The Well-Tempered Ear
Longtime friends organist Greg Zelek and Madison native and award-winning trumpeter Ansel Norris team up for a FREE live-streamed concert this Tuesday night
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Two longtime friends and fellow musicians will team up this Tuesday night, April 27, to close this season’s organ concert series, sponsored in the Overture Center by the Madison Symphony Orchestra.
It will be live-streamed online because of the pandemic restrictions on attendance.
The concert features the critically acclaimed MSO organist Greg Zelek (below left) and Ansel Norris (below right), an award-winning trumpeter who is a native of Madison.
The program includes works by Bach, Vivaldi, Haydn and Samuel Barber among others.
The concert starts at 7:30 p.m. CDT. It is FREE but you must register. The concert will be available to registered listeners for unlimited access through May 31.
Here is a link to the MSO website where you can register. It also has more information about the program and biographies of the two performers: https://madisonsymphony.org/event/norris-zelek-2021-streamed/
Here is more background. It appeared in the latest issue of the email newsletter of the Wisconsin Youth Symphony Orchestras (WYSO), of which Norris was a member for many years:
|
Ansel Norris and Greg Zelek first met in 2010 as high school seniors who had both been selected as finalists in the YoungARTS Awards. The YoungARTS Award is a big competition with just a small percentage of students selected for the $10,000 prize from the thousands of high school applicants. In classical music that year, 12 students became finalists and assembled in Miami for a week of master classes with internationally recognized arts leaders. “You know, there really is a synergy with trumpet and organ. The sounds are produced in a similar way and the way the sounds blend together is really special. Even then, I imagined a concert together.” Ten years later, the two friends were dreaming up this concert when Greg was in Miami in February, 2020. And then the world shut down due to the coronavirus pandemic. Norris has distinguished himself as a solo, orchestral and chamber musician. As Greg Zelek (below, in a photo by Peter Rodgers) writes: “Concerti of Bach and Haydn will bookend this program filled with music that is both written and arranged for this electrifying pairing of instruments. Mr. Norris’ remarkable technique and soaring lyricism will be on full display while our Mighty Klais both supports and shimmers in this exhilarating performance you won’t want to miss!” Register here for Tuesday’s concert!
|
Tags: #African-AmericanMusic, #AnselNorris, #AntonioVivaldi, #BaroqueMusic, #BestPerformance, #BlogPost, #BlogPosting, #BolzYoungArtistCompetition, #BrassMusic, #BronzeMedal, #CentralTimes, #ChamberMusic, #CityofMadison, #ClassicalMusician, #ColdWeather, #ConcertoCompetition, #CoralGables, #CoralGablesFlorida, #COVID-19, #CriticallyAcclaimed, #EastHighSchool, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FirstPrize, #FischoffNationalChamberMusicCompetition, #FranzJosephHaydn, #GregZelek, #GrowingUp, #HighSchool, #HomeWebsite, #InternationalTchaikovskyCompetition, #JacobStockinger, #JohannSebastianBach, #JohnAley, #KeyboardMusic, #KlaisOrgan, #LincolnChamberBrass, #MadisonEastHighSchool, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MariinskyOrchestra, #MiamiFlorida, #NaplesFlorida, #NaplesPhilharmonic, #NationalTrumpetCompetition, #NewWorldSchooloftheArts, #NewWorldSymphony, #NorthwesternUniversity, #OnlineConcert, #OrganMusic, #OvertureCenter, #PrizeWinner, #RiceUniversity, #SamuelBarber, #Semi-finals, #SocialDistance, #SouthFlorida, #TheEar, #TrumpetMusic, #VirtualConcert, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, access, acclaimed, accomplished, air, Aley, amazing, American, Ansel Norris, Antonio Vivaldi, applicants, April, Art, Arts, audience, availahle, award-winning, Bach, background, Barber, Baroque, Baroque music, biography, blend, blog, Blog post, blog posting, Bolz Young Artist Competition, bookend, brass, bronze medal, career, CDT, Central Time, Chamber music, Classical music, classicalmusic, cold, cold weather, Competition, composer, Concert, concerto, concerto competition, Coral Gables, crazy, critically acclaimed, cues, depend, display, distinguish, duet, duo, Early music, East High School, eclectic, electifying, email, enjoy, exhilarating, Facebook, Facebook post, Facebook posting, filters, finalist, first prize, Fischoff National Chamber Music Competition, Florida, forward, Franz Joseph Haydn, free, friend, full, great, Greg Zelek, growing up, Haydn, HEPA, high school, himself, home website, imagine, indoors, information, Interlochen, international, International Tchaikovsky Competition, issue, Jacob Stockinger, Johann Sebastian Bach, John Aley, keyboard music, Klais, latest, leaders, legacy, like, Lincoln Chamber Brass, link, listener, live-stream, livestream, living, lojgtime, Love, lyricism, Madison, Madison East High School, Madison Symphony Orchestra, Mariinsky Orchestra, master class, masterclass, May, member, Miami, miss, MSO, Music, Musician, Naples, Naples Philharmonic, National Trumpet Competition, New World School of the Arts, New World Symphony, newsletter, Norris, Northwestern University, online, Orchestra, orchestral, organ, organ music, organist, outside, Overture Center, pairing, perform, performance, performer, pleasure, prize, produce, program, recognize, register, rehearsal, remarkable, Rice University, Samuel Barber, share, shimmers, small, soaring, social distance, solo, Sound, sounds, south Florida, special, stage, story, supports, symphony, synergy, tag, technique, test, The Ear, together, trumpet music, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unlimited, virtual, Vivaldi, weather, Website, week, winner, Wisconsin, Wisconsin Youth Symphony Orchestras, WYSO, year, years, YoungARTS, YouTube, Zelek
October’s FREE virtual and online Just Bach concert is this Wednesday at noon. It lasts 30 minutes. Here are details
5 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement about the month’s Just Bach virtual concert from co-founder and violist Marika Fischer Hoyt.
The online concert takes place at noon CDT this Wednesday, Oct. 21.
Please join us as Just Bach shares the timeless beauty of music by Johann Sebastian Bach (below) from our home in the nave of Luther Memorial Church (LCM), 1021 University Ave.
We are thrilled to participate in LMC’s weekly “Music at Midday” concert series.
As part of this virtual online series, Just Bach concerts (below) take place at NOON on the third Wednesday of each month: Sept. 16; Oct. 21; Nov. 18; Dec. 16; Jan. 20; Feb. 17; March 17; April 21; and May 19.
The online programs last approximately 30 minutes instead of 60 minutes.
Because of the coronavirus pandemic, it is still too risky to have in-person audiences, so Music at Midday concerts are posted on the Luther Memorial website: https://www.luthermem.org/music-at-midday/
In addition, Just Bach concerts are posted on the Just Bach website, the Just Bach Facebook page, and the Just Bach YouTube Channel, where you can still hear the season’s opening concert in September. Links are below.
Viewing the concerts is FREE, but we ask those who are able to help us pay our musicians with a tax-deductible donation at https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url
Just Bach co-founder and graduate student soprano at the UW-Madison Sarah Brailey (below) will provide the opening welcome remarks at this Wednesday’s program.
Our guest artists this month, the Madison-based baroque ensemble Sonata à Quattro (SAQ, below top in a photo by Barry Lewis) will perform the instrumental Sinfonia from Cantata 146, featuring organist Mark Brampton Smith (below bottom). You might recognize this as the first movement of the well-known Harpsichord Concerto in D Minor, BWV 1052.
Members of SAQ, who normally use period instruments and historically informed performance practices, will play modern instruments this time because of the organ pitch. SAQ members will continue the program with movements from the solo Cello Suite in G Major and the solo Violin Sonata in G Minor.
Sarah Brailey returns to lead the final chorale from Cantata 146, which uses the familiar tune from “Jesu, Joy of Man’s Desiring.” (You can hear “Jesu, Joy” in the YouTube video at the bottom.)
We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen, as Mark Brampton Smith accompanies on the organ.
We need this soul-centering music now more than ever. So we invite the music community to join us at noon this Wednesday, Oct. 21, for a wonderful program of music by J.S. Bach.
OCT. 21 PROGRAM:
• Cantata 146: Opening Sinfonia
• Solo Cello Suite in G Major, BWV 1007: Menuets I and II, Courante
• Solo Violin Sonata in G Minor, BWV 1001: Adagio, Presto
• Cantata 146: Final chorale: Freu dich sehr, o meine Seele (Rejoice greatly, oh my soul)
Guest Ensemble: Sonata à Quattro, whose members are: Christine Hauptly Annin, violin; Nathan Giglierano, violin; Leanne League, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; and Mark Brampton Smith, organ.
Sarah Brailey provides the welcome and leads the chorale.
Dave Parminter is the videographer.
Here, in order, are links to: the Just Bach webpage; the Just Bach Facebook page; and the Just Bach YouTube channel:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Tags: #AncoraStringQuartet, #ArtisticTeam, #BachCantata, #BaroqueEnsemble, #BaroqueMusic, #BlogPost, #BlogPosting, #CelloMusic, #ChamberMusic, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #CityofMadison, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #DaveParminter, #FacebookPage, #FacebookPost, #FacebookPosting, #GraduateStudent, #GuestArtist, #HarpsichordConcerto, #HistoricallyInformedPerformancePractices, #HomeWebsite, #InstrumentalMusic, #JacobStockinger, #JesuJoyofMan'sDesiring, #JohannSebastianBach, #JustBach, #LeanneLeague, #LutheranChurch, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #Meet-and-Greet, #MusicatMidday, #NathanGiglierano, #OnlineConcert, #PayPal, #PeriodInstruments, #SarahBrailey, #SingAlong, #SoloCelloSuite, #SoloViolinSonata, #SonataaQuattro, #SopranoSinger, #StringQuartet, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #WisconsinChamberOrchestra, #YouTubevideo, #ZoomMeeting, 30, 60, accompaniment, accompany, adagio, Ancora String Quartet, announcement, April, artistic, Arts, ask, audience, audiences, Bach, Baroque, Baroque music, beautiful, beauty, blog, BWV, Cantata, Cantata 146, CDT, cellist, Cello, cello music, center, centering, Chamber music, Charlie Rasmussen, chat, choral music, Chorale, Christ, Christian, Christian church, Christine Hauptly Annin, church, Classical music, co-founder, community, composer, computer, Concert, concerto, coronavirus, Courante, Dave Parminter, December, display, donate, donation, Early music, ensemble, ever, Facebook, Facebook page, familar, February, final, first, free, God, graduate student, greet, guest artist, harpsichord, help, historically informed performance practices, Home, home website, in person, instrumental, instrumental msuic, interest, invite, Jacob Stockinger, January, Jesu Joy of Man's Desiring, Jesus, Jesus Christ, Johann Sebastian Bach, join, Just Bach, last, Leanne League, lesd, Luther Memorial Church, Lutheran, Lutheranism, Madison, Madison Symphony Orchestra, march, Marika Fischer Hoyt, Mark Brampton Smith, May, Mead Witter School of Music, meet, meeting, menuet, minuet, minutes, month, more, movement, Music, Music at Midday, Musician, Nathan Giglierano, nave, need, noon, now, October, online, opening, organ, organist, pandemic, part, participate, pay, period instruments, post, posted, posting, presto, program, provide, Q&A, question, question-and-answer, recognize, Religion, remarks, return, risky, riveting, Sarah Brailey, screeen, screen, September, series, serve, sheet music, sinfonia, sing-along, singer, solo, solo cello suite, solo violin sonata, Sonata, Sonata à Quattro, soprano, soul, String quartet, Suite, symphony, tax, tax-deductible, team, The Ear, thrill, timeless, tune, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, videographer, viewer, viewing, Viola, Violin, violinist, violist, virtual, vocal music, Website, welcome, well-known, Wisconsin, Wisconsin Chamber Orchestra, wonderful, YouTube, Zoom
Classical music: The weeklong 21st annual Madison Early Music Festival is virtual and will be free online here and worldwide starting this Saturday
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the directors of the Madison Early Music Festival and the UW-Madison Division of the Arts to post:
Due to the coronavirus pandemic and concerns about public health for performers and audiences, the 21st annual Madison Early Music Festival (MEMF) will be virtual.
It will be held as MEMF Online! from this Saturday, July 11, through next Saturday, July 18. It can be accessed at Facebook.com/MadisonEarly or madisonearlymusic.org.
All events are FREE. Lectures and special features begin at NOON (not 11 a.m., as first listed) and concerts begin at 7 p.m. (CDT). All events will be available nationwide and internationally.
The Madison Early Music Festival is internationally recognized as a top early music festival that features music from medieval, Renaissance and baroque eras from award-winning performers and distinguished faculty.
The uncertainty of the future for the arts and MEMF is daunting, but we have persevered and put together a virtual experience to showcase the musicians and faculty members that were supposed to perform this summer.
Each ensemble prepared a special video of highlights from past performances, and other faculty members recorded lectures.
Our focus was going to be “Musical Life from the Burgundian Court,” and the videos of the Orlando Consort, Piffaro, performances and lectures by Michael Allsen and Peggy Murray reflect that theme.
The other two ensembles, Trefoil and Nota Bene, sent us live concert recordings of Trecento and Italian repertoire.
Due to the coronavirus pandemic, we are launching a fundraiser campaign to help support the artists that were to perform this season. It is critical that we help these musicians as many of them have lost substantial and irreplaceable income for the foreseeable future.
People can donate online at madisonearlymusic.org — where you can also see the concert programs — and click on the Support tab at the top of our home page. All money raised is for the MEMF musicians.
HERE IS A COMPLETE SCHEDULE OF MEMF ONLINE:
Different events will be released each day of the festival, but the content will be available after that time for later viewing.
Saturday, July 11, at 7 p.m.: Orlando Consort (below) in 15th-Century Chansons from the Library of Congress
Sunday, July 12, at 7 p.m.: Piffaro, The Renaissance Band: (below) Excerpts from Burgundian Beginnings and Beyond, Philadelphia
Monday, July 13, at noon: Michael Allsen (below), Musical Life and History at the Burgundian Court
Tuesday, July 14, at 7 p.m.: Trefoil (below): Trecento Music from Bowerbird Concert Series, Philadelphia
Wednesday, July 15, at noon: T-shirt challenge! Post a photo wearing a MEMF T-shirt! #MEMF2020; plus Lecture by William Hudson (below) on style in singing and ornamenting Baroque songs
Thursday, July 16, noon: Renaissance Valois Dance at the Burgundian Court, a lecture by Peggy Murray (below)
Friday, July 17, at 7 p.m.: Nota Bene viol consort (below) in Sonetti Spirituali; Italian Madrigals and Divine Poetry of the High Renaissance composed by Pietro Vinci (c.1525–1584) to settings of the poetry of Vittoria Colonna (1492-1547) Brandeis University in Boston
Saturday, July 18, at 7 p.m.: All-Festival Concert videos from previous festivals. There will be a sing-along of Pastime With Good Company! by King Henry VIII (below). It will be led by a virtual MEMF Faculty Ensemble. You can hear the popular song — also known as “The King’s Ballad” — in the YouTube video at the bottom. (You can download the music and lyrics at: https://memf.wisc.edu/annual/online-program/)
We hope to see everyone in 2021, and that a vaccine is approved to help us gather again as a community experiencing all the arts with musicians, artists and audiences — at MEMF in Madison and around the world.
Tags: #All-FestivalConcert, #BaroqueMusic, #BaroqueOrnamentation, #BlogPost, #BlogPosting, #BostonMassachusetts, #BowerbirdConcertSeries, #BrandeisUniversity, #BurgundyFrance, #ChamberMusic, #ClassicalMusician, #CoronavirusPandemic, #CourtMusic, #COVID-19, #DivisionoftheArts, #EnglishComposer, #FacebookPost, #FacebookPosting, #FundraisingCampaign, #GreatBritain, #HenryVIII, #HomePage, #InstrumentalMusic, #ItalianMusic, #J.MIchaelAllsen, #JacobStockinger, #LibraryofCongress, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #MedievalMusic, #MEMFOnline, #Musicfaculty, #NotaBene, #OrlandoConsort, #PeggyMurray, #PietroVinci, #PiffaroRenaissanceBand, #PublicHealth, #RecordedMusic, #RenaissanceMusic, #SheetMusic, #TheEar, #TheKing'sBallad, #TrefoilEnsemble, #UniversityofWisconsin-Madison, #VittoriaColonna, #VocalMusic, #YouTubevideo, access, All-Festival concert, annual, approve, Arts, audience, available, award-winning, band, Baroque, blog, Boston, Bowerbird Concert Series, Brandeis University, Burgundy, campaign, century, challenge, Chamber music, chanson, classicalmusic, community, company, compose, composer, Concert, consort, coronavirus, court, critical, dance, daunting, distinguished, divine, division, Division of the Arts, download, early msuic, Early music, earlymusic, England, English, ensemble, era, event, excerpts, experience, Facebook, faculty, feature, festival, foreseeable, France, free, fundraiser, future, good, Great Britain, Henry VIII, highlight, History, home page, income, instrumental, international, internationally, irreplaceable, Italian, Italy, J. Michael Allsen, Jacob Stockinger, King, lecture, Library of Congress, life, like, link, live, Madison, Madison Early Music Festival, madrigal, Mead Witter School of Music, Medieval, MEMF, MEMF Online, Michael Alsen, money, muisician, Music, musical, nationwide, Nota Bene, online, Orlando, Orlando Consort, ornament, ornamentation, pandemic, past, pastime, Peggy Murray, perform, performers, persevere, Philadelphia, Pietro Vinci, Piffaro, Poetry, popular, post, posting, program, programming, Public health, recognize, record, recorded, reflect, Renaissance, repertoire, repertory, Saturday, schedule, Season, series, setting, share, sheet music, short, showcase, sing-along, Singing, song, specail, start, substantial, summer, support, T-shirt, tag, tee short, The Ear, The King's Ballad, theme, top, Trecento, Trefoil, Trefoil Ensemble, UK, uncertainty, unemployed, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, vaccine, video, Vinci, Viol, virtual, Vittoria Colonna, vocal music, weeklong, Wisconsin, world, YouTube
Classical music: The timing and political climate could not be more relevant for seeing the Madison Opera’s production of “Fellow Travelers” this Friday night and Sunday afternoon
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
You might recall from a previous blog posting that this weekend, the Madison Opera will present its production of the 2016 opera “Fellow Travelers.”
(A preview from the Minnesota Opera’s production, which featured the same sets and many of the same singers at the Madison Opera’s production, can be seen in the YouTube video at the bottom.)
Performances are this Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater of the Overture Center.
Here is a link to more background and details about American history, the production, the cast and tickets.
Today, all The Ear wants to do is to point out how timely this story about the “Lavender Scare” of purging and punishing gays during the Red Scare, anti-Communist witch hunt of McCarthyism in the late 1940s and 1950s.
The opera’s story is about a young man (below) who supports Republican Sen. Joseph McCarthy of Wisconsin and then finds himself romantically and sexually attracted to another man who works in the State Department, one of McCarthy’s favorite targets.
He then has to deal with hypocrisy, with the contradictions between his personal life and his political beliefs as he goes from being victimizer to victim.
The political climate for such a work exploring fear and prejudice couldn’t be more relevant .
A lot of the credit for that can go directly to President Donald Trump (below), the master of “Fake News.”
Trump is a right-wing fear-monger and name-smearer, constantly raging against “radical left-wing Democrats.” He has even called Sen. Bernie Sanders — a Democratic candidate for president — a “Communist,” even though Sanders describes himself as a democratic Socialist along the lines of Western European socialists.
It is also no secret that in addition to such unfair and insulting name-calling, Trump and his homophobic supporters – including Vice President Mike Pence and Christian Fundamentalists – are looking to roll back the civil rights and human rights of people who are lesbian, gay, bisexual, transgender and queer.
And they want to do so even at a time when an openly gay man who is married, Pete Buttigieg, is running for president and seems to have just won the Iowa caucuses.
Moreover, there is a direct link between McCarthyism and the homophobia of the Liar-in-Chief.
Remember that McCarthy’ lawyer was a closeted and self-hating gay man named Roy Cohn (below right, with McCarthy). There is some evidence that McCarthy himself was secretly homosexual too.
After the humiliating end of the Army-McCarthy hearings and the premature death of McCarthy, Cohn went into private practice in New York City.
And that is where Cohn became the lawyer – and a role model of thuggish public behavior — for a young real estate developer named Donald Trump (below left, with Roy Cohn).
Such partisan times as the present seem to call for and inspire didactic art – better called “message art.” The Ear hasn’t seen the opera yet, so he can’t say how well it fits the bill.
But at first glance, the opera sure seems to fit the times we live in and the personalities of many of those who determine such a disturbing political and social climate. As The Nation magazine put it, “Trumpism is the New McCarthyism.”
In short, the opera’s plot seems both pertinent and realistic, one that could take place in today’s Washington, D.C.
The Ear is anxious to find out more and to make up his own mind, including about the music to be sung by the cast and played by the Madison Symphony Orchestra under conductor John DeMain.
He also hopes many of you will see the opera, and then leave your reactions and comments here, be they positive or negative.
The Ear wants to hear.
Tags: #Anti-Communist, #Army-McCarthy, #BernieSanders, #BlogPost, #BlogPosting, #CapitolTheater, #ChristianFundamentalist, #ChristianReligion, #CivilRights, #FacebookPost, #FacebookPosting, #FakeNews, #FellowTravelers, #Fridaynight, #HomeWebsite, #HumanRights, #IowaCaucauses, #JacobStockinger, #JohnDeMain, #LavenderScare, #LGBTQrights, #LivingComposer, #MadisonOpera, #MadisonSymphonyOrchestra, #McCarthyEra, #MessageArt, #MIkePence, #MinnesotaOpera, #NewMusic, #NewYorkCity, #OperaPlot, #OvertureCenter, #PersonalLife, #PeteButtigieg, #PoliticalBeliefs, #PresidentDonaldTrump, #PresidentTrump, #RedScare, #RoleModel, #RoyCohn, #SociallyRelevant, #StateDepartment, #Sundayafternoon, #The1950s, #TheEar, #TheNation, #USArmy, #VicePresident, #VocalMusic, #WesternEurope, #WitchHunt, #YouTubevideo, 1940s, 1950s, American, anti-Communism, Army, Art, Arts, attract, audience, background, behavior, belief, Bernie Sanders, bisexual, blog, candidate, Capitol Theater, cast, choral music, Christian, Christian Fundamentalist, civil, civil rights, Classical music, climate, closeted, colleagues, comment, Communism, composer, Concert, conductor, contradiction, D.C., death, Democratic, describe, details, determine, didactic, didacticism, disturbing, do, Donald Trump, evidence, Facebook, fake news, fear, Fellow Travelers, forward, Friday night, fundamentalist, gay, heartings, homophobia, homosexual, Homosexuality, human, human rights, humiliation, hypocrisy, hypocritical, Iowa, Iowa caucuses, Jacob Stockinger, John DeMain, Lavender Scare, lawyer, left-wing, lesbian, LGBT rights, LGBTQ, liar, life, like, link, Living composer, Madison, Madison Opera, Madison Symphony Orchestra, magazine, man, married, McCarthyism, message, message art, Mike Pence, mind, Minnesota Opera, Music, name, name-calling, negative, new, New Music, New York City, online, open, opera, Orchestra, Overture Center, Overture Center for the Arts, partisan, People, performer, personal, personal life, personalities, personality, pertinent, Pete Buttigieg, plot, political beliefs, Politics, positive, possible, post, posting, practice, premature, President, President Donald Trump, President of the United States, President Trump, preview, private, production, public, punish, punishment, purge, queer, radical, reaction, realistic, recall, recognize, Red Scare, relevant, Republican, Republican Party, right, rights, role model, Romantic, Roy Cohn, see, self-hating, senator, sets, sex, share, singer, smear, social, socialist, State Department, story, sung, supporter, tag, The Ear, The Nation, thug, tickets, time, timely, today, transgender, Trump, Trumpism, U.S. Senator, unfair, United States, vice president, victim, victimizer, vocal music, want, Washington, Website, weekend, Western Europe, Western European, win, Wisconsin, witch hunt, works, young, YouTube
Classical music: This weekend guest violinist Rachel Barton Pine solos with the Madison Symphony Orchestra in an all-Russian program
9 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This weekend the acclaimed Chicago violinist Rachel Barton Pine (below) makes her debut with the Madison Symphony Orchestra playing Khachaturian’s Violin Concerto in D minor.
The concert by the orchestra (below, in a photo by Peter Rodgers) opens with Prokofiev’s Suite from Lieutenant Kijé and concludes with Shostakovich’s Symphony No. 9.
Performances will be held in Overture Hall, 201 State St., on Friday night, Oct. 18, at 7:30 p.m.; Saturday night, Oct. 19, at 8 p.m.; and Sunday afternoon, Oct. 20, at 2:30 p.m. in Overture Hall. Tickets are $19-$95. See below for details.
“There will be great discoveries in our all-Russian concert, starting with the MSO debut of virtuoso violinist Rachel Barton Pine playing the Khachaturian Violin Concerto, a big, bold and beautiful work in its MSO premiere,” said MSO music director and conductor John DeMain (below, in a photo by Greg Anderson). Lieutenant Kijé is sure to delight you with its wonderful melodies and infectious rhythms. Shostakovich has become a favorite with our audiences, and his ninth symphony is delightfully upbeat.”
Lieutenant Kijé is the fictional protagonist of an anecdote about the reign of Emperor Paul I of Russia. The story was used as the basis of a novella by Yury Tynyanov published in 1928 and filmed in 1934, with music by Sergei Prokofiev (below). The plot is a satire on bureaucracy and is often parodied in fictional works making fun of bureaucracies, most famously in the form of the M*A*S*H television episode “Tuttle,” featuring a fictional captain of similar provenance. (You can hear the popular “Troika” episode in the YouTube video at the bottom.)
Many of the themes in Violin Concerto in D minor are evocative of the native Armenia of Aram Khachaturian (below). Although the folk melodies aren’t played explicitly, one can hear the Armenian roots through the oriental essence of the scales and the rhythmic range of the featured dances. The piece won the Stalin Prize in 1941, becoming one of Khachaturian’s favorites.
Shostakovich’s Symphony No. 9 is entirely unlike his other symphonies. In fact, it completely disregards the expectations for its programmatic elements. Shostakovich’s prior two symphonies are thematically tied to the ongoing war, therefore the public presumed that the ninth symphony would be a grand culmination to Stalin and mark the end of World War II. Instead, the composer (below) produced a short, neo-classical work that generated an abundance of controversy.
ABOUT RACHEL BARTON PINE
In both art and life, violinist Rachel Barton Pine (below) – who has performed in Madison before with the Wisconsin Chamber Orchestra — has an extraordinary ability to connect with people.
Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making.
A prolific recording artist, she has also championed the works of female composers and African-American composers.
Pine was also recently named the recipient of the Cedille Records Musical Partnership Award for her Rachel Barton Pine Foundation. The Foundation was recognized as an organization that has demonstrated an extraordinary commitment to the classical music community in Chicago. Cedille noted the Foundation’s “support of the Chicago musical community’s most valuable asset — its musicians and composers.”
Pine was presented with the award by U.S Supreme Court Justice Ruth Bader Ginsburg whose son, Jim Ginsburg, founded Cedille Records. Pine began her Foundation in 2001 to provide instruments and instruction to children who might not otherwise be able to afford them.
You can read the Artist Story online about how Rachel Barton Pine overcame severe injuries and her own personal adversity to achieve her goals: https://madisonsymphony.org/19-20-artist-story-rachel-barton-pine-overcomes-adversity/
CONCERT, TICKET AND EVENT DETAILS
The lobby opens 90 minutes prior to each concert.
One hour before each performance, retired MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/msooct19programnotes.
- Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/rachel-barton-pine-plays-khachaturian/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20
Discounted seats are subject to availability, and discounts may not be combined.
Tags: #African-AmericanComposer, #All-Russian, #AllTime, #AramKhachaturian, #ArtisticControversy, #BlogPost, #BlogPosting, #BoxOffice, #CedilleRecords, #ContemporaryMusic, #CriticalAcclaim, #DmitriShostakovich, #FacebookPost, #FacebookPosting, #FemaleComposers, #FilmScore, #FilmSoundtrack, #folksongs, #Fridaynight, #GuestArtist, #JimGinsburg, #JohnDeMain, #JosefStalin, #LieutenantKijé, #M*A*S*H, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MichaelAllsen, #MovieSoundtrack, #Music-Making, #MusicAppreciation, #MusicDirector, #NewMusic, #NotoriousRBG, #OvertureCenter, #OvertureHall, #PoliticalControversy, #PopularMusic, #PreludeDiscussion, #ProgramNotes, #RachelBartonPine, #RachelBartonPineFoundation, #RussianComposer, #RussianMusic, #RuthBaderGinsburg, #SaturdayNight, #SeniorCitizen, #SergeiProkofiev, #Sovietcomposer, #SovietMusic, #SovietUnion, #StalinPrize, #Sundayafternoon, #SupremeCourt, #TheViolin, #U.S.SupremeCourt, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Whitewater, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #WisconsinChamberOrchestra, #World-wide, #WorldWarll, #YouTubevideo, #YuryTynyanov, ability, abundance, acclaim, achieve, adversity, afford, African American, afternoon, anecdote, appreciation, Aram Khachaturian, Armenia, Armenian, Art, artist, Arts, asset, audience, availability, basis, beautiful, big, blog, bold, box office, bureaucracy, captain, Cedille Records, celebrated, champion, Chicago, children, Classical music, classicalmusic, commitment, communication, community, Compact Disc, composer, Concert, concerto, conclude, conductor, connect, conquer, contemporary music, controversy, conviction, dance, debut, delight, discount, discovery, discussion, Dmitri Shostakovich, element, emotional, Emperor, end, episode, essence, expectations, experience, explicit, extraordinary, Facebook, fascination, favorite, feature, female composers, fictional, film, Film score, folk, folk song, forward, foundation, free, Friday, fun, generate, gift, goal, great, group, guest, guest artist, historical, History, ID, infectious, information, injuries, instruction, instruments, interpreter, J. Michael Allsen, Jacob Stockinger, Jim GInsburg, John DeMain, Joy, justice, Khachaturian, kids, lieutenant, Lieutenant Kijé, life, like, link, listening, lobby, lustrous, Madison, Madison Symphony Orchestra, mark, Mead Witter School of Music, melodies, melody, Michael Allsen, military, Mother, movie, movie music, MSO, Music, music appreciation, Music director, Musician, myriad, native, neo-Classical, neoclassical, New Music, night, Notorious RBG, novella, online, Orchestra, oriental, oversame, Overture Center, Overture Center for the Arts, Overture Hall, parody, partnership, Passion, Paul, People, performance, performer, person, personal, play, plot, popular, post, posting, Prelude, premiere, prize, professor, program notes, programmatic, Prokofiev, prolific, protagonist, provenance, provide, public, publish, Rachel Barton Pine, Rachel Barton Pine Foundation, range, reader, recipient, recognize, recommend, recording, reign, research, retired, Retirement, rhythm, rhythms, roots, Russia, Russian, Ruth Bader Ginsburg, satire, savings, scales, scholarly, seat, security, senior, senior citizen, Sergei Prokofiev, severe, share, short, Shostakovich, similar, solo, son, soundtrack, Soviet, Stalin, Stalin Prize, story, Student, subscriber, Suite, Sunday, support, Supreme Court, symphony, tag, technique, Television, thematic, themes, thrill, ticket, time, tone, troika, Trombone, TV, U.S. Supreme Court, understanding, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upbeat, USSR, UW-Whitewater, valuable, Violin, Violin concerto, violinist, virtuoso, war, weekend, Wisconsin, Wisconsin Chamber Orchestra, wonderful, works, world, World War II, worldwide, YouTube, Yury Tynyanov
Classical music: The adventurous Oakwood Chamber Players open their new ”Panorama” season of unusual repertoire this coming Saturday night and Sunday afternoon
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
How many of the composers’ names below do you recognize?
Probably very few, if you are like The Ear.
But here is your chance to explore new musical territory.
Over many years, the adventurous Oakwood Chamber Players (OCP) have built a reputation for first-rate performances of rarely heard repertoire, both old and new.
This year is no different.
The group will begin its new season — entitled Panorama— with performances on this coming Saturday night, Sept. 14, at 7 p.m. and Sunday afternoon, Sept. 15, at 2 p.m.
Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash or personal checks — no credit cards — at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.
Members of the Oakwood Chamber Players (below) are: flutist Marilyn Chohaney; clarinetist Nancy Mackenzie; bassoonist Amanda Szczys; hornist Anne Aley; violinist Elspeth Stalter-Clouse; and cellist Maggie Darby Townsend.
Guest artists are: pianist Eric Tran; flutist Dawn Lawler; oboist Valree Casey; bassoonist Midori Samson; and trumpeter John Aley.
The ensemble is pleased to feature a new member at its opening concert. Violinist Elspeth Stalter-Clouse’s talents will be heard in two works: a fiery piano trio by Spanish composer Gaspar Cassado (below top); and as a soloist on the sweetly expressive Canzonetta for violin and piano by Italian-American composer Rosa Alba Vietor (below bottom). You can hear the Recitative movement, which takes about 10 seconds to start, from the Piano Trio by Gaspar Casado in the YouTube video at the bottom.
The program will include two larger wind works by French composers: Pastoral Variations in the Old Style by Gabriel Pierne (below top); and Octet for Winds by Claude Pascal (below bottom).
The ensemble will round out the program with two short contrasting works for winds and piano: the flute trio La Bergere des Brise de Vallee (The Shepherdess of the Valley Breezes) by American composer Margaret Griebling-Haigh (b. 1960, below top); and Suite for flute, oboe, clarinet and piano by Danish composer Johan Amberg (below bottom).
The Oakwood Chamber Players is a group of Madison-area professional musicians who rehearse and perform at Oakwood Village University Woods. Members also play in other area ensembles, including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and have ties to the University of Wisconsin-Madison Mead Witter School of Music.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
Tags: #AmandaSzczys, #AmericanComposer, #AnneAley, #BlogPost, #BlogPosting, #CelloMusic, #CityofMadison, #ClarinetMusic, #ClassicalMusician, #ClaudePascal, #CreditCard, #DanishComposer, #DawnLawler, #ElspethStalter-Clouse, #EricTran, #FacebookPost, #FacebookPosting, #FluteMusic, #FluteTrio, #Frenchcomposer, #GabrielPierné, #GasparCassado, #GeneralAdmission, #GuestArtist, #HornMusic, #JohanAmberg, #JohannAmberg, #JohnAley, #MadisonSymphonyOrchestra, #MaggieDarbyTownsend, #MargaretGriebling-Haigh, #MarilynChohaney, #MeadWitterSchoolofMusic, #MidoriSamson, #NancyMackenzie, #NewMusic, #OakwoodChamberPlayers, #OakwoodFoundation, #OakwoodVillageWest, #OboeMusic, #ProfessionalMusician, #RosaAlbaVietor, #SaturdayNight, #SpanishComposer, #Sundayafternoon, #TheEar, #TrumpetMusic, #UnitedStates, #UniversityofWisconsin-Madison, #UniversityWoods, #ValreeCasey, #ViolinMusic, #WestSide, #WestTowneMall, #WindMusic, #WisconsinChamberOrchestra, #YouTubevideo, adventure, adventurous, afternoon, Amanda Szczys, America, American, American composer, Anne Aley, audience, Bassoon, bassoonist, blog, breezes, cash, cellist, Cello, check, clarinet, clarinetist, classical musici, classical musician, classicalmusic, Claude Pascal, composer, Concert, contrast, credit card, Dawn Lawler, Denmark, different, door, Elspeth Stalter-Clouse, ensemble, Eric Tran, explore, expressive, Facebook, fiery, fine, first-rate, flute, flutist, foundation, France, French, Gabriel Pierne, Gaspar Cassado, general admission, group, guest artist, heard, Horn, hornist, Italian, Italian-American, Italy, Johan Amberg, Johann Amberg, John Aley, Lutheran, Madion, Madison, Madison Symphony Orchestra, Maggie Darby Townsend, Margaret Griebling-Haigh, Marilyn Chohaney, Mead Witter School of Music, member, Midori Samson, ministry, Music, musical, Musician, name, Nancy Mackenzie, new, New Music, night, Oakwood Chamber Players, Oakwood Foundation, Oakwood Village West, Oboe, oboist, OCP, Octet, old, opening, panorama, pastoral, perform, performance, performer, Pianist, Piano, post, posting, professional, rarely, recognize, rehearse, repertoire, repertory, Rosa Alba Vietor, Saturday, Season, seniors, shepherdess, soloist, Spain, Spanish, students, style, Suite, Sunday, support, sweet, territory, The Ear, ticket, trio, Trumpet, trumpeter, U.S., University of Wisconsin–Madison, University Woods, UW-Madison, valley, Valree Casey, variations, video, Violin, violinist, west side, West Towne Mall, wind octet, winds, Wisconsin, Wisconsin Chamber Orchestra, Wiscosnin, year, years, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: Meet Mariana Farah, the new choral director at the University of Wisconsin-Madison
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Following a national search, Mariana Farah (below) has been chosen to succeed Beverly Taylor as the new director of choral activities at the University of Wisconsin-Madison’s Mead Witter School of Music.
Due to prior commitments, Farah cannot start her duties until the fall of 2021. But the delay is understandable given that the coronavirus pandemic continues and group singing remains a particularly hazardous or high-risk activity during the public health crisis. (See her comments about choral singing during Covid-19 in the YouTube video at the bottom.)
(In case you are wondering, Taylor, who retired from the UW-Madison last spring, will continue as director of the Madison Symphony Chorus. One wonders if she will still have a chance to do performances of the requiems by Verdi and Dvorak, both of which were canceled due to Covid-19.)
At a time when more focus is being placed on diversity, the Brazilian-born Farah (below) seems an especially apt choice.
Here is the official UW press release about Farah’s appointment along with much biographical material:
“Mariana Farah is the Associate Director of Choral Activities at the University of Kansas in Lawrence, Kansas, where she teaches courses in graduate choral literature and conducting, directs the university’s Concert Choir and Women’s Chorale (below bottom), and helps oversee all aspects of the choral program.
Born in Brazil, Farah received her Bachelor of Music degree from the Universidade Estadual de Campinas; her Master’s degree from the University of Iowa; and her Doctor of Musical Arts from the University of Missouri-Kansas City.
Her choirs have successfully performed at the Missouri and Kansas Music Educators Association conventions and at the 2008 and 2018 Southwestern ACDA conferences.
Farah’s research focuses on Brazilian choral music, particularly the a cappella choral works of Ernani Aguiar (b. 1950, below). Her edition of Aguiar’s “Três Motetinos No. 2” has been published by Earthsongs, and she expects to introduce more of his music to the United States through performances, recordings, editions and future publications of his unknown choral literature.
In addition to her work at KU, Farah (below) maintains an active schedule as a clinician for festivals in Brazil and in the U.S., where she is often sought out for her expertise in Brazilian choral music.
Farah has presented at several conferences for the National Association for Music Education and the American Choral Directors Association.
Recent engagements include appearances as a conductor at the 2019 Northwest Kansas Music Educators Association High School Honor Choir; the 2018 Southwestern ACDA conference, 2016 and 2014 Kansas Music Educators Association Convention; Universidade de São Paulo-Ribeirão Preto; Universidade Estadual de Campinas; Universidade Estadual de Maringá; Festival de Música de Londrina; Adams State Honor Choir Festival; the 2015 Kantorei Summer Choral Institute, a residency with the Harvard-Radcliffe Collegium Musicum; and the 2014 Idaho All-State Treble Choir.
Farah is the music director at First Presbyterian Church in Lawrence, Kansas, where she directs the Chancel Choir and oversees a thriving music program. She also serves as the interim 2019-20 conductor for the Wichita Chamber Chorale (below) and as a board member of the National Collegiate Choral Organization.
She has served as the president elect (2018-2020) and R&R Chair for Ethnic and Multicultural Perspectives (2014-2018) for the ACDA Southwestern Division.
As a singer, Farah performed with the Kansas City Te Deum Chamber Choir (2015-2018) and participated in their 2016 recording of Brahms’ “A German Requiem” (Centaur Records). The recording was recognized by The American Prize, naming Te Deum a semi-finalist for best Choral Performance (community division) for the 2019-20 contest.
Do you have an observation or words of welcome to say?
Please use the Comment section.
The Ear wants to hear.
Share this:
Like this:
Tags: #ACappella, #ACappellaMusic, #AGermanRequiem, #All-State, #AmericanChoralDirectorsAssociation, #AmericanPrize, #AntoninDvorak, #AssociateDirector, #BachelorofMusic, #BeverlyTaylor, #BlogPost, #BlogPosting, #BoardMember, #BrazilianComposer, #BrazilianMusic, #CentaurRecords, #ChamberChoir, #ChancelChoir, #ChoralDirector, #ChoralUnion, #ChoralWorks, #ChristianChurch, #CoronavirusPandemic, #COVID-19, #CulturalDiversity, #DoctorofMusicalArts, #ErnaniAguiar, #FacebookPost, #FacebookPosting, #FirstPresbyterianChurch, #GiuseppeVerdi, #GraduateSchool, #Harvard-RadcliffeCollegiumMusicum, #HarvardUniversity, #JacobStockinger, #JohannesBrahms, #KansasCity, #KansasCityTeDeumChamberChoir, #LivingComposer, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MarianaFarah, #Master'sDegree, #MeadWitterSchoolofMusic, #MusicDirector, #MusicEducation, #MusicEducators, #Musicfaculty, #NationalAssociationforMusicEducation, #NationalCollegiateChoralOrganization, #NewMusic, #PortugueseLanguage, #PressRelease, #RadcliffeCollege, #SaoPaulo, #TeDeum, #TheEar, #TheU.S., #UnitedStates, #UniversityofIowa, #UniversityofKansas-Lawrence, #UniversityofMissouri, #UniversityofWisconsin-Madison, #UWConcertChoir, #VerdiRequiem, #VocalMusic, #WichitaChhmaberChorale, #WichitaKansas, #Women'sChorale, #WomenPerformers, #YouTubevideo, 2021, a cappella, A German Requiem, active, American Choral Directors Association, American Prize, Antonín Dvořák, APT, aspects, associate director, Bachelor of Music, best, Beverly Taylor, biography, blog, board member, born, Brahms, Brazil, Brazilian, Brazilian composer, Brazilian music, Centaur Records, chair, Chamber choir, chance, Chancel Choir, choice, Choir, choral, choral director, choral music, Choral Union, choral works, Chorale, chorus, church, Classical music, clinican, comment, community, composer, Concert, Concert Choir, Conducting, contest, convention, coronavirus, courses, cultural diversity, delay, direct, director, director]activities, directs, diversity, division, Doctor of Musical Arts, duties, Dvorak, Earthsongs, edition, educator, Ernani Aguiar, expertise, Facebook, fall, female, festival, First Presbyterian Church, Focus, forward, future, Giuseppe Verdi, Graduate School, group, Harvard University, Harvard-Radcliffe Collegium Musicum, hazardous, high-risk, Idaho, Institute, introduce, Jacob Stockinger, Johannes Brahms, Kansas, Kansas City, Kansas City Te Deum Chamber Choir, Lawrence, like, link, Living composer, Madison Symphony Chorus, Madison Symphony Orchestra, Mariana Farah, masters degree, Mead Witter School of Music, motet, MSO, multicultural, Music, Music director, Music education, music educators, music faculty, national, National Association for Music Education, National Collegiate Choral Organization, new, New Music, next season, next year, nominated, northwest, observation, official, oversee, pandemic, performances, performers, perspective, Portuguese, post, posting, President-elect, press release, program, publication, publish, Publishing, Radcliffe College, recognize, recording, Requiem, research, retired, Sao Paulo, schedule, search, Season, semi-finalist, share, singer, Singing, southwestern, Spring, start, summer, tag, Te Deum, teach, The Ear, U.S., United States, university, University of Iowa, University of Kansas, University of Kansas-Lawrence, University of Missouri, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, UW, UW Concert Choir, UW-Madison, Verdi, Verdi Requiem, vocal music, welcome, Wichita, Wichita Chamber Chorale, women, women's, Women's Chorale, words, YouTube