The Well-Tempered Ear
Classical music: Singer David Daniels is accused of drugging and raping a young opera singer
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By Jacob Stockinger
More allegations of sexual misconduct and sexual assault keep emerging from the world of classical music, even as the #MeToo movement is again in the headlines with accusations and denials about the movie star Asia Argento having sex with a minor.
The latest allegation is an accusation by a young opera singer who says that in 2010 he was drugged and raped by David Daniels (below), who is world-famous as a countertenor and who teaches at the University of Michigan, where he is now on leave.
Included in the allegation is Daniels’ husband Scott Walters, who is a conductor and who is accused of participating in the drug and rape incident.
Here is a well-researched and well-reported story from National Public Radio (NPR):
https://www.npr.org/2018/08/22/640945881/opera-singer-david-daniels-accused-of-rape
And here is a link to the story in The New York Daily News, the newspaper that first broke the story. That version also has photos of the accuser and Scott Walters.
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Classical music: Acclaimed conductor Charles Dutoit cancels concerts and loses orchestra affiliations amid allegations of sexual assault
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By Jacob Stockinger
The scandal of sexual misconduct — ranging from discomfort and harassment to abuse and rape – keeps mushrooming.
Now Swiss-born conductor Charles Dutoit (below), who won multiple Grammy awards and led the Montreal Symphony Orchestra and Philadelphia Orchestra for many years, has been accused of sexual assault by three opera singers and one musician.
One of the accusers is soprano Sylvia McNair (below), who has performed in Madison with the Wisconsin Chamber Orchestra. The other three have remained anonymous.
So far, Dutoit has not responded to the allegations. But as a result, the 81-year-old has seen the cancellation of concerts later this winter and spring with the Chicago Symphony Orchestra and Cleveland Symphony Orchestra.
In addition, the Boston Symphony Orchestra, the San Francisco Symphony Orchestra and the Royal Philharmonic Orchestra, where he is artistic director and principal conductor, have also severed ties with Dutoit.
Here is a link to the story from the BBC:
http://www.bbc.com/news/world-europe-42452715
And here is a story from The New York Times:
https://www.nytimes.com/2017/12/21/arts/music/charles-dutoit-sexual-misconduct.html
And here is a link to the original story by the Associated Press:
https://apnews.com/278275ccc09442d98a794487a78a67d4
In classical music, longtime Metropolitan Opera conductor James Levine was the first big name to be caught up in the current sexual misconduct allegations. Levine was accused of sexually abusing teenage boys who were apprentices.
And here is a link to the story in The New York Times about Metropolitan Opera artistic director and conductor James Levine:
Given the egotistical reputation of so many conductors and the patriarchal, authoritarian nature of the “maestro culture” of many performers and teachers, The Ear is sure that other names of important figures will soon emerge.
Who will be next?
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Classical music: Here is a true tale of a famous Mozart opera, sexual assault and Trump Tower
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By Jacob Stockinger
World-famous avant-garde stage director Peter Sellars (below, in a photo by Christian Carisius for the European Press Photo Agency) is known for his unorthodox recasting of operas and Bach cantatas.
But one of his productions, done almost 30 years ago, has proven especially prescient.
It involved the opera “The Marriage of Figaro” by Wolfgang Amadeus Mozart, which years ago he set in Trump Tower.
The plot centers on the medieval “droit du seigneur” that allowed a nobleman to be entitled by law to have sex with a servant on her wedding night before the husband did. (In the YouTube video at bottom is the famous and so breathtakingly beautiful Forgiveness scene, featured in the Oscar-winning film “Amadeus,” with the faithful Countess and the philandering Count that ends the masterpiece opera.)
In 1988 Sellars set the opera on the 52nd floor of the luxurious Trump Tower (below), as the equivalent of an aristocratic estate, of net-feudalistic excess and wealth.
With great insight and articulateness, Sellars recently discussed with The New York Times the inspired settings in light of the past history, campaign and recent election of President-elect Donald Trump.
The Ear found the interview both enlightening and entertaining, and he hopes you do too.
Here is a link:
http://www.nytimes.com/2016/11/25/arts/music/remember-when-figaro-was-set-in-trump-tower.html?_r=0
It makes you wonder: How will other forms of art deal with the new administration?
Could it be that we are in for more activist protest art, something of a return to the 1960s and such efforts as Barbara Garson’s 1967 “MacBird,” which recast Shakespeare’s tragedy “Macbeth” as a theatrical satire of President Lyndon Baines Johnson, or LBJ, and First Lady Lady Bird Johnson as the Macbeths following the assassination of President John F. Kennedy or JFK?
What do you think?
Can you think of other works that lend themselves to such an approach to contemporary affairs?
The Ear wants to hear.
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Classical music: Does Mozart’s opera “Don Giovanni” reveal anything about Republican Presidential candidate Donald Trump”?
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By Jacob Stockinger
For generations, the conquests of the legendary Don Juan were treated as seductions.
But were they really rape?
The question is important in considering the masterpiece opera “ Don Giovanni” by Wolfgang Amadeus Mozart.
One blog writer for slate.com – Bonnie Gordon, who teaches a class on music and gender at the University of Virginia — draws a link between the charismatic historic nobleman and the current charges of “womanizing” and allegations of sexual assault made against Republican presidential candidate Donald Trump (below).
She doesn’t bring up whether the same discussion applies to former Democratic President Bill Clinton, but it doesn’t seem a stretch.
She raises questions about what is sexual assault, seduction and rape – and how the definitions of a “rape culture” have changed over time and depending on whether it comes from a man’s or a woman’s point of view.
She pegged her essay to LAST weekend’s broadcast performance of the opera by “Live From the Met in HD” with Simon Keenlyside in the title role. In the YouTube video at the bottom, with English subtitles, Don Juan’s servant Leporello sings an aria about his master’s thousands of “conquests.”
But despite the week that has passed since the broadcast of the production, to The Ear the essay still seems relevant as the national election approaches.
Here is a link to that essay:
What do you think about the essay and its main argument or point?
The Ear wants to hear.
Tags: aria, Arts, Bill Clinton, blog, candidate, catalog, catalogue, Classical music, course, culture, Democrat, Democratic, Don Giovanni, Don JUan, Donald J. Trump, Donald Trump, Election, English, gender, History, Jacob Stockinger, Leporello, Madison, man, men, Met Live in HD, Metropolitan Opera, Mozart, Music, national, New York City, noble, opera, Orchestra, Politics, President, presidential nominee, rape, Republican, Republican Party, seduction, servant, sex, sexual assault, Simon Keenlyside, Slate.com, subtitles, United States, University of Virginia, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Wolfgang Amadeus Mozart, woman, womanizing, women, YouTube
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The Well-Tempered Ear 
Classical music: The opera world is divided over accusations of sexual harassment against superstar tenor Placido Domingo. Here is how John DeMain reacted. How do you react and what do you believe?
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By Jacob Stockinger
By now, you have probably heard about the allegations of sexual harassment recently made anonymously against the still-active superstar Spanish tenor Placido Domingo (below), 78, who holds the record for the most opening-night appearances at the Metropolitan Opera.
What you might not have heard is how divided the opera world is over those accusations, which are now being formally and independently investigated.
Much of that division falls along lines of Europe versus the United States. The former has so far not cancelled upcoming appearances while the latter was quick to. And Domingo has been defended by famed Russian soprano Anna Netrebko (below, with Domingo).
In the wake of the #MeToo movement, sexual misconduct and sexual assault continue to be perhaps the most controversial issues amid many similar or more serious criminal allegations against conductors James Levine, Charles Dutoit and Daniele Gatti as well as many teachers and orchestra players.
Perhaps the best account of the divided reactions came in a story from The New York Times. Here it is:
https://www.nytimes.com/2019/08/18/arts/music/placido-domingo-opera-harassment.html
One sign of the difficulty in dealing with the situation can be found in the carefully worded, balanced and empathetic Facebook comment by maestro John DeMain, the music director of the Madison Symphony Orchestra and the artistic director of the Madison Opera.
DeMain has often worked with Domingo, perhaps most notably in the famous 1992 Concert for Planet Earth in Rio de Janeiro, which DeMain conducted. (You can hear Domingo singing an aria by Puccini and see DeMain conducting the orchestra in the YouTube video at the bottom.)
Says DeMain (below in a photo by Prasad): “Thinking about the Placido Domingo controversy. While I’m not in a position to take sides in this very sad situation, I would just like to say that in my many interactions with this great tenor over many decades, I personally never witnessed him do anything that was inappropriate. He was always a kind and gentle person to me and my family. I wish him and his family well through this difficult time.”
Here is a link to DeMain’s Facebook page if you would like to read comments from others or leave one of your own: https://www.facebook.com/jldemain
How do you react to the accusations?
What do you believe should happen to Domingo?
The Ear wants to hear.
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