By Jacob Stockinger
In the past, the music that political campaigns used was often jingles that reminded one of Madison Avenue advertising, even when they were composed by Broadway song master Irving Berlin.
These days, it seems to The Ear that most political campaigns use rock, pop or country music.
Sometimes folk music.
And, one supposes, you will never hear the blues since that would be a pretty downbeat message for politicians.
Fittingly, in the opera the moving and beautiful aria is sung by a prince to woo a Chinese tyrant or despot.
The Ear especially loved the way it was used so appropriately during the carpet bombing of Cambodia by the U.S. in the movie “The Killing Fields.”
But the Pavarotti estate refused to grant him permission to use it and asked him to cease and desist. Good for them.
Anyway, here is a link to the story:
By Jacob Stockinger
Research shows that your taste in music and your personality are linked.
In a way, that’s no surprise.
But what does it mean if you like: Classical? Rock? Blues? Pop? Folk? Country?
Here is a link:
Read it and listen to it, and see what your taste in music says about you.
You can also listen to the YouTube video at the bottom.
And just in case you were wondering, the same person can like many kinds of music.
But that too says something about you.
Do you find the research accurate, at least as it applies to you?
The Ear wants to hear.
By Jacob Stockinger
Today at 5:34 p.m. the Summer Solstice will happen. Summer officially arrives, and the days will start getting shorter while the nights will get longer.
Can that really be happening already?
Locally, the Summer Solstice will be marked TOMORROW, Tuesday, June 21, by the third annual Make Music Madison celebration.
The city-wide event features more than 400 FREE performances in over 100 venues. It relies on volunteers and costs about $55,000 – a lot less than the cost of one new traffic light, according to the website.
Both amateurs and professionals, both adults and young students, will perform.
And all different kinds of music will be played: classical, swing, pop, rock, bluegrass, country, folk, jazz, soul, blues, reggae, world – you name it.
Want to know more?
For general background, including how to support the events, who are its major sponsors and to see photos of past events, go to:
For a map and a listing of events and artists taking place tomorrow:
To find out by location, go to:
The web site also has search engines that allow you to find specific artists and venues.
By Jacob Stockinger
The mostly amateur Middleton Community Orchestra (MCO, below), which has gotten better and better and rarely disappoints even in ambitious and difficult music, will wind up its fifth anniversary season this coming Wednesday night with a brass extravaganza.
The performance is at 7:30 p.m. in the modern, comfortable and spacious Middleton Performing Arts Center (below) that is attached to Middleton High School.
Tickets are $10; students get in for FREE.
Advance tickets are available at Willy Street Coop West. The Box office opens at 6:30 p.m. and the doors open at 7 p.m.
The program includes The “Capriccio Italienne” by Peter Tchaikovsky; the Carnival Overture by Antonin Dvorak; the Horn Concerto by Reinhold Glière with soloist Paul Litterio (below); and the world premiere of the Tuba Concerto by University of Wisconsin-Madison School of Music graduate Pat Doty, who will also be the soloist.
Steve Kurr (below) will conduct.
Here is a link with more information about the MCO and how to join it and support it:
Composer and tuba performer Pat Doty (below, in a photo by Steven Thompson) answered an email Q&A for The Ear:
Can you tell us briefly about your background, including your education and performance history?
I grew up in Mount Horeb, Wisconsin. I hold a master’s degree in tuba performance from the University of Wisconsin–Madison, where I was a member of the University of Wisconsin Marching Band for four years, including three trips to the Rose Bowl.
While at the UW-Madison, I performed with the Wind Ensemble (including a performance at Carnegie Hall in New York City), Concert Band, Tuba and Euphonium Ensemble, the Middleton Community Orchestra, Low Brass Ensemble, 4BA Tuba Quartet, Madrigal Singers and the Lumberjack Brass Quintet.
My solo tuba performance credits range from solo recitals to guest appearances at schools across southern Wisconsin.
When and how did you start composing? What works have you written in the past?
I first started writing music when I was in high school and I was very interested in singer/songwriters like Elton John and Billy Joel. During my time at Mount Horeb High School, I wrote more than 500 songs, most of which never made it past the grand piano in the living room.
When I started graduate school, the tuba studio at UW-Madison was treated to a guest performance by Øystein Baadsvik, who really inspired me to start writing for tuba. I was also heavily influenced by my undergraduate professor, John Stevens (below).
My catalogue now includes dozens of works for solo tuba, chamber ensembles and large ensembles. It probably comes as no surprise that I compose rather frequently for tuba quartet and brass quintet.
Additionally, I write a great deal of music for my wife Brigid, who holds a degree in vocal performance from UW-Madison, to sing with me accompanying her on the piano.(You can hear them in a YouTube video at the bottom in a song by Pat Doty.)
How would you describe your compositional style — tonal or atonal, accessible, melodic and so forth?
My music is tonal, accessible, melodic and so forth. I jest, but I really do strive to write music that is very fun, beautiful and accessible to a wide-ranging audience.
My major influences are not famous classical composers, but rather those musicians who I listened to when I was growing up.
For example, I draw a lot from pop music and classic rock. I know that might seem like an odd connection — pop music and the tuba — but I have always fallen back on my vocal training to instruct my tuba playing, and I see no reason why the same connection shouldn’t exist in my compositions.
To put it simply, I approach writing for solo tuba (with any sort of accompaniment) in quite the same way that I approach writing a song at the piano. I always have a poem, an idea, something in mind that inspires me. For example, my tuba duet “Mendota” is based on a poem that I wrote for a pop song, but it works beautifully for an instrumental piece.
What would you like the public to know about your new Tuba Concerto, which you will perform and premiere with the Middleton Community Orchestra?
First and foremost, my Tuba Concerto doesn’t take itself too seriously. That is a recurring theme in my music. I am very excited for the premiere with the Middleton Community Orchestra, which is sounding great by the way, and I really hope that people have as much fun and find as much joy in listening as I do playing this music.
A couple of interesting quirks to note are that there is a large, essential euphonium part in this piece, and that there is a marimba solo in the third movement. These are both things that, I think it is safe to say, are not particularly common in orchestral music.
I used a euphonium (below) and no tuba in the orchestra because I want this to be a piece that an orchestra could use to feature their own tubist if they so choose. Also, I am friends with quite a few euphonium players.
What else would you like to say?
First, I would like to say thank you to the Middleton Community Orchestra for premiering my Tuba Concerto. I am very much looking forward to the performance for many reasons, not the least of which is that this will be my first chance to present my compositions to a broad classical music audience.
I would also like to mention my new record label, Merp Entertainment, which I co-founded with my wife Brigid last year. Our debut CD “Dare to Entertain” has found national success, particularly on the internet streaming service Spotify, where it has amassed more than 3 million song streams to date.
By Jacob Stockinger
The Ear has received word about an intriguing and appealing performance this weekend:
On this Saturday night at 7:30 p.m., Cantus (below top, in a photo by Curtis Johnson), the critically acclaimed, nine-voice men’s vocal ensemble based in the Twin Cities, will perform at the Stoughton Opera House (below middle and bottom), known for its historical restoration and its fine acoustics.
Love has been the inspiration for artistic expression since the dawn of time. It is such a complex idea that the ancient Greeks broke it down into four different kinds: romantic, familial, friendly and unconditional or spiritual love.
Weaving together repertoire and interstitial remarks, Cantus regards this unquantifiable emotion from all sides.
The program spans multiple historical eras and cultural traditions.
Each of those works is paired with newly commissioned works exploring each of the four loves (romantic, familial, friendly and spiritual) by Pulitzer Prize-winner David Lang (below top, in a photo by Peter Serling) as well as Roger Treece (second below), Joseph Gregorio (third below) and Ysaye Barnwell (below bottom).
The program brims with Cantus’s trademark programming juxtaposition, including pairing the Beach Boys’ “Their Hearts were Full of Spring” with “Wedding Qawwali” by the Grammy Award- and Academy Award-winning Indian composer A. R. Rahman (below) and Michael McGlynn’s setting of the traditional Gaelic “Ceann Dubh Dilis (Her Sweet Dark Head)” in a set about romantic love.
While seemingly disjointed on its face, the variety of repertoire throughout blends seamlessly and highlights the universality of Love – our greatest and most fragile gift.
For more information about Cantus, including biographies, photos, videos and audio samples, visit this link:
Here is a YouTube video about the program, with musical samples, to be performed in Stoughton:
By Jacob Stockinger
On this Saturday night, March 12, at 7 p.m. the MYC Intergenerational Choir — composed of high school-aged singers of Madison Youth Choirs and residents of Capitol Lakes Retirement Community — will present their fourth concert performance since the ensemble’s creation in January 2015.
This unique artistic collaboration, led by Madison Youth Choirs conductor Lisa Kjentvet (below) — who is a graduate of the UW-Madison — and featuring performers who range from 15 to 93 years old, celebrates the power of creative expression at every age.
Here are the specific works:
Welcome, Every Guest…………Traditional shape-note canon
Come, Ye Sons of Art……………Henry Purcell
When Jesus Wept………………William Billings
Danny Boy……………………….Frederic Weatherly
When Irish Eyes Are Smiling….Chauncey Olcott, George Graff, Jr. and Ernest Ball
Blessing…………………………Katie Moran Bart
Forever Young………………….Bob Dylan
The concert is in the Capitol Lakes Grand Hall (below), 333 West Main Street. Off the Capitol Square. Admission is FREE and open to the public.
The choir is supported in part by a grant from the John A. Johnson Foundation, a component fund of the Madison Community Foundation.
Here is more information about the Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.
Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
For more information, visit www.madisonyouthchoirs.org or call (608) 238-7464.