRights, #LightStick, #MadisonArtsCommission, #MadisonGasandElectric, #MadisonMagazine, #MadisonOpera, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #Magic98, #MG&E, #MGEFoundation, #MIchelleJohnson, #MineralPointRoad, #MusicalTheater, #MusicalTheatre, #NationalGuardianLife, #NightSky, #OperaAria, #OperaInThePark, #OperaMusic, #OrpheusintheUnderworld, #PietroMascagni, #PortaPotty, #RainDate, #RaymondB.Preston, #RodgersandHammerstein, #RosaRoad, #SigmundRomberg, #SopranoSinger, #SoundSample, #StephenSondheim, #SubscriptionTicket, #TelevisionNews, #TelevisionStation, #TenorSinger, #TheDeadCity, #TheElixirofLove, #TheEvjueFoundation, #TheForceofDestiny, #TheStudentPrince, #UniversityResearchPark, #UpstairsDownstairs, #VocalMusic, #WestSide, #WisconsinArtsBoard, #WisconsinPublicRadio, #WKOWTV, #YouTubevideo, A Little Night Music, alcohol, anchor, announcement, annual, anticipate, April, arias, artists, Arts, attend, audience, baritone, beautiful, belief, Ben Edquist, BerbeeWalsh Foundation, blanket, blend, blog, Broadway, build, Carousel, catered, Cavalleria Rusticana, centuries, century, chair, charitable, choral music, city, Classical music, Colony Brands, community, company, composer, Concert, conductor, corporations, CUNA Mutual, CUNA Mutual Group, Dane Arts, date, David Blalock, dead, debut, dinner, Don Pasquale, Donizetti, enchanting, enjoyment, ensembles, Erich Wolfgang Korngold, Eurydice, evening, event, Family, favorites, February, Fellow Travelers, forward, foundations, free, Full Compass Systems, fun, Fundraising, Funny Girl, Gaetano Donizetti, Garner Park, General director, gift, Giuseppe Verdi, grateful, Greg Anderson, Gregory Spears, host, individuals, item, Jacob Stockinger, Jacques Offenbach, James Gill, Jeni Houser, John and Carol Peterson, John DeMain, Johnson Financial Group, July, Kathryn Smith, La Forza del Destino, La Movida, Lavender Scare, LGBT, LGBTQ, light stick, like, link, Madison, Madison Arts Commission, Madison Gas and Electric, Madison Magazine, Madison Opera, Madison Opera Chorus, Madison Symphony Orchestra, Magic 98, magical, major, Mascagni, media, member, MGE Foundation, Michelle Johnson, Mineral Point Road, Music, musical theatre, National Guardian Life, new, news, night, night sky, November, Offenbach, opera, Opera in the Park, Orchestra, Orpheus, Orpheus in the Underworld, Park, parking, performer, permit, permitted, photo, picnic, Pietro Mascagni, poet, porta potties, porta potty, post, power, Prelude, public, rain, rain date, Raymond B. Preston, reader, reception, relax, relaxing, Rigoletto, Roda Road, Rodgers and Hammerstein, Romberg, sample, Saturday, Season, seating, selections, share, shows, Sigmund Romberg, sing, Singing, sky, sold, Sondheim, song, soprano, spectacular, sponsor, stars, Stephen Sondheim, subscriber, subscription, success, summer, support, supporter, symphony, tag, Television, tenor, The Dead City, The Elixir of Love, The Evjue Foundation, The Force of Destiny, The Student Prince, tickets, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Research Park, Upstairs Downstairs, Verdi, video, VIP, vocal music, voice, Website, west side, Wisconsin, Wisconsin Arts Board, wisconsin public radio, WKOW TV, YouTube
Classical music: Sonata à Quattro celebrates early music and the importance of the viola in concerts this Friday night and Sunday afternoon
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
As far as The Ear can tell, Marika Fischer Hoyt has two big professional passions: early music, especially the music of Johann Sebastian Bach; and the viola, which she plays, teaches and champions in the Madison Bach Musicians, the Madison Symphony Orchestra, Bach Around the Clock (which she revitalized and directs) and now Sonata à Quattro (which she founded last summer, when it made its impressive debut as an adjunct event to the Madison Early Music Festival).
Those two passions will come together in Madison this Friday night, Nov. 2, and in Milwaukee this Sunday afternoon, Nov. 4, in concerts by the new Baroque chamber music ensemble Sonata à Quattro (below) with the theme “Underdog No More – The Viola Uprising.”
Here are the two dates and venues:
Friday, Nov. 2, at 7:30 p.m. at the Immanuel Lutheran Church, 1021 Spaight Street, in Madison; tickets are $15 and available at the door, and also online at www.brownpapertickets.com/event/3660161
Sunday, Nov. 4, at 4 p.m. at the Villa Terrace Decorative Arts Museum, 2220 North Terrace Avenue, in Milwaukee; tickets are $20 for general admission, $10 for students at the door, and online at www.violauprising.brownpapertickets.com
Fisher Hoyt (below) has this to say this about the theme of “The Viola as Underdog”:
“A caterpillar turning into a butterfly – that was the violin in the 17th century. In the early 1600’s the violin evolved almost overnight from dance band serf into the rock star of the musical family.
But the viola’s larger size, heavier weight, more slowly responding strings and darker timbre kept it in the shadows, consigned to rounding out harmonies under the violin’s pyrotechnics. (Indeed, vestiges of this status remain to the present day, in the form of the omnipresent viola joke).
Composers like Bach, Mozart and Beethoven played the viola (below is Marika Fischer Hoyt’s baroque viola made in Germany in the 1770’s) themselves, and gave it challenging melodic and soloistic opportunities in their works. But these were the exception rather than the rule; the viola’s main role in the 17th century was that of filler in an ensemble.
But if agile violins and cellos serve as the arms and legs of a musical texture, the viola’s rich dark voice gives expression to the heart and soul. This added dimension is enhanced when, as happened frequently in France, Germany and Italy, two or more viola lines are included.
Our program presents works from 1602-1727 that explore those darker, richer musical palettes, culminating in Bach’s ultimate exaltation of the underdog, the Brandenburg Concerto No. 6.” (You can hear the Bach work in the YouTube video at the bottom.)
Performers in the group for these performances are Consuelo Sañudo, mezzo-soprano; Christine Hauptly-Annin and Anna Rasmussen, violins; Micah Behr and Marika Fischer Hoyt, violas; Ravenna Helson and Eric Miller, violas da gamba; Charlie Rasmussen, cello; and Daniel Sullivan, harpsichord.
The program includes:
Fuga Prima, from Neue Artige und Liebliche Tänze (New-styled and Lovely Dances) (1602) by Valentin Haussmann (1565-1614)
Sonata à 5 in G Minor, Op. 2 No. 11 (1700) by Tomaso Albinoni (1671-1751)
Mensa Sonora, Pars III (1680) by Heinrich Biber (1644-1704)
Sonata à 5 in E Minor, TWV 44:5 by Georg Friedrich Telemann (1681-1767)
Sinfonia from Cantata 18 Gleichwie der Regen und Schnee (Just as the Rain and Snow) (1714) by Johann Sebastian Bach (1685-1750)
INTERMISSION
Sonata à Quattro II in C Major “Il Battista” (The Baptist) (1727) by Antonio Caldara (1670-1736)
Lament: Ach, daß ich Wassers gnug hätte (O, that I had enough waters) by Johann Christoph Bach (1642-1703)
Brandenburg Concerto No. 6 in B-flat Major, BWV 1051 (1718) by J.S. Bach
Here is a link to the Facebook page of Sonata à Quattro with videos and photos as well information about the players and upcoming concerts: https://www.facebook.com/sonataaquattro/
The Madison concert will be followed by a reception of dark chocolate, mocha and cappuccino.
Tags: #17thCentury, #AntonioCaldara, #BachAroundtheClock, #BachCantata, #BaroqueEra, #BaroqueMusic, #BlogPost, #BlogPosting, #BrandenburgConcerto, #ChamberEnsemble, #ChamberMusic, #ChristianChurch, #ChristianReligion, #DanceBand, #FacebookPost, #GeorgPhilippTelemann, #HarpsichordContinuo, #HarpsichordMusic, #HeartandSoul, #HeinrichBiber, #ImmanuelLutheranChurch, #JohannChristophBach, #JohannSebastianBach, #LudwigVanBeethoven, #LutheranChurch, #MadisonBachMusicians, #MadisonEarlyMusicFestival, #MadisonSymphonyOrchestra, #MusicalExpression, #RockStar, #SonataaQuattro, #StringInstruments, #TheBaptist, #TheCello, #TheEar, #TheHarpsichord, #TheViola, #TheViolin, #TomasoAlbinoni, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ValentinHaussmann, #VillaTerraceDecorativeArtsMuseum, #VioladaGamba, #ViolaMusic, #WolfgangAmadeusMozart, #YouTubevideo, 17th century, admission, agile, Antonio Caldara, arms, Arts, Bach, Bach Around the Clock, band, Baroque, Beethoven, Brandenburg Concerto, butterfly, Cantata, cappuccino, caterpillar, Cello, chamber ensemble, Chamber music, champion, chocolate, Christian church, Christianity, Classical music, composer, concerto, dance, dark, debut, door, Early music, earlymusic, expression, Facebook, Family, France, fugue, Georg Philipp Telemann, Germany, harmony, harpsichord, heart, Heinrich Biber, Immanuel Lutheran Church, impressive, Italy, Jacob Stockinger, Johann Christoph Bach, Johann Sebastian Bach, Joke, legs, lovely, Ludwig van Beethoven, Lutheranism, Madison, Madison Bach Musicians, Madison Early Music Festival, Madison Symphony Orchestra, melodic, melody, Mezzo-soprano, Milwaukee, mocha, Mozart, Museum, Music, musical, new, online, palette, Passion, play, professional, program, pyrotechnics, rain, reception, rich, richer, rock star, serf, shadows, sinfonia, singer, size, snow, solo, Sonata, Sonata à Quattro, soul, strings, Student, symphony, teach, texture, The Baptist, The Ear, theme, ticket, timbre, Tomaso Albinoni, underdog, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Valentin Haussmann, Villa Terrace Decorative Arts Museum, Viola, viola da gamba, Violin, vocal music, voice, water, weight, Wisconsin, Wolfgang Amadeus Mozart, YouTube
Classical music: With much of Wisconsin underwater from historic flooding, Britten’s opera “Noah’s Flood” seems timely. Can you think of other works inspired by floods and natural disasters?
16 Comments
By Jacob Stockinger
Right now much of Wisconsin lies underwater.
This past week has seen record-setting rain and historic flooding along with high winds and tornadoes that have left many towns and counties declared official disasters.
Then yesterday, Gov. Scott Walker declared a state of emergency for the entire state. More rain and thunderstorms are predicted for all weekend and next week.
The flooding is not on the order of the deadly and destructive wildfires out west. But the situation seems nonetheless the kind of emergency or natural disaster that usually draws some kind of attention of the national media — on a smaller scale something like Hurricane Katrina, Hurricane Harvey and Hurricane Maria that devastated respectively, New Orleans, Houston and Puerto Rico.
But this time The Ear can’t recall seeing or hearing even mentions or 10-second spot reports about the flooding of a state capital on national news programs. Can you?
New programs always seem to focus more on weather stories when they occur on the coasts and in the south. And right now the media also appear preoccupied with offering ever more words about the deaths of Senator John McCain and singer Aretha Franklin, the “Queen of Soul.”
But the situation got The Ear to thinking and searching.
Are there works of classical music inspired by flooding and other natural disasters?
And he doesn’t mean just music inspired by and celebrating calmer and less destructive water such as George Frideric Handel’s “Water Music” or Ludwig van Beethoven’s “Pastoral” Symphony or Georg Philipp Telemann’s “Ebb and Flow” Music.
One important discovery that met the criterion was the children’s opera, “Noah’s Flood,” composed by British composer Benjamin Britten (below) in the wake of his own personal and home experience with floods – as you can see in the YouTube video below.
Can you think of other works composed in response to a natural disaster?
If so, in the comment section please leave the names of the work and composer and, if possible, a link to a YouTube performance.
The Ear wants to hear.
Tags: #ArethaFranklin, #BenjaminBritten, #BritishComposer, #Children'sOpera, #EastCoast, #EbbandFlow, #FloodinginWisconsin, #GeorgeFridericHandel, #GeorgPhilippTelemann, #Gov.ScottWalker, #GreatBritain, #HurricanceMaria, #HurricaneHarvey, #HurricaneKatrina, #JohnMcCain, #LudwigVanBeethoven, #NationalMedia, #NaturalDisaster, #NewOrleans, #NewsProgram, #Noah'sFlood, #PacificNorthwest, #PersonalExperience, #PuertoRico, #QueenofSoul, #StateofEmergency, #StateofTexas, #StateOfWisconsin, #TheBible, #TheSouth, #WaterMusic, #WeatherPredictions, #WestCoast, #YouTubevideo, Arts, Baroque, Beethoven, Bible, Britain, Britten, Chamber music, children, choral music, Classical music, composer, conductor, counties, county, deadly, death, disaster, Early music, East Coast, emergency, England, flood, flooding, George Frideric Handel, Gov. Scott Walker, governor, Houston, Hurricane, Hurricane Harvey, Hurricane Katrina, Hurricane Maria, Jacob Stockinger, Louisiana, Ludwig van Beethoven, Madison, Maria, media, Music, national media, natural, natural disaster, news, Noah, opera, Orchestra, Pacific Northwest, PastoralSymphony, prediction, program, Puerto Rico, queen, rain, Scott Walker, soul, south, storm, story, symphony, Texas, thunderstorm, tornado, towns, UK, underwater, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vocal music, weather, week, weekend, west coast, wildfire, Wind, Wisconsin, YouTube
Recent Comments
The Well-Tempered Ear 
Live music continues its comeback from the pandemic. Today is Make Music Madison with free concerts citywide of many kinds of music. Here are guides with details
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Live music continues to make its comeback from the restrictions of the COVID-19 pandemic.
The past week saw live outdoor concerts by Con Vivo, the Bach Dancing and Dynamite Society and the Middleton Community Orchestra.
Today – Monday, June 21 –is Make Music Madison 2021.
It is part of an annual worldwide phenomenon that started in France in 1982. It has since spread globally and is now celebrated in more than 1,000 cities in 120 countries.
Yet in the U.S., Wisconsin is one of only five states that celebrate Make Music Day statewide. The other states are Connecticut, Hawaii, New Mexico and Vermont. In there U.S., more than 100 cities will take part in presenting free outdoor concerts. Globally, the audience will be in the millions.
The day is intended to be a way to celebrate the annual Summer Solstice, the longest day of the year. Technically, the solstice occurred in Wisconsin last night, on Father’s Day, at 10:32 p.m. CDT.
But The Ear is a forgiving kind. This will be the first full day of summer, so the spirit of the celebration lives on despite the calendar.
You can see – the composer Igor Stravinsky advised listening with your eyes open – and hear 38 different kinds of music. The choices include blues, bluegrass, Celtic, roots music, gospel, rock, jazz, classical, folk, African music, Asian music, world music, children’s music (see the YouTube video at the bottom) and much more. It will be performed by students and teachers, amateurs and professionals, individuals and groups.
Here is a link to a press release about the overall event: https://www.prnewswire.com/news-releases/make-music-day-2021-announces-updated-schedule-of-events-301304107.html
And here is a link to the global home website — with more background information and a live-stream video of a gong tribute to the who died of COVID — about the festival: https://www.makemusicday.org
The local events will take place from 5 a.m. to midnight. All are open to the public without admission, and safety protocols will be observed.
Here is a guide to local events that allow you to search particulars of the celebration by area of the city, genre of music, performers, venues and times. If you are a classical fan, in The Ear’s experience you might want to pay special attention to Metcalfe’s market in the Hilldale mall.
Here is a link to the home webpage of Make Music Madison: https://www.makemusicmadison.org
Here is a link to the event calendar with maps and schedules as well as alternative plans in case of rain and various menus for searching: https://www.makemusicmadison.org/listings/
Happy listening!
In the Comment section, please leave your observations and suggestions or advice about the quality and success of the festival and the specific events you attended.
The Ear wants to hear.
Share this:
Like this:
Tags: #AfricanMusic, #AsianMusic, #BachDancingandDynamiteSociety, #BlogPost, #BlogPosting, #ChamberMusic, #Children'sMusic, #ChoralMusic, #CityofMadison, #ConVivo, #CoronavirusPandemic, #COVID-19, #CulturalPhenomenon, #FacebookPost, #FacebookPosting, #Father'sDay, #FolkMusic, #HilldaleMall, #HomeWebpage, #IgorStravinsky, #JacobStockinger, #LiveMusic, #LiveStreaming, #MadisonWisconsin, #MakeMusicDay, #MakeMusicMadison, #MiddletonCommunityOrchestra, #Mondaynight, #NewMexico, #PianoMusic, #PressRelease, #RockMusic, #RootsMusic, #SummerSolstice, #TheBlues, #TheEar, #TheU.S., #UnitedStates, #VocalMusic, #WebPage, #WorldMusic, #YouTubevideo, admission, advice, Africa, alternative, amateur, annaul, area, Arts, Asia, Asian music, audience, Bach, Bach Dancing and Dynamt, background, Baroque, Beethoven, blog, blue, bluegrass, blues, calendar, celebrate, celebration, Cello, Celtic, Chamber music, children, children's music, choral music, city, citywide, Classical music, classicalmusic, comeback, comment, composer, Con Vivo, Connecticut, coronavirus, cultural, culture, different, event, eyes, Facebook, Facebook post, Facebook posting, fathers day, festival, Folk music, forgive, forgiving, forward, France, free, genre, gospel, group, guide, happy', Hawaii, hear, Hilldale, Hilldale Mall, Holiday, Home, Igor Stravinsky, individual, information, Jacob Stockinger, Jazz, kijd, like, link, listen, listening, live music, live-stream, livestream, local, Madison, make, Make Music Day, Make Music Madison, map, market, menu, Metcalfe's, Middleton Community Orchestra, million, Monday, Music, New Mexico, night, now, observation, occur, open, outdoors, pandemic, particulars, performer, phenomenon, Pianist, Piano, piano music, plans, post, posting, press release, professional, protocol, public, quality, rain, Rock, rock music, roots music, schedule, search, see, share, Spring, Stravinsky, stuydent, success, suggest, Summer solstice, tag, Teacher, technical, technically, The blues, The Ear, time, U.S., United States, venue, Vermont, video, vocal music, Wisconsin, World music, worldwide, YouTube video