The Well-Tempered Ear
Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music
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By Jacob Stockinger
This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.
On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.
The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.
Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.
Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.
The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.
In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)
The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.
Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.
The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.
Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.
The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.
Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.
This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
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Classical music: The Wisconsin Chamber Choir will sing a varied holiday program about peace on Earth this coming Saturday night
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By Jacob Stockinger
This coming Saturday night, the Wisconsin Chamber Choir (below) will sing its holiday concert featuring works about peace on Earth.
The concert is at 7:30 p.m. in the Atrium Auditorium, (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.
The holiday message of peace and good will to all people resonates across the centuries. Tragically, the proclamation, “Peace on earth” is every bit as relevant today as it was 2,000 years ago.
WCC director and conductor Robert Gehrenbeck (below), who directs the choral program at the UW-Whitewater and who is celebrating his 10th season with the group, writes in his program notes to the concert:
“According to New York Times foreign correspondent Chris Hedges, “Of the past 3,400 years, humans have been entirely at peace for 268 of them, or just 8 percent of recorded history.” “This evening’s program by the Wisconsin Chamber Choir explores humanity’s yearning for peace through the centuries.
The centerpiece of the WCC’s 2017 holiday concert is British composer Gerald Finzi’s exquisite retelling of the Christmas story, In terra pax, for choir, soloists and chamber orchestra. Baritone Brian Leeper (below top) and soprano Ann Baltes (below bottom) are among the featured soloists, performing with members of Sinfonia Sacra, the WCC’s professional orchestra.
In his own program notes, Finzi explained that the Nativity “becomes a vision seen by a wanderer on a dark and frosty Chrismas Eve, in our own familiar landscape.”
Finzi scholar Andrew Burn elaborates: “On New Year’s Eve, 1926, the 25-year old Gerald Finzi (below) joined the bell-ringers of the tiny church of St. Bartholomew perched on the crest of Chosen Hill, near Gloucester, as they rang in the New Year. For Finzi, the experience was unforgettable—the frosty starlit night with bells ringing out from churches far and near across the Severn valley—and from it sprang the orchestral New Year Music and [25 years later] In terra pax, his last major composition.
In terra pax is a masterpiece in miniature. Finzi’s pacifism is at its heart, and his belief that men and women of goodwill should live harmoniously together. Weaving through the music are three ideas: the pealing of the bells with their joyous message, a phrase from the carol The First Nowell, and the alleluia refrain from the hymn Lasst uns erfreuen (‘Ye Watchers and Ye Holy Ones”).” (You can hear the opening of the work in the YouTube video at the bottom.)
Complementing Finzi’s music are two other works with instrumental accompaniment: Felix Mendelssohn’s moving prayer for peace, Verleih uns Frieden, and an energetic Gloria from Johann Sebastian Bach’s Mass in A major.
Several more recent works bring the concert’s message up to date, including Cry Peace by Libby Larsen (below top) and the haunting Winter Solstice Carol by Giles Swayne (below bottom).
A varied selection of carol arrangements rounds out the program, including a resplendent setting of Silent Night by one of the WCC’s favorite composers, Peter Bloesch (below).
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart and Brahms; a cappella works from various centuries; and world premieres.
Advance tickets for the Dec. 16 performance are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (all three locations).
Tickets will also be available at the door for $25 ($10 for students).
Tags: a cappella, admission, alleluia, Andrew Burn, Arts, ATRIUM, auditorium, Bach, baritone, Baroque, bekll, Brahms, British, Carol, Cello, century, Chamber music, chamber orchestra, choral music, Chris Hedges, Christmas, christmas eve, church, Classical music, composer, Composition, Concert, conductor, correspondent, director, Early music, Earth, excellence, First Noel, First Unitarian Society of Madison, foreign, Gerald Finzi, giles swayne, Gloria, Gloucester, good will, gospel, heaven, hill, Holiday, holy, host, human, hymn, Johann Sebastian Bach, Johannes Brahms, journalism, Joy, Libby Larsen, Luke, Madison, masterpiece, men, Mendelssohn, message, miniature, Mozart, multitude, Music, nativity, New Year, New York Times, night, notes, Orange Tree Imports, oratorio, Orchestra, pacifism, peace, Peter Bloesch, prayer, premiere, proclamation, professional, program, refrain, relevant, reputation, ringer, Robert Gehrenbeck, Saturday, scholar, Season, Silent Night, soloist, soprano, St. Bartholomew, story, symphony, ticket, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Whitewater, Viola, Violin, vocal music, Willy Street Co-op, Willy Street Coop, Wisconsin, Wisconsin Chamber Choir, Wolfgang Amadeus Mozart, women, world, world premiere, YouTube
Classical music: The annual sold-out Christmas concert by the Madison Symphony Orchestra, guest artists and local groups is this coming weekend
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By Jacob Stockinger
The Madison Symphony Orchestra (MSO) and the Music Director John DeMain will kick off the 2017 holiday season this weekend with the annual “A Madison Symphony Christmas.”
The holiday celebration is filled with traditions from caroling in the lobby before the concert to the closing sing-along, where John DeMain (below) and the Madison Symphony Orchestra don their Santa hats.
Christmas classics are interwoven with new holiday music. Guest artists soprano Emily Pogorelc and tenor Eric Barry join DeMain, the MSO, the Madison Symphony Chorus, Madison Youth Choirs, and Mount Zion Gospel Choir on stage for the family-friendly celebration.
The concerts are in Overture Hall at the Overture Center, 201 State St., on Friday, Dec. 1, at 7:30 p.m.; Saturday, Dec. 2, at 8 p.m.; and Sunday, Dec. 3, at 2:30 p.m.
Tickets are $18-$90. See below for details.
The program features an array of music including Joy to the World by Georg Frideric Handel; Johann Sebastian Bach’s Mass in B minor with the Madison Symphony Chorus (below); Mozart’s Mass in C minor with Emily Pogorelc; John Rutter’s Shepherd’s Pipe Carol (heard in the YouTube video at the botttom) with the Madison Youth Choirs; Do You Hear What I Hear?; the Seven Joys of Christmas; Leotha and Tamera Stanley’s Christmas Peace with the Mount Zion Gospel Choir.
In addition, sing-a-longs that include O Come, All Ye Faithful, Away in a Manger, The First Noel, Silent Night, Hark the Herald Angels Sing, and We Wish You a Merry Christmas.
Praised for her “lively, incisive soprano” by the New York Times, soprano Emily Pogorelc (below) currently attends the prestigious Curtis Institute of Music. A native of Milwaukee, Pogorelc has performed with the Opera Philadelphia, Glimmerglass Opera Festival, Curtis Opera Theatre, and the Florentine Opera. She has won first place in numerous competitions, and was featured on National Public Radio’s From the Top.
Winner of the Bel Canto Prize at the 2016 Maryland Lyric Opera Competition, Spanish-American tenor Eric Barry (below) is “making an impressive mark” on opera and concert stages “with a clear timbre, evenness of projection and exceptional sensitivity” (Opera News).
His engagements have included performances with the Shreveport Opera, Boston Midsummer Opera, Opera Memphis, North Carolina Opera, Pittsburgh Opera, and the Teatro Comunale di Sulmona along with music festivals around the world. He returns to the MSO after appearing as a featured soloist in 2015.
The Madison Symphony Chorus (below, in a photo by Greg Anderson) gave its first public performance on February 23, 1928, and has performed regularly with the Madison Symphony Orchestra ever since. The Chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent.
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC, below) inspires enjoyment, learning, and social development through the study and performance of high-quality and diverse choral literature.
The oldest youth choir organization in Wisconsin, MYC serves more than 1,000 young people, ages 7–18, in a wide variety of choral programs. In addition to a public concert series, MYC conducts an annual spring tour of schools and retirement centers, performing for more than 7,000 students and senior citizens annually.
Under the leadership of Leotha Stanley and his wife, Tamera Stanley, the Mount Zion Gospel Choir (below, in a photo by Bob Rashid) has been a part of the MSO Christmas concerts since 2005.
The choir is primarily comprised of members from Mount Zion Baptist Church and includes representatives from other churches as well. It has traveled extensively throughout the Midwest and has toured to Europe, singing in France and Germany.
Concertgoers are encouraged to arrive 45 minutes before the concert begins to join the Madison Symphony Chorus as they lead a selection of Christmas carols in the festively lit lobby at Overture Hall.
Adds the MSO: These concerts typically sell out, so early ticket purchases are encouraged.
Single Tickets are $18-$90 each and are on sale now at: https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734.
For more information, visit, https://www.madisonsymphony.org/groups.
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.
More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the Christmas concert is provided by: American Printing, Nedrebo’s Formalwear, John W. Thompson and Jane A. Bartell, Maurice and Arlene Reese Family Foundation, BMO Wealth Management, Hooper Foundation/General Heating & Air Conditioning, Judith and Nick Topitzes, and An Anonymous Friend. Additional funding provided by Colony Brands, Inc. J.H. Findorff & Son, Inc., Reinhart Boerner Van Deuren s.c., the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
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Classical music: The Ear likes very old Christmas music more than newer music. What do you prefer?
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By Jacob Stockinger
Each year in the Madison area there are so many wonderful concerts with holiday themes performed by the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Choral Project, the Madison Bach Musicians, Edgewood College and by many, many others that you just can’t get to all of them.
And it doesn’t help if you have a winter cold or aren’t feeling well, as happened this year to The Ear.
But I did get to two memorable performances.
The first was the terrific annual Choral Prism holiday concert (below) put on at Luther Memorial Church by various choirs at the University of Wisconsin-Madison School of Music. They performed under several conductors, including Beverly Taylor, Bruce Gladstone, Anna Volodarskaya and Sara Guttenberg.
The second was the satisfying “Welcome Yule” concert at Grace Episcopal Church by the Wisconsin Chamber Choir under conductor Robert Gehrenbeck, who also teaches at the UW-Whitewater.
Both events were excellent, and drew full and enthusiastic houses.
A lot of beautiful music in a wide variety of styles was offered by each of the two groups. That included homages to the St. Paul, Minnesota composer Stephen Paulus (below), who died at 64 this past year and who had close ties to Madison’s vocal groups that commissioned and performed his music. And because programs strive for ethnic diversity today, spirituals and jazz arrangements were also included. (I often cringe when I see something has been “arranged.”)
But when all was said and done, the “winners” so to speak –- for The Ear at least -– were the old ones. I mean the very old ones, generally those works dating from the Medieval period and Renaissance period over the Classical, Romantic, Modern and Contemporary eras with the Baroque falling somewhere in between.
Why did I like the old music so much?
One reason was the performances. The straight-ahead singing, mostly a cappella or unaccompanied but sometimes with a bit of percussive drum or lyrical harp added, was much more convincing than when I saw modern largely white singers stiffly swaying and awkwardly stomping their feet and clapping the hands to get into the swing of things and show some unconvincing imitation of gospel singing.
But I started thinking.
Maybe it goes back to the Bible and that old verse about “The Word made Flesh.”
That seems a much more successful formula for effective Christmas music than the modern approach, which I am starting to think of as “The Flesh made Word.”
That means that what gets to me is the very simplicity, the strength of the rhythms and melodies as well as the simpler harmonies and compositional techniques.
Simpler is simply better. No better proof was offered that a souped-up jazz arrangement of “Silent Night.” That venerable and quietly emotional carol cannot be improved upon by complicating it. Keep it simple. That seems to be the way to go. Another case of inferior “arranging,” I am afraid.
I think of the old Medieval hymns about a mother simply rocking her baby Jesus to sleep as she sings to him. Can there be anything more touching or poignant, more to the point or direct, especially at a historical period when there was no nighttime lighting and so many babies died.
More than nostalgia, such music offers the art of reducing things to the essential. And the essential, as the old composers seemed to know, is often the path to the universal.
Of course, the plain song or chant-like harmonies also add to the appeal.
But it still goes back to simplicity of the act and the simplicity of the metaphor.
That is why the great 20th-century modern English composer Benjamin Britten (below) used so many older carols in his “Ceremony of Carols” to such great effect.
That is also why 100 times out of 100 I will prefer the simple 16th-century German tune “Lo how a Rose Ere Blooming” (at bottom in a YouTube video) over, say, the long and tedious “Magnificat” No. 20 with its overworked harmonies and complexities for chorus and organ by another 20th-century English composer Herbert Howells (below).
What do you make of the old music versus new music debate when it comes to holiday music?
Do you agree or disagree with The Ear?
And what is your favorite local holiday concert to recommend for next year?
The Ear wants to hear.
Tags: A Ceremony of Carols, Adam lay ybounden, arragements, Arts, Bach, Baroque, Benjamin Britten, Carol, Chamber choir, Chamber music, Child of God, Christmas, Christmas music, Classical era, Classical music, England, English music, German music, Germany, Holiday, Jacob Stockinger, Johann Sebastian Bach, Lo How a Rose, Lo How a Rose Ere Blooming, Madison, Madison Bach Musicians, Madison Choral Project, Madison Symphony Orchestra, Medieval, Middle Ages, Minnesota, modern music, New Music, Romantic music, Saint Paul, Silent Night, Stephen Paulus, transcriptions, University of Wisconsin-Madison School of Music, University of Wisconsin-Whitewater, University of Wisconsin–Madison, Wisconsin Chamber Orchestra, YouTube, Yule
Classical music: The Madison Choral Project celebrates the holidays and the Winter Solstice on this Saturday with reading, carols and music.
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By Jacob Stockinger
The Madison Choral Project’s founder and music director Albert Pinsonneault (below) writes:
Hi Jake!
Here is information about the Madison Choral Project’s upcoming concert: “O Day Full of Grace” on this coming Saturday, Dec. 20, 7:30 p.m., First Congregational United Church of Christ, 1609 University Avenue, Madison.
The concert will feature the 22-voice professional chamber choir the Madison Choral Project (below to), and readings from Noah Ovshinsky (below bottom) of Wisconsin Public Radio, as well as audience sing-along carols.
Tickets are $20 online or $25 at the door.
Here is a link for tickets: http://themcp.org/tickets/
Here is a link to the Madison Choral Project general website: http://themcp.org
And here is the complete program:
– Reading from Ovid’s “Amores”
– Carol with Audience: “Once in Royal David’s City”
SET 1: THERE WILL BE LIGHT
– “Benedictus Dominus” by Ludwig Daser (1525-1589)
– “Die mit Tränen Säen” by Johann Schein (1586-1630)
– “Helig” from “Die Deutche Liturgie” by Felix Mendelssohn (below, 1809-1847)
SET 2: UNDERSTANDING THROUGH LOVE
– “Mary Speaks” by Nathaniel Gawthrop (b. 1949)
– Reading from Victor Frankl’s “Man’s Search For Meaning”
– “The Gallant Weaver” by James MacMillan (b. 1959)
– “Entreat Me Not To Leave You” by Dan Forrest (b. 1978)
– Carol with Audience: “Silent Night”
INTERMISSION
SET 3: HAVE JOY NOW
– Reading from Mary Oliver’s “Wild Geese”
– “Tomorrow Shall Be My Dancing Day,” arr. Dale Grotenhuis (1932-2012)
– “Away in a Manger,” arr. Bradley Ellingboe (b. 1958)
– “Ding Dong! Merrily on High,” arr. Carolyn Jennings (b. 1929)
SET 4: AT THE END OF DAYS, GRACE
– Reading, e.e.cummings’ “i thank you”
– “O Day Full of Grace” by F. Melius Christiansen (1871-1945)
– Reading Ranier Maria Rilke‘s “Sunset”
– Carol with Audience: “Day Is Done”
– “The Long Day Closes” by Arthur Sullivan (1842-1900), which can be heard in a YouTube video at the bottom.
ENCORE
– “My Soul’s Been Anchored in the Lord” by Moses Hogan (1957-2003)
Tags: Albert Pinsonneault, Amores, Arthur Sullivan, Arts, Carols, Choir, choral music, Christmas, Christmas Carol, Classical music, Congregational Church, e.e. cummings, holiday music, Holidays, Jacob Stockinger, Johann Schein, Ludwig Daser, Madison, Madison Choral Project, Mary Oliver, Mendelssohn, Music, Once in Royal David's City, Ovid, Poetry, Rilke, Silent Night, sing-along, Tomorrow Shall Be My Dancing Day, United Church of Christ, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, winter solstice, wisconsin public radio, YouTube
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