The Well-Tempered Ear

Classical music: String music and a piano for small hands, wind music and band music — This week brings varied FREE concerts at the UW-Madison

February 15, 2016
3 Comments

By Jacob Stockinger

It will be a busy week in Madison and especially at the University of Wisconsin-Madison School of Music. Here is a list to help you decide what you want to attend.

TUESDAY

At 7:30 p.m. in Mills Hall, the UW-Madison Chamber Orchestra will give a FREE concert under its music director James Smith.

The program is: Rumanian Folk Dances by Béla Bartók; the “Holberg” Suite by Edvard Grieg; and Symphony for Strings, Opus 118a, by Dmitri Shostakovich (arranged by Russian violist Rudolf Barshai and based on Shostakovich’s well known String Quartet No. 8.)

UW Chamber Orchestra Stravinsky

FRIDAY

UW-Madison professor of chamber music and cellist Parry Karp, who performs in the Pro Arte Quartet, is a newly elected member of the Wisconsin Academy of Sciences, Arts and Letters.

On Friday night at 8 p.m. he will give a FREE recital in Mills Hall.

The program features: the Partita in A Minor for Solo Flute, BWV 1013 (1723?) by Johann Sebastian Bach, as transcribed for solo cello in C Minor by Parry Karp.

Sonata No. 1 in D Major Piano and Violin, Op. 12 No. 1 (1798) by Ludwig van Beethoven, as transcribed for piano and cello by Parry Karp. He will perform with pianist mother Frances Karp.

“Märchenbilder” (Fairy Tales) for Piano and Viola, Op. 113 (1851) by Robert Schumann, as transcribed for piano and cello by Robert Hausmann. With pianist Frances Karp.

Sonata in A Minor for Piano and Cello, D. 821, “Arpeggione,” (1824) by Franz Schubert. Pianist Bill Lutes will perform with Karp.

Parry Karp

SATURDAY AFTERNOON AND NIGHT

Attention all pianists and especially those with smaller hands!

UW pianist and pedagogue Jessica Johnson (below) will give an afternoon workshop and evening concert on “The Joy of Downsizing.”

All events are FREE and OPEN TO THE PUBLIC and take place in Morphy Recital Hall.

WORKSHOP — 2:30-3:45: “All Hands on Keys: Strategies for Teaching Students with Small Hands”

MASTERCLASS — 4:15-5:45 p.m.

TRY THE PIANO — 5:45-6:45 p.m.

FACULTY CONCERT — 8 p.m. Performed on a Steinbuhler DS 5.5™ (“7/8”) Size Piano; Tentative program includes: Thee Piano Pieces, D. 946, by Franz Schubert (played by Alfred Brendel in a YouTube video at the bottom); Ballad, Op. 6, by Amy Beach; Concert sans Orchestre in f minor, Op. 14, by Robert Schumann.

jessica johnson at piano

Here is a statement about the workshops and concert from Jessica Johnson:

“The hands of great pianists come in all shapes and sizes. Spending literally thousands of hours at the piano, we develop time-tested, proven strategies for learning repertoire in a way that suits our unique physiology. We know best that which we have experienced within our own bodies.

“How does this impact our ability to work with students with different hand sizes than our own?

“As a small-handed pianist, I have spent my entire professional career seeking creative strategies to adapt to playing conventional-sized piano keyboards.

“I have become a guru of innovative fingerings and have learned how to employ ergonomic movements and compensatory gestures in order to perform technically challenging repertoire on the conventional piano.

“Since the life-changing moment when I started practicing on an alternatively sized keyboard, I have experienced a whole new level of artistic and technical freedom.

“Research related to the use of Ergonomically-Scaled Piano Keyboards (ESPKs) suggests similar benefits for small-handed pianists, including less pain and injury, greater technical facility and accuracy, and ease of learning.

“Using a Steinbuhler DS 5.5TM (7/8) Size Piano Keyboard insert, manufactured by Steinbuhler & Company, that was custom-made for a Steinway B piano, this workshop will demonstrate effective strategies for teaching students with small hands and ways to exploit musical and technical choices that maximize artistry and biomechanical ease.”

“I’ve spent most of my life thinking that I could not play with a big sound and that I was never going to be comfortable with large chords and octaves. Now I simply believe that I’ve been playing the wrong size piano keyboard.”

Small Hands photo

SATURDAY AFTERNOON

The University of Wisconsin-Madison clarinet studio will host a Clarinet Day on Saturday, Feb. 20, starting at 1:30 p.m. and running to 6 p.m. in Mills Hall at the School of Music.

clarinet

Wesley Warnhoff (below), visiting assistant professor of clarinet, and the UW-Madison Clarinet studio have invited all high school clarinetists to attend.

Wesley Warnhoff

The day includes concerts, master classes, chamber music, student performances and dinner with the UW-Madison clarinetists. It must be a popular idea because registration is now CLOSED.

But at 7:30 P.M. the group will end the day by attending a FREE concert – which is OPEN TO THE PUBLIC — by the UW Wind Ensemble (below top), conducted by Professor Scott Teeple (below bottom).

The program includes: “Spin Cycle” by Scott Lindroth; “Colonial Song” by Percy Grainger/Rogers; “Heavy Weather” by Jess Turner, featuring Tom Curry, adjunct professor of tuba; the Symphonies of Wind Instruments by Igor Stravinsky; and “Apollo Unleashed” by Frank Ticheli.

UW Wind Ensemble

Scott Teeple conducting

SUNDAY

The UW-Madison Concert Band will give two FREE concerts in Mills Hall at 2 p.m. and 7 p.m. under band director Mike Leckrone  (below), best known for leading the acclaimed UW Marching Band. Sorry, no word about program.

Mike Leckrone BIG


Classical music: The Ear praises UW student recitals but offers four suggestions to help them reach the public.

October 30, 2015
15 Comments

ALERT: This Sunday at 2 p.m. in Mills Hall, the UW-Madison Chamber Orchestra will perform a FREE and PUBLIC concert under the baton of UW-Madison professor James Smith. The program features the Chamber Symphony for Strings, arranged by Rudolf Barshai from a string quartet, by Dmitri Shostakovich and the Serenade for Strings by Antonin Dvorak.

By Jacob Stockinger

A week ago, The Ear went to a terrific piano recital by Sara Giusti (below), a graduate student who is pursuing her doctorate at the University of Wisconsin-Madison School of Music and who studies with UW virtuoso Christopher Taylor.

Sara Giusti bowing

It took place, as most student recitals do, in Morphy Recital Hall (at bottom), and was a fine performance that both she and her teacher can be proud of.

The Partita No. 4 in G Major by Johann Sebastian Bach was articulated well and was pedaled beautifully and very judiciously. The Sonata in B Minor by Franz Joseph Haydn had the right touch of lightness and humor to its minor-key pathos. The later sonata, Op. 78, by Ludwig van Beethoven was lyrical where it needed to be and structural where it needed to be. And the rarely heard Sonata No. 4 by Sergei Prokofiev had the requisite bite, at the same time melding both Romanticism and Modernism.

Sara Giusti playing

But the event got The Ear thinking, as did the relatively small audience of two to three dozen listeners.

We are lucky there are so many good student recitals at the UW. They are usually high in quality, plus they are FREE and OPEN TO THE PUBLIC.

The Ear is especially pleased that they are now being listed on the School of Music website and Calendar of Events, which allows listeners to choose and plan. Here is a link:

http://www.music.wisc.edu/events/

BUT:

Too many of the student programs say the performances will feature music by such-and-such composers. They don’t give you the actual pieces.

The Ear finds that frustrating. The actual program would help him, and he presumes others, to decide about which concerts to attend. For example, he ended up going to Sara Giusti’s recital as a leap of faith since the advance notice listed only works by Bach, Beethoven, Haydn and Prokofiev –- and all were prolific composers. Luckily, someone else recommended her.

Take the examples of two upcoming student recitals.

Pianist Jason Kutz (below), who performs on Friday, Dec. 4, at 6:30 p.m., gets it right. His advance notice says he will perform the 24 Preludes, Op. 34, by Dmitri Shostakovich and the “Davidbundlertanze” by Robert Schumann. What a terrific and unusual program of contrasting styles. The Ear will be going.

jason kutz at piano

Chan Mi Jean, who will perform on Monday, Nov. 23 at 8:30 p.m., gets it wrong. Her notice says she will “perform chamber pieces by Brahms, Ravel, Bernstein and Previn.” That offers some help but, without specifics, not enough. What pieces? What are the other instruments — cello, violin viola, voice? The Ear needs to know more to decide about attending, though he is leaning towards going.

So here are four suggestions for students -– and even for faculty members — offered in a spirit of enthusiasm and helpfulness, from The Ear:

PLEASE GET YOUR RECITAL LISTED AS SOON AS POSSIBLE ON THE SCHOOL OF MUSIC WEB SITE CALENDAR. THE SOONER, THE BETTER.

PLEASE DO NOT BE VAGUE, BUT INSTEAD LIST SPECIFIC COMPOSERS AND SPECIFIC PIECES ON YOUR PROGRAM.

PLEASE THINK ABOUT THE PUBLIC AND, WHENEVER POSSIBLE, CHOOSE BETTER, MORE CONVENIENT TIMES FOR YOUR RECITAL. 8:30 SEEMS LATE. 6:30 IS DINNER HOUR. SOMEHOW 7 OR 7:30 OR 8 SEEMS PREFERABLE. I’M SURE LOGISTICS AND COMPETING EVENTS ARE INVOLVED. BUT BETTER TIMES, ESPECIALLY ON WORK DAYS, WILL BRING A BETTER PUBLIC TURNOUT.

ALONG SIMILAR LINES, PLEASE DO NOT KEEP THE PUBLIC WAITING TO GET INTO THE HALL UNTIL THE LAST MINUTE. IF YOU ARE NOT WARMED UP OR REHEARSED ENOUGH BY A HALF-HOUR OR 15 MINUTES BEFORE SHOW TIME, ANOTHER 5 OR 10 MINUTES WON’T HELP. AND IT IS RUDE TO LEAVE THE PUBLIC WAITING OUT IN THE HALLWAY, WHICH GETS COLD IN WINTER AND ONLY HAS A FEW BENCHES TO SIT ON.

That said, The Ear wishes the best to the gifted students at the UW. They give successful recitals and he hopes that they want to share their talent and hard work, as well as the music, with the largest public possible.

Morphy Hall 2

 


Classical music education: The University of Wisconsin-Madison will have a chamber orchestra after all for this season.

September 9, 2015
1 Comment

By Jacob Stockinger

In the on again-off again saga of having a chamber orchestra at the University of Wisconsin-Madison School of Music, there is good news to report.

That is heartening to hear, given that the music school has been ranked in the Top 10 of the nation and a chamber orchestra is important for student education because it offers a very different educational experience than a symphony orchestra. (The UW-Madison continues to have the UW Symphony Orchestra.)

This academic year and concert season, 2015-16, the UW-Madison will indeed once again have a chamber orchestra (below), which, if The Ear recalls correctly, had been threatened earlier with the lack of various instruments and players of high enough quality.

That lack was blamed on the lack of scholarships to lure top students away from competing music schools.

UW Chamber Orchestra entire

First, it was the lack of winds and brass that threatened the orchestra.

So the chamber ensemble was redesigned as a string orchestra.

But even a couple of weeks ago, the stumbling block appeared to be a lack of violists.

But now that problem has apparently been solved.

Conductor James Smith sent The Ear a tentative schedule of concert programs for the first semester. And the repertoire – subject to change — looks quite engaging.

Here it is:

SUNDAY, OCT. 4, AT 2 P.M. IN MILLS HALL: Serenade for Strings by Peter Ilyich Tchaikovsky and “Death and the Maiden” by Franz Schubert as arranged by Gustav Mahler.

SUNDAY, NOV. 1, AT 2 P.M. IN MILLS HALL: Chamber Symphony for String Orchestra by Dmitri Shostakovich as arranged by Russian violist and conductor Rudolf Barshai; and the Serenade, Op. 22, by Antonin Dvorak

SUNDAY, DEC. 6, AT 7:30 P.M. IN MILLS HALL: the haunting beat score “Apollon Musagete (Apollo, Father of the Muses, heard at bottom in a YouTube video) by Igor Stravinsky; and the Serenade, Op. 6, by Czech composer Josef Suk.

 


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