IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Today is “Panic Saturday” — another, newer theme day on the commerce-driven Holiday Consumer Calendar that goes along with Black Friday, Small Business Saturday, Cyber-Monday and Giving Tuesday.
In past years, by this time many media outlets would publish the list of the top classical recordings of the past year. And The Ear has offered them as holiday shopping guides with links to the lists.
They seem to be running late this year, probably too late for many shoppers.
But recently the team of critics for The New York Times named their Top 25 classical recordings of 2018 that run from the 15th century to today (sample album covers are below).
This time, the website didn’t just reproduce something that first appeared in the printed edition. And something more than small snippets or excerpts are offered.
This time, the newspaper took full advantage of the electronic possibility of the web and used streaming to add hours of sound samples — some as long as 40 minutes – so you can see what you think of the recordings before you buy them. (Be sure to look at reader reactions and comments.)
It is a new and innovative way to do a Top 25 list – very appealing or entertaining as well as informative. Even if you don’t use it to buy anything for others or yourself, it can provide many minutes of listening pleasure. You can think of it as a gift guide or a gift or both.
Of course, there are also the usual short and very readable, to-the-point narratives or explanations about why the recording stands out and what makes it great music, a great performance or a great interpretation.
So there is a lot to listen to and help you make up your mind. The Ear has enjoyed it and found it helpful, and hopes you do too, whether you agree or disagree with the choice:
Since this is the last weekend for holiday shopping before Christmas, here is the previous list – notice the duplications in the two lists — posted here, which was of the nominations for the upcoming 2019 Grammy Awards:
And here is the Top 10 list, which was chosen by the always discerning Tom Huizenga (below) — who explains the reasons for his choices — and which also offers generous sound samples, from National Public Radio (NPR) and its Deceptive Cadence blog. Also look for duplications:
It sure sounds like decadent capitalism that is growing ever more desperate for sales and marketing gimmicks.
And it sure sounds overwhelming.
But some help is available.
As in past years, from now through late December The Ear will offer some gift ideas of his own, including books, recordings and tickets to live performances.
In fact, you can use the blog’s search engine to look up suggestions from past years. You might be surprised at how relevant a lot of them still remain.
Well, because of the Leonard Bernstein centennial there is a lot of Lenny (below) being repacked for holiday sales, including his mid-century revival of Gustav Mahler with the New York Philharmonic. (You can hear Bernstein introduce and explain Mahler to young people in the YouTube video at the bottom.)
And the growing prevalence of digital streaming means that more and more wonderful box sets of operas, orchestral music, choral music, vocal music, chamber music and solo music are available for about $3 a disc or less.
But this year, The Ear also wants to encourage his readers, who are often very knowledgeable, to send in their own suggestions for holiday gift-giving.
It should be something you would either like to give or like to receive.
Plus, the recordings or whatever other products you mention do not have to be new.
The only important criterion is that you think either yourself or the recipient would enjoy it and somehow benefit from it.
Maybe it is something new you think up.
Or something you heard from someone else or another source.
Maybe it is a gift that you yourself received and think others would enjoy getting.
Anyway, let’s all educate each other and please each other this holiday season.
But this year Giving Tuesday seems more important than ever.
It’s no secret that the conservative political forces now in ascendancy do not favor government subsidies of the arts. And one has no idea about what the taste in the arts is for the incoming administration.
Plus, economic competition among proliferating music groups has only tightened the screws even further on many organizations.
Of course, lots of music organizations – small, medium and big – need your help.
And it is no secret that The Ear especially favors supporting music education organizations for young people such as the Wisconsin Youth Symphony Orchestras (below, at the group’s 50th anniversary concert last winter). They not only train future musicians but also build future audiences for classical music.
But in whatever direction your philanthropy and generosity extend, here is some relevant news.
It is a story from The New York Times about how symphony orchestras are now less like businesses and more like charities.
Symphony orchestras aren’t alone, so the account seems especially timely with Giving Tuesday looming.
But just as important are the local music makers and concert promoters. The Ear thinks that tickets to future concerts make a great gift – especially if you agree to accompany someone and provide companion or maybe even transportation is the person is older.
And you don’t have to buy today.
The important thing is to USE YOUR COMPUTER OR SMART PHONE to browse and shop, to assist you in shopping.
Some of the local groups are even offering major and minor holiday discounts. Or the past several years, the Madison Symphony Orchestra has offered has reduced price tickets. (This year, the MSO tickets sale of seats for $20 or $48 takes place Dec. 12-24.) This year, the Wisconsin Union Theater is waiving handing fees (but not discounting tickets) for the month of December and through Jan. 2. And other deals are likely, given the competitive nature of the performing arts in Madison.
And if you don’t buy them today or the sales come later, at least you can do the research right now and find out what you might want to buy later.
In some cases, as with the FREE Friday Noon Musicales at the First Unitarian Society of Madison, performers and programs are not listed much in advance. And the terrific new ensemble Willy Street Chamber Players won’t announce its new dates and programs until the spring.
The Ear thinks that combining a ticket to a live performance with a recording of the music or a book about music makes a superb holiday gift. And you will be supporting local businesses and local musicians.
So here are some links. But please forgive The Ear if the list is not exhaustive. There are so many classical music groups now in Madison and the surrounding area, it is hard to keep up.
If you want to ask something, please put the name and a link in the COMMENT section. The Ear will be grateful, and so will other readers.
ALERT: Want to relax after eating and shopping? Tonight at 7 p.m. in Overture Hall of the Overture Center, there is a FREE and PUBLIC one-hour Community Christmas Carol Sing, hosted by the Madison Symphony Orchestra. All ages are welcome. Accompaniment will be on the Overture Concert Organ, played by MSO Principal Organist Samuel Hutchison.
To further and foster your shopping, today is now known as Small Business Saturday, the day following Black Friday. It is supposed to encourage consumers to shop and eat at locally owned businesses.
Unfortunately, the availability of classical music recordings has shrunk so much over the past decade, it can be hard to shop locally for classical music gifts except tickets — which make a great gift. But you can still try. Any tips you want to leave in the COMMENT section and share with others?
And a gift guide might be appreciated or even helpful, whether you shop online or locally.
Today is the annual gift guide put together by the various critics for The New York Times. Prices have a wide range, and there are some inexpensive gifts. But this year there seems to be an emphasis on more expensive sets of books and recordings.
Could it possibly be that because the critics get free review copies, they feel compelled to push them or hawk them at the holiday time?
Maybe. But in the spirit of the season let’s pretend that the suggestions – many of which are very good and The Ear agrees with – are based on merit alone.
Then you have to click on the name or title to get more information about the item including the price.
It seems kind of inconvenient and a little bit sleazy to The Ear, what with all that navigating.
Which web designer came up with this way? The Ear much preferred the guides of past years, where you got the full text without so much work and so much clicking. All you had to do was scroll.
Try and see what you think, whether you disagree or agree with The Ear.
Good luck.
Good shopping.
And, if you are the recipient rather than the giver, good listening and reading.
Today is Black Friday, known for deep price cuts, huge sales and outrageous store hours that draw massive crowds — and for putting retails business in the profitable black at the end of the year.
Tomorrow is Small Business Saturday, which is supposed to encourage us to patronize local businesses.
Never mind that they are all starting to get mixed up and to become one big, long shopping frenzy.
As I do every year, I will hunt out and post on this blog the “Best of 2013” lists, which should feature lots of recordings, some great DVDs and also some noteworthy books about classical music. Here are some links to last year’s from NPR, The New York Times and The New Yorker and Gramophone magazines among others. After all, the music and the performances are just as good as it was a year ago:
But recently The New York Times chief music critic Anthony Tommasini (below) wrote about the phenomenon of these multi-CD boxed sets, containing dozens of CDsand costing hundreds of dollars (unless of course you are a reviewer) that often use original LP covers and that give you the encore output” – or “oeuvre,” if you like – of a particular performer (like pianist Arthur Rubinstein, below) or composer. But they also probably offer lots of duplicates to serious collectors who alreadyhave a substantial number of recordings.
Tommasini remarks on the seeming contradictions of these as music becomes more and more about digital downloads rather than physical Compact Discs.
He makes some intriguing points worth considering if you are hunting for a special classical music gift.
So in honor of the days-long holiday shopping frenzy that is facing us, here is a link to Tommasini’s story that covers several major pianists including Vladimir Horowitz at Carnegie Hall (below top, bowing, in a photo by Don Hunstein, and below middle in the scale model “Carnegie Hall” box container), Murray Perahia (below bottom) and Van Cliburn as well as Byron Janis, Leon Fleisher and Gary Graffman plus the composer Benjamin Britten, whose birth centennial was on Nov. 22.
Classical music: Gift guide or gift or both? Critics for The New York Times name their top classical recordings of 2018, and so does National Public Radio (NPR)
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Today is “Panic Saturday” — another, newer theme day on the commerce-driven Holiday Consumer Calendar that goes along with Black Friday, Small Business Saturday, Cyber-Monday and Giving Tuesday.
In past years, by this time many media outlets would publish the list of the top classical recordings of the past year. And The Ear has offered them as holiday shopping guides with links to the lists.
They seem to be running late this year, probably too late for many shoppers.
But recently the team of critics for The New York Times named their Top 25 classical recordings of 2018 that run from the 15th century to today (sample album covers are below).
This time, the website didn’t just reproduce something that first appeared in the printed edition. And something more than small snippets or excerpts are offered.
This time, the newspaper took full advantage of the electronic possibility of the web and used streaming to add hours of sound samples — some as long as 40 minutes – so you can see what you think of the recordings before you buy them. (Be sure to look at reader reactions and comments.)
It is a new and innovative way to do a Top 25 list – very appealing or entertaining as well as informative. Even if you don’t use it to buy anything for others or yourself, it can provide many minutes of listening pleasure. You can think of it as a gift guide or a gift or both.
Of course, there are also the usual short and very readable, to-the-point narratives or explanations about why the recording stands out and what makes it great music, a great performance or a great interpretation.
So there is a lot to listen to and help you make up your mind. The Ear has enjoyed it and found it helpful, and hopes you do too, whether you agree or disagree with the choice:
Here is a link:
https://www.nytimes.com/2018/12/13/arts/music/best-classical-music-tracks-2018.html
Since this is the last weekend for holiday shopping before Christmas, here is the previous list – notice the duplications in the two lists — posted here, which was of the nominations for the upcoming 2019 Grammy Awards:
https://welltempered.wordpress.com/2018/12/08/classical-music-here-are-the-just-announced-grammy-nominations-for-2019-they-can-serve-as-a-great-holiday-gift-guide/
And here is the Top 10 list, which was chosen by the always discerning Tom Huizenga (below) — who explains the reasons for his choices — and which also offers generous sound samples, from National Public Radio (NPR) and its Deceptive Cadence blog. Also look for duplications:
https://www.npr.org/2018/12/18/677776208/npr-musics-best-classical-albums-of-2018
What recordings would you suggest?
The Ear wants to hear.
Share this:
Like this:
Tags: #AlbumCover, #AnthonyTommasini, #BaroqueMusic, #BenjaminBritten, #BerlinPhilharmonic, #BlackFriday, #BlogPost, #BlogPosting, #BlogReview, #ChamberMusic, #ChamberMusician, #ChoralMusic, #DeceptiveCadence, #DmitriShostakovich, #DoctorAtomic, #ElectricGuitar, #EroicaSymphony, #FranzLiszt, #FredericChopin, #GivingTuesday, #GrammyAwards, #GrammyNominations, #GustavMahler, #HenryPurcell, #HilaryHahn, #HolidaySeason, #HolidayShopping, #IgorLevit, #JohannSebastianBach, #JohnAdams, #JohnnyGandelsman, #JoshuaBatone, #KarlheinzStockhausen, #LeifOveAndsnes, #LeonardBernstein, #LudwigVanBeethoven, #MedievalMusic, #MiddleAges, #MirandaCuckson, #MusicalInterpretation, #MusicCritic, #MusicReview, #NationalPublicRadio, #NewMusic, #NewYorkTimes, #NicolePopora, #OlivierMessiaen, #OperaMusic, #PanicSaturday, #PhilipGlass, #RichardWagner, #RobertSchumann, #SimonRattle, #SmallBusinessSaturday, #SoloViolin, #SoundSamples, #StileAntico, #TheKnights, #TomHuizenga, #Top10, #Top25, #VikingurOlafsson, #ViolinMusic, #ZacharyWoolfe, album cover, Arts, Bach, Ballade, Baroque, Beethoven, Benjamin Britten, Berlin Philharmonic, Black Friday, blog, Blog post, blog posting, calendar, Cello, century, Chamber music, choice, Chopin, choral music, Classical music, comment, Compact Disc, composer, concerto, conductor, consumer, Cyber-Monday, Deceptive Cadence, Doctor Atomic, Dufay, Early music, electric guitar, entertaining, explain, explanation, Franz Schubert, give, Giving Tuesday, Grammy Award, Grammy nomination, great, Hilary Hahn, Holiday, holiday season, Iceland, Icelandic, Igor Levit, informative, interpretation, Jacob Stockinger, Johann Sebastian Bach, Johhny Gandelsman, John Adams, Joshua Barone, Karlheinz Stockhausen, late, Leif Ove Andsnes, Leonard Bernstein, life, Liszt, living, Ludwig van Beethoven, Madison, Mahler, media, Medieval, Middle Ages, Miranda Cuckson, Mozart, Music, music critic, narrative, National Public Radio, New Music, New York City, New York Times, Newspaper, Nicole Popora, nocturne, NPR, Olivier Messiaen, opera, Orchestra, Panic Saturday, partita, Philip Glass, Pianist, Piano, pleasure, Purcell, reaction, read, reader, receive, recording, Robert Schumann, sampling, shoppers, Shopping, short, Shostakovich, Simon Rattle, Small Business Saturday, Sonata, Stile Antico, stream, streaming, symphony, The Knights, today, Tom Huizenga, Top 10, Top 25, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Vikingur Olafsson, Viola, Violin, violinist, vocal music, Wagner, Wisconsin, wisconsin public radio, Wolfgang Amadeus Mozart, year, YouTube, Zachary Woolfe