By Jacob Stockinger
Editor’s note: The Well-Tempered Ear has asked people on the one-week tour of Belgium by the UW Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches and photos they can to keep the fans at home current with what is happening on the concert stage and off.
Thanks goodness for iPads, iPhones, Androids and other smart phones, computers and digital cameras!
Here is a link to the first installment:
And here is the second installment:
After troubles at customs and catching up from jet lag, the Pro Arte Quartet got down to the business of rehearsing and performing.
The quartet members -– violinists David Perry and Suzanne Beia, violist Sally Chisholm, cellist Parry Karp and manager Sarah Schaffer — and their entourage of “groupies” also spent time meeting and greeting the descendants of the original quartet members who started the ensemble over a century ago at the Royal Belgian Conservatory of Music in Brussels before World War II stranded them in Madison.
That’s when they became artists-in-residence at the University of Wisconsin-Madison School of music, where they have remained ever since.
Here are some updates on Day 3:
Read on:
Sarah Schaffer (below), who also took the photos, writes:
Day 3 — FRIDAY:
The “coats and cases” space was the room that houses the Bela Bartok archives at the Royal Library!
Here is the exterior with its name in the two official languages of Belgium: Flemish and French.
The Bartok Room (below) has many rare and unique items – letters, photos, etc. It all rather takes one’s breath away. We each received a copy of a recent publication by the collection’s archivist, Denijs Dille.
FYI, the fifth person, on the right in the photo (below) taken after the bows that followed the concert on the Arthur De Greef Auditorium — named for the early 20th-century Belgian composer — is Hubert Roisin, Counselor to the King.
Mr. Roisin (below, in a close-up by violist Sally Chisholm) seemed very honored to be in attendance. We were certainly honored by his presence at the concert.
Here are the gifts we gave Monsieur Roisin for King Philippe: A framed photo (below top) of the original members and the current members of the Pro Arte Quartet plus an honorary letter (below bottom) from University of Wisconsin-Madison Rebecca M. Blank.
PAQ played to a mostly full house and was very warmly received. Many accolades filled the air at the private reception afterwards.
Afterwards, I pressed the willing-but-exhausted quartet into a “photo shoot” taking advantage of the spectacular architecture and gardens surrounding the library.
Then they all went off to rest.
It has been a very strenuous few days, and tomorrow is especially long, beginning with an 11 a.m. train trip to original quartet member Alphonse Onnou’s town of Dolhain, arriving in time for a 1 p.m. lunch. (Below is a photo of the Pro Arte Quartet in 1928. Alphonse Onnou is on the far left.)
Then it gets jam-packed with a full day of commemorations — including the municipal band offering “American” tunes in our honor — all BEFORE the 8 p.m. concert.
We will all be very glad to have Sunday “off.”
Not only is the SCHEDULE strenuous, but so also is the REPERTOIRE — with very few repeats over all these concerts.
The norm on tour is to recycle a handful of pieces.
Not so the Pro Arte Quartet, not on this trip.
They are holding up well but are, understandably, fatigués. (Below is the dual-language program notes from the concert of music by Bela Bartok and Franz Joseph Haydn — two composers the early Pro Arte Quartet was celebrated for and identified with — at the Royal Library.)
More soon.
Archives
Blog Stats
Recent Comments
Julie on Classical music: How did the m… | |
Danny on Classical music: Today is the… | |
Steven Toh on Classical music: Why is opera… | |
Jean Brandt on Which classical composer has h… | |
Fred Mathias Michel on Classical music: Accusations o… |
Tags