The Well-Tempered Ear
Classical music: What music is helping you get through the Coronavirus by staying home? Help create a Pandemic Playlist
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By Jacob Stockinger
Starting today, Wisconsin joins other states and countries in proclaiming a stay-at-home emergency condition to help fight the coronavirus pandemic.
That means non-essential businesses and schools are closed; restaurants can only deliver food and do pick-up; and residents must stay at home except for essential services and travel such as buying food, seeing a doctor and getting medicine.
For a couple of weeks, many of us have already been spending almost all our time hunkering down at home.
And the Internet and other mass media are full of helpful hints about how to handle the loneliness, fear and anxiety that can come with self-isolation and self-quarantining.
For many, music proves a reliable coping strategy.
Since there are no live concerts to preview or review, now seems like a good time for The Ear to ask readers: What music helps you deal with the isolation of staying at home?
Is listening to music a part of your daily schedule, structure or routine?
Maybe you are using the time to discover new music or neglected composers, works and performers.
Maybe you are using the time to revisit old favorites by Bach, Mozart and Beethoven.
Maybe you prefer darker and deeper, more introverted works such as symphonies by Mahler, Bruckner and Shostakovich?
Maybe you prefer the stories and drama of operas by Verdi and Puccini, oratorios by Handel and songs by Schubert?
Maybe, like The Ear, you find the music of Baroque Italian composers, such as the violin concertos by Vivaldi and Corelli, to be a great, upbeat way to start the day with energy and a good mood.
One more modern but neo-classical work that The Ear likes to turn to — a work that is rarely heard or performed live – is the beautiful “Eclogue” for piano and strings by the 20th-century British composer Gerald Finzi (below).
Finzi wrote it as a slow movement to a piano concerto, but then never finished the concerto. The “Eclogue” — a short pastoral poem — was never performed in his lifetime. So it continues to stand alone.
But like so much English pastoral music, the poignant Eclogue feels like sonic balm, some restorative comfort that can transport you to a calmer and quieter place, put you in a mood that you find soothing rather than agitated.
Hear it for yourself and decide by listening to it in the YouTube video at the bottom, then let The Ear know what you think.
Perhaps you have many other pieces to suggest for the same purpose.
But the series of reader suggestions is meant to be ongoing.
The idea is to build a collective “Pandemic Playlist.”
So right now and for this time, please post just ONE suggestion – with a YouTube link, if possible — in the Comment section with perhaps what you like about it and why it works for you during this time of physical, psychological and emotional distress from COVID-19.
What do you think of the idea of creating a Pandemic Playlist?
The Ear hopes that you like his choice, and that he and other readers like yours.
Be well and stay well.
Let’s get through this together.
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Classical music: Today is Thanksgiving. Famed New York City radio station WQXR offers its Top 5 musical expressions of giving thanks. Plus, Wisconsin Public Radio has lots of holiday fare to listen to.
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By Jacob Stockinger
Today is Thanksgiving Day, 2015.
Music is such a part of Thanksgiving Day, from hymns and songs, solo music and chamber music, symphonies and oratorios.
Today, Wisconsin Public Radio will feature a lot of music with the theme of Thanksgiving and giving thanks.
And from 10 until noon, will also feature band, choral and instrumental music from the Honors Concerts of the Wisconsin School Music Association. That involves middle school and high schools students from around the state.
Then from noon to 3 p.m. there is a special National Public Radio (NPR) program for Thanksgiving that includes the British pianist Stephen Hough, who has performed several times in Madison at the Wisconsin Union Theater and with the Madison Symphony Orchestra, and who also held master classes at the University of Wisconsin-Madison School of Music. (The NPR show features music and stories, and will also include Chris Kimball of the popular TV show and magazine America’s Test Kitchen, which he is leaving because of a contract dispute. By the way, you can stream Wisconsin Public Radio,)
But you might also be interested to stream some other music. WQXR, the famed classical music radio station in New York City, has put together the Top 5 musical expressions of giving thanks. The website has audio and visual performances of the works that you can stream.
Here is a link:
http://www.wqxr.org/#!/story/top-five-expressions-thanks-classical-music/
And if you have other ideas about music that is appropriate for Thanksgiving this year, please leave them in the COMMENT section, preferably with a YouTube link if possible.
The Ear wants to hear.
Happy Thanksgiving to all.
Tags: America's Test Kitchen, Arts, band, Baroque, Beethoven, Chamber music, choral music, Chris Kimball, Christopher Kimball, Classical music, Concert, Early music, Environmental Studies, high school, honors, hymn, hymns, instrumental, Jacob Stockinger, Johann Sebastian Bach, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, master class, Middle school, Music, Music education, National Public Radio, New York, New York City, NPR, oratorio, Orchestra, private school, public schools, Radio, schools, Stephen Hough, stories, story, streaming, Student, students, symphony, Thanksgiving, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin School Music Association, Wisconsin Union Theater, WQXR, YouTube
Classical music education: Alumna violist Vicki Powell returns this weekend to perform with the Wisconsin Youth Symphony Orchestras (WYSO) and kick off WYSO’s 50th anniversary season. Plus, Madison Music Makers gives a free concert at noon on Saturday
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ALERT: This Saturday, from noon to 1 p.m. at Grace Episcopal Church, downtown on the Capitol Square, Madison Music Makers will give a FREE concert in the monthly Grace Presents series of music that includes works by Johann Sebastian Bach, Johann Pachelbel, Antonio Vivaldi and Ludwig van Beethoven as well as popular music, country music and American, Bolivian, French, German, Jewish, English folksongs. Founded in 2007 by Bonnie Green and sponsored by many individuals and groups, including the Madison public schools, Madison Music Makers is dedicated to giving low-income students in the Madison area high-quality music lessons.
For more information about how to support or participate in the organization, visit: www.MadisonMusicMakers.org
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO) will present its first concert series of its 50th anniversary season, the Evelyn Steenbock Fall Concerts, on Saturday, Nov. 14, and Sunday, Nov. 15.
Nearly 400 young musicians will display their talents to the community during the three concerts, which are dedicated to private and school music teachers.
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the University of Wisconsin-Madison‘s George Mosse Humanities Building, 455 North Park Street, in Madison.
WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
WYSO’s Percussion Ensemble (below), led by director Vicki Jenks will kick off the concert series at 1:30 p.m. on Saturday.
Immediately following the Percussion Ensemble, the Philharmonia Orchestra (below) and its conductor Michelle Kaebisch will take the stage and perform the Masquerade Suite by Aram Khachaturian; Reigger’s Rhythmic Dances; the Light Calvary Overture by Franz Von Suppe; and the Berceuse (Lullaby) and Finale from the “Firebird Suite” by Igor Stravinsky.
At 4 p.m. on Saturday, the Concert Orchestra (below) under the direction of conductor Christine Eckel will perform The Quest by Kerr, Romany Dances by DelBorgo and Slane by Douglas Wagner. The Concert Orchestra will also perform two works by John Williams in Star Wars: Episode 2 Attack of the Clones, and Harry Potter and the Deathly Hallows Part 1, which Williams co-composed with Alexandre Desplat.
Following the Concert Orchestra, WYSO’s string orchestra, Sinfonietta (below), will take the stage. Conductor Mark Leiser will lead the orchestra in seven works including the Adagio movement from the Symphony No. 2 by Sergei Rachmaninoff; Silva’s The Evil Eye and the Hideous Heart; Edward MacDowell’s Alla Tarantella; Shenandoah arranged by Erik Morales, Forever Joyful and Lullaby to the Moon by Balmages; and the Entrance of the Queen of Sheba by George Frideric Handel.
On Sunday, Nov. 15, WYSO’s Harp Ensemble (below), under the direction of Karen Atz, will open the 1:30 p.m. concert.
Following the Harp Ensemble, the Youth Orchestra (below), under the baton of WYSO music director Maestro James Smith, will perform three pieces.
In honor of WYSO’s 50th Anniversary, WYSO welcomes back one of their illustrious alumni, violist Vicki Powell (below). Powell began her vibrant musical career studying with UW-Madison faculty members Eugene Purdue and Sally Chisholm, who plays with the Pro Arte Quartet.
From there, she graduated from the Julliard School and the Curtis Institute of Music. She has performed as a soloist with the Philadelphia Orchestra, the Milwaukee Symphony, and the Wisconsin Chamber Orchestra. For her full bio, please visit our website at http://www.wysomusic.org/evelyn-steenbock-fall-concerts/vicki-powell.
Vicki Powell, along with the Youth Orchestra will perform the Concerto for Viola and Orchestra by Bela Bartok. (You can hear the rhapsodic slow first movement played by Yuri Bashmet and the Berlin Philharmonic in a YouTube video at the bottom.)
Following that performance, the Youth Orchestra will continue the concert with Rainbow Body by Theofanidis and the Symphony No. 9 by Dmitri Shostakovich.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc. charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
For more information about WYSO, visit:
Tags: Alexandre Desplat, Andante, Antonio Vivaldi, Aram Khachaturian, Arts, Bartok, Beethoven, Berceuse, Berlin Philharmonic, Bolivia, brass, Cello, Chamber music, Classical music, concerto, country music, Curtis Institute of Music, Dmitri Shostakovich, Early music, Edward MacDowell, England, Episcopal, Film score, finale, Firebird, folksong, France, Franz von Suppe, George Frideric Handel, George Mosse, Germany, Grace Present, harp, Harry Potter, Harry Potter (character), Harry Potter (film series), Harry Potter and the Deathly Hallows, humanities, J. K. Rowling, Jacob Stockinger, Jew, Jewish, Johann Pachelbel, John Williams, Juilliard School of Music, Light Cavalry Overture, low-income, Madison, Madison Music Makers, Milwaukee Symphony Orchestra, Music, Music education, music teachers, National Endowment for the Arts, opera, Orchestra, Pachelbel, percussion, Philadelphia Orchestra, pops, popular music, Pottermore, Pro Arte Quartet, Rachmaninoff, schools, Star Wars, Steenbock, Stravsinky, Suite, symphony, The Capital Times, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Vicki Powell, Viola, Violin, Vivaldi, Wisconsin Arts Board, Wisconsin Chamber Orchestra, YouTube, Yuri Bashmet
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