The Well-Tempered Ear

Salon Piano Series offers a free video of pianist Maxim Lando playing quiet Beethoven to ease the burden of the pandemic

October 15, 2020
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By Jacob Stockinger

The Ear has received the following note from the Salon Piano Series to post:

During these uncertain times, we appreciate remembering time spent together enjoying music.

Please take a break from your day to see and hear the young, prize-winning pianist Maxim Lando (below) perform the theme-and-variations third movement of Beethoven’s Sonata No. 30 in E Major, Op. 109, “Andante molto cantabile ed espressivo” (Slowly, very singing and expressive).

The 15-minute video – posted and viewable now- — was recorded live at Farley’s House of Pianos, as part of the Salon Piano Series, on Nov. 17, 2019.

Over the years, you have supported Salon Piano Series with your attendance, individual sponsorships and donations. We look forward to bringing you world-class musical performances in our unique salon setting again soon.

For updates and more information, go to: https://salonpianoseries.org

Here is the Lando video: 

Editor’s note: Here is a Wikipedia entry with more impressive information about Maxim Lando’s biography and many concert performances around the world including China and Russia as well as the U.S.: https://maximlando.com

If you want to hear the entire Beethoven Sonata, you can hear a performance by Richard Goode in the YouTube video below.


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Classical music: The Salon Piano Series offers pianist Ilya Yakushev playing Gershwin’s “Rhapsody in Blue” online for FREE with no deadline

September 8, 2020
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By Jacob Stockinger

The Ear has received the following news from the Salon Piano Series to post:

During these uncertain times of the coronavirus pandemic, we appreciate remembering time spent together enjoying music.

Please take a break from the stresses of your day to see and hear George Gershwin’s “Rhapsody in Blue” performed by Ilya Yakushev (below) at Farley’s House of Pianos as part of the Salon Piano Series on Jan. 11, 2020.

The virtuosic Russian-born and Russian-trained Yakushev is well known to Madison audiences through his appearances with the Wisconsin Chamber Orchestra and his recitals at Farley’s House of Pianos.

His performance of the popular Gershwin piece in a solo arrangement was especially noteworthy. Because of bad weather and a canceled flight, Yakushev drove straight through to get here from New York City, where he lives and teaches, and performed just 1-1/2 hours later. He was up for 27 hours straight.

Here is a link to his website: http://www.ilyayakushev.com/index.html

You can see the LIVE performance in the YouTube video at the bottom.

It is free and there is no deadline for when the video stops being accessible to the public. The Salon Piano Series hopes to offer another unseen video in October.

Over the years, you have supported Salon Piano Series with your attendance, individual sponsorships, and donations. We look forward to bringing you world-class musical performances in our unique salon setting again soon.

Sincerely,

Salon Piano Series


Classical music: UW-Madison piano virtuoso Christopher Taylor performs a free virtual recital of impromptus by Schubert and Scriabin this Wednesday afternoon

August 4, 2020
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A note from The Ear: Thank you to the many blog followers who left a message of encouragement when I had computer troubles last week. The problem seems to be solved, at least temporarily. And I am healthy, despite the fears that some of you expressed that I was covering for coming down with the coronavirus virus or Covid-19.

By Jacob Stockinger

A friend has passed along the following note from Christopher Taylor, the piano virtuoso who won a bronze medal at the Van Cliburn International Piano Competition and who has been teaching for many years at the UW-Madison Mead Witter School of Music.

Taylor (below) writes:

“Despite having my performance schedule ravaged, like everyone else, I do actually have one positive morsel of news to relay regarding a “recital” coming up in the near future, which I wanted to you know about.

“It is being hosted by the Chautauqua Institution, where I’ve performed a few times in the past. Unsurprisingly, they’ve had to switch to an online format this summer.

“Just last week I made the actual recording, playing four impromptus by Scriabin, and Four Impromptus, Op. 142, by Schubert in the Mead-Witter Foundation Concert Hall (below, with the UW Choral Union and UW Symphony Orchestra), which seemed like a propitious setting. (Editor’s note: In the YouTube video at the bottom, you can hear the third impromptu in the set by Schubert performed by Vladimir Horowitz during his historic 1986 recital in Moscow.)

“Under the circumstances I think the video turned out pretty well. The actual streaming, which will include the 45 minutes of music plus a little live interview before and afterwards, takes place this Wednesday – Aug. 5 – at 3 p.m. CDT.

You can get there by way of the following link: https://porch.chq.org/ue/event/6518/

“Apparently there is a brief registration form one has to fill out prior to viewing the show, but basically getting in should be a free and painless process for all and sundry.

“Hope you get a chance to join in, and that you enjoy it!”

 


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Classical music: A good pandemic project for the Beethoven Year is to follow Boris Giltburg as he learns and posts all 32 piano sonatas in one year

May 27, 2020
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By Jacob Stockinger

There are a lot of ways that musicians are celebrating the Beethoven Year of 2020 – the 250th anniversary of the birth of the composer (below).

One of the most interesting ways also makes for an engaging and ongoing coronavirus pandemic project.

The prize-winning Russian-Israeli pianist Boris Giltburg (below in a photo by Sasha Gusov) is learning all 32 piano sonatas in one year.

It is a formidable challenge, not only because most of the sonatas are technically and musically difficult, but also because the pianist says he has played only nine of the 32 sonatas before.

Giltburg’s videos feature not only fine playing and interpretations, but also a very readable and informative diary he writes that includes notes – also available in German on the website — about the sonatas and about what the process of learning and playing them has been like.

His approach works and makes you a vicarious participant in the major undertaking.

He posts performances of the sonatas every few weeks. He is learning and posting them in chronological order so you get a sense of the evolution. Giltburg is now up to Sonata No. 9 in E Major, Op. 14, No. 1.

Here is some background about Giltburg from Wikipedia: https://en.wikipedia.org/wiki/Boris_Giltburg

And here is a link to more background at his personal website where you can also find information about his other recordings for Naxos (he is known for his Liszt, Rachmaninoff, Scriabin and Prokofiev) and concerts: https://borisgiltburg.com

But the heart of the project is at Beethoven32.com where you can find the sonatas starting from the first.

The Ear likes hearing them this way.

Listening to them one at a time and reading about them seems a less overwhelming way to become familiar with what is called “The New Testament” – as compared to the Old Testament of the 48 preludes and fugues in Bach’s “The Well-Tempered Clavier.”

The Ear finds the playing first-rate and the sound quality excellent with great close-up videos of the keyboard and Giltberg’s playing.

Here is a link to the main website, which is easier than hunting for individual sonatas on YouTube: https://beethoven32.com

The Ear suggests starting at the bottom with Giltberg’s introduction and then working your way up one at a time, allowing time to appreciate both the music and his diary notes.

To get you started, here his introduction to the project:

https://www.youtube.com/watch?v=qeBrn_kwvfg

And below is his performance the Sonata No. 1 in F minor, Op. 2, No. 1.

Let us know what you think of Giltberg as a Beethoven interpreter and what you think of his sonata project.

The Ear wants to hear.

 


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Classical music: Today is World Piano Day. Why do you love the piano? Do you have a favorite piano piece? A favorite pianist? Something to say about taking piano lessons? Want to thank your piano teacher? The Ear wants to hear

March 28, 2020
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By Jacob Stockinger

Today – Saturday, March 28, 2020 – is World Piano Day.

The international celebration is fitting because today happens to be Day 88 of the year – a timely parallel to the fact that most pianos have 88 keys.

Here is a link to the official website with a list of international events and other links to playlists of piano music on SoundCloud and Spotify: https://www.pianoday.org

Here is a link to the virtual live streaming piano festival — starting at 3 p.m. Central European Time (CET), which is 6 hours ahead of Central Daylight Time or at 9 a.m. CDT) — by the record label  Deutsche Grammophon: https://www.udiscovermusic.com/classical-news/deutsche-grammophon-world-piano-day-livestream/


A lot of us took piano lessons.

So today seems like a good occasion to say something about the role of the piano in your life.

Why do you love the piano? The sound? The physical act of playing? The vast repertoire?

Maybe you want to mention a specific piano piece that made a difference in your life, as the Scherzo No. 3 in C-sharp minor, Op. 39, by Chopin did for The Ear. (You can hear Arthur Rubinstein play it in the YouTube video at the bottom.)

Maybe you have a favorite piano piece or piano composer you like to listen to?

Maybe you wished you had stopped lessons earlier or continued them longer?

Would you like to say thank you to your piano teacher?

Maybe you have memories – good or bad — of a recital you gave?

Who is your favorite pianist from the past – maybe Van Cliburn or Vladimir Horowitz (below), Sviatoslav Richter or Dame Myra Hess?

Which pianist today would you recommend to others? Daniil Trifonov or Haochen Zhang, Simone Dinnerstein (below) or Maria Joao Pires?

Those suggestions hardly exhaust the possibilities. So be creative and leave a Comment with a YouTube link, if possible.

The Ear wants to hear.

 


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Classical music: This Sunday afternoon, the Madison Symphony Orchestra takes listeners “Behind the Score” of the Symphony No. 5 by Prokofiev

January 16, 2020
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By Jacob Stockinger

This Sunday afternoon, Jan. 19, at 2:30 p.m. in Overture Hall, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) and MSO music director John DeMain will present the story behind Prokofiev’s Symphony No. 5 with “Beyond the Score®: Sergei Prokofiev Symphony No. 5: Pure Propaganda?”

The one performance-only concert is a multimedia examination of the Russian composer’s musical celebration of the end of World War II. (You can hear the second movement in the YouTube video at the bottom.)

The presentation stars American Players Theatre actors James Ridge (below top), Colleen Madden (below second), Marcus Truschinski (below third) and Sarah Day (below bottom).

Along with MSO pianist Dan Lyons (below), the concert experience features visual projections, photos and musical excerpts.

Then in the second half comes a full and uninterrupted performance of the Symphony No. 5 by the orchestra conducted by John DeMain (below, in a photo by Prasad).

“This is one of the great offerings of Beyond the Score,” says DeMain. “Three generations of great Russian composers influenced Sergei Prokofiev (below) from childhood into his adult years, helping him create the most popular of his big symphonies, his fifth.

Adds DeMain: “I have so much fun working with the great actors from the American Players Theatre as they interweave the backstory with the orchestra. The visuals for this production are spectacular. After intermission, we play this wonderful symphony in its entirety.”

Prokofiev’s Symphony No. 5 was published in 1944. Taking inspiration from his experiences in America and his return to the Soviet homeland after the war, Prokofiev expresses the heroic, beautiful and strong nature of the music.

This Beyond the Score production joins Prokofiev at the end of World War II and discovers his inspiration for Symphony No. 5.

Incorporating war video footage and propaganda photos, the program presents the historical context behind the classical piece turned masterpiece.

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations.

Program notes are available online for viewing in advance of the concerts: http://bit.ly/msojan20programnotes

  • Single Tickets are $16-$70 each and are on sale now at: https://madisonsymphony.org/event/beyond-the-score-2020-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

ABOUT BEYOND THE SCORE®

For newcomers to classical music and longtime aficionados alike, each Beyond the Score® presentation is a dramatic exploration of a composer’s music.

Through live actors, stunning visual projections and virtuosic fragments of live music performed by members of the orchestra, the compelling story of the composer’s life and art unfolds, illuminating the world that shaped the music’s creation. Beyond the Score presentations weave together theater, music and design to draw audiences into the concert hall and into a work’s spirit.

The popular program seeks to open the door to the symphonic repertoire for first-time concertgoers as well as to encourage an active, more fulfilling way of listening for seasoned audiences.

At its core is the live format of musical extracts, spoken clarification, theatrical narrative, and hand-paced projections on large central surfaces, performed in close synchrony.

After each program, audiences return from intermission to experience the resulting work performed in a regular concert setting, equipped with a new understanding of its style and genesis.

Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Score®

Exclusive funding for this concert is provided by the Pleasant T. Rowland Foundation.

 


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Classical music: Here is the corrected program for the Oakwood Chamber Players, who open the new year with music by Mozart and Stravinsky plus new music by living composers this Saturday night and Sunday afternoon

January 9, 2020
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CORRECTION: By mistake, The Ear earlier posted the wrong program for the Oakwood Chamber Players this weekend. Here is the correct information. The Ear apologizes for the error and any inconvenience.

By Jacob Stockinger

The first concerts for the new year by the Oakwood Chamber Players (below) will be take place this Saturday night, Jan. 11, at 7 p.m., and Sunday afternoon, Jan. 12, at 2 p.m., at the Oakwood Village University Woods Center for Arts and Education at 6209 Mineral Point Road in Madison, on Madison far west side near West Towne Mall.

The program begins with a witty opener, “L’Heure de Berger” by French composer Jean Francaix (below) for woodwind quintet and piano. The piece’s three movements cleverly depict the quirky personalities of patrons observed at a Parisian restaurant.

“Y Deryn Pur” for oboe, violin, viola and cello — by the award-winning British composer Cecilia McDonald (below) is based on an expressive Welsh folk tune, “The Gentle Dove.”

Written early in his career, Russian composer Igor Stravinsky’s “Pastorale” is a soothing song without words for a mixed quintet of winds and strings. It is a delicate piece originally written for voice and piano, then re-orchestrated for the sustained sonorities of a chamber ensemble.

“Silver Dagger” is a plaintive tale told through a traditional Appalachian folk song and re-envisioned emotionally and dramatically for violin, cello and piano by American composer Stacy Garrop (below).

The “Suite Belle Epoque in Sud-America” was written for the Berlin Woodwind Quintet by Brazilian composer and conductor Julio Medaglia (below). It bursts with vitality and expressive melodies while celebrating a variety of South American musical styles. (You can hear his suite in the YouTube video at the bottom.)

The perennial simplicity, beauty and warmth of Mozart are showcased in his “Adagio in F,” performed by bassoon and string trio.

The program concludes with “Ralph’s Old Records” by Kenji Bunch (below) – a fresh and humorous composition for flute, clarinet, violin, viola, cello and piano that takes listeners through a series of brief movements inspired by an old family record collection.

Tickets are available at the door and are priced at $25 for adults, $20 for seniors, and $5 for students, or at www.oakwoodchamberplayers.com

The Oakwood Chamber Players are a professional music ensemble  supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation

 


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Classical music: This Saturday night, Russian pianist Ilya Yakushev returns to the Salon Piano Series at Farley’s House of Pianos to perform popular works by Beethoven, Liszt and Gershwin

January 6, 2020
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By Jacob Stockinger

This coming Saturday night, Jan. 11, at 7:30 p.m., the acclaimed Russian-born pianist Ilya Yakushev (below) will make his fourth recital appearance at the Salon Piano Series.

The concert will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Yakushev — who studied in his native St. Petersburg and at the Mannes School of Music in New York City — has also performed several times with the Wisconsin Chamber Orchestra.

He never fails to impress with both his virtuosic technique and his insightful interpretations, whether he is playing Russian repertoire by Mussorgsky, Rachmaninoff and Prokofiev or jazzy American classics like Gershwin.

“Yakushev is one of the very best young pianists before the public today,” said the American Record Guide about Yakushev who has also won major  international competitions.

For more information about Yakushev, including critics’ reviews, a biography, concert dates and a discography, go to his website: http://www.ilyayakushev.com

The Madison program includes:

Beethoven – Sonata “Pathetique,” Op. 13

Liszt – “Six Consolations” (You can hear the famous Consolation No. 3, often learned by students and played as an encore by concert artists, in the YouTube video at the bottom.)

Gershwin – music from the opera “Porgy and Bess” in an arrangement for solo piano

An artist’s reception will follow the concert.

Tickets are $45 in advance ($10 for students) or $50 at the door. Service fees may apply. Student tickets can only be purchased online and are not available the day of the event.

You can purchase tickets on line at: https://www.brownpapertickets.com/producer/706809

For more information, go to: https://salonpianoseries.org/concerts.html

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

The Salon Piano Series is a nonprofit founded to continue the tradition of intimate salon concerts featuring exceptional artists. For more information about the series, including upcoming concerts and how to support it, call (608) 271-2626 or go to: https://salonpianoseries.org.

 


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Classical music: A FREE concert of stripped down Opera Scenes takes place this Tuesday night at UW-Madison

November 25, 2019
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By Jacob Stockinger

It has been a busy week for students and staff in the opera program at the University of Wisconsin-Madison Mead Witter School of Music.

Last week saw three sold-out and critically acclaimed performances of Benjamin Britten’s opera “A Midsummer Night’s Dream.” Here is a review: https://welltempered.wordpress.com/2019/11/23/classical-music-university-opera-succeeded-brilliantly-by-staging-brittens-a-midsummer-nights-dream-as-a-pop-project-of-andy-warhol-and-the-factory-in-the-1960s/

This week – on Tuesday night, Nov. 26, at 7:30 p.m. in Music Hall (below) at the foot of Bascom Hill – the UW-Madison Opera Workshop will present a concert that presents a series of stripped down, quasi-staged opera scenes. There is piano accompaniment instead of an orchestra, and sometimes a prop with the suggestion of a costume instead of full costumes and full sets. 

Admission is FREE to the public and no tickets are required.

David Ronis (below top, in a photo by Luke Delalio) and Mimmi Fulmer (below bottom) are the directors, and Ben Hopkins is the Teaching Assistant

No specific roles, arias or works are listed.

But the program features scenes from: “Werther” by the French composer Jules Massenet; “Fidelio” by Ludwig van Beethoven; “Little Women” by  American composer Mark Adamo (below top); “Eugene Onegin” by Russian composer Peter Ilyich Tchaikovsky; “A Little Night Music” by American Broadway composer Stephen Sondheim; “Dead Man Walking” by American composer Jake Heggie (below bottom); and “Hansel and Gretel” by German composer Engelbert Humperdinck.


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Classical music: Award-winning prodigy pianist Maxim Lando performs a recital at Farley’s on Sunday afternoon and gives a free public master class on Saturday afternoon

November 15, 2019
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ALERT: At noon this Saturday, Nov. 16, Grace Presents offers a FREE one-hour concert by Lawren Brianna Ware and friends. The concert is at Grace Episcopal Church, 116 West Washington Avenue, downtown on the Capitol Square.

Pianist and composer Ware, the 2017 Grand Prize Winner of the Overture Rising Stars Competition, will perform a program of original, contemporary and classical solo and chamber works entitled “These Are a Few of My Favorite Things.” Featured are works by Aram Khachaturian, Fazil Say, Frederic Chopin, Ludwig van Beethoven, Robert W. Smith, Martin Ellerby  and Eric Ewazen.

By Jacob Stockinger

You have to hand it to Farley’s House of Pianos and its Salon Piano Series: They sure know how to book young up-and-coming performers to stay ahead of the curve.

Last season, they presented Kenneth Broberg, a silver medalist at the last Van Cliburn International Piano Competition, before he was accepted into the International Tchaikovsky Competition in Moscow, where he won a bronze medal.

This weekend, the Salon Piano Series presents another timely choice.

This Sunday afternoon, Nov. 17, at 4 p.m., the 17-year-old American piano prodigy Maxim Lando (below, in a photo by Matt Dine) will perform a solo recital at Farley’s showroom, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Once again, Lando was booked just before winning a big award and honor.

In addition, at his Salon Piano Series premiere, Lando will have grandparents in the audience, as well as an aunt, uncle and cousins, all from the Madison area.

The son of pianist Pippa Borisy, who grew up in Madison, and clarinetist Vadim Lando, Maxim was raised in Great Neck, Long Island, New York, and has a full-time career as a touring pianist while still finishing high school.

Lando first received national attention in 2017 when he performed with superstar Chinese pianist Lang Lang and jazz great Chick Corea with the Philadelphia Orchestra at Carnegie Hall’s Gala Opening Night.

He won the 2018 Young Concert Artists auditions at the age of 16 and Susan Hall of Berkshire Fine Arts has described him as having “a very old musical soul.”

This fall he received a Gilmore 2020 Young Artist Award, which recognizes the most promising of the new generation of U.S.-based pianists, age 22 or younger. He will perform a series of concerts this season at the Gilmore Keyboard Festival as part of the recognition.

For this Salon Piano Series concert, Lando will perform the same program he performed for recent sold-out performances at the Kennedy Center in Washington, D.C., and Carnegie Hall in New York City.

Lando’s program includes: Nikolai Kapustin’s Concert Etude “Toccatina”; Ludwig van Beethoven’s Sonata No. 30 in E Major, Op. 109 (you can hear the opening movement in the YouTube video at the bottom); Alexander Scriabin’s Prelude in B major and Etude in D-sharp minor; and Franz Liszt’s “Transcendental Etudes.”

Tickets are $45 in advance (full-time students are $10) or $50 at the door (if any remain). Service fees may apply.  Student tickets can only be purchased online and are not available the day of the concert.

Tickets can be purchased at: https://www.brownpapertickets.com/event/4275212

An artist’s reception will follow the concert.

For more information, go to: https://salonpianoseries.org/concerts.html

MASTER CLASS

Also, on this Saturday, Nov. 16, at 4 p.m., Maxim Lando will teach a master class at Farley’s House of Pianos, where he will instruct four local students.

This is a free event that the public is invited to observe.

For a complete list of the music by Beethoven, Prokofiev and Clementi to be performed as well as the names of the local students and their teachers, go to: https://salonpianoseries.org/concerts.html

The master classes for the 2019-20 season are supported by the law firm of Boardman and Clark LLP.

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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