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By Jacob Stockinger
This Saturday night, Nov. 2, brings two separate but noteworthy recitals by Grammy-winning pianist Emanuel Ax and by UW-Madison clarinetist Alicia Lee.
Here are details:
EMANUEL AX
Emanuel Ax and Madison go way back.
Since 1974, the Wisconsin Union Theater has often seen Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco) perform both as a soloist and a chamber musician with the legendary violinist Nathan Milstein and the superstar cellist Yo-Yo Ma, who is also a close friend. (Ax has also performed with the Franz Liszt Chamber Orchestra at the old Civic Center and with the Madison Symphony Orchestra in the Overture Center.)
This Saturday night, Nov. 2, Emanuel Ax returns again to help celebrate the centennial of the Union Theater’s Concert Series and to help kick off the Beethoven Year in 2020, which marks the 250th anniversary of the composer’s birth.
The concert is at 7:30 p.m. in Shannon Hall with a pre-concert lecture, given by Andrea Fowler, a UW-Madison graduate student in musicology. Her lecture is at 6 p.m. in the Memorial Union’s Play Circle.
The program centers on the first three piano sonatas, Op. 2, by Beethoven (below) plus two rarely heard sets of theme-and-variations. In addition, he will start the performance with the popular “Für Elise” Bagatelle known to so many piano students, their parents and the public. (You can hear “Für Elise” and see a graphic depiction of it in the YouTube video at the bottom.)
Tickets run from $15 for UW-Madison students to $70. For more information about tickets, Emanuel Ax, the program, sample reviews and links to Ax’s website, go to:
NOTE: This time, there will also be a special event as part of his appearance.
On Saturday afternoon from 1 to 2 p.m. in Collins Recital Hall at the new Hamel Music Center, 740 University Ave., Ax will participate in a FREE and public Q&A.
Here is a publicity blurb about that event: “Join us for a Q&A with Grammy Award-winning pianist Emanuel Ax. Now is your chance to ask how he selects repertoire, what his practice schedule is like, if he has any pre-recital rituals, or whatever you would like to know!”
“This event is intended for UW-Madison students and UW campus community, however the Madison community is welcome.”
At 8 p.m. in Collins Recital Hall, UW-Madison clarinetist Alicia Lee (below), who also plays in the UW Wingra Wind Quintet, will give a FREE recital of chamber music.
The program includes music by Robert Schumann, Bela Bartok, Isang Yun, Eugene Bozza and Shulamit Ran.
Two faculty colleagues will join Lee: pianist Christopher Taylor and violinist Soh-Hyun Park Altino.
ALERT: UW-Madison clarinetist Alicia Lee (below) will perform a FREE faculty recital this Thursday night at 7:30 p.m. in Mills Hall. She will be joined by two fellow faculty members: collaborative pianist Martha Fischer and violist Sally Chisholm of the Pro Arte Quartet.
The program includes sonatas by Johannes Brahms and 20th-century Russian composer Edison Denisov as well as four Bagatelles by contemporary German composer Matthias Pintscher and the “Kegelstatt” Trio by Wolfgang Amadeus Mozart. For more information about he program and the performers, go to:
The Ear has received the following announcement about a production that promises to be one of the most original musical events in Madison in a long time, something that sounds like a cross between Broom Street Theater and the Madison Opera.
This is especially true since The Queen of the Night in this production is sung by Caitlin Cisler (seen below by herself and rehearsing with Jonathan Ten Brink), who also played the Queen of the Night is last year’s production of “The Magic Flute” by the Madison Opera. (You can hear the famously virtuosic aria sung by The Queen of the Night in the YouTube video at the bottom.)
Folks –
I am extremely proud of Fresco’s next production “The Queen Of The Night,” which is our original prequel to Mozart’s “The Magic Flute.”
This is a new production from the ground up! New music. New story. New songs.
The music is by Jordan Jenkins, and the libretto-story is by Andrew Ravenscroft and Amy Quan Barry.
It is a world premiere opera called, “The Queen of the Night.” Mozart was given a gift from the immortals to bestow the world with “The Magic Flute,” and now it’s up to us to tell the untold story that has been hidden in secret for over 200 years. The opera is steeped in Masonic symbolism, secret rituals and lush musical melodies.
Using the characters from “The Magic Flute,” “Queen of the Night” tells the background story of the Queen and her struggle between darkness and light.
Here is a synopsis:
The Queen of the Night lives in the Realm of Night, a place of perpetual darkness. Sarastro, a sorcerer priest from the Realm of Day, enters her world and they fall in love.
Their children, Papageno, Pamina and The Three Ladies, are born from the shadows. They are stalked by Apophis the Serpent, an ancient denizen of the night who hates Day, and is jealous of the QUEEN’s feelings for Sarastro, and wants to destroy him.
Apophis persuades a young prince from the borderlands named TAMINO to enter the Realm of Night on the promise of a reward if he will destroy Sarastro.
Night and Day are at odds with each other and a storm of black magic awaits anyone that gets in the way of the Queen’s happiness
This production has musical virtuosity and is visually stunning. I am confident that Mozart would approve of what we have created.
We are performing in the legendary Madison Masonic Center, 301 Wisconsin Avenue, a beautiful performing space (below) that allows us to stretch out in a way no other space can.
If that doesn’t pique your interest, I don’t know what will.
Do come see “Queen of the Night.” We will not disappoint! It is a fantastic show, and you will be supporting LOCAL artists!
There will be four performances: Thursday night at 7 p.m.; Friday and Saturday night at 8 p.m.; and Sunday afternoon at 2 p.m.
Tickets cost $10-$75.
For complete information about the cast as well as how to order advance tickets, go to:
As we approach 10 years at Fresco, I can’t think of a more appropriate way to usher in that milestone than with “The Queen Of The Night.” It is new and fresh, but rooted in tradition.