By Jacob Stockinger
It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.
Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.
The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.
The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.
Here is a link to more about Hutchinson’s impressive background:
http://www.music.wisc.edu/chad-hutchinson/
And here is a schedule of other events at the UW:
WEDNESDAY
At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).
Here is a link to program notes:
http://www.music.wisc.edu/event/wind-ensemble/
Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.
THURSDAY
At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.
The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.
At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.
For more information, go to:
http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/
NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.
FRIDAY
At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).
For the complete program, go to:
http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/
SATURDAY
At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.
SUNDAY
At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.
Here is a link with a schedule and more information:
http://www.music.wisc.edu/event/carillon-concert/2017-10-08/
By Jacob Stockinger
The next two weeks will be especially busy ones at the University of Wisconsin-Madison School of Music.
All save one of the concerts will be FREE, and they include orchestral music, percussion, strings, winds and even lectures linking science and music.
The one major non-free exception is a notable MUST-HEAR: The acclaimed Miro Quartet (below) as presented by the Wisconsin Union Theater, will perform on Friday night at 8 p.m. in Mills Hall. The Miro Quartet is in residence at the University of Texas-Austin. (You can hear it playing Beethoven in a YouTube video at the bottom.)
The program of Classical and contemporary masterpieces of features the “Lark” Quartet, Op. 64, No. 5, by Franz Joseph Haydn; Franz Schubert’s well-known and the String Quartet No. 14 “Death and the Maiden”; and Philip Glass’ Quartet No. 5 (1991).
Tickets are $25 for the general public; $21 for UW faculty and staff and for Memorial Union members; and $10 for UW students.
Here is a link to more information that includes tickets, sound samples and critical reviews:
http://www.uniontheater.wisc.edu/Season13-14/Miro-String-Quartet.html
TUESDAY
At 7:30 p.m.in Mills Hall, the accomplished UW Chamber Orchestra, under the baton of director James Smith, the Overture to “La scale di seta” (The Silk Ladder) by Gioacchino Rossini; the Chamber Symphony by Franz Schreker; the “Classical” Symphony by Sergei Prokofiev; and the “Winter’s Tale” by Lars-Erik Larsson.
WEDNESDAY
At 7:30 p.m. in Mills Hall, guest artist Todd Reynolds (below) will give a FREE recital. Reynolds is the violinist of choice for such well known individual and ensemble performers as composers as Steve Reich and Meredith Monk and the group Bang on a Can. He violinist, composer, educator and technologist is known as one of the founding fathers of the hybrid-musician movement.
Todd Reynolds will be performing compositions of his own from his critically acclaimed 2011 CD “Outerborough,” including music by Michael Gordon, David Little, Michael Lowenstern and Ingram Marshall, and a couple of pieces written and improvised especially for the evening, right there, from the stage and in real time.
THURSDAY
At 7:30 p.m. in Mills Hall, the UW Western Percussion Ensemble (below) will perform a concert that features the monumental work “Strange and Sacred Noise” by the contemporary American composer John Luther Adams (below), whose work was also featured recently by Clocks in Motion. Directors of the Western Percussion Ensemble are Tom Ross and Anthony Di Sanza.
FRIDAY
At 7 p.m. in the Wisconsin Institutes for Discovery (below), at 330 North Orchard Street, across from the Union South, the ongoing SoundWaves program, curated by UW hornist Daniel Grabois, program will explore the science and art of wood. Here is a summary that, unfortunately, offers no information about the music and specific topics and speakers:
Wood You Could You? The Science and Music of Wood
“SoundWaves combines scientific lectures about the world with live classical music performances. Each event revolves around a theme, exploring it first from many scientific angles and then through the lens of music. The program concludes with a live performance of music related to the evening’s theme.
“The science lectures are delivered using language that the curious layman can understand, with a minimum of jargon and formulas. The music lectures, while demanding careful listening, are likewise designed for the layman and not the specialist.
“Every SoundWaves event brings UW-Madison scientists from several departments together with UW-Madison School of Music faculty performers to explore a topic that is relevant to our world and our lives. SoundWaves is free and open to the public. This series generally is held in the evening at the Town Center of the Wisconsin Institutes for Discovery.’
8 p.m. in Mills Hall: The Miro Quartet. (See above.)
SATURDAY
At 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below) will give concert under director Scott Teeple that features the Wisconsin premiere of a work by composer Roger Zare.
Works on the program include “Smetana Fanfare,” by Karol Husa; “Mar Tranquillitatis (Sea of Tranquility),” by Roger Zare (Wisconsin premiere); and “Ecstatic Waters for Wind Ensemble and Electronics,” by Steven Bryant.
SUNDAY
At 2 p.m. in Mills Hall, the UW Concert Band will perform under Mike Leckrone (below). Sorry, no details about the program are available yet.
Then at at 3:30 p.m. in Morphy Recital Hall, the Hunt Quartet will perform a FREE concert. The program includes Franz Joseph Haydn’s “Sunrise” Quartet, Op. 76, No. 4, and Bela Bartok’s String Quartet No. 1.
The Hunt Quartet (below, in a photo by Katrin Talbot) is comprised of outstanding graduate students from the School of Music, and is sponsored by the Madison Symphony Orchestra.
This year’s members (from the left) include Ju Dee Ang, Elspeth Stalter-Clouse, Paran Amirinazari and Lindsey Crabb.
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