The Well-Tempered Ear

Classical music: The Wisconsin Chamber Choir celebrates 20 years with a retrospective concert and alumni singers this Saturday night

April 11, 2019
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By Jacob Stockinger

This Saturday night, the Wisconsin Chamber Choir (below) will celebrate its 20th anniversary with a retrospective concert that includes alumni.

The performance is at 7:30 p.m. in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.

The program features favorite works from the choir’s history.

Founding conductor Gary McKercher (below top) will join current artistic director Robert Gehrenbeck (below bottom) – who directs choral activities at the University of Wisconsin-Whitewater — to lead the choir in this special performance.

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Familiar composers such as Felix Mendelssohn, Sergei Rachmaninoff and Franz Joseph Haydn share billing with Jean Belmont Ford (below), whose Sand County, a setting of Aldo Leopold’s words, will be performed.

Also on the program are a set of pieces by Howard Helvey (below top) that the WCC commissioned in 2002, and the U.S. premiere of Utyos by longtime WCC member Albrecht Gaub (below bottom).

Alumni of the choir will participate as guest singers in the final two works on the program: Haydn’s humorous Eloquence; and Gregg Smith’s serene Now I Walk in Beauty, which is based on a Navajo prayer and can be heard in the YouTube video at the bottom. 

Immediately following the performance, audience members are invited to join the singers for cake and refreshments to celebrate this milestone in the history of one of Madison’s premiere music ensembles.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart and Johannes Brahms; a cappella works from various centuries; and world premieres of commissioned works.

Artistic director Gehrenbeck has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Advance tickets for the April 13 performance at are available for $15 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets.

Tickets are also available in Madison from Orange Tree Imports, all three Willy Street Co-op locations, and from members of the choir. Tickets at the door will be available for $20 for adults and $10 for students.


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Classical music: WQXR radio names 19 musicians to watch in ’19. What do you think of the choices? Who would you add?

January 28, 2019
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By Jacob Stockinger

What will 2019 bring in the way of classical music?

What and who should we be looking at and paying attention to?

WQXR — the famed classical radio station in New York City – recently published its list of 19 to watch in ‘19, with detailed reasons for and explanations of their picks.

It seems like a pretty good choice to The Ear, although there is always something of a parlor game aspect to such projects.

Nonetheless, the list covers a fine variety – instrumentalists and vocalists, young and old, American and international, the well-known and the up-and-coming such as the opera singer Devone Tines (below, in a photo by Nikolai Schukoff).

Some names will be familiar to Madison audiences – such as pianist Inon Barnatan, violinist Nicola Benedettti, the JACK Quartet and cellist Steven Isserlis — especially through their live appearances at the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music and the Madison Symphony Orchestra plus broadcasts on Wisconsin Public Radio.

Here is a link to the list: https://www.wqxr.org/story/wqxr-presents-19-19-artists-collaborations-upcoming-year/

The Ear can think of some other musicians that he would add to the list.

An especially deserving one of them is the young American virtuoso pianist George Li (below, in a photo by Simon Fowler).

Born in China and brought as a child to the United States by his parents, Li attended Harvard and just finished his master’s degree from the New England Conservatory of Music. (At the bottom, you can hear Li play virtuosic music by Liszt and Horowitz in the YouTube video of a Tiny Desk Concert at National Public Radio or NPR.)

Li won the silver medal in the 2015 at the 15th Tchaikovsky International Competition in Moscow and had a lot of people talking about the energy and excitement of his playing. He was praised for both outstanding technical prowess and deep expressiveness.

He then took first prize at a piano competition in Paris.

Ever since, he has been steadily booked. At 23, the amiable Li has already toured China, Japan and Russia and seems to have a very busy schedule ahead of him, judging by his posts on Instagram.

He has also released his first recording on the Warner Classics label, a fine CD that received many positive reviews from critics, including this one.

The program includes Haydn’s Sonata in B minor, Chopin’s Sonata No. 2 in B-flat Minor “Funeral March,” Rachmaninoff’s “Variations on a Theme of Corelli,” and Consolation No. 3 and the popular Hungarian Rhapsody No. 2 by Franz Liszt.

Given all the concertos he is now performing, it would not surprise one to see his next recording be a concerto, possibly the Tchaikovsky Piano Concerto N. 1 in B-flat minor, Op. 23, which brought him instant acclaim.

Here is a link to his website: http://www.georgelipianist.com

And here is a link to his entry in Wikipedia: https://en.wikipedia.org/wiki/George_Li

Keep your ears and eyes on George Li.

What do you think of the choices made by WQXR?

Who would you add to the list of musicians to watch in 2019, and why?

If possible, maybe you can include a YouTube link to a performance, live or recorded, in your comment.

The Ear wants to hear.


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Classical music: Trio Celeste proves superb in its Madison debut concert at Farley’s House of Pianos

January 8, 2019
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By Jacob Stockinger

\Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

In its Salon Piano Series, Farley’s House of Pianos has been offering splendid piano recitals. But it has augmented that by bringing other musicians to join in chamber music programs, showing them at work with the vintage pianos in the Farley collection, so lovingly restored.

On Sunday afternoon, the series brought the Trio Celeste (below) from California to play just such a program. Consisting of violinist Iryna Krechkovsky, cellist Ross Gasworth and pianist Kevin Kwan Loucks, the group played a demanding program of predominantly Russian origins.

They began by reversing the two parts of the program from the printed order. Thus, the first item was the single-movement Trio élégiaque No. 1 by Sergei Rachmaninoff, composed in 1892, inspired by the Tchaikovsky work that comprised the latter half. This was followed by piano trio arrangements from the flashy “Four Seasons of Buenos Aires” by the Argentinian composer Astor Piazzolla.

The red meat of the program, however, was the magnificent Trio in A minor, Op. 50, composed in 1882 by Tchaikovsky. This is one of the towering works of the chamber music literature, cast in quite unconventional terms: a tightly constructed but beautifully flowing opening movement, then an extended set of variations on a folksy tune.

The group (below) did resort to a frequent trick of cutting, omitting notably the challenging fugal variation. (You can hear the whole Theme and Variations movement in the YouTube video at the bottom.) But the performance was powerful and impassioned — and the more compelling for being given in a modest venue rather than in a large concert hall.  These are truly superb musicians, and it is wonderful to have them come to Madison for us.

The program made use of Farley’s Steinway Model D instrument made in 1950. During the intermission, Tim Farley (below) spoke knowingly about the instrument and its restoration. And, at the outset of things, comments on the music were given by the pianist and the cellist.

A truly memorable event in the Farley series!


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Classical music: Trio Celeste makes its Madison debut this Sunday afternoon playing music by Tchaikovsky, Rachmaninoff and Piazzolla. They give a FREE master class on Saturday afternoon

January 3, 2019
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By Jacob Stockinger

This is a slow time of the year for classical music concerts, the winter intermission between fall and spring semesters. But The Ear received for the Salon Piano Series the following announcement to post:

“We caught this West Coast group on a rare Midwest tour. Trio Céleste (below) has firmly established itself as one of the most dynamic chamber music ensembles on the classical music scene today. They’ve wowed audiences worldwide with their “unfailingly stylish” (The Strad) and “flawless” (New York Concert Review) interpretations.

“The piano trio has firmly established itself as one of the most dynamic chamber music ensembles on the classical music scene today. This season’s highlights include recital debuts at the Chicago Cultural Center and New York’s Carnegie Hall, and the world premiere of Paul Dooley’s Concerto Grosso for Piano Trio and Strings.

“Winners of the prestigious Beverly Hills Auditions and the recipients of the 2017 Emerging Artist Award from Arts Orange County, the ensemble has performed hundreds of recitals worldwide.

“Their first album on the Navona label debuted at No. 5 on iTunes for “Best Seller New Release.” (You can see them recording the first album in the YouTube video at the bottom.)”

The program for Trio Celeste’s concert on this Sunday afternoon, Jan. 6, at 4 p.m. at Farley’s House of Pianos, 6522 Seybold Road, on the far west side of Madison near West Towne Mall, will include:

Pyotr Ilyich Tchaikovsky – Piano Trio in A minor, Op. 50 (1882)

Sergei Rachmaninoff – Trio élégiaque No. 1 in G minor (1892)

Astor Piazzolla – Four Seasons of Buenos Aires (1965-1970)
(selections) arr. for piano trio by José Bragato

For more information, about the trio, go to: http://www.trioceleste.com

MASTER CLASS

On this Saturday, Jan. 5, at 4 p.m., Trio Céleste will teach a master class at Farley’s House of Pianos, where they will instruct students from Farley’s House of Pianos and the Wisconsin Youth Symphony Orchestras (WYSO). This is a FREE event that the public is invited to observe.

The master class program will include portions of:

Joseph Haydn – String Quartet Op. 33, No. 3 “The Bird”

Klaus Badelt (arr. Larry Moore) – Theme from “Pirates of the Caribbean”

Ludwig van Beethoven – String Quartet Op. 18, No. 1

Edvard Grieg – String Quartet Op. 27, No. 1

The master classes for the 2018-19 season are supported by the law firm of Boardman & Clark LLP.

Tickets are $45 in advance (students $10) or $50 at the door. You can purchase tickets at https://www.brownpapertickets.com/event/3499176

An artist’s reception will follow the concert.

For more information, go to https://salonpianoseries.org

Service fees may apply. Tickets also for sale at Farley’s House of Pianos.
 Student tickets can only be purchased online and are not available the day of the event.


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Classical music: Moscow and Paris meet through cello and piano music at the Wisconsin Union Theater this Saturday night at 7:30

December 4, 2018
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By Jacob Stockinger

What was the musical relationship between Paris and Moscow, especially after the Russian Revolution?

You can find out, and hear examples, this Saturday night, Dec. 8, at 7:30 p.m. in Shannon Hall (below) at the Wisconsin Union Theater.

Pianist Lise de la Salle and cellist Christian-Pierre La Marca (below right and left, respectively) will explore the musical relationship between Moscow and Paris through works by Gabriel Fauré (you can hear them play his Elegy in the YouTube video at the bottom), Camille Saint-Saëns, Jules Massenet, Sergei Rachmaninoff, Sergei Prokofiev, Igor Stravinsky and Nikolai Rimsky-Korsakov. It is the subject of their latest recording from Sony Classical.

For the full program plus biographies and videos of the performers and information about obtaining tickets ($25-$42 for the general adult public, $20 for young people, $10 for UW students), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/lise-de-la-salle-and-christian-pierre-la-marca/

Lise de la Salle made her debut at age 13 in a performance at the Louvre. According to Le Monde, she “possesses a youthful single-minded spirit and the courage of conviction seldom expected of such a young artist.”

Now 29, de la Salle has established a reputation as one of today’s most exciting young artists and as a musician of uncommon sensibility and maturity. Her playing inspired a Washington Post critic to write, “For much of the concert, the audience had to remember to breathe … the exhilaration didn’t let up for a second until her hands came off the keyboard.”

She specializes in Russian composers and has played with symphony orchestras in London, Paris, Munich, Tokyo, Baltimore, Detroit and Quebec. Says Bryce Morrison of Gramophone magazine,“Lise de la Salle is a talent in a million.”

In just a few years, through his international concert appearances, the young cellist Christian-Pierre La Marca already ranks among the masters of the cello. He has performed in concert halls such as the Louvre, the Philharmonie of Berlin, the 92nd Street Y in New York City, and Izumi Hall in Osaka, among others.

La Marca has appeared as a soloist with many leading orchestras and is also highly sought after in chamber music. He plays a unique golden period Jean-Baptiste Vuillaume cello (1856) and the Vocation Foundation has provided him a rare Jacob Eury cello bow (1825). An exclusive Sony Classical artist, La Marca has already released three albums unanimously praised by international press and international critics.

Before the performance, enjoy a lecture by Kyle Johnson (below) at 6 p.m. Check Today in the Union for room location. Johnson is a pianist who recently received his Doctor of Musical Arts degree from the UW-Madison.

His performing experience ranges from solo and festival appearances throughout the U.S. and U.K., co-founding the Madison-based contemporary ensemble Sound Out Loud, and as a performance fellow in the Longitude Contemporary Ensemble in Boston, Mass.

His research interests strongly correlate with his interest in 20th-century piano repertoire, of which he produces a podcast series around (Art Music Perspectives). For more information, visit www.kyledjohnson.com.

This performance is presented by the Wisconsin Union Theater’s Performing Arts Committee. This project was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. WORT-FM 89.9 is the media sponsor.


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Classical music: Who are the best pianists of all time? And which ones do you think were left off the list by Classic FM?

September 16, 2017
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By Jacob Stockinger

The British radio station and website Classic FM recently published its list of the 25 greatest pianists of all time.

Plus, the website also included samples of the playing where possible.

It is an impressive list, if pretty predictable — and heavily weighted towards modern or contemporary pianists. You might expect that a list of “all-time greats” would have more historical figures — and more women as well as more non-Western Europeans and non-Americans, especially Asians these days.

Here is a link:

http://www.classicfm.com/discover-music/instruments/piano/best-pianists-ever/

So The Ear started what turned out to be a long list of others who should at least be considered and maybe even included.

Here, then, is the question for this weekend: What do you think of the list? Which pianists do not belong on the list? And which are your favorite pianists who are not included in the compilation?

Leave your candidate or candidates in the COMMENT section with a link to a YouTube link of a favorite performance, wherever possible.

Happy listening!


Classical music: CAN YOU NAME THAT TUNE? The Ear did at the movies — and passes it along

December 29, 2015
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By Jacob Stockinger

It’s officially winter.

Christmas and other holidays except New Year’s are over or close to over.

Winter break is taking place at the University of Wisconsin-Madison and other schools.

All that makes it a good time to see movies.

So there The Ear was, sitting in one of the cinemas at Sundance 608 on the near west wide in Hilldale Mall.

Before the movie and the previews began, lovely piano music was playing.

What is that? someone asked quietly.

The Ear wishes that maybe Sundance could find a way to show the composer, work and performer on some section of the screen that also shows advertisements.

That’s because The Ear has also heard other works there by Johann Sebastian Bach as well as a mazurka and a nocturne by Frederic Chopin. And he wants other movie-goers to know what they are hearing.

Anyway, this time it was  a beautiful but rarely heard piece that The Ear recognized right away.

It is the transcription or reworking in B minor by Alexander Siloti (below) of the prelude in E minor from Book I of The Well-Tempered Clavier by Johann Sebastian Bach. 

It is a gorgeously poignant Romantic piece by an accomplished Russian musician and pianist.

Alexander Siloti 

It is so hauntingly beautiful.

And it is useful as well.

It is really the same piece of music repeated twice. That makes it serve as a small and slow etude, a study in voicing of first the right hand and then the left hand.

The piece also makes the player coordinate and strengthen the fourth and fifth fingers on the right hand, and execute wide arpeggios in the left hand with an emphasis on the thumb as the carrier of a melody.

And like so much of Bach’s music, it is also an etude in the evenness of all those endless sixteenth notes — the stream that the word “Bach” means in German. What a fitting name for the composer whose flow of music was endless!

All in all, it is a great little miniature that deserves to be learned and performed more frequently. It has even been used by some major piano competition winners as a calming change-of-pace piece, a way to get into or out of the zone.

Just listen to it in the hands of a master, as the late Emil Gilels plays it in the Great Hall of the Moscow Conservatory, where Siloti himself was a teacher of the famous pianist and composer Sergei Rachmaninoff  (who is seen below on the right with Siloti on the left).

Alexander Siloti and Sergei Rachmaninov

First, here is the Bach original played by Glenn Gould:

And here is the live performance of Siloti’s reworking and transcription by Gilels:

What do you think of the work and the performance (read the listener comments on YouTube)?

Do you have favorite Bach transcriptions for the piano?

Other classical music you hear in movie theaters?

The Ear wants to hear.

 


Classical music: The Middleton Community Orchestra will open its fifth season on Wednesday with an all-20th century program with guest conductor Kyle Knox and violin soloist Naha Greenholz. Plus, this afternoon is your last chance to hear the Madison Symphony Orchestra and violinist James Ehnes in music by Bruch, Haydn and Rachmaninoff. Read the glowing reviews!

October 18, 2015
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra and violinist soloist James Ehnes in music by Max Bruch, Franz Joseph Haydn and Sergei Rachmaninoff.

Critics were unanimous in their praise of the performance.

Here are links:

Madison Symphony Delivers Again

Greg Hettmansberger // Madison Magazine

Idiomatic Eloquence: MSO and violinist James Ehnes Mix Masterpieces and Novel Choices

John W. Barker // Isthmus

MSO Feels Soul of Russia with Rachmaninoff Program

Jessica Courtier // The Capital Times

By Jacob Stockinger

The Middleton Community Orchestra (below) will give the first concert of its new season – marking MCO’s fifth anniversary – this Wednesday night, Oct. 21.

Middleton Community Orchestra press photo1

The concert will take place at 7:30 p.m. at the Middleton Performing Arts Center (below top and bottom) that is attached to Middleton High School, 2100 Bristol Street.

Middleton PAC2

Middleton PAC1

Opening MCO’s fifth anniversary season is an all-20th century program under the baton of guest conductor  and UW-Madison graduate student Kyle Knox (below top), with Madison Symphony Orchestra concertmaster Naha Greenholz (below bottom), as violin soloist. The MCO is made up of amateur and some professional musicians.

Kyle Knox 2

Naha Greenholtz playing CR Greg Anderson

The program features the catchy “El Salon Mexico” by American composer Aaron Copland; the neo-Classical Violin Concerto by Russian composer Igor Stravinsky; and the lyrical “Mother Goose” Suite and the wildly popular “Bolero,” both by French composer Maurice Ravel. (You can hear Ravel’s “Bolero” performed by Gustavo Dudamel and the Vienna Philharmonic Orchestra at the bottom in a YouTube video that has more than 3 million hits.)

A free meet-and-greet reception for the public and the musicians will follow the concert.

Middleton Community Orchestra reception

Tickets are $10 general admission. Students are admitted free of charge.  Tickets are available at Willy St. Coop West and at the door. The box office opens at 6:30 p.m. Hall doors open at 7 p.m.

For more information, call 608-212-8690.

To find out about the entire MCO season as well as how to join the orchestra or to support it, visit:

http://middletoncommunityorchestra.org


Classical music: The venerable Wisconsin Baroque Ensemble opens its 18th season with fabulous Baroque music fabulously played. Plus, pianist Joyce Yang gives a FREE and PUBLIC master class Wednesday afternoon.

October 13, 2015
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ALERT: Late news comes that pianist Joyce Yang will give a FREE and PUBLIC master class for the UW-Madison School of Music on Wednesday from 4 to 6 p.m. in the Play Circle of the Wisconsin Union Theater. On Thursday at 8 p.m. in Shannon Hall of the Wisconsin Union Theater, Yang will perform a solo recital of music by Domenico Scarlatti, Claude Debussy, Isaac Albeniz, Alberto Ginastera and Sergei Rachmaninoff. For more information about Joyce Yang, the concert and tickets, visit:

http://www.uniontheater.wisc.edu/Season15-16/joyce-yang.html

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT-FM 89.9. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

The Wisconsin Baroque Ensemble (below) opened its new season in Madison with a fine concert at the Gates of Heaven on Saturday night.

Wisconsin Baroque Ensemble 2014

As always, the program was varied in contents and in performer involvements.

Running as a thread throughout was the artistry of University of Wisconsin-Madison School of Music professor and soprano Mimmi Fulmer (below center left, in a photo by John W. Barker) and mezzo-soprano Consuelo Sañudo (below center right), a familiar team.

At intervals, they sang a pair of madrigals by Girolamo Frescobaldi (most familiar as a keyboard composer); an extended setting by Marc-Antoine Charpentier of the Miserere Psalm, with concluding lines added from the Lamentations of Jeremiah; and an Ave Maria by the really obscure Dutch composer Benedictus Buns (c.1642-1716), also known as Benedictus a Sancto Josepho.

WBE Fulmer and Sanuda JWB

The instrumentalists (Nathan Giglierano, Mary Parkinson, violins; Brett Lipshutz and Monica Steger, flutes; Eric Miller, gamba; plus cellist Anton TenWolde and Max Yount, harpsichord, as continuo) joined with them variously as appropriate, to lovely effects.

Wisconsin Baroque Ensemble composite

At one extreme of texture, violinist Perkinson, supported by continuo, played a richly demanding sonata by Johann Heinrich Schmelzer. At the other extreme, all the players joined in for a vivacious finale with excerpts from the Suite in E minor from the first book of Georg Philipp Telemann’s Musique de Table (Tafelmusik) anthologies.

For me, however, and I think for a lot of the good-sized audience, the real high point of the program came just after the intermission, when the two violinists, with continuo, gave an absolutely smashing rendition of the Follia Sonata, the last of the 12 Trio Sonatas, Op. 1, by Antonio Vivaldi. (Below in an ensemble shot by John W. Barker.)

WBE plays JWB

In this tour de force of writing, Vivaldi surpassed his model, Arcangelo Corelli’s Violin Sonata Op. 5, No. 12, whose 19 variations, cascade one virtuosic extravagance after another. (You can hear the Vivaldi’s “La Follia” sonata in a YouTube video at the bottom.)

Fabulous Late Baroque music, fabulously played!

The WBE has been giving these concerts for the past 18 years. They continue to be unpretentious but thoroughly satisfying programs of Baroque chamber music in an appropriate chamber setting. Long may they continue!

The group’s next concert in Madison will be on Sunday, Nov. 29, at St. Andrew’s Episcopal Church.

For more information visit: http://www.wisconsinbaroque.org


Classical music: The seventh annual FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras (WYSO) is this coming Wednesday night in Old Sauk Trails Park.

August 7, 2015
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By Jacob Stockinger

The Ear’s friends at the Wisconsin Youth Symphony Orchestras (WYSO) write:

The Wisconsin Youth Symphony Orchestras is proud to be a part of Concert in the Park, hosted by The Gialamas Co. for yet another season.

WYSO Concert  the Park Tent 4

For seven consecutive years, WYSO has been invited by The Gialamas Company to be a part of this spectacular event. This special FREE concert has recently become a highlight of the summer.

The Youth Orchestra, consisting of members ages 14–18, will perform this coming Wednesday night, Aug. 12 (NOT Aug. 9 as was first stated in error), in Madison’s far west side in Old Sauk Trails Park, 1200 John Q. Hammons Drive, from 5 to 10 p.m. The music starts at 7 and runs to about 9 p.m.

WYSO Concert in the Park

The Youth Orchestra, under the direction of WYSO Music Director James Smith, will perform six works: “Festive Overture” by Dmitri Shostakovich; Movements 1 and 4 from Symphony No. 1 by Sergei Rachmaninoff; excerpts from “Die Meistersinger” by Richard Wagner; the first movement from Symphony No. 8 “Unfinished” by Franz Schubert; Suite from “The Incredible Flutist” by Walter Piston (at bottom in a YouTube video); and “Over the Rainbow.”

WYSO Concert in the Park, playing under Jim Smith 3

The evening is capped off with a marvelous fireworks display.

fireworks

Before the event there will be an instrument petting zoo, face painting and Ice Cream Social. Tables, food and drinks are available for purchase. For more information, visit www.gialamas.com.

Make sure to stay after the event for a spectacular fireworks show. Set up lawn chairs, lay out blankets and put out your picnic baskets as you enjoy all of the music and activities this FREE event has to offer.

WYSO Concert in the Park Photo aeriel view

For additional information, please contact WYSO at (608) 263-3320 or e-mail at wyso@wyso.music.wisc.edu.

 


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