The Well-Tempered Ear

Classical music: Isthmus Vocal Ensemble performs two concerts this weekend that honor choral conductor Robert Fountain. Then founder and director Scott MacPherson steps down

August 1, 2017
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By Jacob Stockinger

Even 21 years after his death at 79 in 1996, the University of Wisconsin-Madison‘s legendary choral conductor Robert Fountain (below) is spoken of with reverence and awe.

And with good reason, according to many singers and musicians.

The story goes that Fountain was offered a professional performing career, much like his friend Dale Warland enjoyed, but he chose instead to go into academia and teaching.

Fountain’s legacy will be celebrated this weekend with two performances by the Isthmus Vocal Ensemble (below).

IVE is a summer-only group that has performed for the past 16 years under its founder and artistic director Scott MacPherson (below), who worked at the UW-Madison with Fountain and now directs choral activities at Kent State University.

Performances are this Friday, Aug. 4 at 7:30 p.m. at the High Point Church on the far west side, 7702 Old Sauk Road, and on Sunday afternoon, Aug. 6 at 3 p.m. at Mills Hall on the UW-Madison campus.

Tickets are $20 for adults, $15 for seniors and $10 for students. (Cash or check only will be accepted at Mills Hall.)

Here are some comments that The Ear received from MacPherson:

“These are my final concerts as artistic director with IVE. I am stepping down after 16 years. The IVE Board is in the process of finding a new artistic director and should be able to announce the new person in the coming week or so.

“It is the centennial of my mentor and former UW colleague Robert Fountain’s birth, so I have chosen to honor him with a tribute for my final concerts with IVE.

“Robert Fountain: A Choral Legacy” is a concert programmed as he would have programmed with his UW Concert Choir.

“Music from the Renaissance to living composers and everything in between will be featured. Many of my singers sang under his direction at one time or another. Some are even travelling from out of state to participate.”

“The composers represented include Johann Sebastian Bach, Jan Pieterszoon Sweelinck, Randall Thompson, Pavel Chesnokov, Gyorgy Ligeti, Andrew Rindfleisch and a spiritual arranged by Fountain.”

(IVE will perform Chesnokov’s “Salvation Is Created,” which you can hear sung by the Dale Warland Singers in the YouTube video at the bottom.)

For the complete program, plus links to ticket information and purchases, go to:

https://www.isthmusvocalensemble.org/upcoming-performances

For more information about the Isthmus Vocal Ensemble and about Scott MacPherson, go to:

https://www.isthmusvocalensemble.org

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Classical music: Madison Opera’s festive and fun 16th annual Opera in the Park is this Saturday night

July 17, 2017
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By Jacob Stockinger

It serves as a preview of the indoor winter opera season.

But one of the summer’s major events in Madison is primarily a fun time unto itself — with outdoors picnicking and socializing, and lots of outdoor music making, some of it with the audience helping to “conduct” with glow-in-the-dark light sticks.

The Madison Opera’s annual FREE Opera in the Park concert will take place this coming Saturday night starting at 8 p.m. in Garner Park, on Madison’s west side near the junction of Mineral Point Road and Rosa Road. (You can get a taste of the event in the YouTube video from 2010 at the bottom.)

The park opens at 7 a.m. Blankets, chairs, food and beverages are allowed. The rain date is the next day — Sunday, July 23.

Here is what Kathryn Smith (below, in a photo by James Gill), the general director of Madison Opera, has to say about the event:

“Opera in the Park has become a Madison summer tradition since the first concert in 2002. When the weather is good, we have over 15,000 people in the audience, which is the highest per-capita attendance of any such opera event in the U.S.

“I think there are many reasons for its success, from the beautiful music to the beautiful park, and the fact that our community enjoys spending time together outside in the summer.

“We don’t make massive changes each year, but it is of course a new set of singers and a new program, so it’s a fresh musical experience.

“This year, for example, we have two arias from zarzuelas or traditional Spanish musical comedies,, including the zarzuela version of “The Barber of Seville” – which will be complemented by an aria from Rossini’s “The Barber of Seville,” naturally.

“Audience members might also choose to vary the contents of their picnic basket each year – perhaps with Bizet’s “Carmen” and “The Barber of Seville” on the concert, they might want to include Spanish foods.

“I try to invite principal artists from our upcoming season when possible, so that audiences can get to know singers they can then hear in full roles later in the year.

“This summer our singers include soprano Cecilia Violetta López (below), who will be in “Carmen” in November;

tenor David Walton (below), who will be in Mozart’s “The Abduction from the Seraglio” in February;

and mezzo-soprano Adriana Zabala (below), who will be in Daniel Catan‘s “Florencia en el Amazonas” in April.

“Baritone Will Liverman (below) is not in the upcoming season, but he has had major success here as “The Barber of Seville” and in last season’s “Charlie Parker’s Yardbird,” so I’m delighted he is able to join us this summer in the park.

“Putting on Opera in the Park is a complex production, from renting the generators and the stage to coordinating with the City Parks Department and the Madison Police.

Full Compass Systems and Bag End donate the sound system and their services to run it every year, and there are hundreds of people involved, from our production team to our volunteers, from the IATSE (International Alliance of Theatrical Stage Employees) stage crew to the Madison Opera Chorus and Madison Symphony Orchestra.

“I often say that Opera in the Park is the most important thing Madison Opera does, and I think everyone involved believes that as well.

Now if only the weather will cooperate …”

For more information about Opera in the Park, including the times; the complete concert program that includes selections from Leonard Bernstein’s “West Side Story” on the occasion of the composer’s centennial; detailed biographies of the soloists and the guest conductor Joseph Mechavich (below); reservations for the supporters’ Prelude Dinner at 6:30 p.m.; rules about reserving seating in the park; and how to become a volunteer, go to:

http://www.madisonopera.org/performances-2016-2017/park/


Classical music: The Wisconsin Chamber Choir performs Bach’s “Magnificat” and other music by Handel and Schütz this Friday night and Sunday afternoon in Madison and Whitewater

April 27, 2017
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By Jacob Stockinger

The critically acclaimed Wisconsin Chamber Choir (below) will perform Johann Sebastian Bach’s Magnificat with full orchestra and additional works by Bach, George Frideric Handel and Heinrich Schütz on this coming Friday, April 28, at 7:30 p.m. at Luther Memorial Church, 1021 University Avenue, in Madison.

There will be an additional concert on Sunday, April 30, at 2 p.m. at the Young Auditorium, UW-Whitewater, 930 West Main Street, in Whitewater.

 

The Baroque splendor of Bach’s Magnificat will be performed by the Wisconsin Chamber Choir with its professional orchestra, Sinfonia Sacra.

Featured soloists include trumpet virtuoso John Aley, oboist Marc Fink, violinist Leanne League, New York-based tenor (and former Madisonian) Alex Gmeinder (below top) and mezzo-soprano Rachel Wood (below bottom, in a photo by Michael Cooper.)

Sharing billing with the Bach is Handel’s impressive Utrecht Te Deum, which, like the Magnificat, exalts in the colors of voices, trumpets, timpani, oboes, flutes and strings.

Rounding out the program are Bach’s double-choir motet, Fürchte dich nicht (Be Not Afraid), and a work by Bach’s great predecessor Heinrich Schütz: Nun danket alle Gott (Now Thank We All Our God).

Inspired by Mary’s song of praise from the Gospel of Luke (depicted below), the Magnificat is one of Bach’s most glorious and varied pieces. Its music offers a sampling of every style of music in Bach’s repertoire as a composer.

Imposing, concerto-like movements crowned by brilliant trumpet fanfares highlight the full chorus, whereas solo arias, duets and trios deepen the mood of the text in counterpoint with constantly changing instrumental colors—from lush strings to playful flutes to the dolorous oboe d’amore. (You can hear the “Magnificat” in the YouTube video at the bottom.)

In the solo movements the professional singers share the stage with highly accomplished members of the choir including Christopher Eggers and Nicole McCarty; Madison Savoyards regulars Bill Rosholt and Natalie Falconer; and many others.

The members of Sinfonia Sacra are drawn from the rosters of the Madison Symphony, the Wisconsin Chamber Orchestra, the Wisconsin Baroque Ensemble, and the music faculties of UW-Madison, UW-Whitewater and UW-Oshkosh.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart and Brahms; a cappella works from various centuries; and world premieres. Artistic Director Robert Gehrenbeck (below), who directs choral activities at the UW-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

Advance tickets for the April 28 performance at Luther Memorial Church in Madison are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (all three locations).

Advance tickets for the April 30 performance at Young Auditorium in Whitewater are available from www.uww.edu/youngauditorium/tickets


Classical music: The Madison Symphony Orchestra announces its 2017-2018 season of nine concerts of “favorites combined with firsts”

April 13, 2017
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By Jacob Stockinger

Here is the official announcement of the 2017-18 season by the Madison Symphony Orchestra:

The 2017-18 season of the Madison Symphony Orchestra (MSO, below, in a photo by Greg Anderson) presents nine programs that invite audiences to “listen with all your heart” and “feel the emotion, power and majesty” of great classical music.

Subscriptions are available now, and single tickets for all concerts go on sale to the public Saturday, Aug. 12, 2017.

For more information about tickets and ticket prices plus discounts for new subscribers and renewing subscribers, go to:

http://www.madisonsymphony.org/17-18

MSO music director John DeMain, who will be marking his 24th season with the MSO, has created an exciting season that features favorites combined with firsts.

Says DeMain (below, in a photo by Prasad): “I must point out two monumental firsts: the MSO debut of the great violinist Gil Shaham, renowned and sought after the world over, whose appearance Madison has waited for for many years; and the Madison premiere of the Glagolitic Mass by Czech composer Leos Janacek, a gargantuan work for chorus and orchestra with a prominent role for our “Colossal Klais,” the Overture Concert Organ.”

Performances are in Overture Hall of the Overture Center at 7:30 p.m. on Fridays; 8 p.m. on Saturdays; and 2:30 p.m. on Sundays.

The 2017-2018 subscription series concerts begin on Sept. 15, 16 and 17 with “Orchestral Brilliance”—proudly presenting the Madison Symphony Orchestra performing the Johann Sebastian Bach/Leopold Stokowski version of the organ Toccata and Fugue in D minor; Felix Mendelssohn’s Reformation Symphony and Hector Berlioz’s “Harold in Italy” with MSO principal viola Christopher Dozoryst (below, in a photo by Katrin Talbot) as soloist(You can hear Leopold Stokowski conduct his own transcription of the work by Bach, which was used in Walt Disney’s film “Fantasia,” in the YouTube video at the bottom.)

“From the New World” on Oct. 20, 21 and 22 features the return of beloved pianist Olga Kern (below), a gold medalist in the Van Cliburn competition, performing Samuel Barber’s Piano Concerto, and the MSO performing Antonin Dvorak’s Symphony No. 9 “From the New World” and Maurice Ravel’s Mother Goose Suite.

On Nov. 17, 18, and 19 “Troubadour: Two Faces of the Classical Guitar” features sensational guitar virtuoso Sharon Isbin (below) playing two works, one by American composer Chris Brubeck, and the other by the Spaniard Joaquin Rodrigo, with the MSO performing two Suites—Manuel DeFalla’s The Three-Cornered Hat and Aaron Copland’s Billy the Kid.

The cherished kickoff to the holiday season, “A Madison Symphony Christmas,” returns on the first weekend in December — the 1, 2, and 3. Guest artists Emily Pogorelc, soprano, and Eric Barry, tenor, join John DeMain, the MSO, the Madison Symphony Chorus (below), Madison Youth Choirs and Mount Zion Gospel Choir on stage for the family-friendly celebration.

The MSO season subscription continues in 2018 with the long awaited appearance of violinist Gil Shaham (below) with the MSO—“Gil Shaham Plays Tchaikovsky” on Jan. 19, 20 and 21. This program features works by three of the most popular Russian composers of all time— Sergei Prokofiev’s The Love for Three Oranges Suite, Sergei Rachmaninoff’s Symphony No. 3 and Peter Tchaikovsky’s Violin Concerto.

“Richly Romantic” concerts take place on Feb. 16, 17 and 18 when one of MSO’s favorite cellists, Alban Gerhardt (below), returns performing the lyrical William Walton’s Cello Concerto, and the MSO presents Johannes Brahms’ Symphony No. 1 and Gioachino Rossini’s Overture to Semiramide.

Spring arrives April 13, 14, and 15 with “String Fever” featuring Robert Schumann’s Symphony No. 1, Spring, Benjamin Britten’s Sinfonia da Requiem and Grammy Award-winning violinist Augustin Hadelich (below) performing the Antonin Dvorak’s Violin Concerto.

The season finale, “Mass Appeal,” takes place on May 4, 5 and 6. Star of NPR’s From the Top, pianist Christopher O’Riley (below), will open the program with Mozart’s Piano Concerto No. 22. The MSO premiere of the monumental Glagolitic Mass by Czech composer Leos Janacek features the Overture Concert Organ and the Madison Symphony Chorus, along with soloists Rebecca Wilson, soprano, Julie Miller, mezzo-Soprano, Roger Honeywell, tenor, and Benjamin Sieverding, bass.

The MSO’s 17-18 season includes the popular multimedia production of Beyond the Score®, “Edward Elgar: Enigma Variations,” featuring live actors and visuals in the first half, with the entire work performed in the second half. Joining the orchestra are American Players Theatre actors James Ridge (below), Colleen Madden and Brian Mani, along with Wisconsin Public Radio’s Norman Gilliland of Wisconsin Public Radio as the Narrator. This single performance takes place on Sunday, March 18, 2018*.

NOTE: *Advance tickets for Beyond the Score® are available only to MSO 17-18 season subscribers prior to single tickets going on sale to the general public on Saturday, Aug. 12, 2017. Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Beyond the Score®

ABOUT THE MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra celebrates its 92nd season in 2017-2018 and its 24th season under the leadership of music director John DeMain.

The MSO has grown to be one of America’s leading regional orchestras, providing Madison and south central Wisconsin with cultural and educational opportunities to interact with great masterworks and top-tier guest artists from around the world.

Find more information at madisonsymphony.org


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Classical music: Edgewood College’s FREE Fall choral concert is this Sunday afternoon. Plus, three sopranos sing for FREE this Friday at noon

October 20, 2016
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ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, features sopranos Susan Savage Day, Rebekah Demure and Arianna Day in music by Wolfgang Amadeus Mozart, John Corigliano, Ottorino Respighi, Richard Strauss and others. It runs from 12:15 to 1 p.m.

By Jacob Stockinger

Edgewood College will present its Fall Choral Concert at 2:30 p.m. this Sunday in the St. Joseph Chapel, 1000 Edgewood College Drive.

Admission is FREE.

The Women’s Choir and the Chamber Singers, under the direction of Kathleen Otterson (below top) and Sergei Pavlov (below bottom), will feature a wide variety of musical selections.

Kathleen Otterson color

isSergei Pavlov

The eclectic program includes the Johann Sebastian Bach-Charles Gounod setting of “Ave Maria,” heard in the YouTube video at the bottom; Sydney Carter’s beautiful arrangement of “Lord of the Dance”; and music of Pentatonix.

The Chamber Singers is the College’s premier a cappella choral ensemble, open to students of all majors. The choir performs literature from the medieval period to the 21st century, participating in multiple concerts throughout the school year.

Edgewood College Chamber Singers

The Women’s Choir performs a wide variety of traditional and modern music specifically for women’s voices.

Edgewood College Women's Choir


Classical music: The last of this summer’s FREE Farmers’ Market organ concerts takes place this Saturday at 11 a.m. in Overture Hall

August 9, 2016
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By Jacob Stockinger

The last of the three monthly FREE organ concerts that the Madison Symphony Orchestra puts on during the summer for the Dane County Farmers’ Market on Saturdays will take place this Saturday at 11 a.m. in Overture Hall of the Overture Center.

Overture Organ close up CRE ZaneWilliams

The hour-long program will feature local musician Mark Brampton Smith (below).

Mark Brampton Smith

Brampton Smith holds degrees in organ performance from the Eastman School of Music and the University of Michigan. Past teachers have included William Watkins, Russell Saunders, and Robert Glasgow (organ); Vincent Lenti (piano); and Edward Parmentier (harpsichord).

Currently the organist at Grace Episcopal Church (below), he has served on the music staff of churches in seven states. He has won prizes in the Fort Wayne, Ann Arbor and American Guild of Organists National Competitions.

grace episcopal church ext

As a collaborative pianist, he has worked with numerous singers, instrumentalists and ensembles, including the Ann Arbor Cantata Singers, University of Michigan choirs, Colgate University Chorus, and the Wisconsin Chamber Choir.

His program includes music by Felix Mendelssohn, Jean Roger-Ducasse, Wolfgang Amadeus Mozart and others. Sorry, but specific titles of the works to be performed were not sent to The Ear. But you can hear a sample of Jean-Roger Ducasse in the YouTube video at the bottom.

For more information about this and other Farmers’ Market organ concerts, go to:

http://www.madisonsymphony.org/farmers


Classical music: The Madison Savoyards will begin paying singers in its summer productions of Gilbert and Sullivan operas. Plus a FREE performance of a rarely heard work by Couperin is on Good Friday at noon.

March 23, 2016
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ALERT: UW-Madison professor and baritone Paul Rowe has sent in the following note: “There is a great, free “concert” or performance on this Friday at Luther Memorial Church, 1021 University Avenue, from noon to 3 p.m. Singers Chelsie Propst and Christina Kay with organist Bruce Bengtson will be performing François Couperin’s “Leçons de ténèbres” or “Lessons in Darkness.” This work is rarely heard in performance at all, much less in this complete form. It is a fabulous piece and a great way to spend a Good Friday afternoon before Easter with its contemplative mood and its beautiful solos and duets. There will also be appropriate readings and some other music as part of the service. It is definitely worth hearing.” 

By Jacob Stockinger

Here is some good news for amateurs and semi-professionals who participate in community music-making and community theater.

For the first time in its 53-year history, the Madison Savoyards, Ltd. will pay its singers. (Below is a photo of the Three Little Maids from last summer’s production of “The Mikado.”)

Madison Savoyards The Mikado 2015

“It is an exciting next step for the organization, and will help us attract the best possible talent,” says newly installed Savoyards board president Shane Magargal. “For over 50 years, the Savoyards has kept these comic operas by Gilbert and Sullivan alive in Madison. This move will help us continue to remain a vibrant part of the local theatrical community for years to come.” (Below, are photos of W.S. Gilbert on the left and Arthur Sullivan on the right.)

Gilbert and Sullivan

Auditions for the Savoyards’ summer production, The Gondoliers, will be held at Edgewood College on Monday, April 4 from 5:30 p.m. to 9:30 p.m. (Room Regina R5), and on Saturday, April 9 from 1:30 p.m. to 5:30 p.m. (Mazzuchelli Hall, Room 208).

To schedule a time, send your request via email to audition@madisonsavoyards.org

Information about what to prepare can be found at www.madisonsavoyards.org on the “Auditions” page.

The Gondoliers will run at Music Hall, in the UW-Madison campus at the base of Bascom Hill, on July 29, July 30, August 5 and August 6 at 7:30 p.m.; and July 31 and August 7 at 3 p.m.

There will be pre-performance dinners both Fridays at the University Club.

The Madison Savoyards, Ltd. has been presenting Gilbert and Sullivan’s operettas to Madison audiences since 1963, and is pleased to offer The Gondoliers for the fourth time in its production history. (At bottom is YouTube video with a brief excerpt from “The Gondoliers.”)


Classical music: A FREE Intergenerational Choir concert this Saturday night will bring voices of teens and seniors together at the Capitol Lakes Retirement Community

March 11, 2016
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By Jacob Stockinger

On this Saturday night, March 12, at 7 p.m. the MYC Intergenerational Choir — composed of high school-aged singers of Madison Youth Choirs and residents of Capitol Lakes Retirement Community — will present their fourth concert performance since the ensemble’s creation in January 2015.

Intergeneration Choir

This unique artistic collaboration, led by Madison Youth Choirs conductor Lisa Kjentvet (below) — who is a graduate of the UW-Madison — and featuring performers who range from 15 to 93 years old, celebrates the power of creative expression at every age.

Lisa Kjentvet

The Intergenerational Choir will present a varied program, including works by Henry Purcell, William Billings, Bob Dylan and a selection of traditional Irish tunes.

Here are the specific works:

Welcome, Every Guest…………Traditional shape-note canon
Come, Ye Sons of Art……………Henry Purcell
When Jesus Wept………………William Billings
Danny Boy……………………….Frederic Weatherly
When Irish Eyes Are Smiling….Chauncey Olcott, George Graff, Jr. and Ernest Ball
Blessing…………………………Katie Moran Bart
Forever Young………………….Bob Dylan

The concert is in the Capitol Lakes Grand Hall (below), 333 West Main Street. Off the Capitol Square. Admission is FREE and open to the public.

Capitol Lakes Hall

The choir is supported in part by a grant from the John A. Johnson Foundation, a component fund of the Madison Community Foundation.

Here is more information about the Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For more information, visit www.madisonyouthchoirs.org or call (608) 238-7464.

 


Classical music education: Educator Harv Thompson receives the Rabin Youth Arts Award from the Wisconsin Youth Symphony Orchestras (WYSO)

March 7, 2016
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By Jacob Stockinger

The Ear has received the following announcement and is pleased to post it:

The Wisconsin Youth Symphony Orchestras (WYSO) Board of Directors is pleased to announce the 2016 Rabin Youth Arts Award recipient.

Harv Thompson will receive the award in the category of Artistic Achievement. The award will be presented at Arts Day on this Wednesday, March 9, at the Monona Terrace in the Hall of Ideas at 9 a.m.

Deserving individuals and organizations from across the state were nominated for their support of youth arts across all disciplines.

Harv Thompson (below) is Professor Emeritus of Theater at the UW-Madison and the UW-Extension. A firm believer in the “Wisconsin Idea,” Thompson considers the boundaries of the University System to be the boundaries of the state. His passion for arts education throughout Wisconsin is deeply rooted in his belief that the state has a commitment to bring the UW’s arts offerings to the diverse audiences found in every corner of Wisconsin.

harv thompson

Thompson’s career ran on two tracks: his theater endeavors and his administrative leadership. Harv served over 20 years as department chair for the UW-Extension’s Continuing Education in the Arts Department.

His role at the UW-Extension included maintaining a link between UW arts professors and the UW-Extension youth program of 4-H. Over 50,000 children state-wide are enrolled in 4-H and his leadership helped develop and maintain funding for 4-H arts programs including: Arts Camp, Arts Leadership lab, Showcase Singers, Drama Company and Art Team.

Thompson (below) is also founder of the Wisconsin Theater Association, which was developed to assist public schools in their theater offerings including classes and live performances of plays and musicals. Since its inception, the Wisconsin Theater Association has provided educational resources and performances to thousands of students throughout the state of Wisconsin.

Harv Thompson color

Twenty-five years ago, Thompson founded the Wisconsin High School Theater Festival (below). For every year since, hundreds of high school students attended the three-day festival to participate in a variety of educational workshops and to view live theater performances by both their high school peers and by professional theater groups. Thousands of high school students have benefited from the festival’s 25-year run, and Harv continues to remain closely involved in the planning and execution of the festival to this day.

Wisconsin High School Theater Festival

The Wisconsin Youth Symphony Orchestras, located in Madison, Wisconsin, presents the Rabin Youth Arts Awards in honor of their founding conductor, Marvin Rabin (below), as a means to honor those who follow in his footsteps.

The awards are a forum for promoting quality youth arts programs and honoring those who work diligently to provide arts opportunities for children throughout Wisconsin. They also serve as a means to elevate awareness in our community about the importance of arts education for all children.

marvin rabin BW

Now celebrating its 50th season, WYSO membership has included more than 5,000 young musicians from more than 100 communities in southern Wisconsin. WYSO, currently under the artistic direction of James Smith, includes three full orchestras, a string orchestra, a chamber music program, a percussion ensemble, a harp ensemble and a brass choir program. For more information, visit www.wysomusic.org


Classical music education: Here is the latest update on the search for a new director of University Opera.

November 7, 2015
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By Jacob Stockinger

Recently, a reader asked The Ear about the status of the nationwide search for a new artistic director of University Opera after two years of having David Ronis (below, in a photo by Luke Delalio) as a popular guest director from New York City after the retirement of William Farlow.

David Ronis color CR Luke DeLalio

That’s when word came from Martha Fischer  (below), professor of collaborative piano at the University of Wisconsin-Madison School of Music. Fischer is the head of the search committee to find a new director of the opera program.

Martha Fischer color Katrin TalbotHere is what Professor Fischer sent: her official update with the PVL (Professional Vacancy Listing) attached:

Writes Fischer as a prefatory comment: “We are incredibly fortunate, thanks to the Karen K. Bishop fund, to be able to search for a full-time tenure track Assistant Professor of Opera. At a time when the University as a whole is feeling extreme budget pressures, it is indeed something to celebrate.

“We are currently accepting applications from a broad and diverse pool of applicants with a deadline of Dec. 1, 2015.

“We are following the University of Wisconsin‘s strict guidelines about how searches are conducted to ensure a fair and equitable process.

“We are hopeful that we will be able to announce a new opera director sometime in the spring.”

The Ear notes that under Wisconsin’s open record laws, there will be no word about the dozens of individual applicants until the finalist stage of the search. That is designed to help protect the current jobs of applicants who do not make it into the pool of four or five finalists who are invited to visit the campus. (Below is a photo by Michael R. Anderson from the most recent production, “The Marriage of Figaro” by Wolfgang Amadeus Mozart.)

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

Here is the official notice for the UW-Madison School of Music Position Vacancy Listing for the Karen K. Bishop Director of Opera:

“The School of Music at the University of Wisconsin-Madison invites applications for an Artistic Director of University Opera and teacher of operatic performance, interpretation, and literature.

“This is a full-time, tenure-track appointment at the Assistant Professor level beginning August 2016. Successful candidates will demonstrate evidence of an established or emerging national/international career, along with an ability to enhance the School’s educational mission and overall commitment to teaching.

“Candidates will be expected to pursue creative activities or research interests appropriate to a tenure-track position.

“Candidates will also be expected to help recruit and teach a diverse student body of undergraduate and graduate students, to advise and mentor students, to serve on graduate degree committees, and to carry out leadership and service within the School, College, and University.

Duties:

  • Serve as Artistic Director of University Opera
    • –  Organize, administer and coordinate all facets of the program, recruiting and fundraising as necessary
    • –  Direct and supervise all facets of two major productions each year
  • Coordinate and co-teach the University Opera Workshop Course

– Prepare scenes and productions, including stage movement and character development;

  • Promote and participate in local and state outreach programs
  • Nurture relationships and serve as liaison with community and regional arts organizations
  • Teach related courses as needed and according to the candidate’s expertise
  • Supervise doctoral minors in opera/voice coaching and in opera production
  • Minimum Qualifications:
  • Master’s degree with significant professional experience
  • Proven excellence as an opera director in the professional and/or academic setting
  • Comprehensive knowledge of operatic literature, styles and traditions
  • Ability to pursue research and/or creative activity and service to the profession at the national/international 
level
  • Ability to teach effectively in the classroom and in rehearsal, at both the undergraduate and graduate levels
  • Ability to guide research and advise on the preparation of graduate documents and exams
  • Ability to work effectively and collaborate within the School of Music and with outside groups and 
community arts organizations
  • Ability to serve as advisor for doctoral minors
  • Commitment to recruitment for the School of Music
  • Ability to collaborate with the voice faculty, School of Music, and university in developing and planning for 
the opera program

Preferred Qualifications:

  • PhD/DMA/MFA completed
  • Ability to conduct/lead musical rehearsals
  • Ability to coach singers from the piano
  • Fluency in standard operatic languages (French, German, Italian, English)
  • Experience as an operatic performer
  • Salary: $65,000 (minimum)

(Below is a photo of the University Opera’s 2011 production of Giacomo Puccini‘s “La Bohème.”)

University Opera La Boheme Photo 2


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