The Well-Tempered Ear

Classical music: Go behind the scenes of the NEW Sunday Afternoon Live From the Chazen concerts with audio engineer Buzz Kemper. There is a song recital this Sunday at 12:30 p.m. to be attended or streamed.

April 2, 2015
2 Comments

By Jacob Stockinger

The Ear got a request from audio engineer Buzz Kemper. He wanted to write about streaming live the NEW monthly format of Sunday Afternoon Live From the Chazen.

It is a timely topic because the once-a-month live chamber music concerts run from February through December on the first Sunday of the month. That means there is one this Sunday at 12:30 p.m. It offers a song recital of Mozart, Haydn, Schubert and Brahms with soprano Chelsea Morris (below top) and fortepianist Trevor Stephenson (below bottom) of the Madison Bach Musicians.

At bottom you can hear a YouTube video of Chelsea Morris singing an aria from the opera “Giulio Cesare” by George Frideric Handel that helped her win first prize in the 2014 Handel Aria Competition at the Madison Early Music Festival.

Chelsea, Trevor CD cover shot

The concert is FREE and OPEN to the public.

It will also be streamed live at: http://www.chazen.wisc.edu/about/news/in-the-news/listen-to-sunday-afternoon-live-at-the-chazen-live-stream-4.5.15

and also at:

www.audioforthearts.com/afa-live.html

Here is the essay by Buzz Kemper (below):

buzz kemper smiling

By Buzz Kemper

Traditions change and evolve, sometimes disappearing completely.

One long-running Wisconsin musical tradition has been saved from extinction, and indeed will not only continue, but will do so in a newer, more contemporary form.

Last spring, Sunday Afternoon Live From the Chazen (below) — the much-loved, statewide live broadcast chamber music series – was abruptly canceled by Wisconsin Public Radio after a 36-year run. The cancellation looked very much like the death knell of this very long-running and vital live music showcase.

SALsetupgallery

SALmicrophone sign

Public reaction was swift and strong, and almost completely negative, as you can see from the announcement on this blog:

https://welltempered.wordpress.com/?s=Sunday+Afternoon+cancelled

The leadership at the Chazen, however, had a larger vision: Could the series be continued in some form, even without a broadcast outlet?

Museum Director Russell Panczenko (below) met with me and Steve Gotcher — my business partner at Audio for the Arts– as well as representatives from the Chazen and the University of Wisconsin-Madison School of Music to discuss possibilities. The obvious solution was to do a series utilizing a more contemporary means of public distribution: live streaming via the Internet.

ChazenMusArt_open11_7430

While the cancellation of the broadcasts was unwelcome news to me, the opportunity to be involved once again in this series was quite welcome indeed.

I have a unique history with Sunday Afternoon Live. From 1983 until 1998, I served as Technical Director continuously, and had a long stint as host as well.

On one Christmas edition of the show, I even appeared as a performer, singing a real duet by a fake composer, “Please, Kind Sir” by PDQ Bach, with fellow engineer Richard Moses. We discovered after the fact that Pulitzer Prize-winning composer John Harbison and his wife, violinist Rose Mary Harbison (below), were in attendance. (I’m glad we didn’t know this ahead of time.) The Harbisons had very kind words for our musical shenanigans.

John and Rose Mary Harbison Katrin Talbot

With such a long and varied history with the show, I was delighted that Audio for the Arts, the audio company of which I am co-owner, would be involved in the new incarnation of the series. (Below is a photo of Buzz Kemper in his commercial recording studio.)

Buzz Kemper studio

Along with the changes, there are several aspects that remain the same: Lori Skelton (below top), longtime producer and host of the series, has signed on once again. Also, the concerts will, as before, take place in Gallery III (below bottom), though on a monthly rather than weekly basis, and on the first Sunday of the month.

Lori Skelton

SALProArteMay2010

The dedication and commitment to this series by Lori Skelton, the Chazen Museum of Art and the musical community — in particular the UW School of Music — is commendable. Gratitude is also due to Kato Perlman, who provided a generous gift to get us started.

Here’s hoping for another 36 years.

 

 


Classical music news: Wisconsin Public Radio has cancelled the “Sunday Afternoon Live From the Chazen” FREE chamber music series after 36 years of success. Other classical music from around Wisconsin is slated to replace it starting this fall.

May 8, 2014
29 Comments

PLEASE NOTE: Some corrections have been made from the original posting. I have noted them below in an updated version. I apologize for any inaccuracies, although the basic points remain the same.

By Jacob Stockinger

This Sunday’s edition of “Sunday Afternoon Live From the Chazen” will mark not just the end of the current season; it will also mark the end, after 36 years, of the FREE chamber music series that has been broadcast live by Wisconsin Public Radio throughout the state.

(Below is the Pro Arte Quartet, frequent guest performers who always attract a full-house at SAL.)

The concert series, which now reaches some 200,000 listeners across Wisconsin, will simply no longer exist. (NOTE: Potter says the actual figure is closer to 10,000, but that serving statewide listeners and not accumulating higher ratings is the motivation behind the change.)

SALProArteMay2010

Pianist Eugene Alcalay (below), who teaches at the University of Wisconsin-Platteville, will close out the series with a solo recital of Schubert, Beethoven and Wagner, broadcast live as usual, on this Sunday from 12:30 to 2 p.m. in Brittingham Gallery 3 of the Chazen Museum of Art on the University of Wisconsin-Madison campus, where it has attracted a full house almost every week.

(You can hear Eugene Alcalay play the first movement of the Sonata No. 2 in B-Flat Minor, “Funeral March,” Op. 35, by Frederic Chopin in a 2011 performance at the Chazen in a YouTube video at the bottom.) In the Madison area, you can hear it at WHA FM 88.7.

Eugene Alcalay

“This will be the last concert in that series for this season and forever,” said Wisconsin Public Radio’s Director of Marketing Jeffrey Potter.

The news comes just after WPR finished its successful spring pledge drive.

“The making of the decision and the timing of announcing it was not easy for us,” Potter told The Ear in a telephone interview on Wednesday afternoon.

Potter also said that the decision to cancel the series was the decision solely of WPR, and not of the Chazen Museum of Art officials, although he said they understood the reasons and appreciated being kept in the loop.

Potter said the decision should not be interpreted as a sign of failure of the SAL series that started in 1978.

“The most important message to get out is that it has been a great run,” Potters said, praising the audiences, the musicians, the venue and WPR’s longtime host Lori Skelton (below).

Lori Skelton

“It hasn’t been that there is something wrong with the program,” Potter said. “It is just that Wisconsin Public Radio is also looking out for the best way to serve the public because we are the single biggest presenter of classical music in the state. We want to highlight music in Green Bay, Superior, Milwaukee, Lawrence University in Appleton, even Mills Hall at the UW-Madison.” He added that doing that would serve the Wisconsin Idea — that the borders of the university are the borders of the state — as well or even better than the current “Sunday Afternoon Live.”

“The resources we put into a live broadcast are not insignificant,” Potter said. “Live music may be exciting, but being live music doesn’t determine whether it is great music or not.”

Potter said that other forms of classical music besides chamber music, in a format yet to be determined, will replace SAL in the fall. That programming will be done by SAL host Lori Skelton working with Peter Bryant, WPR’s new director of News and Classical Music Service Peter Bryant.

The emphasis, Potter said, will be on recorded music from around the state rather than on live performances in Madison by musicians from around the state.

WPR new logo

In the meantime, WPR will follow the usual summer format. Performances by the Madison Opera’s productions of Puccini’s “Tosca” (May 17) and Jake Heggie’s “Dead Man Walking” (May 24) will occupy the next two Saturday  (NOT Sunday, as Potter originally stated) afternoon time slots, starting the weekend after the live broadcasts from the Metropolitan Opera end.

Potter also said the WPR would be contacting musicians (NOTE: a letter was sent to them and to the Chazen officials on Wednesday, according to Potter) and the public about the program change in the near future, starting this week and weekend. More information will soon be posted on the website www.wpr.org

NOTE: Adds Potter on Thursday: “I wanted to share the link with additional details about the decision. It can be found on the home page, right side middle of the page under the “Announcements” section. Here’s the link: http://www.wpr.org/news-about-wprs-sunday-afternoon-live-chazen

SALmicrophone sign

The decision to cancel “Sunday Afternoon Live From the Chazen” was met with disappointment and disapproval by Russell Panczenko, the longtime director of the Chazen Museum of Art.

“I was caught completely by surprise,” said Panczenko (below). “Frankly, I knew nothing about it,” he added saying he was disappointed because killing off the series would lower the profile of the free public museum statewide.

Russell Panczenko of Chazen

“A year ago said they thought might be doing something, but then at a meeting this spring where I thought they would just be discussing the next season, they came out of the blue and said they were canceling it,” Panczenko explained. “They just cancelled, no discussion.”

“I always thought it was wonderful program, not just for us but also for the people who went into the galleries after the concerts,” Panczenko added. “People also heard about the museum around the state because there was always a 7-minute promotion piece about the touring or permanent exhibitions. I thought it was a good deal all around. It was wonderful. It was the also the only live performances they regularly had.”

ChazenMusArt_open11_7430

Both Potter and Panczenko said they anticipated negative reactions and backlash from the public. But, Potter said, that is unlikely to change the decision, as happened when WPR tried to cancel live broadcasts on Saturdays from the Metropolitan Opera and tried to change Classics by Request from Saturday to Friday, then rescinded each decision.

“Anytime you have a program change and lose something, it is hard on people,” said Potter, who added that WPR gets about 36,000 emails and phone calls about programming each year.

“I don’t think we will reverse this decision despite opposition” said Potter. “We are really trying to look at the bigger picture. We want to hear opposition. But we didn’t enter in this lightly and we wouldn’t exit it lightly.”

But Potter said he wanted the public to know that the change will not lessen the amount of classical music that will be heard on WPR,

Said Potter: “We at WPR remain committed to serving our customers throughout the state. We feel that people will continue to enjoy classical music on WPR.”

If you want to leave a public opinion or statement, please use the COMMENTS section of this blog.

And don’t forget that you can copy and paste from comments to private emails and vice-versa.

Here are some contact email addresses to send WPR a message:

http://www.wpr.org/staff

Director of Radio: mike.crane@wpr.org

Director of News and Classical Music Service: peter.bryant@wpr.org

Director of Marketing: jeffrey.potter@wpr.org

Listeners or musician or even performer, what do you think about Wisconsin Public Radio killing off “Sunday Afternoon Live From the Chazen”?

The Ear wants to hear.

 

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