The Well-Tempered Ear

Classical music: The early music group Ensemble SDG will perform psalms by Heinrich Schütz and other composers as well as sonatas and a canticle this Saturday night at Luther Memorial Church.

November 20, 2014
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By Jacob Stockinger

The Madison-based duo Ensemble SDG will perform a concert of early music on this Saturday night, November 22, 2014, at 7 p.m. in the Luther Memorial Church (below), 1021 University Avenue, in Madison, Wisconsin.

luther memorial church madison

The concert will feature special guests William Hudson, tenor, and Katherine Shuldiner, viola da gamba.

The program includes settings of Psalm texts by Heinrich Schütz (below with his psalms at bottom in a YouTube video), Johann Hermann Schein, and Jacques de Bournonville, with a setting by Johann Philipp Krieger of the anonymous canticle Laetare anima mea, as well as sonatas by Giovanni Battista Fontana, Dieterich Buxtehude and Elisabeth Jacquet de la Guerre.

Heinrich Schutz

Ensemble SDG (below) features Madison musicians Edith Hines, baroque violin, and John Chappell Stowe, professor of harpsichord and organ at the University of Wisconsin-Madison School of Music. The duo has performed across the United States, and their recording of the complete works of J. S. Bach for violin and keyboard is soon to be released by Arabesque Records.

William Hudson is a founding member and director of LIBER: Ensemble for Early Music and was recently appointed Assistant Professor of voice and diction at Illinois Wesleyan University (Bloomington, Ill.).

Katherine Shuldiner recently graduated from Oberlin Conservatory of Music, specializing in viola da gamba performance. She lives and works in Chicago, Illinois.

ensemble sdg new USE

Admission to the concert on November 22 is $15; admission is free for students with a valid ID.

Ensemble SDG, a baroque violin and keyboard duo formed in 2009, performs music spanning the entire Baroque period, with a particular focus on the works of Johann Sebastian Bach. The duo has presented works by German, French and Italian composers of the 17th and 18th centuries in recitals from the Midwest to the East Coast. Venues include Fringe Concerts at the 2009, 2011, and 2013 Boston Early Music Festivals; a recital featuring the Brombaugh organ at First Presbyterian Church in Springfield, Illinois; the biennial meeting of the American Bach Society and the annual joint conclave of the Midwest and Southeastern Historical Keyboard Societies; the Michigan Festival of Sacred Music; Wisconsin Public Radio’s Sunday Afternoon Live from the Chazen; and multiple appearances at the University of Wisconsin–Madison, one being a performance of J.S. Bach’s six sonatas for violin and obbligato keyboard. This fall the duo will release a recording of Bach’s complete works for violin and keyboard.

Ensemble SDG takes its name from the epigraph (below top) used by Johann Sebastian Bach (below bottom) to sign many of his works. Soli Deo Gloria (“to God alone the glory”) represents the members’ common approach to music and to life, and it is with this grounding that they approach their technique, choice of repertoire, and interpretative decisions.

sdg

Bach1

Highly sought after as a specialist in historical performance, tenor William Hudson has been described as “positively hypnotic” by Gramophone magazine.  An accomplished ensemble singer, Mr. Hudson has performed with many of the nation’s leading early music ensembles including the Boston Early Music Festival Opera, The New York Collegium, The Waverly Consort, The Rose Ensemble, Boston Bach Ensemble, and Ensemble Project Ars Nova (PAN).

As a founding member and director of LIBER: Ensemble for Early Music (formerly Liber unUsualis), he has performed extensively throughout North America and abroad at international music festivals in England, Wales, Ireland, Belgium, Germany, France, Latvia, Estonia, and Spain. Mr. Hudson also enjoys an active solo career, singing the Evangelist in Johann Sebastian Bach’s St. John Passion, Apollo in Claudio Monteverdi’s Orfeo, the title role in Giacomo Carissimi’s Jephte, Lucano in Monteverdi’s L’incoronazione di Poppea, Mercury in Eccles’ Judgment of Paris, and Alessandro Stradella’s oratorio San Giovanni Battista with the Jerusalem Baroque Orchestra.

An active scholar and clinician, Mr. Hudson (below, in a photo by Tall & Small Photography) was the winner of the 2009 Noah Greenberg award and has presented at the International Congress of Medieval Studies in Kalamazoo. He has led master-classes and given lecture-demonstrations in medieval performance practice at universities throughout North America. He has recorded with Naxos, Passacaille, Arsis, Titanic and Dorian. Mr. Hudson holds a Master’s degree in Historical Performance from the Longy School of Music and a Doctor of Music in Early Music from Indiana University. He is a Visiting Assistant Professor of voice and diction at Illinois Wesleyan University in Bloomington, Illinois.

William Hudson Tall & Small Photography

Katherine Shuldiner graduated from Oberlin Conservatory in viola da gamba performance under the tutelage of Catharina Meints. She has performed with Chicago based ensembles such as The Newberry Consort, BBE: Bach and Beethoven Ensemble, and The OC (The Opera Company).

She has also performed with Washington Bach Consort and La Follia Austin Baroque. Katherine recently finished her two-year term on the board of the Viola da Gamba Society of America and was chosen to perform in the first Early Music America’s Young Performers Festival during Boston Early Music Festival. This past summer, Katherine taught at the Madison Early Music Festival as well as the VdGSA Conclave.

katherine shuldiner USE

 

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Classical music: It is “Early Music Weekend” as the Madison Bach Musicians open their 10th anniversary season with concerts on Saturday night and Sunday afternoon of music by J.S. Bach, Telemann, Handel, Leclair, Pachelbel and Vivaldi. Plus, Ensemble SDG performs Bach, Corelli, Pisendel and Handel on Wisconsin Public Radio’s “Sunday Afternoon Live From the Chazen.”

October 3, 2013
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ALERT: Two early music friends who perform together as the Ensemble SDG, baroque violinist Edith Hines and UW harpsichordist and organist John Chappell Stowe, write to The Ear: “Ensemble SDG (below) is pleased to invite the public to our FREE upcoming performance on Wisconsin Public Radio‘s “Sunday Afternoon Live from the Chazen.” The recital will be this Sunday, October 6, from 12:30-2 p.m. in Brittingham Gallery III at the Chazen Museum of Art (750 University Avenue, Madison). It will be broadcast live on WPR’s News and Classical Music network (in the Madison area, 88.7 WERN) and streamed online here.

The program will include sonatas for violin and continuo by Arcangelo Corelli, Johann Georg Pisendel, and George Frideric Handel, as well as two sonatas for violin and obbligato harpsichord by J. S. Bach, whose contrasting characters–deeply melancholy and brilliantly effervescent–exemplify the program’s theme of “darkness and light.”  Admission is free, but seating is limited. Nevertheless, we hope to see you there! For more information, visit jsb1685.blogspot.com

Ensemble SDG Stowe, Hines 2

By Jacob Stockinger

This weekend will witness a landmark: It marks the opening of the 10th anniversary season of the Madison Bach Musicians.

In only a decade, the accomplished baroque ensemble (below) has risen to the fore of the many early music group in the area.

Kangwon KIm with Madison Bach Musicians

The MBM, under director and founder Trevor Stephenson will give two performances – on Saturday night and Sunday afternoon of a concert that features the acclaimed guest baroque violinist Marilyn McDonald (below), who tours widely and also teaches at the Oberlin Conservatory of Music.

Marilyn McDonald baroque violin

Stephenson is a masterful and humorous explainer and will also give a pre-concert lecture at each performance. Other MBM musicians include: Marilyn McDonald, Kangwon Kim, Brandi Berry, Mary Perkinson on baroque violins; 
Nathan Giglierano on baroque viola; 
Anton TenWolde on baroque cello’ and
Trevor Stephenson on harpsichord. (You can hear MBM musicians play and talk in a News 3/Channel 3000  YouTube video from 2011 at the bottom.)

Prairie Rhapsody 2011 Trevor Stephenson

The program features: Georg Philipp Telemann’s Concerto in G major for Four Violins; George Frideric 
Handel’s Violin Sonata in G minor, HWV 364, and Trio Sonata in E major, Op. 2, No. 9, HWV 394; Jean-Marie 
Leclair’s Violin Duo in G minor; 
Johann Pachelbel Canon and Gigue in D major; J.S. 
Bach’s Contrapunctus 19 from The Art of Fugue (with B-A-C-H Fugue);
 and Antonio Vivaldi’s Concerto in A minor for Two Violins, RV 522.

Performances are on Saturday, October 5, with a
 7:15 p.m. lecture and 8 p.m. concert at the 
First Unitarian Society’s crisp Atrium Auditorium
 (below, in a photo by Zane Williams) at 900 University Bay Drive on Madison’s near west side; and on
 
Sunday, October 6, with 
2:45 p.m. lecture and 3:30 p.m. concert
in Blessing Room of Madison’s Christian Community Church, 7118 Old Sauk Road on the far west side of Madison.

FUS Atrium, Auditorium Zane Williams

Advance tickets, cash or check only, are discounted and run $20 for general admission, $15 for students and seniors 65 and over; and are available at A Room of One’s Own; Farley’s House of Pianos; the east and west locations of the Willy Street Co-op; Orange Tree Imports; and Ward-Brodt Music Mall.

At the door, tickets are $25 for general admission and $20 for students and seniors.

For more information, call (608) 238-6092 or visit  www.madisonbachmusicians.org

MORE ABOUT THE GUEST SOLOIST

Marilyn McDonald, a founding member of the Smithson Quartet and the Castle Trio, currently plays in the Axelrod Quartet in residence at the Smithsonian Institution; the Axelrod Quartet is named in honor of the donor of the decorated Stradivarius instruments on which the quartet performs.

She has toured world-wide as a chamber musician playing repertoire ranging from baroque to contemporary, appearing at Alice Tully Hall, the Metropolitan Museum, the Frick Gallery, the Caramoor, Utrecht and Mostly Mozart Festivals, Wigmore Hall, Disney Hall, Ravinia and the Concertgebouw, as well as appearing as soloist with the Milwaukee and Omaha Symphonies. Concertmaster positions include Boston Baroque and the Peninsula Music Festival.

She has been artist in residence at Boston University and has held visiting professorships at the Eastman School of Music and at Indiana University. She teaches each summer at the Oberlin Baroque Performance Institute and has been honored with the “Excellence in Teaching” award at Oberlin, where she is professor of violin.  McDonald’s recordings are heard on the Deutsche Harmonia Mundi, Virgin Classics, Decca, Gasparo, Smithsonian and Telarc labels.

REST OF THE ANNIVERSARY SEASON

The Madison Bach Musicians’ 10th anniversary season also includes:

On December 14, the third annual Baroque Holiday Music program at the First Congregational Church.

On April 18 and 19, the season will conclude with Johann Sebastian Bach’s Mass in B minor, conducted by University of Wisconsin-Madison bassoonist Marc Vallon (below). The MBM will collaborate on this venture with the Madison Choral Project under Edgewood College choral director Albert Pinsonneault.


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