Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.
The Well-Tempered Ear
This Saturday afternoon, the Wisconsin Chamber Choir presents a free online parking lot concert of “Car Carols” with an emphasis on African-American composers
December 11, 2020
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By Jacob Stockinger
The Ear has received the following announcement to post:
Join the Wisconsin Chamber Choir (below) this Saturday afternoon, Dec. 12, at 2 p.m. for Car Carols, a unique holiday concert featuring live, socially-distanced performances of music by African-American composers and seasonal favorites.
Choir members will sing from their individual cars using wireless microphones (below), listening to the sound of the whole choir via their car radios. The audience is invited to join our Facebook event or listen in live on YouTube.
There is no charge to view the live-stream, but donations would be welcome.
You can find the concert on this Saturday, Dec. 12, a 2 p.m. via the following links: live on YouTube at https://youtu.be/ZonVn1cvgb8, or on Facebook at: https://www.facebook.com/events/1561155960751974/
This unusual concert format was necessitated by the Covid-19 pandemic, but the WCC is grateful for the opportunity to continue singing together in safe ways.
Since September, the choir has been rehearsing as a Parking Lot Choir, generating local media coverage from WKOW-TV at https://wkow.com/2020/10/13/wisconsin-chamber-choir-making-adjustments-to-prepare-for-performance/ and Madison Magazine, whose story was headlined “Forget tailgates, parking lots are for choir practice: https://www.channel3000.com/forget-tailgates-parking-lots-are-for-choir-practice/
This past September and October, smaller groups from the WCC assembled on Saturday mornings at the Warner Park Pavilion to rehearse in widely spaced formations.
They wore specially designed singers masks, and occasionally harmonized with nearby sandhill cranes that seemed unsure what to make of the a cappella music floating through their habitat.
Recordings by five distinct small ensembles — minus the cranes — will be aired during the Dec. 12 Car Carols broadcast, in addition to live singing by the Parking Lot choristers.
The Car Carols repertoire highlights music by African-American composers spanning nearly a century. Idiomatic pieces in the style of spirituals and contemporary gospel alternate with “non-idiomatic” motets and anthems by Nathaniel Dett (below top), William Dawson, Undine Smith Moore (below middle) and Carlos Simon (below bottom, with an oral self-portrait in the YouTube video at the bottom).
The remainder of the Parking Lot Choir selections consists of carol arrangements by WCC favorites — the late Stephen Paulus (below) and Peter Blotch — and feature virtual harp and violin accompaniment.
Live and virtual performers will also unite to sing Craig Hella Johnson’s moving arrangement of the songs I Love You and What a Wonderful World.
Interspersed between the live Car Carols will be a wide variety of pre-recorded selections, including the world premiere of WCC member Linda Palmer’s arrangement of Sussex Carol, plus music by Johannes Brahms, John Rutter, 17th-century female composer Chiara Cozzolani (below), and Tleycantimo choquilia, a carol from colonial-era Mexico, sung in Spanish and Nahuatl.
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world-premieres.
Artistic director Robert Gehrenbeck (below), who heads the choral program at the University of Wisconsin-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks. WCC members have acknowledged Gehrenbeck for his intrepid conducting in freezing temperatures during Parking Lot Choir rehearsals.
Posted in Classical music
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Tags: #ACappella, #African-AmericanComposer, #AltoSinger, #ArtisticDirector, #BaroqueOratorio, #BassSinger, #BlackComposer, #Blackcomposers, #BlogPost, #BlogPosting, #CarCarols, #CarlosSimon, #ChamberChoir, #ChiaraCozzolani, #ChoralMusic, #ChristianReligion, #ChristmasCarol, #ContemporaryComposer, #COVID-19, #CraigHellaJohnson, #FacebookPost, #FacebookPosting, #FemaleComposer, #GeorgeFridericHandel, #GospelMusic, #HolidayConcert, #HolidayMusic, #ILoveYou, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JohnRutter, #LindaPalmer, #LiveStreaming, #MadisonMagazine, #MexicanComposer, #MusicalInterpretation, #MusicalStyle, #MusicCritic, #NahuatlLanguage, #NathanielDett, #NegroSpiritual, #NewMusic, #OnlineConcert, #ParkingLot, #PeterBloesch, #RecordedMusic, #RobertGehrenbeck, #SandhillCranes, #SaturdayAfternoon, #SaturdayMorning, #SeasonalMusic, #SingAlong, #SocialDistance, #SociallyDistanced, #SopranoSinger, #StephenPaulus, #SussexCarol, #TenorSinger, #TheEar, #UndineSmithMoore, #UniversityofWisconsin, #VirtualConcert, #WarnerPark, #WhataWonderfulWorld, #WilliamDawson, #WisconsinChamberChoir, #WolfgangAmadeusMozart, #WorldPremiere, #YouTubevideo, 17th century, a cappella, accompaniment, African American, African-American music, afternoon, air, aired, alternate, alto, announcement, anthem, arrangement, Artistic director, Arts, assemble, audience, auto, automobile, Bach, baritone, Baroque, bass singer, black, blog, Blog post, blog posting, Brahms, Broadcast, car, Car Carols, Carlos Simon, Carol, century, Chamber choir, Chiara Cozzolani, Choir, choral, choral music, choristers, Christian, Christmas, Classical music, colonial, compelling, composer, Concert, Conducting, conductor, contemporary, continue, coverage', Craig Hella Johnson, critic, Dawson, design, Dett, director, distinct, donation, Early music, earlymusic, emotional, enemble, Facebook, Facebook post, Facebook posting, favorites, female, female composer, floating, formation, forward, freezing, George Frideric Handel, gospel, habitat, hail, Handel, harmonize, harp, highlight, holiday concert, holiday music, I Love You, idiomatic, individual, interpretation, intrepid, ivited, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Rutter, join, like, Linda Palmer, link, listen, live, live-stream, livestream, local, Love, Madison, Madison Magazine, masks, Masterworks, media, members, Mexican, Mexico, microphone, mixed, Moore, morning, motet, moving, Mozart, Music, music critic, musical style, Nahuatl, Nathaniel Dett, Negro spiritual, New Music, non-idiomatic, October, online, oral, oratorio, parking lot, Paulus, pavilion, Peter Bloesch, portrait, post, practice, pre-recorded, premiere, program, recorded music, recording, rehearsal, rehearse, reminder, repertoire, repertory, reputation, Robert Gehrenbeck, rsdio, Rutter, sage, sandhill cranes, Saturday, seasonal, seasonal music, selections, self-portrait, September, share, Simon, sing, sing-along, singers, Singing, small, social distance, socially distanced, soprano, space, spaced, span, Spanish, spceially, spiritual, spirituals, Stephen Paulus, style, sung, Sussex Carol, tag, televison, temperature, tenor, The Ear, TV, unique, unite, United States, University of Wisconsin, unsure, Uridine Smith Moore, UW-Whitewater, variety, vibrant, Violin, violinist, virtual, vocal music, Warner Park, welcome, What a Wonderful World, wide, William Dawson, wireless, Wisconsin, Wisconsin Chamber Choir, WKOW TV, Wolfgang Amadeus Mozart, wonderful, work, world, world premiere, YouTube
Cellist Camille Thomas makes her Madison debut online from Paris for the Wisconsin Union Theater this Saturday night
November 6, 2020
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By Jacob Stockinger
The Wisconsin Union Theater’s fall virtual Concert Series performances will begin this Saturday night, Nov. 7, at 7:30 p.m. CST with a live online performance from Paris by the acclaimed cellist Camille Thomas (below).
The “Midnight in Paris” recital – performed in Paris and streamed — features music by Claude Debussy, Nadia Boulanger, Maurice Ravel and Frederic Chopin. The performance will be preceded by a live 30-40 minute online Q&A with Thomas and pianist Julien Brocal on Saturday afternoon at 2 p.m. CST.
Here are the specific works on the program, which will last about 75 minutes with no intermission:
Debussy, “Clair de Lune” (arr. Roelens)
Nadia Boulanger, “Three Pieces” for cello and piano
Ravel, Kaddish
Chopin, Cello Sonata in G Minor, Op. 65; and Introduction et Polonaise brillante, Op. 3
Tickets for this online event are $10 for UW-Madison students, $18 for Wisconsin Union members, and $20 for all other patrons.
For more information about the Thomas’ performance – including a video and how to purchase tickets — visit union.wisc.edu/events-and-activities/event-calendar/event/camille-thomas.
Thomas (below), a Franco-Belgian cellist, says she uses her music to bring people together from a range of cultures and backgrounds. Thomas released her second album, called “Voice of Hope,” with the exclusive Deutsche Grammophon this past June. (In the YouTube video at the bottom, you can hear Thomas play a solo version from the album of Gluck’s “Dance of the Blessed Spirits” from his opera “Orfeo ed Euridice.”)
Thomas plays the Feuermann Stradivarius cello (1730, below) — named for the famous 20th-century cellist Emanuel Feuermann who played it — with a bow by Eugene Sartory, who is regarded as one of the finest bow makers in history. Joining her for this performance will be pianist Julien Brocal.
“Camille Thomas’s extraordinary talent makes her one of the most captivating artists of our time, as evidenced by being the first cellist in several decades to be signed by the major record label Deutsche Grammophon,” says Wisconsin Union Theater director Elizabeth Snodgrass. “Her ‘Midnight in Paris’ program brings us closer to her roots and reflects the beauty and charm of her personality as well as her musicality.”
The Ear has listened to some of Thomas’ performances on YouTube and finds her tone, intonation and phrasing outstanding.
The performance by Camille Thomas is the start of the fall Concert Series events, which includes a concert with pianist Jeremy Denk (below, in a photo by Hiroyuki Ito for The New York Times) on Friday, Dec. 11.
In its 101st year, the Wisconsin Union Theater’s Concert Series is one of the oldest uninterrupted series of its kind in the United States.
The Wisconsin Union Theater (WUT) has served as a cultural center for community members and visitors for more than 75 years. The WUD Performing Arts Committee plans many of the Theater’s events, including the Concert Series.
While usually held in-person and most often in Shannon Hall, the Wisconsin Union Theater team will hold this fall’s theater events in a virtual format for the health and safety of patrons, artists and team members in light of the COVID-19 pandemic.
The team aims for all of its spaces, including online ones, to be accessible. Those that need accommodations can reach out to the Wisconsin Union Theater team at wisconsinuniontheater@union.wisc.edu.
The WUT team says it continues to evaluate what changes may need to occur related to the spring Concert Series events as well as other spring Theater season performances.
The Wisconsin Union Theater has made multiple commitments to take a stand against racial injustice, including being more than allies, being activists; using the arts to create social justice; remembering students are future leaders and must be part of the change; using its voice to influence leadership and being firm in its resolve; and making space, stepping back and learning how to give up undeserved or unnecessary power and privilege.
Posted in Classical music
Tags: #BaroqueMusic, #BaroqueOpera, #BerlinGermany, #BlogPost, #BlogPosting, #CamilleThomas, #CelloBow, #CelloSonata, #CentralStandardTime, #ChamberMusic, #ChristophWillibaldGluck, #Clairdelune, #ClaudeDebussy, #CommunityMembers, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CulturalCenter, #DanceoftheBlessedSpirits, #DeutscheGrammophon, #ElizabethSnodgrass, #EmanuelFeuermann, #EugeneSartory, #FacebookPost, #FacebookPosting, #FacultyMember, #Franco-Belgian, #FredericChopin, #Fridaynight, #HiroyukiIto, #JacobStockinger, #JeremyDenk, #JulienBrocal, #LiveMusic, #MauriceRavel, #MidnightinParis, #Musicfaculty, #NadiaBoulanger, #NewYorkTimes, #OnlineConcert, #OrfeoedEuridice, #ParisFrance, #PianoAccompanist, #PublicHealth, #RacialInjustice, #RecordedMusic, #RecordLabel, #SaturdayAfternoon, #ShannonHall, #SocialJustice, #StradivariusCello, #TeamMembers, #TheEar, #TheU.S., #TheUS, #TheUW, #UnitedStates, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VirtualConcert, #VoiceofHope, #WisconsinUnionTheater, #YouTubevideo, accessible, accommodation, accompany, accuracy, activist, afternoon, Album, Allies, arrnagement, artist, artists, Arts, audience, background, Baroque, Baroque music, beauty, Belgian, Belgium, Berlin, blessed, blog, Boulanger, bow, Camille Thomas, captivating, CD, cellist, Cello, cello bow, Cello Sonata, center, Central Standard Time, Chamber music, change, changes, charm, Chopin, Christoph Willibald Gluck, Clair de Lune, Classical music, Claude Debussy, commitments, community, composer, Concert, concert hall, concert series, coronavirus, CST, cultural, cultural center, culture, dance, Dance of the Blessed Spirits, Debussy, decades, Denk, Deutsche Grammophon, DG, director, Early music, Elizabeth Snodgrass, Eugene Sartory, Eurydice, evaluate, event, exclusive, extraordinary, Facebook, faculty, fall, finest, firm, forward, France, Franco-Belgium, Frédéric Chopin, French, Friday, future, German, Germany, Gluck, Health, Hiroyuki Ito, History, hope, in person, influence, information, injustice, intermission, intonation, introduction, Ito, Jacob Stockinger, Jeremy Denk, join, Julien Brocal, June, Kaddish, kind, leaders, leadership, learn, light, like, link, listen, live, live music, Luthier, Madison, major, Maurice Ravel, members, midnight, Midnight in Paris, minute, multiple, Music, musicality, Nadia Boulanger, need, New York Times, night, oldest, online, Op., opera, opus, Orfeo ed Euridice, Orpheus, outstanding, pandemic, Paris, patrons, People, perform, performaer, performance, performer, personality, photo, phrasing, Pianist, Piano, Piano accompanist, polonaise, post, posting, power, precede, privilege, program, public, Public health, purchase, Q&A, question-and-answer, race, racial injustice, racism, range, Ravel, reader, recital, Record label, recorded music, reflects, regard, resolve, roots, safety, Saturday, Shannon Hall, share, sign, social justice, solo, Sonata, spaces, specific, spirit, Spring, start, Strad, Stradivarius, stream, Student, students, subscriber, tag, talent, team, team members, The Ear, tickets, time, together, tone, U.S., undeserved, uninterrupted, United States, University of Wisconsin, University of Wisconsin–Madison, unnecessary, US, use, UW, UW-Madison, version, virtual, visitors, voice, Voice of Hope, Wisconsin, Wisconsin Union Theater, work, years, YouTube
Tags: #BaroqueMusic, #BaroqueOpera, #BerlinGermany, #BlogPost, #BlogPosting, #CamilleThomas, #CelloBow, #CelloSonata, #CentralStandardTime, #ChamberMusic, #ChristophWillibaldGluck, #Clairdelune, #ClaudeDebussy, #CommunityMembers, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CulturalCenter, #DanceoftheBlessedSpirits, #DeutscheGrammophon, #ElizabethSnodgrass, #EmanuelFeuermann, #EugeneSartory, #FacebookPost, #FacebookPosting, #FacultyMember, #Franco-Belgian, #FredericChopin, #Fridaynight, #HiroyukiIto, #JacobStockinger, #JeremyDenk, #JulienBrocal, #LiveMusic, #MauriceRavel, #MidnightinParis, #Musicfaculty, #NadiaBoulanger, #NewYorkTimes, #OnlineConcert, #OrfeoedEuridice, #ParisFrance, #PianoAccompanist, #PublicHealth, #RacialInjustice, #RecordedMusic, #RecordLabel, #SaturdayAfternoon, #ShannonHall, #SocialJustice, #StradivariusCello, #TeamMembers, #TheEar, #TheU.S., #TheUS, #TheUW, #UnitedStates, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VirtualConcert, #VoiceofHope, #WisconsinUnionTheater, #YouTubevideo, accessible, accommodation, accompany, accuracy, activist, afternoon, Album, Allies, arrnagement, artist, artists, Arts, audience, background, Baroque, Baroque music, beauty, Belgian, Belgium, Berlin, blessed, blog, Boulanger, bow, Camille Thomas, captivating, CD, cellist, Cello, cello bow, Cello Sonata, center, Central Standard Time, Chamber music, change, changes, charm, Chopin, Christoph Willibald Gluck, Clair de Lune, Classical music, Claude Debussy, commitments, community, composer, Concert, concert hall, concert series, coronavirus, CST, cultural, cultural center, culture, dance, Dance of the Blessed Spirits, Debussy, decades, Denk, Deutsche Grammophon, DG, director, Early music, Elizabeth Snodgrass, Eugene Sartory, Eurydice, evaluate, event, exclusive, extraordinary, Facebook, faculty, fall, finest, firm, forward, France, Franco-Belgium, Frédéric Chopin, French, Friday, future, German, Germany, Gluck, Health, Hiroyuki Ito, History, hope, in person, influence, information, injustice, intermission, intonation, introduction, Ito, Jacob Stockinger, Jeremy Denk, join, Julien Brocal, June, Kaddish, kind, leaders, leadership, learn, light, like, link, listen, live, live music, Luthier, Madison, major, Maurice Ravel, members, midnight, Midnight in Paris, minute, multiple, Music, musicality, Nadia Boulanger, need, New York Times, night, oldest, online, Op., opera, opus, Orfeo ed Euridice, Orpheus, outstanding, pandemic, Paris, patrons, People, perform, performaer, performance, performer, personality, photo, phrasing, Pianist, Piano, Piano accompanist, polonaise, post, posting, power, precede, privilege, program, public, Public health, purchase, Q&A, question-and-answer, race, racial injustice, racism, range, Ravel, reader, recital, Record label, recorded music, reflects, regard, resolve, roots, safety, Saturday, Shannon Hall, share, sign, social justice, solo, Sonata, spaces, specific, spirit, Spring, start, Strad, Stradivarius, stream, Student, students, subscriber, tag, talent, team, team members, The Ear, tickets, time, together, tone, U.S., undeserved, uninterrupted, United States, University of Wisconsin, University of Wisconsin–Madison, unnecessary, US, use, UW, UW-Madison, version, virtual, visitors, voice, Voice of Hope, Wisconsin, Wisconsin Union Theater, work, years, YouTube
Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon
March 10, 2020
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By Jacob Stockinger
Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.
But this year a new collaboration will take place.
On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.
Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.
WYSO says the Friday night concert is close to selling out.
Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.
They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.
WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)
Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”
The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:
https://www.wysomusic.org/diane-ballweg-winterfest-concerts/
For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:
https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/
SATURDAY
On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.
11:30 a.m. — Opus One and Sinfonietta (below)
1:30 p.m. — Harp Ensemble (below) and Concert Orchestra
4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra
The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.
The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.
Posted in Classical music
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Classical music: The Madison Choral Project performs “Finding Our Path” this Friday night and Saturday afternoon. Plus, the Madison New Music Ensemble performs a FREE concert this Friday night
December 11, 2019
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By Jacob Stockinger
This weekend, the critically acclaimed Madison Choral Project (below) will give two performances – in two different venues this year — of its seventh annual holiday program.
The MCP was founded and is directed and conducted by Albert Pinsonneault (below), who taught at Edgewood College and now works at Northwestern University. The group’s stated goal is to inspire, enhance and improve life through music. (You can hear them singing the Octet from Mendelssohn’s oratorio “Elijah” in the YouTube video at the bottom.)
In keeping with a format that you often find in places of worship — think Scripture and hymns — the MCP once again uses a holiday formula that remains popular and works very effectively by combining the spoken word with choral music.
This year’s theme is “Finding Our Path” and features music and texts on the theme of feeling adrift, seeking guidance and finding our path.
Performances are on this Friday night, Dec. 13, at 7:30 p.m. in the Atrium Auditorium of the First Unitarian Society of Madison, 900 University Bay Drive; and this Saturday afternoon, Dec. 14, at 3 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.
Noah Ovshinsky (below), the news editor at Wisconsin Public Radio, will once again serve as the narrator.
Unfortunately, The Ear has seen no word about the works or composers in the musical part of the program, except that two commissions, including a world premiere by MCP composer-in-residence Justin Merritt, will be performed.
PREFERRED SEATING has a limit of 20 per concert. A reserved seat is in an acoustically “prime” spot in the house (center, about a third of the way back from the stage) and costs $40.
GENERAL ADMISSION is $28 purchased in advance and online or $32 at the door.
STUDENT TICKETS are $10 and can be purchased in advance or at the door. Please show valid student ID at will-call to redeem the ticket.
To purchase tickets online, go to: http://themcp.org/tickets
For more information, including a list of other concerts this season as well as recordings and videos, go to: http://themcp.org/concerts-2
MADISON NEW MUSIC ENSEMBLE
This Friday night, Dec. 13, at 7 p.m. the Madison New Music Ensemble (below) will perform a FREE concert at the Capitol Lakes Auditorium, 333 W. Main St., in downtown Madison, two blocks off the Capitol Square.
Parking is available in the ramp across from Capitol Lakes.
The concert features music by Joseph Koykkar (below), a Madison-based composer who teaches at the UW-Madison; Gabriela Lena Frank; Gareth Farr; Astor Piazzolla; and Paul Harvey.
Performers in the Madison New Music Ensemble are: Danielle Breisach, Amy Harr, Xinyi Jiang, Elena Ross, Joseph Ross and Bethany Schultz.
For more information, go to the Madison New Music Ensemble on Facebook: https://www.facebook.com/madisonnewmusicensemble/
Or go to the YouTube link:
https://www.youtube.com/watch?v=oehEnNWbA0Q
Posted in Classical music
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Classical music: Chamber versions of symphonies and piano concertos by Haydn, Mozart and Beethoven helped secure the composers’ reputations back when they were new music
August 30, 2019
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By Jacob Stockinger
Perhaps you heard one at Bach Dancing and Dynamite Society concerts (below), where they have become a kind of signature.
Or perhaps you heard one at a concert by the Ancora String Quartet or the University of Wisconsin-Madison’s Pro Arte Quartet.
What we’re talking about are scaled-down chamber versions of symphonies and piano concertos by Franz Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven.
Today they seem like curiosities, perhaps programmed to keep budgets smaller and use fewer performers.
But historically those same arrangements were more than conveniences or compromises. They proved vital in securing the works and reputations of those composers for posterity up until today.
Recently, The New York Times published a record review by Zachary Woolfe that provides valuable background about these rearranged works.
Here is a link:
https://www.nytimes.com/2019/07/19/arts/music/mozart-jupiter-hyperion.html
If you would like to experience one for yourself, you have the chance this Saturday and Sunday afternoon at 4 p.m. at the Token Creek Chamber Music Festival.
That’s when and where pianist and Harvard University professor of musicology Robert Levin (below) will perform a chamber version of the Piano Concerto No. 4 in G Major, Op. 58, by Beethoven. It is part of a program by Levin and pianist Ya-Fei Chuang that explores the piano and concludes this year’s 30th anniversary festival. (You can hear the opening movement of the Beethoven piano concerto in the version with string quartet in the YouTube video at the bottom.)
Here is a link with more information about tickets ($32) and the festival:
http://tokencreekfestival.org/2019-season/programs/
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Classical music: The second LunART Festival will spotlight women in the performing and creative arts. Here is Part 2 of 2 with more about new music, comedy and a full schedule
June 3, 2019
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ALERT: The second Van Cliburn Junior Piano Competition resumes today — Monday, June 3 — in Dallas at 2:20 p.m. CDT. The young players range from 13 to 17 and come from around the world, and they are terrific. Plus the quality of the live streaming is outstanding, especially for the camera work of the keyboard. It’s all FREE. If you want to see it, here is a link: https://www.cliburn.org. You might also be interested to know that among the jurors are Alessio Bax, who has performed in Madison at Farley’s House of Pianos, and Philippe Bianconi, who has soloed several times with the Madison Symphony Orchestra. All that and you get to vote for the Audience Award too!
By Jacob Stockinger
The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 2 of two parts with more information about new music, comedy and a schedule of events. Yesterday was Part 1 — a link is below — with background and participants.
The LunART Festival, co-founded and co-directed by Iva Ugrcic and Laura Medisky, is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.
The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.
The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.
LunART’s 2019 call for scores was open to women composers of all ages and nationalities, and received an impressive 98 applicants from around the globe. Scores were evaluated by a committee of 17 LunART Festival musicians and directors, and three works were selected to be performed at each of the Gala concerts.
The winning composers are Eunike Tanzil (below top), Edna Alejandra Longoria (below middle) and Kirsten Volness (below bottom). All three will be in attendance at the festival. (In the YouTube video at the bottom, you can hear a piece for cello and piano, with the composer playing the piano, by Eunike Tanzil.)
The “From Page to Stage: Emerging Composers” educational program also returns, bringing six composers to Madison to work with flutist and composer-in-residence Valerie Coleman (below).
During the festival she will mentor participants in developing practical skills to express their creative ideas, cultivate relationships with performers and master the art of collaboration. The program culminates with a free public concert featuring their music on Saturday, June 8, at 2 p.m. in the Capitol Lakes Grand Hall, 333 West Main street, downtown and two blocks from the Capitol Square.
On Friday, June 7 at Overture Center in Promenade Hall, Meaghan Heinrich (below) presents her pre-concert lecture, “Portrait of the Artist as a Young Woman,” which explores what it means to be a woman artist in the 21st century, and how women’s experiences shape their artistic expressions.
Following the Friday gala concert is “Holding Court,” this season’s Starry Night event at Robinia Courtyard. This all-women comedy show features Midwestern comics Vanessa Tortolano (below top), Chastity Washington (below bottom), Vickie Lynn, Samara Suomi and Cynthia Marie who are blazing a trail of funny that will leave you gasping in their wake.
“The Multi-faceted Artist” panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.
Coleman (composer and flutist) and Dr. Linda DiRaimondo (psychiatrist and aerial dancer, below top on top) serve as panelists along with Katrin Talbot (violist, poet and photographer, below bottom in a photo by Isabel Karp), and will lead the discussion on Saturday, June 8, at the downtown Madison Public Library’s Bubbler Room.
The festival wraps up on Sunday, June 9, from 10 a.m. to noon at Common Ground, 2644 Branch Street in Middleton, with “Mooning Around” poetry reading and artist mixer, featuring a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos (below), Eve Robillard, Rosemary Zurlo-Cuva and Katrin Talbot.
Everyone is welcome to come enjoy their morning coffee and pastries while making creative connections with other artists.
LunART Festival is supported by Dane Arts, the Madison Arts Commission, the Wisconsin Arts Board and the Open Meadows Foundation; it also won first place at the 2018 National Flute Association C.R.E.A.T.E. Project Competition and second prize at the 2018 UW Arts Business Competition.
Schedule of 2019 Festival events:
Wednesday, June 5
- 6-8 p.m.: “Women Against Hate United by Love” exhibition opening reception @ Rotunda Stage, Overture Center for the Arts (free event)
Thursday, June 6
- 9 a.m.-Noon From Page to Stage composition master class with Valerie Coleman @ First United Methodist Church (free event)
- 7 p.m.: Opening Gala Concert @ Maiahaus (402 E. Mifflin St.) (Tickets: $20 general/$10 students)
Friday, June 7
- 6 p.m.: “Portrait of the Artist as a Young Woman” pre-concert lecture by Meaghan Heinrich (free event)
- 7 p.m.: “Portraits of Josephine” Gala Concert @ Promenade Hall, Overture Center for the Arts (Tickets: $20 general/$10 students)
- 9 p.m.: Starry Night: “Holding Court” All-Women Comedy Show @ Robinia Courtyard (Tickets: $7 in advance/$10 at the door)
Saturday, June 8
- 10 a.m.-Noon: “The Multi-faceted Artist” Panel Discussion @ Madison Public Library Bubbler Room (free event)
- 2 p.m.: From Page To Stage: Emerging Composers Concert @ Capitol Lakes Grand Hall (free event)
- 7 p.m.: “Gaia” Closing Gala Concert @ First Unitarian Society of Madison Atrium Auditorium (Tickets: $20 general/$10 students)
Sunday, June 9
- 10 a.m.-Noon: “Mooning Around” poetry reading and artist mixer @ Common Ground, 2644 Branch St., Middleton (free event)
More information can be found at lunartfestival.org
video
Posted in Classical music
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Classical music: The Festival Choir of Madison closes its season TONIGHT with a concert of East Asian music from China, Japan, Korea and Taiwan
May 18, 2019
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ALERT: Today and next Saturday, Wisconsin Public Radio’s “Music in Wisconsin” program, hosted by Lori Skelton, will air recorded performances from the past season by the Madison Opera. Both broadcasts start at 1 p.m. This week’s opera is the double bill of one-acts “Cav/Pag,” as Pietro Mascagni’s “Cavalleria rusticana” and Ruggero Leoncavallo’s “Paglicacci” are known. Next week will see Antonin Dvorak’s “Rusalka,” with the famous soprano aria “Song to the Moon.”
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By Jacob Stockinger
The Ear has received the following announcement to post:
The Festival Choir of Madison (below) will present the last concert of the season, “Jasmine Flowers,” TONIGHT — Saturday, May 18 — at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.
The choir and its artistic director, Sergei Pavlov (below right in front row), will perform arrangements of famous songs such as the Japanese “Sakura” (Cherry Blossom), arranged by the late Japanese composer Toru Takemitsu (his version is heard in the YouTube video at the bottom); and “Mo-Li-Hua” (Jasmine Flower), a popular Chinese folk song used variously as a national anthem and for the Olympics, arranged by the leading Korean composer Hyo-won Woo.
The choir will also feature other recent compositions sung in Taiwanese, Korean, Chinese, English and French — including works by Chen Yi, Libby Larsen, Bob Chilcott, Claude Debussy and Maurice Ravel — inspired by the musical traditions of East Asia.
Admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online through Brown Paper Tickets at:
https://www.festivalchoirmadison.org/concerts/2019/5/18/jasmine-flowers
The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The choir performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.
To learn more about the Festival Choir of Madison, go to www.festivalchoirmadison.org.
Posted in Classical music
Tags: #AntoninDvorak, #ArtisticDirector, #AsianComposers, #AsianMusic, #BlogPost, #BlogPosting, #BobChilcott, #BrownPaperTickets, #CavalleriaRusticana, #ChenYi, #CherryBlossom, #ChoralMusic, #ClaudeDebussy, #EastAsia, #EastAsian, #EnglishLanguage, #FacebookPost, #FacebookPosting, #FestivalChoirofMadison, #FirstUnitarianSocietyofMadison, #FrenchLanguage, #FrenchMusic, #HomeWebsite, #Hyo-wonWoo, #JapaneseComposer, #JasmineFlower, #KoreanComposer, #LibbyLarsen, #LoriSkelton, #MadisonOpera, #MauriceRavel, #MeadWitterSchoolofMusic, #ModernComposers, #ModernMusic, #MusicalTradition, #NationalAnthem, #OperaAria, #OperaMusic, #OperarMusic, #PietroMascagni, #RadioBroadcast, #RadioHost, #RadioShow, #RuggeroLeoncavallo, #SaturdayAfternoon, #SaturdayNight, #SeniorCitizen, #SergeiPavlov, #SongtotheMoon, #SopranoSinger, #SouthKorea, #ToruTakemitsu, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinPublicRadio, #YouTubevideo, admission, adult, air, announcement, anthem, Antonín Dvořák, aria, arranged, arrangement, artistic, Artistic director, Arts, Asia, asian, Asian composers, Asian music, audience, bill, blog, blossom, Bob Chilcott, Broadcast, Brown Paper Tickets, Cavalleria Rusticana, challenge, challenging, Chen Yi, cherry, cherry blossom, China, Choir, choral music, Classical music, Claude Debussy, composer, Composition, Concert, conductor, develop, double, dual, East Asia, eclectic, English, exposure, Facebook, famous, Festival Choir of Madison, First Unitarian Society of Madison, flower, flowers, folk, folk song, folksong, French, French music, host, Hoy-won Woo, inspiration, inspired, Jacob Stockinger, Japan, Japanese, Japanese composer, Jasmine, Jasmine Flower, Korea, Korean, Korean composer, last, Libby Larsen, link, listener, liuke, Lori Skelton, Madison, Madison Opera, Maurice Ravel, Mead Witter School of Music, member, modern, Music, musical tradition, national, national anthem, Olympics, Olympics Games, one-act, online, opera, Pagliacci, performance, performer, Pietro Mascagni, program, public, Radio, recent, recorded, Ruggero Leoncavallo, Rusalka, Saturday afternoon, Saturday night, Season, seating, senior, Sergei Pavlov, share, singer, singers, song, Song to the Moon, songs, soprano, South Korea, spread, Student, tag, Taiwan, talent, thematic, theme, ticket, Toru Takemitsu, tradition, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, vocal music, volunteer, Website, week, Wisconsin, wisconsin public radio, word, works, YouTube
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Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night
April 25, 2019
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CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.
By Jacob Stockinger
This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.
On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.
The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).
The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)
To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/
To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg
The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).
The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).
SATURDAY
On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.
All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.
No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.
Posted in Classical music
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Tags: #AbstractExpressionism, #AbstractExpressionist, #AdamSchoenberg, #All-UniversityStrings, #AudienceMembers, #BlogPost, #BlogPosting, #ChadHutchinson, #CharlesIves, #FacebookPost, #FacebookPosting, #FindingRothko, #Fridaynight, #GreatGateofKIev, #JimTerrito, #MarkRothko, #MauriceRavel, #MillsHall, #ModestMussorgsky, #OakwoodVillage, #PaulHindemith, #PedroOviedo, #PercyGrainger, #PicturesatanExhibition, #SaturdayAfternoon, #SonataaQuattro, #SymphonyOrchestra, #TheEar, #UWSymphonyOrchestra, #ViktorHartmann, #VisualArt, #Wikipediabiography, #WilliamSchuman, #WindEnsemble, #WindMusic, #YouTubevideo, Abstract Expressionism, abstract expressionist, acclaim, Adam Schoenberg, American, Art, art gallery, artist, Arts, audience, blog, Cello, Chad Hutchinson, Charles Ives, Classical music, composer, Concert, conductor, correction, dark, depict, director, drama, dramatic, drawing, Early music, ending, evoke, Facebook, famous, Finding Rothko, forward, Friday, gallery, Great Gate of Kiev, Jacob Stockinger, Jim Territo, like, link, Madison, major, Mark Rothko, Master, Maurice Ravel, Mills Hall, Modest Mussorgsky, mood, moody, Music, notes, Oakwood Village West, orange, Orchestra, painting, Paul Hindemith, Pedro Oviedo, Percy Grainger, performer, Pictures at an Exhibition, poetic, prize, program, Russian, Saturday, Schoenberg, share, Sonata, Sonata à Quattro, Sound, symphony, symphony orchestra, tag, The Ear, theme, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Symphony Orchestra, UW Wind Ensemble, video, vignette, Viktor Hartmann, Viola, Violin, visual, visual art, watercolor, weekend, Wikipedia, William Schuman, wind ensemble, wind music, word, work, YouTube
Classical music: The 29th Token Creek Festival closes with the world premiere of a song cycle by John Harbison and dramatic, affecting Schumann
September 6, 2018
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By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.
By John W. Barker
The third and final program of this summer’s 29th Token Creek Chamber Music Festival, held in a refurbished barn (below) was given on last Saturday afternoon, when I caught it, and then was repeated the following day.
There were adjustments down to the wire, as co-director John Harbison noted in his opening comments. The originally planned opening piece, Mozart’s Sonata in G Major, K. 301, for Violin and Piano, was cancelled, and the program actually began with Haydn’s Piano Sonata in E Major (H. XVI:22).
Harbison (below) played this himself, having observed that, if not noteworthy, it was representative of its kind. In fact, it is a worthy work, its third and final movement is a little set of delightful variations on a minuet tune. Harbison obviously loves this whole Haydn literature, and he played the piece with affection.
Then it was vocal music, sung by tenor Frank Kelley — who has worked with Harbison in the Emmanuel Music activities in Boston — with pianist Janice Weber.
Their first offering was the world premiere of a cycle-in-progress by Harbison, titled In Early Evening, to texts by poet Louise Glück (below): specifically, of its first three songs. The texts are dreamy and nostalgic, and the composer has attempted to capture their multi-layered implications.
The two performers (below) then completed the concert’s first half with a presentation of the complete 16 songs of the cycle Dichterliebe (A Poet’s Love) by Robert Schumann. This sets the reflections on failed love, written by the great German poet Heinrich Heine.
Kelley is not an ingratiating singer. His voice sounds raw and worn. Nevertheless, he has splendid diction, in both English and German. He sounded much more confident and secure in the magnificent Schumann cycle, which he sang without a score. In this music he conveyed the varying moods and emotions with genuine engagement and expression.
But pianist Janice Weber (below) proved a real discovery. In his program notes, Harbison rightly pointed out that Schumann’s piano writing was not so much accompaniment as individualized piano writing with its own character and even independence. Indeed, the final song of the Heine cycle ends, after the voice is finished, with a substantial little epilogue of reflection for the piano alone.
Weber projected that very strong piano dimension wonderfully, and she repeated the feat when, for the program’s second half, she was joined in Schumann’s Piano Trio No. 1 in D minor, Op. 63, by violinist and Festival co-founder Rose Mary Harbison and cellist Karl Lavine.
This is a lively and quintessentially Schumanesque work that the audience loved. (You can hear the energetic first movement, played by the Beaux Arts Trio, in the YouTube video at the bottom.)
But I found the ensemble not well balanced. Lavine was surprisingly mild, deferential and understated in his playing. But Weber provided the sturdy backbone of the performance. We should hear more of this splendid artist.
Posted in Classical music
Tags: #AmericanRecordGuide, #APoet'sLove, #BeauxArtsTrio, #BlogPosting, #CelloMusic, #ChamberMusic, #EmanuelMusic, #EmeritusProfessor, #EnglishLanguage, #FailedLove, #FrankKelley, #FranzJosephHaydn, #GermanLanguage, #HeinrichHeine, #IsthmusNewspaper, #JaniceWeber, #JohnHarbison, #JohnW.Barker, #LivingComposer, #LouiseGluck, #MadisonEarlyMusicFestival, #MusicCritic, #NewMusic, #PianoAccompaniment, #PianoMusic, #PianoSonata, #PianoTrio, #RobertSchumann, #RoseMaryHarbison, #SaturdayAfternoon, #SonataforViolinandPiano, #SongCycle, #SundayMorning, #ThemeAndVariations, #TokenCreek, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #WolfgangAmadeusMozart, #WorldPremiere, #WORT-FM89.9, #YouTubevideo, affection, American Record Guide, artist, Arts, backbone, barn, Beaux Arts Trio, blog, Boston, cellist, Cello, Chamber music, character, Classical music, critic, delightful, Dichterliebe, diction, discovery, dreamy, duet, duo, Emanuel Music, emeritus professor, emotion, engagement, epilogue, evening, expression, Heinrich Heine, implications, independence, Isthmus, Jacob Stockinger, Janice Weber, John Harbison, John W. Barker, KarlLavine, literature, Living composer, Love, Madison, Madison Early Music Festival, Madison Symphony Orchestra, minuet, mood, moody, Mozart, Music, New Music, nostalgic, performance, photo, Pianist, Piano, Piano Trio, poem, poet, Poetry, posting, professor, reflection, score, singer, Sonata, song, Sunday morning, tenor, theme and variations, Token Creek, Token Creek Chamber Music Festival, Token Creek Festival, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variations, Violin, violinist, vocal music, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, world premiere, Writer, YouTube
Tags: #AmericanRecordGuide, #APoet'sLove, #BeauxArtsTrio, #BlogPosting, #CelloMusic, #ChamberMusic, #EmanuelMusic, #EmeritusProfessor, #EnglishLanguage, #FailedLove, #FrankKelley, #FranzJosephHaydn, #GermanLanguage, #HeinrichHeine, #IsthmusNewspaper, #JaniceWeber, #JohnHarbison, #JohnW.Barker, #LivingComposer, #LouiseGluck, #MadisonEarlyMusicFestival, #MusicCritic, #NewMusic, #PianoAccompaniment, #PianoMusic, #PianoSonata, #PianoTrio, #RobertSchumann, #RoseMaryHarbison, #SaturdayAfternoon, #SonataforViolinandPiano, #SongCycle, #SundayMorning, #ThemeAndVariations, #TokenCreek, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #WolfgangAmadeusMozart, #WorldPremiere, #WORT-FM89.9, #YouTubevideo, affection, American Record Guide, artist, Arts, backbone, barn, Beaux Arts Trio, blog, Boston, cellist, Cello, Chamber music, character, Classical music, critic, delightful, Dichterliebe, diction, discovery, dreamy, duet, duo, Emanuel Music, emeritus professor, emotion, engagement, epilogue, evening, expression, Heinrich Heine, implications, independence, Isthmus, Jacob Stockinger, Janice Weber, John Harbison, John W. Barker, KarlLavine, literature, Living composer, Love, Madison, Madison Early Music Festival, Madison Symphony Orchestra, minuet, mood, moody, Mozart, Music, New Music, nostalgic, performance, photo, Pianist, Piano, Piano Trio, poem, poet, Poetry, posting, professor, reflection, score, singer, Sonata, song, Sunday morning, tenor, theme and variations, Token Creek, Token Creek Chamber Music Festival, Token Creek Festival, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variations, Violin, violinist, vocal music, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, world premiere, Writer, YouTube
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The Well-Tempered Ear 