The Well-Tempered Ear

Classical music: Trevor Stephenson will teach a class on the piano music of Claude Debussy in January and February. The deadline to register is Jan. 20.

January 12, 2015
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By Jacob Stockinger

Our good friend Trevor Stephenson — who is usually an eloquent and humorous advocate of early music as a keyboardist who founded and directs the Madison Bach Musicians — will be offering a class at his home-studio about the piano music of the early 20th-century French Impressionist composer Claude Debussy (below).

Claude Debussy 1

The class will take on four Monday evenings: January 26, February 2, 16 and 23 from 7 to 8:30 p.m.

Those who know Trevor Stephenson (below top) know that he is an articulate and witty explainer, a fine teacher who can reach listeners on all levels. And he will use a 19th-century piano that is close to the kind the Debussy himself used (below bottom).

Prairie Rhapsody 2011 Trevor Stephenson

Stephenson ca 1850 English parlor grand

TOPICS include:

. Debussy’s life and musical influences

. Construction and tonal qualities of the 19th-century piano

. Modes, whole-tone scales, harmonic language, tonality

. Touch, pedaling, sonority

. Fingering approaches

. Programmatic titling, extra-musical influences, poetry and art

REPERTOIRE includes:

. Suite Bergamasque (with Clair de Lune), Preludes Book II and Children’s Corner Suite

. Two Arabesques, Reverie and Estampes (or “Prints,” heard at the bottom in a YouTube video of a live performance by the magical and great Russian pianist Sviatoslav Richter in 1977 in Salzburg, Austria.)

The course is geared for those with a reading knowledge of music.

The classes will be given at Trevor Stephenson’s home studio (below). It is located at 5729 Forsythia Place, Madison WI 53705 on Madison’s west side.

Schubert house concert

Enrollment for the course is $150.

Please register by January 20, 2015 if you’d like to attend. Email is: trevor@trevorstephenson.com

 


Classical music: What does it feel like to hold, play and hear Mozart’s own violin and viola? America just had its first chance ever to find out. Here’s a report.

June 22, 2013
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By Jacob Stockinger

If you want some idea of what a prodigious talent the composer Wolfgang Amadeus Mozart (1756-1791, below) was, you might recall not only his enormous amount of music in 35 years with such a high percentage of masterpieces, or his astonishing virtuosity as a keyboard player (he composed all and premiered most of his 27 piano concertos).

You might also recall that he was an outstanding violinist — his oppressively ambitious father Leopold said that his son could have become the best violinist in Europe with some more effort and work – and also a violist who loved to pay the viola in the same string quartet where fellow composer Franz Joseph Haydn played the violin.

mozart big

Anyway, for more than 200 years Mozart’s instruments have been stored in a museum in Mozart’s hometown of Salzburg, Austria.

But the instruments were recently brought to the United State for the first time in history and appeared at the Boston Early Music Festival. (That is also where the University of Wisconsin-Madison duo Ensemble SDG, featuring keyboard John Chappell Stowe and baroque violinist Edith Hines, performed an all-Heinrich Bieber concert.)

Hearing about the unusual security measures taken for the trip to guarantee their security – including separate airplane flights — is fascinating.

But most fascinating of all is a first-person account of what it feels like to hold and play and listen Mozart’s own string instruments, which generally featured mellowness rather than brilliance.

You can hear about it all on NPR’s great classical music blog “Deceptive Cadence” and through writer Anastasias Tsioulcas’ experience with Mozart’s own string instruments. (Below is a photo by Kathy Wittman of Amandine Beyer holding the violin backstage in Boston during the festival.)

amandine_beyer_violin

Here is a link. Do yourself a favor listen to it — don’t just read the transcript. I hope that you enjoy it and that it enhance even further (deeper?) your opinion of Wolfie:

http://www.npr.org/blogs/deceptivecadence/2013/06/14/190975113/playing-mozart-on-mozarts-violin

And here is a link to a live performance on Mozart’s own:

http://www.npr.org/event/music/191709140/mozarts-violin-comes-to-boston-live-in-concert

Of course, possessing a fine instrument doesn’t guarantee being a great composer. But Mozart could play his own works, including the Violin Concerto No. 3, which you can hear below with Hilary Hahn in a YouTube video that has had more than a million hits:


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