The Well-Tempered Ear

Classical music: Critics for The New York Times name their favorite works by and performers of Richard Strauss. Plus, catch the Madison Area Youth Chamber Orchestra and the Madison Early Music Festival on radio this Sunday.

January 3, 2015
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HERE ARE TWO ALERTS FOR SUNDAY:

At 10 a.m, on WORT FM 89.9: The Madison Area Youth Chamber Orchestra (MAYCO) under the direction of Mikko Utevsky will be featured in an hour-long broadcast this coming Sunday (January 4).

The “Summer Voices” concert was recorded live last August 22 at Music Hall on the UW-Madison campus. Included are interviews with MAYCO founder and conductor Mikko Utevsky and guest soprano Caitlin Ruby Miller (below).

The program includes: the Overture to “The Magic Flute” by Austrian composer Wolfgang Amadeus Mozart; the cantata “Knoxville Summer of 1915” by American composer Samuel Barber; and the Symphony No. 9 in E-Flat Major by Russian composer Dmitri Shostakovich. The hosts of Musica Antiqua yielded the final hour of their early music show so that WORT can provide these young musicians with the station’s largest classical music audience.

MAYCO 2014 Caitlin Ruby Miller and Mikko Uevsky

Then at 1 p.m. on Wisconsin Public Radio (88.7 FM in the Madison area and online at wpr.org): Wisconsin Public Radio (WPR) will broadcast a concert of 16th-century Renaissance music from Italy inspired by “I Trionfi” by Francesco Petrarch (1304-1374). The concert was designed and conducted by Grant Herreid, and was performed at the Madison Early Music Festival’s concluding All-Festival Concert (bel0w) in July 2014 at Luther Memorial Church in Madison. This recording is part of WPR’s new program, “Wisconsin Classical.”

Listen to station 88.7 FM at 1 p.m.or stream it online at http://www.wpr.org/

MEMF 2014 All-Festival

By Jacob Stockinger

One of the public’s favorite Late Romantic composers is Richard Strauss, seen below in old age in a photo by H. Hoffmann and Ullstein Bilderdienst.

Richard Strauss  old CR H. Hoffmann Ulstein Biulderdienst

Writing about Strauss is timely, if belatedly so, because 2014 was the 150th anniversary year of his birth.

But better late than never.

Strauss composed in every genre, from orchestra and opera to chamber music, and the last part of his career was controversial because of his involvement with Hitler and Nazi Germany during World War II.

What is your favorite work by Richard Strauss?

Your favorite performances and performers?

Your favorite recordings?

Various critics for The New York Times recently offered their own year-end takes on those questions.

Here is a link:

http://www.nytimes.com/2014/12/26/arts/music/richard-strauss-recordings-recommended-by-critics.html?_r=0

And here is my favorite Strauss music — the Suite from the opera “Der Rosenkavalier” in a YouTube video — although it is also hard to beat “Four Last Songs” for soprano and orchestra:


Classical music: The new early music, a cappella vocal group Voces Aestatis (Voices of Summer) makes an impressive debut with many Renaissance composers and works. Plus, the Token Creek Chamber Music Festival opens to acclaim.

August 26, 2014
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ALERT: Perhaps you didn’t make it to the opening of the Token Creek Chamber Music Festival last Saturday night or Sunday afternoon (below is a photo of the renovated barn concert hall). The festival runs through this coming Sunday afternoon and is celebrating both its 25th anniversary and the 300th anniversary of the birth of Carl Philip Emmanuel Bach. Here is a link to a review written for the Classically Speaking blog of Madison Magazine by Greg Hettmansberger, along with two preview stories from this blog:

http://www.madisonmagazine.com/Blogs/Classically-Speaking/August-2014/The-25th-Token-Creek-Chamber-Music-Festival-Happy-Anniversary-From-Start-To-Finish/

https://welltempered.wordpress.com/2014/08/18/classical-music-the-token-creek-chamber-music-festival-starts-saturday-it-celebrates-25-years-with-observing-the-300th-anniversary-of-c-p-e-bach-and-by-offering-a-wide-rage-of-works-and-composers-t/

https://welltempered.wordpress.com/2014/08/21/classical-music-violinist-rose-mary-harbison-talks-about-the-25th-anniversary-of-the-upcoming-token-creek-chamber-music-festival-while-composer-john-harbison-discusses-c-p-e-bach-whose-300th-anniv/

TokenCreekbarn interior

By Jacob Stockinger

Last Friday was one of those nights, one of those increasingly frequent “train wrecks,” as The Wise Critic likes to call them, when two or more worthy classical musical events conflict and compete.

The Ear could not be in two places at once.

The two concerts were given by the Madison Area Youth Chamber Orchestra (MAYCO), which was reviewed yesterday by John W. Barker.

At another venue, at exactly the same time, the new early music vocal group Voces Aestatis made its Madison debut.

To give you an idea of that performance, The Ear welcomes another new reviewer -– Ann Boyer, a retired medical research librarian at the University of Wisconsin-Madison and a longtime member of the UW-Madison Choral Union.

Here is her review debut for The Well-Tempered Ear:

Ann Boyer

By Ann Boyer

The new Renaissance Choral group Voces Aestatis (Latin for Summer Voices) — all 13 of them, including director Ben Luedcke — delighted the 200 or so listeners who filled St. Andrew’s Episcopal Church, on Regent Street, last Friday night. (Below is a photo of the choral group, minus Jerry Hui, the composer, singer and teacher who did graduate work at the University of Wisconsin-Madison School of Music and now teaches at the University of Wisconsin-Stout.)

Voces aestratis 1

They had rehearsed four times, we learned, but had been instructed to come prepared. They were professionals, and it showed.

Songs were arranged in thematic pairs or threes, the sacred songs reflecting such themes as the imperfection of humankind, the birth of Jesus (emphasizing Mary’s role), and the death of Jesus.

Composers included Michael Praetorius, De Victoria and Giovanni di Palestrina, Orlando di Lasso, Thomas Tallis, Orlando Gibbons and Heinrich Schütz. A particularly beautiful song was one by Antonio Lotti (below)

Antonio Lotti

The second half of the program consisted of secular songs: the famous “Mille Regretz” (A Thousand Regrets) by Josquin des Prez (below and at bottom in a YouTube video performance by the famed Jordi Savall), sung sweetly and gently; the strange, expressionistic harmonies of Gesualdo and a work by Claudio Monteverdi with surprisingly erotic lyrics. A final pair of somber songs by Weelkes and Wilbye ended the program on a dark note, relieved by the encore: the chipper ”El Grillo” (The Grasshopper).

Josquin Des Prez

The group demonstrated fluidity of line, diction which varied from very clear to less so, good phrasing in particular songs, and good vocal blending. Towards the beginning the women’s voices seemed to dominate, but this corrected itself as the program continued.

The energy of director Ben Luedcke (below) – another UW-Madison graduate who was the music director of Lake Edge Lutheran Church and the founder-director of the Madison Summer Choir and who is completing a master’s degree at the University of Iowa — carried us all along.

Ben Luedcke conducts voces aestratis

We hope that the group will reassemble next summer.


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