The Well-Tempered Ear
This Saturday afternoon, the Wisconsin Chamber Choir presents a free online parking lot concert of “Car Carols” with an emphasis on African-American composers
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By Jacob Stockinger
The Ear has received the following announcement to post:
Join the Wisconsin Chamber Choir (below) this Saturday afternoon, Dec. 12, at 2 p.m. for Car Carols, a unique holiday concert featuring live, socially-distanced performances of music by African-American composers and seasonal favorites.
Choir members will sing from their individual cars using wireless microphones (below), listening to the sound of the whole choir via their car radios. The audience is invited to join our Facebook event or listen in live on YouTube.
There is no charge to view the live-stream, but donations would be welcome.
You can find the concert on this Saturday, Dec. 12, a 2 p.m. via the following links: live on YouTube at https://youtu.be/ZonVn1cvgb8, or on Facebook at: https://www.facebook.com/events/1561155960751974/
This unusual concert format was necessitated by the Covid-19 pandemic, but the WCC is grateful for the opportunity to continue singing together in safe ways.
Since September, the choir has been rehearsing as a Parking Lot Choir, generating local media coverage from WKOW-TV at https://wkow.com/2020/10/13/wisconsin-chamber-choir-making-adjustments-to-prepare-for-performance/ and Madison Magazine, whose story was headlined “Forget tailgates, parking lots are for choir practice: https://www.channel3000.com/forget-tailgates-parking-lots-are-for-choir-practice/
This past September and October, smaller groups from the WCC assembled on Saturday mornings at the Warner Park Pavilion to rehearse in widely spaced formations.
They wore specially designed singers masks, and occasionally harmonized with nearby sandhill cranes that seemed unsure what to make of the a cappella music floating through their habitat.
Recordings by five distinct small ensembles — minus the cranes — will be aired during the Dec. 12 Car Carols broadcast, in addition to live singing by the Parking Lot choristers.
The Car Carols repertoire highlights music by African-American composers spanning nearly a century. Idiomatic pieces in the style of spirituals and contemporary gospel alternate with “non-idiomatic” motets and anthems by Nathaniel Dett (below top), William Dawson, Undine Smith Moore (below middle) and Carlos Simon (below bottom, with an oral self-portrait in the YouTube video at the bottom).
The remainder of the Parking Lot Choir selections consists of carol arrangements by WCC favorites — the late Stephen Paulus (below) and Peter Blotch — and feature virtual harp and violin accompaniment.
Live and virtual performers will also unite to sing Craig Hella Johnson’s moving arrangement of the songs I Love You and What a Wonderful World.
Interspersed between the live Car Carols will be a wide variety of pre-recorded selections, including the world premiere of WCC member Linda Palmer’s arrangement of Sussex Carol, plus music by Johannes Brahms, John Rutter, 17th-century female composer Chiara Cozzolani (below), and Tleycantimo choquilia, a carol from colonial-era Mexico, sung in Spanish and Nahuatl.
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world-premieres.
Artistic director Robert Gehrenbeck (below), who heads the choral program at the University of Wisconsin-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks. WCC members have acknowledged Gehrenbeck for his intrepid conducting in freezing temperatures during Parking Lot Choir rehearsals.
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Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW
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ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.
The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.
For a link and portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/
By Jacob Stockinger
The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:
The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.
The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.
Sadly, that was not to be.
But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.
We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.
We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.
Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.
We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.
Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.
BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.
We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)
The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)
For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison
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Classical music: The Festival Choir of Madison performs Yiddish music Saturday night. The Wisconsin Chamber Orchestra performs the child-friendly “Beethoven Lives Next Door” for FREE twice on Saturday morning
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ALERT: Do you have children or grandchildren you want to introduce to classical music? This Saturday morning, March 14, at 9:15 and 11:15 a.m. in the Goodman Community Center, at 149 Waubesa Street on Madison’s near east side, the Wisconsin Chamber Orchestra will give two FREE public performances of “Beethoven Lives Next Door.” The interactive, multi-media event includes live music and story-telling, and is designed for children age 4-10 and their families. Because space is limited, advance registration is strongly recommended. You can register for one of the performances by going to: https://wisconsinchamberorchestra.org/performances
By Jacob Stockinger
The Festival Choir of Madison will present its second concert of the season, “Ner Tamid: Eternal Flame,” on this Saturday night, March 14, at 8 p.m. at the First Unitarian Society of Madison at 900 University Bay Drive.
The choir (below), under the artistic direction of Edgewood College professor Sergei Pavlov (below, front right) will perform songs drawing on Yiddish folklore, Klezmer innovations, the pain and cultural fusion of the diaspora, and the poignancy of love in the Holocaust.
Spanning geography and time, this array of Sephardic folk songs, Middle Eastern melodies, the high European tradition of the late 19th century, and contemporary settings of ancient texts paints a rich picture of the breadth of Jewish musical tradition.
The performance includes works by Gustav Mahler, Jacob Weinberg (below top) and Alberto Guidobaldi (below bottom) for classical composers, as well as Paul Ben Haim and Josef Hadar, who are more contemporary Israeli and Jewish composers, respectively.
The Festival Choir of Madison (FCM) is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. FCM performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern, and eclectic works, and for singers who enjoy developing their talents with others.
The choir performs three thematic concerts annually in November, March and May. It also serves as the core choir for the Wisconsin Chamber Orchestra’s annual “Messiah” concert. (In the YouTube video at the bottom, you can hear the Festival Choir of Madison perform “The West Lake” by Chinese composer Chen Yi in 2019.)
Concert admission — general seating — is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.brownpapertickets.com/event/4383496
To learn more about the choir and see details about its May 16 performance of Mozart’s Requiem, visit: www.festivalchoirmadison.org
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Classical music: This Saturday, Aug. 31, at 11 a.m. in Overture Hall is the last FREE Farmers’ Market organ concert of the season. On Sunday afternoon, guitarist Steven Meyer performs at the Chazen Museum of Art
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ALERT: Madison guitarist Steven Meyer will perform a FREE concert on “Sunday Afternoon Live at the Chazen” this Sunday, Sept. 1, from 12:30 to 2 p.m. in Brittingham Gallery 3. The program features music by Johann Sebastian Bach, Gustav Holst, Heitor Villa-Lobos, Fernando Sor, himself and others. Also included is music by the Beatles, jazz and folk music. For more information about the series, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen8/
This Sunday’s performance will, as always, be live streamed starting at 12:30. Here is a portal link for streaming: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5
By Jacob Stockinger
This Saturday morning, Aug. 31, will see the last FREE Farmers’ Market organ concert of the season.
The 45-minute concert, sponsored by the Madison Symphony Orchestra and played on the Klais concert organ, takes place in Overture Hall at 11 a.m. No tickets or reservations are needed and the public is welcome.
The performer is David Ball (below), who was trained at the Juilliard School in New York City and who is based in Orange County, California, at the Christ (formerly Crystal) Cathedral.
The program features music by French composer Jean Langlais, French composer Camille Saint-Saens, German composer Max Reger, British composer Herbert Howells, Argentinean composer Norberto Guinaldo, French composer Leon Boellmann, French composer Jeanne Demessieux, contemporary American composer Alan Terricciano and American composer John Philip Sousa. (You can hear David Ball playing a different work by Herbert Howells in the YouTube video at the bottom.)
For the specific works and much more background about the performer, go to: https://madisonsymphony.org/event/free-farmers-market-concert-2019-david-ball/
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Classical music: Two performances of a FREE family concert for young children of “Beethoven Lives Next Door” take place this Saturday morning at the Goodman Community Center
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By Jacob Stockinger
This Saturday, young children and their families can experience the world of classical music through the eyes and ears of Ludwig van Beethoven.
Beethoven will be portrayed by Whitney Derendinger (below) of the UW-Madison Department of Theatre and Drama.
Two performances of the FREE concert will combine music, storytelling and learning for the whole family as Beethoven and the Wisconsin Chamber Orchestra, with help from students from the University of Wisconsin’s Mead Witter School of Music, bring to life the compositional journey of the infamous theme and first movement of Beethoven’s Fifth Symphony – heard in the YouTube video at the bottom that has more than 53 million views — which closed the WCO season last weekend.
Here are the details:
WHERE: Goodman Community Center, 149 Waubesa Street, on Madison’s east side
WHEN: Saturday, May 19, 2018
CONCERT 1
9:00 a.m. | Preconcert Activities
9:30 a.m. | Performance #1 (40 minutes)
CLICK HERE to get tickets to Concert 1
CONCERT 2
10:45 a.m. | Preconcert Activities
11:15 a.m. | Performance #2 (40 minutes)
CLICK HERE to get tickets to Concert 2
The WCO’s Family Community Concert Series is a new, free-of-charge but ticketed educational program for children ages 4-10 and their families.
A unique format will encourage audience members of all ages to interact with classical music and each other like they never have before and serve as a new way for parents to introduce their children to classical music.
WCO will use music to inspire connections within families and communities and to foster a love for music that spans generations.
Families can also help prepare children for the experience. For more information and a preparatory study guide, go to:
https://wisconsinchamberorchestra.org/education/wco-connect-family-concerts/concert-experience
The event is sponsored by CUNA Mutual and Findorff Construction.
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The Well-Tempered Ear 