The Well-Tempered Ear
Collaborative pianist Ingrid Haebler has died at 93
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Austrian pianist Ingrid Haebler (below) has died at 93.
I call her a collaborative pianist but, like so many other pianists, she was also a soloist.
That is inherent in learning the piano, especially at the beginning.
Here is an obituary, with links, where you can read more about her and her her music-making:
Truth be told, Haebler made quite a few recording as a soloist, include all the piano concertos and piano sonatas by Mozart, as well as other Austrian and German composers, including Haydn, Schubert and Beethoven. The Viennese school was her forte.
But what stands out to The Ear are her early duets (below) with Henry Szeryng and Arthur Grumiaux in the violin sonatas of Beethoven and Mozart. She knew how to blend rather than to stand out, and clearly was more interested in musicality than virtuosity. In fact, critics often praised her gentleness, clarity and transparency rather than her assertiveness or boldness, especially in Mozart. Not for nothing was a tulip named after her.
In a word, she was an ideal collaborative pianist back in the days when they were still called accompanists and received second billing.
Indeed, along with Gerald Moore she was one of the performers who brought currency and respect as the term “accompanist” as it morphed into the more accurate term “collaborative pianist.”
Of course that is just my opinion. You might disagree.
Decide for yourself. You can listen to and sample many of her solo and collaborative recording on YouTube, including the video below one of my favorite violin sonatas by Mozart, the Violin Sonata in e minor, K. 304, played by Haebler and Henryk Szeryng.
Do you know Ingrid Haebler’s playing?
What do you think of her as a soloist and as a collaborative pianist?
Which side of her career do you think is stronger?
The Ear wants to hear.
Tags: #BlogPost, #CollaborativePianist, #FacebookPost, #FacebookPosting, #Music-Making, #YouTubevideo, accompanist, accuracy, accurate, Arthur Grumiaux, Arts, audience, Austria, Austrian, Beethoven, beginning, blog, bold, boldness, career, Chamber music, clarity, Classical music, collaborative, composer, Concert, concerto, critic, currency, death, decide, die, Facebook, favorite, flower, Franz Joseph Haydn, Franz Schubert, gentle, gentleness, Gerald Moore, German, Germany, Haydn, hear, Henryk Szeryng, Ingrid Haebler, Jacob Stockinger, learn, link, listen, Ludwig van Beethoven, morph, Mozart, Music, music critic, musicality, obituary, opinion, Orchestra, performer, Piano, playing, respect, school, Schubert, share, solo, soloist, Sonata, symphony, tag, term, think, transparency, tulip, Vienna, Viennese, Violin, violinist, virtuosity, vocal music, Wolfgang Amadeus Mozart, yourself, YouTube
Vivaldi turns 345 today. His irresistable music deserves more live performances
15 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today The Ear wishes Happy Birthday to composer Antonio Vivaldi (below), who was born on this day — March 4 — in 1678 in Venice. (He became famous but died in poverty at age 63 on July 28, 1741, also in Venice.)
The Ear likes Vivaldi and his music deserves many more live performances. Even local early music and modern music groups seems reluctant to program much Vivaldi besides “The Four Seasons,” despite the popularity of his other works. Vivaldi not only composed a lot but he did so for many instruments — strings, brass, winds — and in other genres than concertos including sonatas, choral works and operas.
Listen to Vivaldi in the morning. Who can resist him? The Italian style with its energetic rhythm, songful lyricism and major-key cheerfulness are caffeine for the ears.
There are so many fine groups and soloists who perform Vivaldi. Yet so much of his prolific output remains relatively unknown or unheard.
That’s too bad. Johann Sebastian Bach recognized a good thing when he heard it, so he “borrowed” and transcribed many of Vivaldi’s works. One imagines the Italian taste for transparency and tunes appealed to Bach and helped him leaven the often dense, even pedantic Germanic counterpoint and smothering religiosity. Vivaldi provided a model influence for Bach’s eclectic fusion of styles.
Here is a link to an extended Wikipedia biography of the “Red Priest” (below) — Vivaldi’s nickname, used during his teaching at an all-girls school in Venice and derived from his bright red hair. It holds some surprises including the political controversy that surrounded Vivaldi in his day:
https://en.wikipedia.org/wiki/Antonio_Vivaldi
A lot of modern musicians and music historians seem to hold Vivaldi’s popularity and listener-friendly music against him. Opinions seem divided over who made the snide remark — Igor Stravinsky, Luigi Dallapiccola or both — that Vivaldi rewrote the same concerto 500 times.
Here is an informative takedown of that putdown:
https://notanothermusichistorycliche.blogspot.com/2018/10/did-stravinsky-say-vivaldi-wrote-same.html
In the YouTube video at the bottom is a favorite Vivaldi movement of mine. It helped give me a lifelong unforgettable moment as an accompaniment to viewing NASA’s recently taken moon footage at 37,000 feet in a plane on my way to Hawaii. It is the slow movement of the lute concerto played on the guitar by Julian Bream — and it was perfect for expressing weightlessness and space flight.
That was long ago.
These days for period-instrument performances, I tend to favor The English Concert under Trevor Pinnock , The Academy of Ancient Music under Christopher Hogwood, and the Academy of Ancient Music Berlin — although there are others terrific ensembles including the modern instrument groups I Musici and the Academy of St. Martin in the Fields.
For period string soloists — try the double concertos — look to Simon Standage, Monica Huggett, Andrew Manze and Rachel Podger. For modern instrumentalists, check out Victoria Mullova and especially the Israeli violinist Shlomo Mintz, who uses his own ordering and groupings of concertos. I also like the period cellist Christophe Coin and the modern cellist Jean-Guihen Queyras.
Do you have an opinion about Vivaldi — a like or dislike of his music?
Do you have a favorite Vivaldi work?
Do you have favorite performers of Vivaldi?
The Ear wants to hear.
Tags: #AntonioVivaldi, #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #ItalianBaroque, #TheEar, #YouTubevideo, Academy of Ancient Music, Academy of Ancient Music Berlin, Academy of St Martin in the Fields, Andrew Manze, Antonio Vivaldi, Arts, Baroque, Berlin, birthday, blog, born, brass, British, caffeine, Cello, Chamber music, cheerfulness, choral music, Christophe Coin, Christopher Hogwood, clarity, Classical music, composer, Concert, concerto, counterpoint, Early music, ears, eclectic, energy, English, English Concert, ensemble, express, Facebook, favorite, Four Seasons, fusion, genre, Germany, girls, good, Great Britain, guitar, Happy Birthday, History, I Musici, Igor Stravinsky, influence, Israel, Israeli, Italian, Italy, Jacob Stockinger, Jean-Guihan Queyras, Johann Sebastian Bach, Julian Bream, link, listener-friendly, Luigi Dallapiccola, lute, lyricism, Madison, melody, modern, modernism, Monica Huggett, moon, morning, Music, NASA, opera, opinion, perform, poor, popularity, poverty, priest, program, prolific, putdown, Rachel Podger, Red Priest, Religion, school, share, Shlomo Mintz, Simon Standage, snide, soloist, Sonata, space, strings, style, symphony, tag, takedown, The Ear, The Four Seasons, thing, transparency, Trevor Pinnock, tune, UK, United States, Venice, Victoria Mullova, Viola, Violin, Vivaldi, vocal music, wind music, YouTube
Middleton Community Orchestra performs the second of four FREE outdoor summer concerts at Firemen’s Park this Sunday at 11:30 a.m.
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday from 11:30 a.m. to 1 p.m. in Firemen’s Park, the mostly amateur but critically acclaimed Middleton Community Orchestra (MCO) will give the second of its FREE four summer outdoors concerts.
Besides the fact that the day is Father’s Day holiday, weather predictions also call for a good chance of rain or even thunderstorms.
Updates on whether the concert will take place, be cancelled or postponed to a later date, can be found by checking the MCO’s website at 10 a.m.: https://middletoncommunityorchestra.org
Meanwhile, here are the programs, conductors and soloists for the remaining three concerts. All concerts take place in Firemen’s Park in Middleton close to Middleton High School:
CONCERT – SUNDAY, JUNE 20, 11 a.m.-1 p.m. (revised program)
Sergei Pavlov (below), conductor and professor at Edgewood College
George Walker – “Lyric for Strings”
Ralph Vaughan Williams – “Fantasia on a Theme of Thomas Tallis” (heard in the YouTube video at the bottom)
Giacomo Puccini – Lauretta’s aria from “Gianni Schicchi”; Mimi’s aria in Act 3 and Musetta’s aria in Act 2 from “La Boheme” with soprano Yanzel Rivera (below).
Selections from the Pixar movie COCO (piano and strings)
CONCERT – SUNDAY, JULY 25, 11:30 – a.m.-1 p.m.
Chris Ramaekers (below), conductor and professor at the University of Wisconsin-Whitewater
Peter Illyich Tchaikovsky – “March Slav”
Carl Maria von Weber — Clarinet Concerto No. 2 with soloist and Madison Symphony Orchestra principal clarinetist JJ Koh (below)
Tchaikovsky — Symphony No. 2 “Little Russian”
CONCERT 4 – SUNDAY, AUG. 15, 11:30-1 p.m.
Sergei Pavlov, conductor
Brahms Piano Concerto No. 1 with soloist and UW-Madison graduate Thomas Kasdorf (below)
Tags: #AgnusDei, #AlbumCover, #BlogPost, #BlogPosting, #CarlMariavonWeber, #ChoralMusic, #ChristopherRamaekers, #ClarinetConcerto, #Cocomovie, #CreoleMass, #CriticalAcclaim, #EdgewoodCollege, #FacebookPost, #FacebookPosting, #FantasiaonaThemeofThomasTallis, #FantasyonaThemebyThomasTallis, #Father'sDay, #FilmMusic, #Firemen'sPark, #GeorgeWalker, #GiacomoPuccini, #JacobStockinger, #JJKoh, #JohannesBrahms, #LaBoheme, #LittleRussian", #LyricforStrings, #MadisonSymphonyOrchestra, #MarchSlav, #MeadWitterSchoolofMusic, #MiddletonCommunityOrchestra, #MiddletonHighSchool, #MiddletonWisconsin, #MissaCriolla, #MovieScore, #MusicCritic, #Musicfaculty, #OperaMusic, #PeterIlyichTchaikovsky, #PianoConcerto, #RalphVaughanWilliams, #RomanCatholic, #RomanCatholicism, #SacredMusic, #SergeiPavlov, #SopranoSinger, #SouthAmerica, #SouthAmerican, #SpanishLanguage, #StringMusic, #TheEar, #TheUW, #ThomasKasdorf, #ThomasTallis, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Whitewater, #VocalMusic, #YanzelRivera, #YouTubeChannel, #YouTubevideo, Agnus Dei, amateur, aria, arias, arrangement, Arts, audience, blog, Blog post, blog posting, Brahms, cancel, Carl Maria von Weber, Catholicism, chance, channel, check, choral msuic, Christian, Christianity, Christopher Ramaekers, clarinet, clarinet concerto, clarinetist, Classical music, Coco, composer, Concert, concerto, concerts, conductor, Creole, Creole Mass, critic, critical acclaim, date, Early music, Edgewood College, Facebook, Facebook post, Facebook posting, fact, Fantasia, Fantasia on a Theme by Thomas Tallis, Fantasia on a Theme of Thomas Tallis, fathers day, film, film music, Firemen's Park, forward, free, George Walker, Giacomo Puccini, graduate, Holiday, Jacob Stockinger, JJ Koh, Johannes Brahms, Kasdorf, Koh, La bohème, like, link, Little Russian, lyric, Lyric for Strings, Madison, Madison Symphony Orchestra, march, March Slav, mass, MCO, Mead Witter School of Music, Middleton, Middleton Community Orchestra, Middleton High School, Missa Criolla, movie, movie score, Music, music critic, music faculty, opera, opera musiuc, Orchestra, outdoors, performer, Pianist, Piano, Piano concerto, Pixar, post, posting, postpone, prediction, principal, professor, programs, Puccini, rain, Ralph Vaughan Williams, Ramaekers, remaining, Roman Catholic, Russia, sacred music, Sergei Pavlov, share, singer, Slav, soloist, soprano, South America, South American, Spain, Spanish, string music, strings, summer, Sunday, symphony, tag, Tchaikovsky, The Ear, Thomas Kasdorf, Thomas Tallis, thunderstorms, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Whitewater, University of Wisconsin–Madison, update, UW, UW-Madison, vaughan williams, Viola, Violin, vocal music, Walker, weather, Weber, Website, Wisconsin, Yanzel Rivera, YouTube, YouTube video
Edgewood College will live-stream its FREE Spring Celebration concert this Friday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
At 8 p.m. CDT this Friday night, April 30, the music department at Edgewood College will live-stream its FREE online Spring Celebration concert.
Here is the link: music.edgewood.edu
Here is the program:
The Edgewood Chamber Orchestra (below) will perform music by the Austrian composer Johann Nepomuk Hummel, who studied with Mozart and knew Haydn, Beethoven and Schubert (see the Wikipedia bio at https://en.wikipedia.org/wiki/Johann_Nepomuk_Hummel; Krzysztof Penderecki, a Polish composer who died a year ago March; and the Argentinean “new tango” composer Astor Piazzolla, whose birth centennial was last month. Soloists include Gwyneth Ferguson on trumpet, and Malia Huntsman on oboe.
The Chamber Singers (below) will offer selections from Broadway musicals and contemporary choral arrangements, including Lord of the Rings by Enya, works from Josh Groban, and the Polish composer Henrik Gorecki.
The Guitar Ensemble will perform Haru no Umi (The Sea in Spring) by the Japanese composer Michio Miyagi (below), and a medley from the 1970s rock group Chicago: 25 or 6 to 4/Saturday in the Park, by Mark Lamm.
The Chamber Winds will perform selections from Crooner’s Serenade; Josef Rheinberger’s Evening Song (Abendlied, in the YouTube video at the bottom); and an arrangement of John Williams’ movie score for Star Wars: The Force Awakens.
Tags: #ArgentineanComposer, #BlogPost, #BlogPosting, #BroadwayMusical, #CentralTime, #ChamberMusic, #ChamberOrchestra, #ChoralMusic, #CoronavirusPandemic, #Crooner'sSerenade, #DaylightTime, #EdgewoodCollege, #EdgewoodCollegeChamberOrchestra, #EdgewoodCollegeChamberSingers, #EdgewoodCollegeChamberWinds, #EdgewoodCollegeGuitarEnsemble, #EveningSong, #FacebookPost, #FacebookPosting, #FranzSchubert, #GuitarMusic, #GwynethFerguson, #HaruNoUmi, #HenrickGorecki, #JacobStockinger, #JapaneseComposer, #JapaneseMusic, #JohannNepomukHummel, #JohnWilliams, #JosefRheinberger, #JoshGroban, #KrzysztofPenderecki, #LiveStreaming, #LordoftheRings, #LudwigVanBeethoven, #MailaHuntsman, #MarkLamm, #MichioMyagi, #MovieScore, #MusicalTheater, #NewMusic, #NewTango, #OboeMusic, #OnlineConcert, #OrchestralMusic, #PolishComposer, #RockandRoll, #RomanCatholic, #SergeiPavlov, #StarWars, #StarWars:TheForceAwakens, #TheEar, #TrumpetMusic, #VirtualConcert, #VocalMusic, #Wikipediaentry, #WindMusic, #WolfgangAmadeusMozart, #YouTubevideo, 1970s, Abendlied, Argentina, arrangement, arrangements, Arts, Asia, asian, audience, Austria, Austrian, Ástor Piazzolla, Beethoven, biography, blog, blog posting, Broadway, Broadway musical, Catholic, centennial, Central Time, Chamber music, chamber orchestra, Chicago, Choir, choral music, Classical music, composer, Concert, contemporary, coronavirus, coronavirus pandemic, crooner, Crooner's Serenade, daylight time, Edgewood College, Edgewood College Chamber Orchestra, Edgewood College Chamber Winds, Edgewood College Guitar Ensemble, Enya, evening, Evening Song, Facebook, film, forward, Franz Schubert, German, Germany, group, guitar, guitar music, guitarist, Gwyneth Ferguson, Haru no Umi, Henrik Gorecki, Hummel, Jacob Stockinger, Japan, Japanese, Johann Nepomuk Hummel, John Williams, Josef Rheinberger, Josh Groban, Krzysztof Penderecki, like, link, live-stream, livestream, Lord of the Rings, Ludwig van Beethoven, Madison, Malia Huntsman, march, Mark Lamm, medley, Michio Myagi, month, movie, movie score, Mozart, Musical theater, new, new nusic, new tango, Oboe, oboist, online, orchestral music, pandemic, Penderecki, perform, performer, Piazzolla, player, Poland, Polish, post, posting, Rock, rock and roll, Roman Catholic, Schubert, sea, seledtions, Serenade, Sergei Pavlov, share, sing, singer, Singing, soloist, song, Spring, Star Wars, Star Wars: The Force Awakens, Student, study, tag, tango, The Ear, Trumpet, trumpeter, Viola, Violin, virtual, vocal music, Wikipedia, wind instruments, wind music, Wisconsin, Wolfgang Amadeus Mozart, works, year, YouTube
The UW Symphony strings and Pro Arte Quartet team up Thursday night for a free online MUST-HEAR concert of Shostakovich, Elgar and Caroline Shaw. TONIGHT you can hear free piano and percussion recitals
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
All times are Central Daylight Time.
ALERTS: Tonight from 6:30 to 8 p.m. in Collins Recital Hall of the Hamel Music Center, the UW-Madison Mead Witter School of Music will present a departmental piano recital with undergraduate and master’s students. There is no listing of performers and pieces yet. One assumes they will be announced during the live-stream. Here is the link to take you to the YouTube video: https://www.youtube.com/watch?v=-7muCH_gupA
Then from 7:30 to 9 p.m., the UW Chamber Percussion Ensemble will live-stream a concert from the Mead Witter Foundation Concert Hall. Here is the YouTube link. If you click on Show More, you will find the details of the program and composers: https://www.youtube.com/watch?v=xWv285nZutI
By Jacob Stockinger
This Thursday night, April 22, you can hear two of the musical groups that The Ear found most impressive and consistently excellent during the Pandemic Year.
At 7:30 p.m., the UW-Madison Symphony Orchestra’s string section (below) and the Pro Arte Quartet will team up to perform a free 90-minute, live-streamed concert online.
It is one of the last major concerts of this school year and will be conducted by the outstanding music director and conductor of the orchestra, Professor Oriol Sans (below).
For The Ear, it is a MUST-HEAR concert.
Here is a link to the YouTube site where you can see and hear it: https://youtu.be/TN2PftBJ4yg. If you click on Show More, you can see the members of the orchestra’s strings along with a list of the graduating seniors.
All the works on the innovative program are closely informed by the string quartet.
The program includes the darkly dramatic five-movement Chamber Symphony, Op. 110a, based on the famous and popular String Quartet No. 8, by Dmitri Shostakovich; the orchestral version of the entrancing and quietly hypnotic “Entr’acte” — heard in the YouTube video at the bottom — that was originally written for string quartet by the Pulitzer Prize-winning contemporary American composer Caroline Shaw (below, in a photo by Kait Moreno); and the Introduction and Allegro for String Quartet and String Orchestra by Sir Edward Elgar.
The UW-Madison’s acclaimed Pro Arte Quartet (below) is the soloist and will join forces with the orchestra for the Elgar work. Quartet members are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.
And here is a link to more information about the program and to more extensive program notes: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-8/
Tags: #AmericanComposer, #AudiofortheArts, #BlogPost, #BlogPosting, #CarolineShaw, #CentralTime, #ChamberPercussionEnsemble, #CollinsRecitalHall, #ContemporaryComposer, #CoronavirusPandemic, #DavidPerry, #DmitriShostakovich, #EdwardElgar, #FacebookPost, #FacebookPosting, #GraduateStudent, #HamelMusicCenter, #JacobStockinger, #LivingComposer, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MusicDirector, #Musicfaculty, #MusicProfessor, #NewMusic, #OnlineConcert, #OrchestralMusic, #OriolSans, #ParryKarp, #PercussionMusic, #PianoMusic, #PianoTeachers, #ProArteQuartet, #ProgramNotes, #PulitzerPrize, #SallyChisholm, #StringMusic, #StringQuartet, #SuzanneBeia, #TheEar, #TheUW, #UndergraduateStudent, #UniversityofWisconsin-Madison, #UWSymphonyOrchestra, #VirtualConcert, #WorldWarII, #YouTubeChannel, #YouTubevideo, allegro, American, American composer, Arts, audience, Beia, blog, Blog post, blog posting, Caroline Shaw, CDT, cellist, Cello, Central Time, chamber, Chamber music, Chisholm, Classical music, Collins Recital Hall, composer, Concert, conductor, consistent, contemporary, coronavirus, dark, David Perry, detail, Dmitri Shostakovich, dramatic, Edward Elgar, Elgar, entr'acte, entrancing, excellent, extensive, Facebook, Facebook post, Facebook posting, famous, forward, free, graduate student, graduates, graduating, group, Hamel Music Center, hear, hypnotic, impressive, include, information, innovative, introduction, Jacob Stockinger, Karp, like, link, list, live-stream, Living composer, Madison, major, Mead Witter Foundation Concert Hall, Mead Witter School of Music, member, Music, Music director, music faculty, musical, must-hear, New Music, online, Orchestra, orchestral music, original, Oriol Sans, outstanding, pandemic, Parry Karp, percussion, Percussion music, perform, performance, performer, Perry, Pianist, Piano, piano music, piano teachers, popular, Pro Arte Quartet, professor, program, program notes, Pulitzer Prize, quiet, recital, Sally Chisholm, Sans, see, seniors, share, Shaw, Shostakovich, site, soloist, string music, String quartet, strings, Student, Suzanne Beia, symphony, tag, team, The Ear, undergraduate, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Symphony Orchestra, UW-Madison, version, Viola, Violin, violist, virtual, vocal music, war, Wisconsin, world, World War II, YouTube
A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.
Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule
The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra
Here is a day-by-day lineup. All times are Central Daylight Time:
TONIGHT, MARCH 25
The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.
The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.
The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)
Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8
For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/
FRIDAY, MARCH 26
At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.
Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.
Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii
At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu
The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.
Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.
SATURDAY, MARCH 27
At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.
Here is a link: YouTube.com/GracePresentsConcerts
You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/
At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert.
Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A
Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/
At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8
And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/
SUNDAY, MARCH 28
From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.
The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.
Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/
From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:
“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.
“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.
Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200
At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.
Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/
Tags: #African-AmericanComposer, #AlyssaMorris, #AndrewSewell, #BachAroundtheClock, #BaroqueMusic, #BerlinGermany, #BerlinPhilharmonic, #BlackComposer, #BlogPost, #BlogPosting, #BrandenburgConcerto, #CapitolSquare, #CarrieBackman, #CentralDaylightTime, #CentralTime, #ChamberMusic, #ChamberOrchestra, #ChamberWinds, #ChicagoIllinois, #ChicagoOperaTheater, #ChristianChurch, #ClassicalGuitar, #ClaudeDebussy, #CocktailHour, #ConorNelson, #CoronavirusPandemic, #DesMoines, #DesmoinesIowa, #DesMoinesMetroOpera, #EdgewoodCollege, #EdvardGrieg, #EllenCogen, #FacebookPost, #FacebookPosting, #FemaleComposer, #FlorencePrice, #FranzJosephHaydn, #FranzSchubert, #GeneralDirector, #GracePresents, #GraduateStudent, #Grammy-winning, #GrammyAward, #GustavMahler, #HenryPurcell, #HomeWebsite, #IgorStravinsky, #ItalianBaroque, #JacobStockinger, #JakeHeggie, #JessieMontgomery, #JohannesBrahms, #JohannSebastianBach, #JuliaUrbank, #LatinLanguage, #LiveStreaming, #LivingComposer, #LudwigVanBeethoven, #MadisonOpera, #ManuelDeFalla, #MarcVallon, #MaureenCarr, #MedievalMusic, #Mezzo-sopranoSinger, #MusicDirector, #MusicEducation, #Musicfaculty, #NathanWysock, #OnlineConcert, #OnlineFestival, #OriolSans, #PanelDiscussion, #PeerGynt, #PeerGyntSuite, #PennState, #PerlmanTrio, #PianoAccompanist, #Pre-concertTalk, #ProgramNotes, #SarahBrailey, #SimonRattle, #SopranoSinger, #StarWars, #SteveReich, #StringMusic, #SusanCook, #TheEar, #TheForceAwakens, #TheUK, #TheUW, #TicketPrice, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWSymphonyOrchestra, #ViolinConcerto, #VirtualConcert, #VocalMusic, #WebPage, #WindQuintet, #WingraWindQuintet, #WisconsinChamberOrchestra, #WolftrapOpera, #WomenComposer, #YouTubeChannel, #YouTubevideo, academic, African American, Alyssa Morris, America, American, Andrew Sewell, Apollo, Arts, audience, Bach, Bach Around the Clock, background, Ballade, Baroque, Bassoon, bassoonist, BATC, Beethoven, Berlin, Berlin Philharmonic, black composer, blog, Blog post, blog posting, Brahms, Brailey, Brandenburg Concerto, British, busy, Capitol, Capitol Square, Carrie Backman, CDT, celebration, Cello, central, Central Daylight Time, Central Time, Chamber music, chamber orchestra, Chamber Winds, channel, Chicago, Chicago Opera Theater, Christian, church, classical guitar, Classical music, Claude Debussy, click, cocktail, cocktail hour, Cogen, companies, competing, complete, composer, Concert, concerto, conductor, conductus, Conor Nelson, coronavirus, coronavirus pandemic, de Falla, Debussy, Des Moines Metro Opera, discount, discussion, downtown, duet, Early music, Edgewood College, Edvard Grieg, Ellen Cogen, end, England, English, excerpts, Facebook, faculty, female, festival, Florence Price, flute, flutist, Franz Joseph Haydn, Franz Schubert, free, Friday, General director, Germany, Grace Episcopal, Grace Episcopal Church, Grace Presents, graduate student, Grammy, Grammy Award, Grave Presents, Grieg, guitar, Gustav Mahler, Haydn, Heggie, Henry Purcell, Igor Stravinsky, information, Iowa, Italian, Italy, Jacob Stockinger, Jake Heggie, Jessie Montgomery, Johann Sebastian Bach, Johannes Brahms, Julia Urbank, Latin, lecture, like, lineup, link, Living composer, Ludwig van Beethoven, lute, Madison, Madison Opera, Mahler, Manuel DeFall, Marc Vallon, march, Maureen Carr, Medieval, member, metrical, Mezzo-soprano, minimalism, minimalist, Monday, Montgomery, morning, Morris, Music, Music director, Music education, music faculty, musicology, name, names, Nathan Wysock, Nelson, neo-Classical, noteworthy, oiano, on-demand, online, online festival, opera, Orchestra, Oriol Sans, Overture Center, pandemic, Peer Gynt, Penn State, perform, performer, Perlman Trio, photo, Pianist, Piano, Piano accompanist, Piano Trio, post, pre-concert, price, program, program notes, Purcell, purchase, recital, Reich, releaseconcert, Sarah Brailey, Saturday, Schubert, series, setting, Sewell, share, Simon Rattle, sing, Singing, soloist, song, soprano, Spring, Star Wars, Steve Reich, Stravinsky, stream, streaming, string music, strings, Suite, Sunday, surprising, Susan Cook, symphony, tag, talk, text, The Ear, The Force Awakens, theater, theorbo, third, Thursday, tickets, tonight, trio, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Symphony Orchestra, UW-Madison, UW-Madison Symphony Orchestra, Vallon, video, Viola, Violin, Violin concerto, violinist, virtual, vocal music, web, Website, weekend, wind music, Wind quintet, winds, Wingra Wind Quintet, Wisconsin Chamber Orchestra, Wolf Trap Opera, women, women composer, works, year, YouTube
Here are the Top 10 online concerts to stream in March, according to critics for the New York Times
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The online live-streamed concert by the UW-Madison’s Pro Arte Quartet — scheduled for this Friday night, March 5 — in the all-Beethoven cycle of string quartets has been canceled and postponed until next year. The Friday, April 9 installment of the Beethoven cycle will be held as Installment 7 instead of 8.
By Jacob Stockinger
Classical music critics of The New York Times have once again picked their Top 10 online concerts for the month of March.
The Ear has found such lists helpful for watching and hearing, but also informative to read, if you don’t actually “attend” the concert.
If you have read these lists before, you will see that this one is typical.
It offers lots of links with background about the works and performers; concert times (Eastern); and how long the online version is accessible.
Many of the performers will not be familiar to you but others – such as pianist Mitsuko Uchida (below, in a photo by Hiroyuki Ito for the Times), who will perform an all-Schubert recital, will be very familiar.
But the critics once again emphasize new music and even several world premieres – including one by Richard Danielpour — and a path-breaking but only recently recorded live performance of the 1920 opera “Die Tote Stadt” (The Dead City) by long-neglected composer Erich Wolfgang Korngold (below), who is best known for his Hollywood movie scores but who also wrote compelling classical concert hall music. (In the YouTube video at the bottom, you can hear soprano Renée Fleming sing “Marietta’s Song.’)
But some works that are more familiar by more standard composers – including Mozart, Beethoven, Schubert, Schumann, Ravel and Copland – are also included.
The Times critics have also successfully tried to shine a spotlight on Black composers and Black performers, such as the clarinetist and music educator Anthony McGill (below top), who will perform a clarinet quintet by composer Samuel Coleridge-Taylor (below) and music in the setting of the Metropolitan Museum of Art.
No purists, the critics also suggest famous oboe and clarinet works in transcriptions for the saxophone by composer-saxophonist Steven Banks (below).
Also featured is a mixed media performance of words and music coordinated by the award-winning Nigerian-American novelist, essayist and photographer Teju Cole (below), whose writings and photos are irresistible to The Ear.
Here is a link to the story in the Times: https://www.nytimes.com/2021/02/25/arts/music/classical-music-streaming-concerts.html
Are there other online concerts in March – local, regional, national or international – that you recommend in addition to the events listed in the Times?
The Ear wants to hear.
Tags: #AaronCopland, #AdolphusHailstork, #AmyBeach, #AnthonyMcGill, #AppalachianSpring, #AsianComposer, #BerlinGermany, #BlackComposer, #BlackCulture, #BlackMusic, #Blackperformer, #BlackTraditions, #BlogPost, #BlogPosting, #BluesMusic, #CarolineShaw, #ChamberMusic, #ClaraSchumann, #ClarinetConcerto, #ClarinetQuintet, #ClevelandOrchestra, #ConcertHall, #ConcertTime, #CoronavirusPandemic, #COVID-19, #DavidFung, #DavidHydePierce, #DeutscheOper, #ErichWolfgangKorngold, #FacebookPost, #FacebookPosting, #FemaleComposer, #FlorencePrice, #FranzSchubert, #GreatBritain, #GreatMigration, #HenryGorecki, #HildgardvonBingen, #JacobStockinger, #JenniferKoh, #JohnDowland, #KurtWeill, #LiveMusic, #LondonEngland, #LouisianaPhilharmonicOrchestra, #LouisvilleOrchestra, #LudwigVanBeethoven, #MargaretBonds, #MauriceRavel, #MeadWitterSchoolofMusic, #MetropolitanMuseumofArt, #MitsukoUchida, #MixedMedia, #MusicCritic, #NegroSpiritual, #NewMusic, #NewYorkPhilharmonic, #NewYorkTimes, #OboeQuartet, #OnlineConcert, #OperaMusic, #OperaPhiladelphia, #OrchestralMusic, #OrchestraofSt.Luke's, #PhiladelphiaPennsylvania, #PhilipGuston, #PianoConcerto, #PianoSonata, #PolishComposer, #PrincipalClarinet, #ProArteQuartet, #RecordedMusic, #RenéeFleming, #RiccardoChailly, #RichardDanielpour, #RobertSchumann, #SamuelColeridge-Taylor, #SarahCahill, #SopranoSinger, #StevenBanks, #StringQuartet, #TejuCole, #The CoronationofPoppea, #TheBlues, #TheDeadCity, #TheEar, #TheUW, #Top10, #UniversityofWisconsin-Madison, #UnsukChin, #ViolinConcerto, #VirtualConcert, #VocalMusic, #WigmoreHall, #WilliamBolcom, #WorldPremiere, #YouTubeChannel, #YouTubevideo, Aaron Copland, Actor, Adolphus Hailstork, Africa, Americana, Amy Beach, Anthony McGill, Appalachian Spring, Art, Arts, Asi, asian, Asian composer, audience, award, background, bakcground, beach, Beethoven, Berlin, black composer, Black culture, black music, Black performer, Black traditions, blog, blues, Bolcom, bovel, cancel, Caroline Shaw, cellist, Cello, Chamber music, Clara Schumann, clarinet, clarinet concerto, Clarinet Quintet, clarinetist, Classical music, Cleveland, Cleveland Orchestra, Cole, composer, Concert, concert hall, concert time, concerto, conductor, Copland, coronavirus, coronavirus pandemic, critic, cycle, Danielpour, David Fung, David Hyde Pierce, Deutsche Oper, Deutsche Opera, Early music, England, Erich Wolfgang Korngold, essay, essayist, event, Facebook, Facebook page, familiar, female, Florence Price, forward, Franz Schubert, Fung, Germany, Gorecki, Great Britain, Great Migration, Hailstork, hear, helful, Henryk Gorecki, Hildegard von Bingen, impromptu, international, Jacob Stockinger, Jazz, jazzy, Jennifer Koh, John Dowland, Kaija Saariaho, Koh, Korngold, Kurt Weill, like, link, list, live music, local, London, Louisiana Philharmonic Orchestra, Louisville Orchestra, Ludwig van Beethoven, Madison, march, Margaret Bonds, Maurice Ravel, McGill, Mead Witter School of Music, media, Metropolitan Museum of Art, Mitsuko Uchida, mixed media, Mozart, Museum, Music, music critic, national, neglect, Negro spirituals, New Music, New York Philharmonic, New York Times, Nigeria, Nigerian, novelist, Oboe, Oboe Quartet, oboist, online, opera, Opera Philadelphia, Orchestra, Orchestra of St. Luke's, orchestral music, other, pandemic, PAQ, Pennsylvania, performer, Philip Guston, photographer, Pianist, Piano, Piano concerto, Piano sonata, players, Polish composer, post, posting, postpone, price, Principal Clarinet, Pro Arte Quartet, purist, quintet, Ravel, read, recital, recommendation, recorded music, regional, Renée Fleming, Riccardo Chailly, Richard Danielpour, Robert Schumann, Samuel Coleridge-Taylor, Sarah Cahill, Saxophone, Schubert, Schumann, setting, share, Shaw, Shine, Singing, soloist, Sonata, song, soprano, spirituals, spotlight, Spring, Steven Banks, stream, String quartet, symphony, tag, Teju Cole, The blues, The Dead City, The Ear, time, Top 10, transcription, typical, Uchida, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Unsuk Chin, UW, UW-Madison, value, version accessible, Viola, Violin, Violin concerto, violinist, violist, virtual, vocal music, watch, Weill, Wigmore Hall, WILLIAM BOLCOM, Wisconsin, Wolfgang Amadeus Mozart, women, works, world premiere, Writer, writing, YouTube, YouTube video
Due to popular demand, Wisconsin Youth Symphony Orchestras (WYSO) opens its FREE virtual master classes to the public. Today features the violin and Monday features the bass
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO) welcomes back two distinguished and successful alumni this weekend to teach the fifth and sixth master classes in an ongoing series that has already wowed observers. (WYSO alumni are noted below with an asterisk.)
Each virtual event is free and open to the general public with registration required in advance.
“The series has been so fabulous that, due to popular demand, we’ve opened up the events to anyone who wants to attend,” says Susan Gardels, marketing and communications director for WYSO.
TODAY – Sunday, Jan. 10 — from 5:30-7:30 p.m. CST Derek Powell, a violinist with the National Symphony Orchestra in Washington, D.C., will coach four WYSO violin members in a two-hour master class.
This will be followed the next evening with a master class coached by Scott Pingel, Principal Bass with the San Francisco Symphony Orchestra (Monday, Jan. 11, 6:30-8:30 p.m. CST).
A master class presents a one-on-one opportunity for a student musician to learn from a guest artist with an audience invited to observe the process.
In previous master classes in this series, the audience has learned instrument performance techniques and musical interpretation tips from a wide variety of guest artists who professionally play music around the world.
With the master classes presented in an intimate Zoom setting, the audience learns along with the student— and it is amazing to see the sudden growth in a student’s musical prowess as a master class proceeds.
Derek Powell’s bio includes his experience with the New World Symphony where Powell (below) performed as concertmaster with famed conductor Michael Tilson Thomas and as a violinist with the Army Strings, as well as his current experience with the National Symphony Orchestra.
Scott Pingel (below) was a trumpet player in his WYSO days with a side love for electric bass. Pingel switched to concert bass as an undergraduate at UW-Eau Claire, continued studies at the Manhattan School of Music, and played with the New World Symphony and the Charleston Symphony before joining the San Francisco Symphony as Principal Bass in 2004. He recently created buzz by playing with Metallica in a packed house with the San Francisco Orchestra.
For more information, go to: WYSO Amazing Masterclass Series:
Here are details and links to register:
*Derek Powell, Violin Master Class
TODAY, Sunday, Jan. 10, 5:30-7:30 p.m. CST
Free and open to the public
Click here to register in advance
_______________________________
*Scott Pingel, Bass Master Class
Monday, Jan. 11, 6:30-8:30 p.m. CST
Free and open to the public
Click here to register in advance
Here are is a schedule of future WYSO alumni master classes:
Katherine Steele (below), oboe
Sunday, Jan. 17, 6-8 p.m. CST
(Principal Oboe, Milwaukee Symphony Orchestra) https://wysomusic.org/katherine-steel-masterclass/
James Shields (below), clarinet
Sunday, Jan. 24, 7-9 p.m. CST
(Principal Clarinet, Oregon Symphony Orchestra)
Read more about James Shields
*Nancy Goeres (below), bassoon
Sunday, Feb. 7, 6-8 p.m. CST
(Principal Bassoon, Pittsburgh Symphony Orchestra)
Danbi Um (below), violin
Sunday, Feb. 21, Time TBD
(Soloist, member Chamber Music Society of Lincoln Center)
Megumi Kanda (below), trombone
Sunday, Feb. 28, 5:30-7:30 p.m. CST (Principal Trombone, Milwaukee Symphony Orchestra)
David Perry (below), violin
Sunday, March 7, 6-8 p.m. CST
(First Violin, UW-Madison Pro Arte Quartet and UW-Madison Music Professor)
Naha Greenholtz (below), violin
Sunday, March 28, 6-8 p.m. CST
(Concertmaster, Madison Symphony Orchestra and Quad Cities Symphony Orchestra)
*Sharan Leventhal (below), violin
Sunday, April 11, 6-8 p.m. CST
(Boston Conservatory)
For more information, go to https://wysomusic.org or call (608) 733-6283.
Tags: #African-Americanmusician, #ArmyStrings, #AugustaReadThomas, #BassPlayer, #BlackAmericans, #BlogPost, #BlogPosting, #BostonConservatory, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #CharlestonSymphony, #ClarinetMusic, #CommunicationsDirector, #ConcertBass, #DanbiUm, #DavidPerry, #DerekPowell, #ElectricBass, #FacebookPost, #FacebookPosting, #FacultyMember, #GeneralPublic, #GuestArtist, #HomeWebsite, #JacobStockinger, #JamesShields, #KatherineSteele, #LincolnCenter, #MadisonSymphonyOrchestra, #ManhattanSchoolofMusic, #MarketingDirector, #MeadWitterSchoolofMusic, #MegumiKanda, #MichaelTilsonThomas, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MusicCoach, #MusicEducation, #Musicfaculty, #MusicProfessor, #NahaGreenholtz, #NancyGoeres, #NationalSymphony, #NationalSymphonyOrchestra, #NewWorldSymphony, #OboeMusic, #OnlineConcert, #OrchestralMusic, #OregonSymphonyOrchestra, #PittsburghSymphony, #PopularDemand, #PrincipalBass, #PrincipalBassoon, #PrincipalClarinet, #PrincipalOboe, #PrincipalTrombone, #ProArteQuartet, #QuadCitiesSymphonyOrchestra, #RegistrationForm, #RockandRoll, #SanFranciscoSymphony, #ScottPingel, #SharanLeventhal, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #USArmy, #UW-EauClaire, #VirtualConcert, #WashingtonD.C., #WisconsinYouthSymphonyOrchestras, #YouTubevideo, #ZoomMeeting, advance, African American, alumni, alumnus, anyone, Army, Army Strings, Arts, asterisk, audience, bass, Bassoon, bio, black, blog, Boston Conservatory, buzz, call, Chamber music, Chamber Music Society of Lincoln Center, Charleston, Charleston Symphony, clarinet, Classical music, coach, communications, Concert, concert bass, concertmaster, conductor, current, D.C., Danbi Um, David Perry, demand, Derek Powell, details, director, distinguished, electric bass, evening, event, experience, Facebook, Facebook post, Facebook posting, faculty, forward, free, general public, go, guest artist, home website, information, instrument, invite, Jacob Stockinger, James Shields, Katherine Steele, learn, like, LIncoln Center, link, Love, Madison, Madison Symphony Orchestra, Manhattan School of Music, marketing, master class, masterclass, Mead Witter School of Music, Megumi Kanda, member, Mettalica, Michael Tilson Thomas, Milwaukee, Milwaukee Symphony Orchestra, Monday, MSO, MTT, Music, Music education, music faculty, Musician, Naha Greenholtz, Nancy Goeres, National Symphony, National Symphony Orchestra, New World Symphony, noted, Oboe, oboist, observe, observer, online, open, opportunity, Orchestra, orchestral music, Oregon, Oregon Symphony Orchestra, PAQ, performance, Pittsburgh Symphony Orchestra, play, popular, popular demand, post, posting, Principal Clarinet, Principal Oboe, Principal Trombone, prinicipal, Pro Arte Quartet, process, professor, prowess, public, Quad Cities, Quad Cities Symphony, registration, require, rock and roll, San Francisco Symphony, Scott Pingel, series, Sharan Leventhal, share, side, society, solo, soloist, Student, studies, successful, Sunday, switch, symphony, tag, technique, techniques, The Ear, Trombone, trombonist, U.S. Army, undergraduate, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Eau Claire, UW-Madison, Violin, violin music, violinist, virtual, Washington, Washington D.C., Website, weekend, welcome, Wisconsin, Wisconsin Youth Symhony Orchestras, wowed, WYSO, Zoom
Library of Congress streams UW pianist Christopher Taylor’s online Liszt-Beethoven symphony recital for free this Thursday night
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Thursday night, Dec. 17, from 7 to 9 p.m. CST, University of Wisconsin-Madison virtuoso pianist Christopher Taylor (below) will close the celebration of the Beethoven Year, marking the 250th anniversary of the composer’s birth, at the Library of Congress. After the concert’s premiere, it will stay posted online.
For the past several years, Taylor has been performing the solo piano transcriptions by Franz Liszt of Ludwig van Beethoven’s nine symphonies both in Russia and at the UW-Madison.
Here is more from the website of the UW-Madison’s Mead Witter School of Music:
“It takes extraordinary skill as an orchestrator to condense an entire symphony by Beethoven (below top) into a version for a solo instrument, but that is just what Franz Liszt (below bottom) accomplished in his piano transcriptions. (You can hear a sample, along with a visual representation, of the Fifth Symphony transcription in the YouTube video at the bottom.)
“Hear virtuoso pianist Christopher Taylor perform three of these transcendent symphony transcriptions, works he describes as a “new perspective on something familiar.” (The Ear, who has heard Taylor’s impressive performances of almost all nine symphonies, finds that comparing the two versions is like looking at the same photograph in color and then black-and-white. Color emphasizes details while black-and-white emphasizes structure. You hear new things by comparing the two.)
The performance was pre-recorded in the Mead Witter Foundation Concert Hall of the Hamel Music Center.
The program is:
BEETHOVEN/LISZT
Symphony No. 1 in C major, Op. 21
Symphony No. 2 in D major, Op. 36
Symphony No. 5 in C minor, Op. 67
You can find more details at: https://loc.gov/concerts/christopher-taylor.html
You can Register on Eventbrite
Hailed by critics as “frighteningly talented” (The New York Times) and “a great pianist” (The Los Angeles Times), Taylor has distinguished himself throughout his career as an innovative musician with a diverse array of talents and interests.
He is known for a passionate advocacy of music written in the past 100 years — Messiaen, Ligeti and Bolcom figure prominently in his performances — but his repertoire spans four centuries and includes the complete Beethoven sonatas, the Liszt Transcendental Etudes, Bach’s Goldberg Variations, and a multitude of other familiar masterworks.
Whatever the genre or era of the composition, Taylor brings to it an active imagination and intellect coupled with heartfelt intensity and grace.
Taylor has concertized around the globe, with international tours taking him to Russia, Western Europe, East Asia and the Caribbean.
At home in the U.S. he has appeared with orchestras such as the New York Philharmonic, Los Angeles Philharmonic, Detroit Symphony, the Madison Symphony and the Milwaukee Symphony. As a soloist he has performed in New York’s Carnegie and Alice Tully Halls, in Washington’s Kennedy Center for the Performing Arts, the Ravinia and Aspen festivals, and dozens of other venues.
In chamber music settings, he has collaborated with many eminent musicians, including Robert McDuffie and the Borromeo, Shanghai, Pro Arte, and Ying Quartets.
His recordings have featured works by Liszt, Messiaen and present-day Americans William Bolcom and Derek Bermel.
Throughout his career, Taylor has become known for undertaking memorable and unusual projects. Examples include: an upcoming tour in which he will perform, from memory, the complete transcriptions of Beethoven symphonies by Liszt; performances and lectures on the complete etudes of Gyorgy Ligeti; and a series of performances of the Goldberg Variations on the unique double-manual Steinway piano (below) in the collection of the University of Wisconsin.
Numerous awards have confirmed Taylor’s high standing in the musical world. He was named an American Pianists’ Association Fellow for 2000, before which he received an Avery Fisher Career Grant in 1996 and the Bronze Medal in the 1993 Van Cliburn International Piano Competition. In 1990 he took first prize in the William Kapell International Piano Competition, and also became one of the first recipients of the Irving Gilmore Young Artists’ Award.
Taylor lives in Middleton, Wis., with his wife and two daughters. He is a Steinway artist.
For more biographical information — including his piano teachers and his education as well as his interest in mathematics and engineering — go to: https://www.music.wisc.edu/event/christopher-taylor-concerts-from-the-library-of-congress/
Tags: "Goldberg" Variations, #AliceTullyHall, #Americancomposers, #AmericanOrchestras, #AmericanPianistsAssociation, #AspenColorado, #AspenFestival, #AveryFisherCareerGrant, #BaroqueMusic, #BeethovenYear, #BlogPost, #BlogPosting, #BronzeMedalist, #CarnegieHall, #ChamberMusic, #ChristopherTaylor, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #DerekBermel, #DetroitMichigan, #DetroitSymphony, #DoubleManual, #EastAsia, #FacebookPost, #FacebookPosting, #FifthSymphony, #FirstPrize, #FranzLiszt, #Goldberg"Variations, #GyorgyLigeti, #HamelMusicCenter, #HarvardUniversity, #HomeWebsite, #husband-and-wife, #InstrumentalMusic, #IrvingGilmoreYoungArtistsAward, #JacobStockinger, #JohannSebastianBach, #KennedyCenter, #LibraryofCongress, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MiddletonWisconsin, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MusicCritic, #NewMusic, #NewThings, #NewYorkCity, #NewYorkPhilharmonic, #NewYorkTimes, #OlivierMessiaen, #OpusNumber, #PianoConcerto, #PianoSonata, #PIanoTeacher, #ProArteQuartet, #RaviniaFestival, #RobertMcDuffie, #RussellSherman, #ShanghaiChina, #ShanghaiStringQuartet, #SteinwayandSons, #StringQuartet, #TheEar, #TheU.S., #TheUW, #TranscendentalEtudes, #U.S.Congress, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VirtuosoPianist, #WesternEurope, #WilliamBolcom, #WilliamKapell, #WilliamKapellInternaitonalPianoCompetition, #YingQuartet, #YouTubeChannel, #YouTubevideo, 250, accomplish, active, advocacy, Alice Tully Hall, American, American Pianists Association, anniversary, array, artist, Arts, Asia, Aspen Festival, audience, Avery Fisher Career Grant, awards, Bach, Baroque, Beethoven, Beethoven Year, Bermel, biographical, biography, birth, birthday, black-and-white, blog, Bolcom, Borromeo, bronze medal, bronze medalist, California, career, Caribbean, Carnegie Hall, celebration, centuries, century, Chamber music, channel, China, Christopher Taylor, Classical music, close, collaborate, color, Colorado, complete, composer, Composition, Concert, concertize, concerto, condense, conductor, Congress, contrast, coronavirus, daughter, Derek Bermel, details, Detroit, Detroit Symphony, distinguish, diverse, double manual, dozens, Early music, East Asia, Education, eminent, emphasize, engineering, era, etude, Europe, Eventbrite, extraordinary, Facebook, Facebook post, Facebook posting, familiar, festival, Fifth Symphony, figure, find, first prize, Franz Liszt, free, frightening, genre, Georgy Ligeti, globe, grace, hailed, Hamel Music Center, hands, Harvard, Harvard University, hear, heartfelt, Home, home website, imagination, impressive, information, innovative, instrument, intellect, intensity, interests, international, Irving Gilmore Young Artists Award, Jacob Stockinger, Johann Sebastian Bach, Kennedy Center, lecture, library, Library of Congress, Ligeti, Liszt, Los Angeles, Los Angeles Philharmonic, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, mark, Masterworks, mathematics, Mead Witter Foundation Concert Hall, Mead Witter School of Music, memorable, memory, Messiaen, Middleton, Milwaukee, Milwaukee Symphony Orchestra, multitude, Music, music critic, Music education, Musician, named, New Music, new things, New York City, New York Philharmonic, New York Times, Olivier Messiaen, opus, Opus number, Orchestra, orchestras, orchestrator, pandemic, passionate, performance, photograph, photography, Pianist, Piano, Piano concerto, Piano sonata, piano teacher, post, posting, pre-recorded, premiere, Pro Arte Quartet, program, projects, prominent, Ravinia Festival, recipient, register, repertoire, repertory, representation, Robert McDuffie, Russell Sherman, Russia, sample, setting, Shanghai, Shanghai String Quartet, skill, solo, soloist, Sonata, span, Steinway, stream, String quartet, structure, symphonies, symphony, talented, talents, Taylor, The Ear, tour, transcendent, Transcendental Etudes, transcription, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, UW, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, venue, venues, version, virtuoso, visual, Washington, Website, Western Europe, wife, WILLIAM BOLCOM, William Kapell, William Kapell International Piano Competition, Wisconsin, world, Ying Quartet, YouTube
Recent Comments
 | Ronnie on How do post-pandemic concert a… |
 | welltemperedear on How do post-pandemic concert a… |
 | Polly Kuelbs on How do post-pandemic concert a… |
| welltemperedear on How do post-pandemic concert a… |
 | Ann Boyer on How do post-pandemic concert a… |
The Well-Tempered Ear 
Here are the classical music nominations for the 63rd annual Grammy Awards in 2021
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
It’s time again for the annual Grammy Awards (below).
Although determined by the recording industry and often considered promotional marketing, they might be more helpful given the peculiar circumstances of the past year.
After all, the coronavirus pandemic has changed our listening habits.
Perhaps you now listen mostly via computer to virtual online concerts and performances that are streamed.
Perhaps you listen to Compact Discs using home stereo systems.
Perhaps you subscribe to a streaming service such as Apple Music, Amazon Music, Spotify and others.
However you listen to music, you might find the following list useful, especially as it comes at the beginning of the holiday shopping and gift-giving season.
You might also find the nominations for the 63rd annual Grammy Awards informative about individual musicians and musical groups in your area.
They can help you judge how many or how few contemporary composers and new works get performed.
Performers provide other examples. You might find it interesting, for example, that soprano Sarah Brailey (below) has been nominated for her role in the solo vocal work “The Prison” by Ethel Smyth. Brailey is a graduate student at the University of Wisconsin-Madison Mead Witter School of Music and a co-founder and performer of the free monthly Just Bach concerts.
Pianist Shai Wosner (below, in a photo by Marco Borggreve), who played late Schubert sonatas at the Salon Piano Series at Farley’s House of Pianos, is included in a list of producer awards for his recording of those sonatas.
The Milwaukee Symphony Orchestra and Florentine Opera have been nominated for a recording of Carlisle Floyd’s opera “Prince of Players.”
Conductor Julian Wachner (below top), violinist Augustin Hadelich (below middle) and pianist Jonathan Biss (below bottom) have all performed with the Madison Symphony Orchestra, some more than once.
Soprano Laquita Mitchell (below) — who has sung with the Madison Opera — has been nominated for her performance in the choral work “Sanctuary Road” by Paul Moravec.
Cellist Matt Haimovitz (below top) and composer Luna Pearl Woolf (below bottom) have been nominated for the latter’s “Fire and Flood.” Both have appeared with UW-Madison orchestral and choral groups.
If you notice more local connections, please leave word in the Comment section.
The winners will be announced on CBS Television the evening of Sunday, Jan. 31, 2021.
73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
· DANIELPOUR: THE PASSION OF YESHUA
Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
· GERSHWIN: PORGY AND BESS
David Frost and John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
· HYNES: FIELDS
Kyle Pyke, engineer; Jesse Lewis and Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
· IVES: COMPLETE SYMPHONIES (below)
Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel and Los Angeles Philharmonic)
· SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’
David Frost and Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti and Chicago Symphony Orchestra)
·
74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
· BLANTON ALSPAUGH
• Aspects Of America – Pulitzer Edition (Carlos Kalmar and Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov and PaTRAM Institute Singers)
• Dvorak: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda and National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher and Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar and Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale and Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir and Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly and Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz and Choir Of Trinity Wall Street)
· DAVID FROST (below)
• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra and Chorus)
• Gluck: Orphée ed Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra and Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern and Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra and Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra and Chorus)
· JESSE LEWIS
• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes and Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer and Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha and International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)
· DMITRIY LIPAY
• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel and Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes and Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel and Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard and Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 and Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard and Seattle Symphony)
· ELAINE MARTONE
• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman and Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior and Oliverio: Orchestral Works (Robert Spano and Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon and Los Angeles Master Chorale)
75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
· ASPECTS OF AMERICA – PULITZER EDITION (below)
Carlos Kalmar, conductor (Oregon Symphony)
· CONCURRENCE
Daniel Bjarnason, conductor (Iceland Symphony Orchestra)
· COPLAND: SYMPHONY NO. 3
Michael Tilson Thomas, conductor (San Francisco Symphony)
· IVES: COMPLETE SYMPHONIES
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
· LUTOSLAWSKI: SYMPHONIES NOS. 2 and 3
Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)
76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
· DELLO JOIO: THE TRIAL AT ROUEN
Gil Rose, conductor; Heather Buck and Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
· FLOYD, C.: PRINCE OF PLAYERS
William Boggs, conductor; Keith Phares and Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
· GERSHWIN: PORGY AND BESS (below)
David Robertson, conductor; Angel Blue and Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
· HANDEL: AGRIPPINA
Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)
· ZEMLINSKY: DER ZWERG
Donald Runnicles, conductor; David Butt Philip and Elena Tsallagova; Peter Ghirardini and Erwin Sturzer, producers (Orchestra of The Deutsche Oper Berlin; Chorus of The Deutsche Oper Berlin)
·
77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
· CARTHAGE
Donald Nally, conductor (The Crossing)
· DANIELPOUR: THE PASSION OF YESHUA (below)
JoAnn Falletta, conductor; James K. Bass and Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann and Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus and UCLA Chamber Singers)
· KASTALSKY: REQUIEM
Leonard Slatkin, conductor; Charles Bruffy, Steven Fox and Benedict Sheehan, chorus masters (Joseph Charles Beutel and Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale and The Saint Tikhon Choir)
· MORAVEC: SANCTUARY ROAD
Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather and Laquita Mitchell; Oratorio Society of New York Orchestra; Oratorio Society of New York Chorus)
· ONCE UPON A TIME
Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)
·
78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (24 or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
· CONTEMPORARY VOICES
Pacifica Quartet
· HEALING MODES
Brooklyn Rider
· HEARNE, T.: PLACE
Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra
· HYNES: FIELDS
Devonté Hynes and Third Coast Percussion
· THE SCHUMANN QUARTETS
Dover Quartet
·
79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
· BEETHOVEN: COMPLETE PIANO SONATAS (below)
Igor Levit
· BOHEMIAN TALES
Augustin Hadelich; Jakub Hrusa, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
· DESTINATION RACHMANINOV – ARRIVAL
Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
· THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA
Richard O’Neill; David Alan Miller, conductor (Albany Symphony)
·
80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
· AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich and Jason Vieaux)
· CLAIRIÈRES – SONGS BY LILI and NADIA BOULANGER
Nicholas Phan; Myra Huang, accompanist
· FARINELLI
Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
· A LAD’S LOVE
Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley and Ben Russell)
· SMYTH: THE PRISON
Sarah Brailey and Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)
·
81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
· ADÈS CONDUCTS ADÈS
Mark Stone and Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
· SAARIAHO: GRAAL THEATER; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
Clément Mao-Takacs, conductor; Hans Kipfer, producer
· SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
José Serebrier, conductor; Jens Braun, producer
· THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK and MEDITATIONS ON RILKE
Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
· WOOLF, L.P.: FIRE AND FLOOD
Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer
·
82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Thomas Adès, composer (Kirill Gerstein, Thomas Adès and Boston Symphony Orchestra)
· DANIELPOUR: THE PASSION OF YESHUA
Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
· FLOYD, C.: PRINCE OF PLAYERS (below)
Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus and Milwaukee Symphony Orchestra)
· HEARNE, T.: PLACE
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra)
· ROUSE: SYMPHONY NO. 5
Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)
If you want to see many more nominations, including those for pop, rock, folk, hip hop, jazz and videos, go to: https://www.grammy.com/grammys/news/2021-grammys-complete-nominees-list
Share this:
Like this:
Tags: #AaronCopland, #AlexanderZemlinsky, #AmazonMusic, #AmsterdamTheNetherlands, #AnneFrank, #AntoninDvorak, #AppleMusic, #AspectsofAmerica, #AtlantaSymphonyOrchestra, #AugustinHadelich, #BabiYar, #BaroqueMusic, #BaroqueOpera, #Bestof, #BestPerformance, #BlantonAlspaugh, #BlogPost, #BlogPosting, #BostonSymphony, #CarlisleFloyd, #CarlNielsen, #CeciliaBartoli, #CedilleRecords, #ChamberMusic, #ChamberOrchestra, #CharlesIves, #ChicagoSymhonyOrchetsra, #ChoralMusic, #ChristmasGifts, #ChristopherRouse, #ChristopherTheofanidis, #ChristophWillibaldGluck, #CityofMadison, #ClassicalMusician, #CompactDisc, #CompleteCycle, #ConcertPianist, #ContemporaryVoices, #DaniilTrifonov, #DavidFrost, #DavidRobertson, #DeccaRecords, #DeutscheGrammophon, #DeutscheOper, #DmitriShostakovich, #DmitriyLipay, #DoverQuartet, #EighthBlackbird, #ElaineMartone, #EricOwens, #EricWhitacre, #EthelSmyth, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FireandFlood, #FlorentineOpera, #FolkMusic, #FranzSchubert, #GeorgeFridericHandel, #GospelMusic, #GraduateStudent, #GrammyAwards, #GrammyNominations, #GuestArtist, #GustavHolst, #GustavoDudamel, #Hip-hopmusic, #HipHop, #HolidayGiftGuide, #HolidayShopping, #IcelandSymphonyOrchestra, #IgorLevit, #InstrumentalMusic, #JacobStockinger, #JesseLewis, #JoAnnFalletta, #JohnAdams, #JonathanBiss, #JoyceDiDonato, #JulesMassenet, #JulianWachner, #JustBach, #KaijaSaariaho, #KirillGerstein, #LaquitaMitchell, #LeonardSlatkin, #LiliBoulanger, #LiveStreaming, #LosAngelesCalifornia, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #LunaPearlWoolf, #MadisonOpera, #MadisonSymphonyOrchestra, #MattHaimovitz, #MeadWitterSchoolofMusic, #MetropolitanOpera, #Mezzo-sopranoSinger, #MichaelTilsonThomas, #MilwaukeeSymphonyOrchestra, #MilwaukeeWisconsin, #MissyMazzoli, #ModernMusic, #NadiaBoulanger, #NashvilleSymphony, #NashvilleTennessee, #NewMusic, #NicoMuhly, #NormanDelloJoio, #OnlineConcert, #OrchestraofSt.Luke's, #PacificaQuartet, #PaulMoravec, #PhiladelphiaOrchestra, #PhiladelphiaPennsylvania, #PhilipGlass, #PianoConcerto, #PianoMusic, #PianoSonata, #PopMusic, #PorgyandBess, #PrinceofPlayers, #PulitzerPrize, #RainerMariaRilke, #RecordedMusic, #RhythmandBlues, #RiccardoMuti, #RichardDanielpour, #RichardStrauss, #RobertSchumann, #RobertSpano, #RockMusic, #SalonPIanoSeries, #SanctuaryRoad, #SanFranciscoSymphony, #SarahBrailey, #SeattleSymphony, #SergeiRachmaninoff, #SergeiRachmaninov, #ShaiWosner, #SonyClassical, #SopranoSinger, #SoundEngineer, #StringQuartet, #TedHearne, #TheEar, #TheMet, #ThePassionofYeshua, #ThePlanets, #ThePrison, #TheUW, #ThomasAdès, #TorontoCanada, #TorontoSymphonyOrchestra, #UniversalRecords, #UniversityofWisconsin-Madison, #ViolinMusic, #VirtualConcert, #VirtuosoViolinist, #VocalMusic, #WilliamBolcom, #WitoldLutoslawski, #WorldWarII, #YannickNezet-Seguin, #YouTubevideo, #YujaWang, Aaron Copland, Adams, Adès, African-Ameican, Agrippina, Album, Alexander Zemlinsky, Amazon Music, America, Amsterdam, Anne Frank, annual, Antichrist, Antonín Dvořák, Apple Music, Arts, Asia, Aspects of America, Atlanta Symphony Orchestra, Augustin Hadelich, Babi Yar, Baroque, Baroque music, Beethoven, Berlin, best, black, Blanton Alspaugh, blog, blues, Bolcom, Boston Symphony, Buffalo, California, Carl Nielsen, Carlisle Floyd, Carthage, CBS, CBS-TV, Cecila Bartoli, Cedille, Cedille Records, cellist, Cello, Chamber music, chamber orchestra, Chanukah, Charles Ives, Chicago, Chicago Symphony Orchestra, China, Chinese, choral, choral music, chorus, Christmas, Christoph Willibald Gluck, Christopher Rouse, Christopher Theofanidis, cirumstances, Classical music, classicalmusic, comment, Compact Disc, complete, composer, computer, Concert, concerto, conductor, connection, Contemporary Voices, Copland, Daniil Trifonov, David Frost, David Robertson, dead, Decca, Della Joio, Deutsche Grammophon, Deutsche Opera, DG, Dmitri Shostakovich, Dmitriy Lipay, Dover Quartet, Dudamel, Dvorak, Early music, eighth blackbird, Elaine Martone, engineer, ensemble, ERIC OWENS, Eric Whitacre, Ethel Smyth, example, Facebook, Facebook post, Facebook posting, Farinelli, Farley's House of Pianos, Fire and Flood, Florentine Opera, folk, Folk music, forward, founder, France, Franz Schubert, free, George Frideric Handel, George Gershwin, georgegershwin, German, Germany, Gershwin, gift guide, Glass, Gluck, gospel, graduate student, Grammy, Grammy Award, guest artist, Gustav Holst, Gustavo Dudamel, Handel, Hanukkah, Hearne, Hip hop music, hip-hop, Hitler, Holiday, holiday gift guide, Holst, Home, Hynes, Iceland, Igor Levit, instrumental, Ives, Jacob Stockinger, January, Jazz, Jesse Lewis, JoAnn Falletta, John Adams, Jonathan Biss, Joyce DiDonato, Jules Massenet, Julian Wachner, Just Bach, Kahane, Kaija Saariaho, Kastalsky, Kirill Gerstein, Kwanzaa, Laquita Mitchell, Leonard Slatkin, like, Lili Boulanger, link, list, livestream, local, Los Angeles, Los Angeles Philharmonic, Ludwig van Beethoven, Luna Pearl Woolf, Lutoslawski, Madison, Madison Opera, Madison Symphony Orchestra, marketing, Marnie, Massenet, Matt Haimovitz, Mazzoli, Mead Witter School of Music, Meditation, Metropolitan Opera, Mezzo-soprano, Michael Tilson Thomas, Milwaukee, Milwaukee Symphony Orchestra, Missy Mazzoli, modern, monthly, Muhly, Music, Nadia Boulanger, Nashville Symphony, Nazi, New Music, New York, New York City, Nico Muhly, Nielsen, night, nominations, Norman Dello Joio, online, opera, Orchestra, Orchestra of St. Luke's, orchestral, Pacifica Quartet, Paul Moravec, peculiar, Pennsylvania, percussion, performance, performer, Philadelphia, Philadelphia Orchestra, Philip Glass, Pianist, Piano, Piano concerto, piece, player, pop, Porgy and Bess, post, posting, Prince of Players, prison, producer, promotional, Pulitzer Prize, R&B, Rachmaninoff, Rachmaninov, Rainer Maria Rilke, recorded music, records, repertoire, repertory, Requiem, Rhythm and Blues, Riccardo Muti, Richard Danielpour, Richard Strauss, Rilke, Robert Schumann, Robert Spano, Rock, rock music, role, Rouen, Rouse, Saariaho, Salon Piano Series, San Francisco, San Francisco Symphony, Sanctuary Raod, Sarah Brailey, Schubert, Schumann, Seattle, Seattle Symphony, Sergei Rachmaninoff, Sergei Rachmaninov, service, Shai, Shai Wosner, share, Shopping, Shostakovich, singer, Singing, solo, soloist, Sonata, song, SONY, Sony Classical, soprano, Spotify, stereo, Strauss, stream, String quartet, sung, symphony, system, tag, Ted Hearne, Television, The Ear, the Met, The Passion of Yeshua, The Planets, Theofanidis, Thomas Ades, time, Toronto, Toronto Symphony Orchestra, trial, Trofonov, TV, United States, universal, Universal Records, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, useful, UW, UW-Madison, video, Viola, Violin, violin music, violinist, violist, virtual, vocal music, voice, Wang, WILLIAM BOLCOM, winner, Wisconsin, Witold Lutoslawski, work, World War II, Yannick Nézet-Séguin, Yuja Wang, Zemlinsky