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By Jacob Stockinger
The Ear has received the following announcement from Carol Carlson, the co-founder and Executive Director of the Madison-based Music con Brio (below), who is a violinist and holds a doctorate in music from the UW-Madison:
Hello friends,
Happy summer! I hope you are able to enjoy some rest, relaxation and fun in the sun.
I am emailing you because Music con Brio embarked on an exciting new project this year, and I want to share it with you.
In an effort to diversify our repertoire and guest artists, we have launched our new “Music by Black Composers” project. Last winter, our staff chose four pieces of music by Black composers and made student-accessible arrangements of them.
We then taught these new pieces during our online lessons this spring. On May 8, we gathered together outside at the Goodman Community Center, with four phenomenal local Black guest artists, to professionally record all four pieces.
And now, in lieu of our regular Community Concert Series this year, we are thrilled to present our first-ever Virtual Community Concert!
Click on the link to YouTube video at the bottom to watch and hear the 12-minute performance. Once there, click on Show More to see the composers, pieces and performers.
We are incredibly proud of our students and staff for all their hard work making this so successful. I’m sure you will enjoy their performance!
Please do feel free to pass the video along to anyone else you think might be interested in watching it.
And if you feel so inclined, we would really appreciate a donation in support of this work, which we plan to do every year from now on. To support Music con Brio and our Black Composers project by making a secure, tax-deductible donation, go to: https://www.musicconbrio.org/donate/
Thank you so much for your support! We hope to see you at a live concert again sometime soon!
If you wish to know more about Music con Brio, go to: https://www.musicconbrio.org
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Tonight, Oct. 13, at 7:30 p.m. CDT, the Madison Symphony Orchestra will open its concert organ series with a FREE streamed virtual online concert MSO virtual concert live from Overture Hall. The performer is MSO organist Greg Zelek (below, in a photo by Peter Rodgers) and the program includes music by Debussy, Franck, Durufle and Satie among others. For more information and to register, go to: https://madisonsymphony.org/event/greg-zelek-2020-streamed/
By Jacob Stockinger
The Ear has received the following note that once again cements the reputation that the Willy Street Chamber Players have for inventive, innovative and ingenious programming, even during the coronavirus pandemic.
The Willy Street Chamber Players (below) have announced a reimagined 2020 season titled 1NTERLUDE. The project includes two unique events designed with safety in mind and aims to provide meaningful artistic experiences during the pandemic.
BEYOND THE SCREEN
BEYOND THE SCREEN is a virtual concert that will air online on Sunday, Nov. 15, at noon CST. The program will explore two colorful works for violin and cello by Kodaly (below top) and Ravel (below bottom) as well as other unique works. (You can hear Ravel’s Sonata for Violin and Cello in the YouTube video at the bottom.)
While viewing, audience members will be encouraged to submit questions and insights via an online form.
After the performance, members of the group will host a virtual “reception” on ZOOM where they’ll answer submitted questions and lead a discussion.
MICRO-CONCERTS
The chamber music group is also announcing an entirely new way to experience live music during coronavirus pandemic: 1-on-1 “micro-concerts”that will start on Saturday, Nov. 2, and occur on a variety of dates this fall.
Tickets go on sale beginning this Wednesday, Oct. 14. Up to two guests from the same household can sign up for a 10-minute slot at the location of their choice to view a “living, breathing musical art exhibit.”
Locations include the new Arts + Literature Laboratory (below top), Garver Feed Mill and A Place To Be (below bottom), all on Madison’s east side.
Ticket prices will operate on a “pay what you can” structure. The group has suggested a $20 donation per concert.
“When you enter the room and sit down, two members of the Willy Street Chamber Players will curate a personalized concert just for you, says Willy Street co-founder and violinist Eleanor Bartsch (below). “The musicians will choose from a wide variety of solo and duo works in the moment. Micro-concerts are solely about the music. You enter the room as you are, in silence and with an open mind.”
Adds violinist Paran Amirinazari (below), who is the artistic director and co-founder of the Willys: “We encourage you to make your concert what you need it to be in this time: 10 minutes of meditation, healing, escape, positivity, relaxation or simply beautiful music.”
For more information, including safety guidelines such as masks and social distancing, go to: www.willystreetchamberplayers.org
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The sign-up site for Open Piano Day – to be held this coming Sunday, Sept. 22, from 1 to 4 p.m. at the Wisconsin Union Theater — is now available. Slots are for 15 minutes. Here is a link: https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsignup.com%2Fgo%2FfpUcsfW&data=02%7C01%7C%7C8ca06003be8b432ab9b408d73ba390d3%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637043445996735650&sdata=3qwBf6GVLZK6iN0UUywLtlKEfUnIPLfssaug5b3XTl0%3D&reserved=0
Memorial Union members and their guests are invited to attend to play the piano and to listen to the music. Here is a link to a story with more details and background: https://welltempered.wordpress.com/2019/09/07/classical-music-the-wisconsin-union-theater-will-hold-an-exercising-or-playing-session-for-the-public-on-its-steinway-piano-on-sunday-sept-22-details-are-pending/
By Jacob Stockinger
The Ear has received the following announcement about a special concert of Croatian music that includes a world premiere and a Wisconsin premiere.
The Apollo Chamber Players (below) will perform this Saturday night, Sept. 21, at 7:30 p.m. at the Edgerton Performing Arts Center, 200 Elm High Drive, where they will give the Wisconsin premiere of Croatian Connections.
The program of chamber music is:
Medley of Croatian Folk Songs (2019, a world premiere), by Lorento Golofeev (b. 1976)
String Quartet Op. 33, No. 3 “The Bird” by Franz Joseph Haydn (1732-1809). You can hear the last movement of the “Bird” quartet in the YouTube video at the bottom.
Intermission/Prekid
Pannonia Boundless (1997) by Aleksandra Vrebalov (b. 1970)
String Quartet No. 4 “Obala” (No. 6 in the 20×2020 project and a Wisconsin premiere) by Alexandra du Bois (b. 1981)
Introduction: “Out of sea-mist, in medias res” (Aria: Adagio lugubre)
“Istria: Hrvatska Obala” (Croatian Coast) (Rondo: Allegro assai)
“Uspavankas” (Lullabies) (Waltz: Larghetto cantabile)
“Dalmatian Hinterland” (Scherzo: Allegro pesante con fuoco)
“Tempo di Gusle” (Finale: Presto all’ungherese)
Tickets are $30 each and can be purchased online at www.edgertonpac.comor by phone at (608) 561-6093.
Croatian Connections was underwritten by Frederic Attermeier, a native of Cudahy, Wis., and was first premiered in Houston, Texas in 2016. It explores the Croatian inspirations of the “Father of the String Quartet” Franz Joseph Haydn (below), and music celebrating Croatian cultural heritage.
The Wisconsin premiere of this new string quartet inspired by folk music from Croatia and Serbia by New York City-based composer Alexandra du Bois (below, in a photo by Nick Ruechel), adds a contemporary perspective – a bridge to common ground through ethnic folk music – between often-warring cultures.
The Houston-based Apollo Chamber Players “performs with rhythmic flair and virtuosity” (The Strad) and has “found fruitful territory” (Houston Chronicle) through innovative, globally-inspired programming and multicultural new music commissions.
A recent winner of the Chamber Music America’s prestigious Residency Partnership award, this quartet has performed for sold-out audiences at Carnegie Hall twice in the past five years, and holds the distinction of being the first American chamber ensemble to record and perform in Cuba since the embargo relaxation. The string quartet is featured frequently on American Public Media’s nationally-syndicated program “Performance Today.”
This concert is in honor of the late William J. Wartmann (below) whose parents immigrated to America from Croatia. This concert is partially funded by the William and Joyce Wartmann Endowment for the Performing Arts.
By Jacob Stockinger
Concerts of chamber music by the Madison-based Bach Dancing and Dynamite Society aren’t the only classical music events happening this weekend.
This week has also seen the annual National Summer Cello Institute (NSCI), which features master classes and performances plus sessions about using Feldenkrais Method and relaxation techniques to best employ one’s physical body to make music through the cello.
For more information about the Institute, here is a link to its home website:
http://www.yourbodyisyourstrad.com/main/2014_National_Summer_Cello_Institute.html
Here is a link to a previous post about the Institute on this blog:
A fine musician and good friend of the blog, Professor Uri Vardi (below) teaches cello at the University of Wisconsin-Madison School of Music. Along with his wife Hagit Vardi and some others, Uri Vardi runs the NSCI and sent this message:
Dear Jake,
The 2014 National Summer Cello Institute is ending on this Saturday, June 14, with a public FREE concert in Mills Hall at 8 p.m.
The concert will include “Bachianas Brasileiras” No. 5 (with soprano Anna Whiteway, below top) and No. 1 by Heitor Villa-Lobos. Both pieces will be played by the NSCI Cello Choir, conducted by Professor James Smith (below bottom) of the University of Wisconsin-Madison School of Music.
The program will also include new music: two movements of a “Requiem for 6 Cellos and Double Bass” by former NSCI participant (and future UW-Madison Master’s of Music student) Kyle B. Price in memory of his aunt Connie Barrett (a 2010 NSCI participant).
Other solo pieces are by the following composers: Francis Poulenc, Cesar Franck, Einojuhani Rautavaara, Peter Tchaikovsky, Johann Sebastian Bach and Jacques Offenbach.
I hope you will be willing to let your blog audience know about this.”
Vardi also took part this past season in a Fusions Continuum Concert that mixed the Western cello and the lute-derived Arabic oud (below) with the purpose of using different kinds of art music to promote peace and understanding between Israelis and Palestinians.
Adds Vardi: “Also, I thought you might be interested in a 17-minute YouTube clip of Fusions Continuum:”
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