IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
BEGIN 2020 |
|||
Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
Fri, February 28, 2020
|
Pro Arte Quartet |
8:00 PM
|
Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
Sat, April 18, 2020
|
UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
|
Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
Sun, April 26, 2020
|
University Bands | 2 PM | Mead Witter Hall |
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
It is another very busy week in Madison for classical music. Here are some short takes about various concerts, starting today and running through the week.
TODAY
Today — Sunday, April 7 — at 12:30 p.m., longtime chamber music partners UW-Madison cellist Parry Karp and UW-Oshkosh pianist Eli Kalman (below) will perform a FREE all-French recital at the Chazen Museum of Art in Brittingham Gallery 3. The concert is part of the regular monthly series Sunday Afternoon Live at the Chazen.
The concert will also be STREAMED LIVE starting at 12:30 p.m.
For a streaming portal and details about the program, go to:
TUESDAY
On Tuesday night, April 9, at 7:30 p.m. in Music Hall, at the foot of Bascom Hill, students in the UW-Madison Opera Workshop class perform a variety of scenes from opera and musical theater, staged and with piano accompaniment.
Sorry, but there are no details available about the composers, opera or scenes.
WEDNESDAY, APRIL 10
On Wednesday night, April 10, at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street, the largely amateur but critically acclaimed Middleton Community Orchestra (below) will perform.
The program, under guest conductor Kyle Knox, features the Symphony No. 2 in D Major by Ludwig van Beethoven and “The Wand of Youth” Suites by Sir Edward Elgar. (You can hear the opening of the Beethoven symphony in the YouTube video at the bottom.)
The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.
A meet-and-greet reception follows the concert.
Tickets are $15 for the general public. Admission is FREE to students.
For more information, including how to purchase tickets in advance and how to support the orchestra, go to:
http://middletoncommunityorchestra.org/concert_information
FRIDAY
On Friday, April 12, at 8 p.m. in Mills Hall, the UW Chorale will perform a FREE concert under conductor Bruce Gladstone.
Sorry, no details are available about the program.
SATURDAY
On Saturday, April 13, at 8 p.m. in Mills Hall, a FREE concert by UW-Madison Combined Choirs will be performed. The event features the Masters Singers, the University Chorus and the Women’s Chorus (below).
Sorry, there are no details available about the program.
By Jacob Stockinger
With the end of the academic year less than a month away, the last concerts of the semester are stacking up at the University of Wisconsin-Madison‘s Mead Witter School of Music.
Below are major events. But there are many more, including a lot of noteworthy student recitals. For a complete listing, go to: https://www.music.wisc.edu/events/
TODAY
At 7:30 p.m. in Morphy Recital Hall, the Ann Arbor-based Back Pocket Duo (below) of percussionist Colin McCall and pianist Annie Jeng will perform a FREE program that includes a commission by contemporary composer Ivan Travino. For details, go to:
https://www.music.wisc.edu/event/guest-artists-back-pocket-duo/
TUESDAY
The spring program of Opera Scenes by University Opera, to be held at Music Hall, has been CANCELLED.
At 7:30 p.m. in Mills Hall, the Twisted Horn Ensemble, under the direction of UW professor Daniel Grabois (below) will perform a FREE concert. Sorry, no word on composers or works on the program.
THURSDAY
At 7:30 p.m. in Mills Hall, the Pro Arte Quartet (below, in a photo by Rick Langer) will perform a FREE concert of string quartets. The program, features the String Quartet in G Minor, Op; 20, No. 3, by Franz Joseph Haydn; and the final String Quartet No. 15 in G Major, D. 887, by Franz Schubert.
FRIDAY
At 6 p.m. UW-Madison students in the Collegium Musicum will perform a FREE concert of early music under the direction of keyboard professor John Chappell Stowe (below, in a photo by Katrin Talbot). Sorry, no word about composers or pieces on the program.
At 8 p.m. in Mills Hall. A combined choirs concert of the UW Women’s Chorus (below) and University Chorus will perform a FREE program.
Works to be performed under conductor Chris Boveroux include “Curse Against Iron” by Veljo Tormis; “Miniwanka” or The Moments of Water,” performed in North American Indian dialects, by R. Murray Schafer (below); and the world premiere of a work composed by UW student Brianna Ware.
For more information, go to:
https://www.music.wisc.edu/event/combined-choirs-concert-2/
SATURDAY
At 8 p.m. in Mills Hall, the Concert Choir (below) performs the program “On a Lark” under conductor Beverly Taylor graduate assistant conductor Chris Boveroux.
The program features the Wisconsin premiere of “A Dome of Many-Coloured Glass” by Dominick DiOrio (below), a 2012 four-movement setting of Amy Lowell’s poetry, featuring marimba and soprano soloist with the choir.
For more information, go to: https://www.music.wisc.edu/events/2018-04-21/
SUNDAY
At 4 p.m. (Part 1) and then 7:30 p.m. (Part 2) in Mills Hall, the UW Choral Union and the UW Symphony Orchestra (both below), under Beverly Taylor, will perform the “St. Matthew Passion” by Johann Sebastian Bach.
Tickets (one ticket is good for both parts) are $15, $8 for students and seniors. To purchase tickets, go to: https://www.music.wisc.edu/about-us/tickets/
Tickets will also be available at the door.
At 8:30 p.m. in Morphy Recital Hall, the Hunt Quartet, made up of UW graduate students, will perform a FREE concert.
This year’s members (below from left, in a photo by Katrin Talbot) are Kyle Price, cello.; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; Chang-En Lu, violin.
The program offers the “Quartettsatz” (Quartet Movement) by Franz Schubert; the String Quartet in B minor, Op. 11 (with the original version of the famous Adagio for Strings) by Samuel Barber; and the String Quartet in C minor, Op. 18, No. 4, by Ludwig van Beethoven.
By Jacob Stockinger
Here is a guest review by The Opera Guy of Giuseppe’s Verdi’s “Falstaff” as staged by the University Opera. Performance photos are by Michael Anderson.
By Larry Wells
In the past few years I’ve seen Verdi’s “La Forza del Destino” set in the Spanish Civil War, Wagner’s Ring cycle re-imagined as the history of cinema, and Puccini’s “Turandot” presented as a performance by a traveling circus.
Thus, Verdi’s ‘Falstaff’ set in 1930’s Hollywood seemed a reasonable reinterpretation, and so it proved at its final performance Tuesday evening by University Opera.
“Falstaff,” drawn from three plays by Shakespeare, is Verdi’s final opera and a rare comedy. More importantly, gone are his familiar forms of a recitative followed by an aria with lots of oom-pa-pa orchestral accompaniment, now replaced with a conversational style that to me shows Wagner’s influence. It just doesn’t sound like Verdi, but it certainly sounds good.
I felt that the whole evening was a triumph.
The sets were beautifully dressed, the costumes were excellent and the lighting was effective.
The UW Symphony Orchestra, conducted by James Smith, played wonderfully, although from where I sat the sound was occasionally muffled.
Thank goodness a new music building is being built, and I trust that there will be a theater within it that will accommodate operatic performances. The current Music Hall has its limitations, one being that much of the orchestra was playing underneath the stage and another being that for some reason the theater’s temperature cannot be controlled. It was stiflingly hot during the performance.
As for the singing and acting, the cast I saw was uniformly strong. Falstaff, performed by UW-Madison faculty member Paul Rowe (below), was very robust and was particularly affecting during his act III soliloquy. The Ear mentioned to me his Oliver Hardy mannerisms, and once I noticed that I was constantly amused.
Yanzelmalee Rivera as Alice was hilarious in her seduction scene and really came alive in Act III. Courtney Kayser as Meg was a compelling comic actress. Rebecca Buechel’s Mistress Quickly was an equally adept comic actress and had an excellent voice. Emily Weaver as Nannetta was a beautiful singer who shone in her third act moments as Queen of the Fairies. These four women had some outstanding ensemble moments, and I was constantly diverted by their antics as they outwitted the men.
Among the hapless male characters, Brian Schneider was a standout as Ford and the deep voice of Benjamin Schultz (below left, with Paul Rowe and Jiabao Zhang) made the minor character Pistola noticeable whenever he was on stage.
But the voice of the evening belonged to tenor José Daniel Muñiz (below right) as Fenton. He excelled not only in his solo moments but blended extremely well with his paramour Nannetta (Claire Powling, below left).
The outstanding ensemble work exhibited throughout the opera culminated in the grand fugue at the end of the opera, and the nearly full-house audience was blown away by those final moments. (You can hear the fugal finale, conducted by Sir George Solti, in a YouTube video at the bottom.)
The 1930’s Hollywood concept worked well. It seemed completely fitting and was undoubtedly more amusing than it would have been had the opera been set in the time of Henry IV.
“Well done” to the University Opera’s new full-time director David Ronis (below center) for his imagination and direction. I look forward to his production of Benjamin Britten’s “Turn of the Screw” in early March.
And since this University Opera production and other events are being presented to commemorate the 400th anniversary of Shakespeare’s death and the exhibition of a First Folio at the Chazen Museum of Art, I want to put in a plug for Ralph Vaughan Williams’ “Sir John in Love” which has almost exactly the same plot as “Falstaff” and is woefully underperformed.
I also want to draw your attention the FREE Opera Scenes concert by University Opera that will be presented this Tuesday night, Nov. 22, at 7:30 p.m. in Music Hall. Featured are singers, with piano accompaniment, in scenes from: Charles Gounod’s “Faust”; Claudio Monteverdi’s “The Coronation of Poppea“; Giacomo Puccini‘s “La Rondine”; Leonard Bernstein‘s “Trouble in Tahiti”; Gioacchino Rossini’s “The Barber of Seville”; Dominick Argento’s “Postcard From Morocco”; and Marc Blitzstein’s”Regina.”
Archives
Blog Stats
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | |||
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 |
Recent Comments
samanthacrownoversbc… on How do post-pandemic concert a… | |
Ronnie on How do post-pandemic concert a… | |
welltemperedear on How do post-pandemic concert a… | |
Polly Kuelbs on How do post-pandemic concert a… | |
welltemperedear on How do post-pandemic concert a… |
Tags
#BlogPost #BlogPosting #ChamberMusic #FacebookPost #FacebookPosting #MeadWitterSchoolofMusic #TheEar #UniversityofWisconsin-Madison #YouTubevideo Arts audience Bach Baroque Beethoven blog Cello Chamber music choral music Classical music Compact Disc composer Concert concerto conductor Early music Facebook forward Franz Schubert George Frideric Handel Jacob Stockinger Johannes Brahms Johann Sebastian Bach John DeMain like link Ludwig van Beethoven Madison Madison Opera Madison Symphony Orchestra Mozart Music New Music New York City New York Times NPR opera Orchestra Overture Center performer Pianist Piano post posting program share singer Sonata song soprano String quartet Student symphony tag The Ear United States University of Wisconsin-Madison School of Music University of Wisconsin–Madison Viola Violin vocal music Wisconsin Wisconsin Chamber Orchestra wisconsin public radio Wolfgang Amadeus Mozart YouTube