The Well-Tempered Ear

Classical music: The Madison Symphony Orchestra concerts this weekend feature three local debuts — by a woman conductor, a Grammy-winning cellist and an immigrant composer

October 17, 2018
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By Jacob Stockinger

Three local debuts will take place this weekend in the three “Epic Romance” concerts by the Madison Symphony Orchestra (below).

Renowned Canadian guest conductor Tania Miller will lead the MSO while music director John DeMain makes his debut at the Liceu Theater in Barcelona, conducting the opera Candide in celebration of the 100th anniversary of Leonard Bernstein’s birth.

Grammy Award-winning American cellist Zuill Bailey will make his Madison Symphony Orchestra (MSO) solo debut in Edward Elgar’s Cello Concerto.

And Canadian composer Michael Oesterle will be performed for the first time in Madison when his work Home” opens each concert.

The second half of the program is Peter Ilyich Tchaikovsky’s Symphony No. 5.

Performances will be held in Overture Hall of the Overture Center, 2912 State Street, on Friday, Oct. 19, at 7:30 p.m.; on Saturday, Oct. 20 at 8 p.m.; and on Sunday, Oct. 21, at 2:30 p.m.

Here are more details:

Canadian Conductor Tania Miller has distinguished herself as a dynamic interpreter, musician and innovator, on the podium and off. She has been praised for “energy, grace, precision and restraint.” She has appeared as a guest conductor in Canada, the United States and Europe with such orchestras as the Bern Symphony Orchestra, Seattle Symphony, Oregon Symphony and the Vancouver Symphony, among others.

Over a 14-year tenure as the Music Director of the Victoria Symphony in Canada, Miller (below) gained national acclaim for her passion and commitment to the orchestra and community. Recipient of the 2017 Friends of Canadian Music award from the Canadian League of Composers for her acclaimed commitment to contemporary music in Canada, Miller has been an example of the impact of commitment and dedication to an orchestra and to the future of orchestral music through creative innovation and vision.

You can hear Tania Miller discuss women conductors in the informative YouTube video at the bottom.(But please be forewarned: YouTube was having major technical issues and glitches last night that affected all their videos on this blog, not just this one. If it doesn’t load when you try, wait and then try again.) 

Zuill Bailey (below), described by Classical Net as “easily one of the finest cellists today,” has been featured with symphony orchestras worldwide, including Los Angeles, Chicago, San Francisco, Toronto, Israel, Cape Town, and the Bruckner Orchestra in Linz, Austria. Bailey has also appeared at Disney Hall, the Kennedy Center, the United Nations, Lincoln Center and Carnegie Hall.

In 2017, Bailey won a best solo performance Grammy Award for his live recording of “Tales of Hemingway,” by composer Michael Daugherty. His celebrated “Bach Cello Suites” and recently released Britten Cello Symphony and Sonata CD with pianist Natasha Paremski immediately rose to the No. 1 spot on the Billboard magazine Classical Chart.

His Cello Concerto was the last notable work by Sir Edward Elgar (below), composed in 1919 in the aftermath of World Ear I. Upon regaining consciousness following a 1918 tonsillectomy, Elgar immediately asked for pencil and paper and wrote down the melody that would become the first theme in this concerto.

Despite today’s renown as a crowd favorite, the piece did not achieve wide popularity until the 1960s, when a recording by Jacqueline du Pré caught the public’s attention, and it became a classical favorite.

Michael Oesterle’s “Home” had its world premiere in November 2017 with the Royal Conservatory Orchestra and conductor Tania Miller.

The piece is an homage to the great geographical ebb and flow of humanity, also known as the immigrant experience. Oesterle (below) notes, “I wrote it through the filter of my personal impressions as an immigrant, and with the realization that this subject is humbling in its breadth.”

Composed between May and August 1888, Tchaikovsky’s Symphony No. 5 was first performed in St. Petersburg at the Mariinsky Theatre with Tchaikovsky below) conducting.

Unlike its two predecessors, there is no known program for the Fifth Symphony, save for a recurring main theme heard throughout all four movements. Over the years this theme has become known as the “fate” motive; its original ominous character undergoes various metamorphoses, emerging triumphant in the score’s concluding pages.

ABOUT ATTENDING

The lobby opens 90 minutes prior to each concert. One hour before each performance, Madison Symphony Chorus Director and UW-Madison director of choral activities Beverly Taylor (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bitly.com/oct2018programnotes

Tickets can be purchased in the following ways:

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/ax through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
  • Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined.

Find more information, go to madisonsymphony.org

Major funding for the October concert is provided by: Mirror 34 Productions and National Guardian Life Insurance Company. Additional funding is provided by John A. Johnson Foundation, a component fund of the Madison Community Foundation, Barbara J. Merz, Selma Van Eyck, and the Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.

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Classical music: The UW Pro Arte Quartet in Belgium -– Day 5. The Belgian premiere of a Belgian composition at the Royal Conservatory of Music in Brussels draws a big enough crowd to run out of programs and bring three curtain calls. A visit to the Royal Conservatory Library reveals the notebooks of Mozart’s wife Constanza and takes the quartet back to its roots for a performance. Plus, the Pro Arte gets recorded by Belgian TV and radio.

May 31, 2014
3 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people on tour with the University of Wisconsin-Madison Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches. updates and photos are possible — from iPads, computers, cameras and smart phones — so that they can to keep the fans back here at home current with what is happening on the concert stage and off. 

By now it has become apparent that the Pro Arte Quartet’s tour of Belgium is as big an event to the Belgians and to local residents there as it has been to Madisonians, Wisconsinites and alumni of the University of Wisconsin-Madison and the University of Wisconsin-Madison School of Music.

Pro Arte Qartet  Overture Rick Langer

Just before taking a day’s rest, Sarah Schaffer (below), who manages the University of Wisconsin-Madison Pro Arte String Quartet, sent this text and this photo essay. They cover the return to Brussels from Dolhain Limbourg, the hometown of founding violinist Alphonse Onnou. Then the members of the quartet visited the Royal Conservatory of Music in Brussels where they toured the archives and library and also performed, including a rehearsal that was recorded for the national radio network.

Current members are violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

Sarah Schaffer mug 

Today’s Part 5 covers the extensive events at the Royal Conservatory of Music, where the frenetic pace just kept gathering speed. A concert tour is hard work, no glamorous vacation!

If you want background or need to catch up, here are links:

To Day 1:

https://welltempered.wordpress.com/2014/05/22/classical-music-the-university-of-wisconsin-pro-arte-quartet-lands-in-belgium-gets-detained-at-customs-and-is-rescued-in-time-for-practicing-and-playing-concerts/

To Day 2:

https://welltempered.wordpress.com/2014/05/24/classical-music-on-day-2-the-university-of-wisconsin-pro-arte-quartet-is-offered-rehearsal-time-in-a-bar-meets-descendants-of-the-original-members-of-the-quartet-and-performs-its-first-concert-to/

To Day 3:

https://welltempered.wordpress.com/2014/05/25/classical-music-on-day-3-in-belgium-the-university-of-wisconsin-pro-arte-quartet-plays-at-the-royal-library-gives-a-gift-to-king-philippe-and-keeps-performing-a-lot-of-hard-and-varied-music/

To Day 4, Part 1:

https://welltempered.wordpress.com/2014/05/27/classical-music-here-is-a-photo-essay-of-the-pro-arte-quartets-day-long-homage-stop-at-the-belgian-hometown-of-dolhain-linburg-of-the-groups-founding-violinist-alphonse-onnou/

To Day 4, Part 2:

https://welltempered.wordpress.com/2014/05/29/classical-music-the-pro-arte-quartet-in-belgium-day-4-part-2-the-quartet-performs-in-the-town-of-dolhain-limbourg/

Sarah Schaffer writes:

Today brought the Belgian premiere of Belgian composer Benoît Mernier’s Quartet No. 3, commissioned by Pro Arte Quartet for its centennial, a special commission harking back to its Belgian origins, in the very hall at the Royal Conservatory of Music where the founding quartet played countless times, both as students and after.

PAQ in Belgium Conservatory Hall 1

PAQ in Belgium Conservatory Hall 2

PAQ in Belgium Conservatory Hall 3

Engineers from musiq3, the French-speaking Belgian national radio, set up equipment and record the concert rehearsal for later broadcast. TV and newspapers have also covered the quartet.

PAQ in Belgium  Radio sets up in conservatory hall

PAQ in Belgium conservatory whole quartet and radio

PAQ in Belgium play in Conservatory before microphone

It was so perfectly appropriate, and so very moving: this hall, this city, this composer, this work, this audience of mainly students, all at the ages now that the original Pro Arte Quartet members (below) Onnou, Halleux, Prevost and Maas would have been back then.

Pro Arte Quartet in 1928 Onnou far left

There were so many concert attendees that the printed programs (below) ran out.

PAQ in Belgium Conservatory program for concert 1

PAQ in Belgium conservatory program old and new quartets

The short program included — after remarks from Anne van Malderen (below top) on the history of the quartet and an introduction of his work, with examples played by PAQ, by Messieur Mernier (below bottom): Mernier’s Third Quartet, the Adagio and Fugue, K. 546, by Wolfgang Amadeus Mozart, American composer Randall Thompson‘s “Wind in the Willows” and the famous Adagio for Strings from the String Quartet No. 1 by American composer Samuel Barber.

PAQ in Belgium conservatory hall  5 Anne van Malderen welcome

PAQ in Belgium conservatory hall 6 Benoit Mernier talks

Applause called the PAQ back to the stage three times.

PAQ in Belgium bows 1 at conservatory SS

PAQ in Belgium Bows at conservatory USE 2

Our visit to the Conservatoire began earlier in the day with a tour by librarian Olivia Wahnon (below).

PAQ in Belgium Library 1 at conservatory

This distinguished archival collection contains the most manuscript holdings among all Belgian libraries, and she had prepared for our benefit some beautiful displays of rare materials.

PAQ in Belgium Conservatory library mss.

Some of what we saw was related to the Pro Arte and string quartets. There were many manuscript scores and parts, particularly from the collection of second violinist Laurent Halleaux, and many concert programs.

PAQ in Belgium Library quartet scores

But not everything was about PAQ! We see a Medieval handbook manuscript of chant:

PAQ in Belgium Library Medieval non-PAQ stuff 3

We also had a glimpse of Constanze Mozart’s diary (below, in a photo by Sally Chisholm, you can see it is multilingual, and contains many beautiful drawings and paintings), a page of manuscript by Franz Liszt, and the teensiest, tiniest bound volume of Medieval manuscripts. Such treasures! Constanza wrote about her husband Wolfgang Amadeus Mozart: “Husband genius. Still poor.”

PAQ in Belgium Constanza Mozart's notebook in Royal  Conservatory Library CR Sally

For us, the division of the institution into two nationalities—Flemish and Walloon—seems somewhat incomprehensible and impossible to manage and navigate. Yet it is so much the history and culture of the whole country, especially evident after yesterday’s elections, it is simply taken in stride.

Although the whole infrastructure (below are photos of the conservatory’s exterior) is in a state of dilapidation—built in the mid-19th century, with a major renovation planned beginning in 2015 — it was in its way more touching and meaningful to see it now, while we can more easily imagine how it looked and felt when the first Quatuor Pro Arte (QPA) inhabited its halls and spaces a century ago.

PAQ in Belgium Conservatory exterior 2

PAQ in Belgium conservatory exterior 3

PAQ in Belgium conservatory exterior 4 photo 3

Composer Benoit Mernier (below top, applauding the Pro Arte Quartet, and below bottom) reports he is well pleased with the progress that he hears in the playing of his piece, from its world premiere March 1 in Madison to now, just 2-1/2 months later. He hears the players inhabiting the work more: details are more precise; at the same time they bring more fluidity; and the overall arc and shape are now more convincingly presented.

PAQ in Belgium Mernier applauds

Benoit Mernier 1

One more chance to improve even more at the final concert tomorrow at the university in Louvain-la-Neuve.

Tomorrow: Our last day and final concert, at Louvain-la-Neuve. The week has sped by.

 

 

 

 

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